ISBN: 9780253217547

Hillman's groundbreaking study enables both serious and casual film students to approach these works with sharpened vision and improved hearing. —Klaus Phillips, Hollins UniversityU… Mehr…

Hillman's groundbreaking study enables both serious and casual film students to approach these works with sharpened vision and improved hearing. —Klaus Phillips, Hollins UniversityUnsettling Scores: German Film, Music, and Ideology examines the use of classical music in film, particularly in the New German Cinema of the 1970s and early 80s. By integrating the music of Beethoven, Mahler, and others into their films, directors such as Fassbinder, Kluge, and Syberberg consciously called attention to its cultural significance. Through this music their films could reference and, in some cases, explore an embedded cultural tradition that included German nationalism and the rise of Nazism, especially during a period when German films were gaining international attention for the first time since the 1920s. Classical music conditioned the responses of German audiences and was, in turn, reinterpreted in new cinematic contexts. In this pioneering volume, Hillman enriches our understanding of the powerful effects of music in cinema and the aesthetic and dramatic concerns of postwar German filmmakers. Trade Books>Trade Paperback>Movies & TV>Film Studies>Film Studies, Indiana University Press Core >1<

ISBN: 9780253217547

Hillman's groundbreaking study enables both serious and casual film students to approach these works with sharpened vision and improved hearing. -Klaus Phillips, Hollins UniversityUnsettl… Mehr…

Hillman's groundbreaking study enables both serious and casual film students to approach these works with sharpened vision and improved hearing. -Klaus Phillips, Hollins UniversityUnsettling Scores: German Film, Music, and Ideology examines the use of classical music in film, particularly in the New German Cinema of the 1970s and early 80s. By integrating the music of Beethoven, Mahler, and others into their films, directors such as Fassbinder, Kluge, and Syberberg consciously called attention to its cultural significance. Through this music their films could reference and, in some cases, explore an embedded cultural tradition that included German nationalism and the rise of Nazism, especially during a period when German films were gaining international attention for the first time since the 1920s. Classical music conditioned the responses of German audiences and was, in turn, reinterpreted in new cinematic contexts. In this pioneering volume, Hillman enriches our understanding of the powerful effects of music in cinema and the aesthetic and dramatic concerns of postwar German filmmakers. Trade Books>Trade Paperback>Movies & TV>Film Studies>Film Studies, Indiana University Press Core >1<

2004, ISBN: 9780253217547

Softcover, PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from… Mehr…

Softcover, PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK., [PU: MH-Indiana University Press]<

ISBN: 9780253217547

Gebundene Ausgabe

*Unsettling Scores: German Film Music and Ideology* / Taschenbuch für 27.49 € / Aus dem Bereich: Musik, Noten & Musiktheorie Medien > Bücher nein Taschenbuch Musik > Noten & Musiktheorie,… Mehr…

*Unsettling Scores: German Film Music and Ideology* / Taschenbuch für 27.49 € / Aus dem Bereich: Musik, Noten & Musiktheorie Medien > Bücher nein Taschenbuch Musik > Noten & Musiktheorie, INDIANA UNIV PR<