ISBN: 9783822856253

[ED: Paperback], [PU: Taschen Deutschland GmbH+], Sex, Drogen, Kriminalität, Black Power, alternative Kultur und natürlich Rock n' Roll: Das waren nur einige der Themen, denen so genannte… Mehr…

[ED: Paperback], [PU: Taschen Deutschland GmbH+], Sex, Drogen, Kriminalität, Black Power, alternative Kultur und natürlich Rock n' Roll: Das waren nur einige der Themen, denen so genannte Produzenten und Regisseure in den vergangenen achtzig Jahre Filme widmeten. Zugegeben: Einige dieser Filme wurden Kult - doch die meisten waren einfach nur billig und geschmacklos. Oder würde sich heute noch jemand hinsetzen und zwei Stunden High School Hellcats (1958) und Hot Rod Rumble (1957) ansehen? Die Poster allerdings, mit denen für diese Filme geworben wurde, sind erstklassige Zeugnisse der sozialen Ängste, Versuchungen und Tabus vergangener Zeiten. Bis zur Einführung des Hayes Codes 1934 kannte Hollywood nur wenige Hemmungen. Das Poster für Girl Without A Room (1933) beispielsweise machte dem Betrachter mehr als deutlich, auf welche Weise die junge Dame eine Unterkunft suchte... Einige Jahre später wurde es jedoch notwendig, einen alten Trick anzuwenden und zu behaupten, hinter dem fragwürdigen Inhalt verberge sich eine soziale Botschaft. So mussten etwa die Produzenten von Marihuana (1936) auf die Gefahren des Drogenmissbrauchs hinweisen. In den fünfziger Jahren drehte sich viel um Jugendkriminalität - und die Teenies der Mittelklasse fuhren in Scharen in die Autokinos. Die Sechziger und Siebziger brachten "Blaxploitation"-Filme wie Shaft, Russ Meyers brustfixierte Epen wie Faster Pussycat, Kill, Kill und selbst eine animierte "Sexploitation"-Story: Fritz The Cat. Die Poster zu diesen Filmen - von Alberto Vargas Kunstwerk für Ladies They Talk About (1933) bis zu Alan Aldridges Fotomontage für Warhols Chelsea Girls (1966) - waren Meisterwerke der visuellen Anspielungen und boten in den meisten Fällen viel mehr als der Film selbst., DE, [SC: 4.80], leichte Gebrauchsspuren, privates Angebot, 300x248x17 mm, 191, [GW: 1150g], [PU: Köln], Banküberweisung, PayPal, Internationaler Versand, [CT: Design/Künste/Film / Film/Foto-Zeitschriften, Zeitschriften/Zeitungen / Film/Foto-Zeitschriften]<

2006, ISBN: 3822856258

[EAN: 9783822856253], Gebraucht, sehr guter Zustand, [SC: 4.06], [PU: Taschen GmbH, Germany, Cologne], TONY NOURMAND FILM POSTERS EXPLOITATION, Sex, drugs, delinquency, Black power, alter… Mehr…

[EAN: 9783822856253], Gebraucht, sehr guter Zustand, [SC: 4.06], [PU: Taschen GmbH, Germany, Cologne], TONY NOURMAND FILM POSTERS EXPLOITATION, Sex, drugs, delinquency, Black power, alternative culture and, of course, rock and roll: these are just some of the themes, which have attracted the attention of the cinema's bottom-feeders over the past eighty years. A few of the resulting films have become cult classics, but most were simply tacky - few would probably now want to sit through two hours of High School Hellcats (1958) or Hot Rod Rumble (1957). The posters produced to promote them, on the other hand, are wonderful period pieces that vividly evoke the social fears, temptations and taboos of bygone eras. Up until the introduction of the Hayes Code in 1934 Hollywood had few inhibitions; the poster for Girl Without A Room (1933), for example, left audiences in little doubt as to how the young lady planned to find accommodation. Later in the decade, it became necessary to adopt the old tabloid trick of pretending that titillating content had a redeeming social message - thus the producers of Marihuana (1936) were obliged to present it as a warning about the dangers of drug addiction. In the 1950s, it was the Beats and juvenile delinquents who put a chill into middle-class hearts - and, of course, attracted middle-class kids to the drive-in screens. Then, in the 60s and 70s, came 'Blaxploitation' movies like Shaft, Russ Meyer's mammary-obsessed epics like Faster Pussycat, Kill, Kill, and even an animated sexploitation story, Fritz The Cat. The posters for these films, from Alberto Vargas' artwork for Ladies They Talk About (1933) to Alan Aldridge's photomontage for Warhol's Chelsea Girls (1966), are masterpieces of visual innuendo, offering, in most cases, far more that the movies actually delivered. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged., Books<

2006, ISBN: 3822856258

[EAN: 9783822856253], Gebraucht, sehr guter Zustand, [SC: 4.08], [PU: Taschen GmbH, Germany, Cologne], TONY NOURMAND FILM POSTERS EXPLOITATION, Sex, drugs, delinquency, Black power, alter… Mehr…

[EAN: 9783822856253], Gebraucht, sehr guter Zustand, [SC: 4.08], [PU: Taschen GmbH, Germany, Cologne], TONY NOURMAND FILM POSTERS EXPLOITATION, Sex, drugs, delinquency, Black power, alternative culture and, of course, rock and roll: these are just some of the themes, which have attracted the attention of the cinema's bottom-feeders over the past eighty years. A few of the resulting films have become cult classics, but most were simply tacky - few would probably now want to sit through two hours of High School Hellcats (1958) or Hot Rod Rumble (1957). The posters produced to promote them, on the other hand, are wonderful period pieces that vividly evoke the social fears, temptations and taboos of bygone eras. Up until the introduction of the Hayes Code in 1934 Hollywood had few inhibitions; the poster for Girl Without A Room (1933), for example, left audiences in little doubt as to how the young lady planned to find accommodation. Later in the decade, it became necessary to adopt the old tabloid trick of pretending that titillating content had a redeeming social message - thus the producers of Marihuana (1936) were obliged to present it as a warning about the dangers of drug addiction. In the 1950s, it was the Beats and juvenile delinquents who put a chill into middle-class hearts - and, of course, attracted middle-class kids to the drive-in screens. Then, in the 60s and 70s, came 'Blaxploitation' movies like Shaft, Russ Meyer's mammary-obsessed epics like Faster Pussycat, Kill, Kill, and even an animated sexploitation story, Fritz The Cat. The posters for these films, from Alberto Vargas' artwork for Ladies They Talk About (1933) to Alan Aldridge's photomontage for Warhol's Chelsea Girls (1966), are masterpieces of visual innuendo, offering, in most cases, far more that the movies actually delivered. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged., Books<

2006, ISBN: 3822856258

[EAN: 9783822856253], Gebraucht, sehr guter Zustand, [PU: Taschen], Books