Pulling together what is known of eighteenth-century West Highland piping and pipers and relating this to the effects of changing social conditions on traditional Scottish Gaelic piping s… Mehr…
Pulling together what is known of eighteenth-century West Highland piping and pipers and relating this to the effects of changing social conditions on traditional Scottish Gaelic piping since the suppression of the last Jacobite rebellion, Gibson presents a new interpretation of the decline of Gaelic piping and a new view of Gaelic society prior to the Highland diaspora. Refuting widely accepted opinions that after Culloden pipes and pipers were effectively banned in Scotland by the Disarming Act (1746), Gibson reveals that traditional dance bagpiping continued at least to the mid-nineteenth century. He argues that the dramatic depopulation of the Highlands in the nineteenth century was one of the main reasons for the decline of piping. Following the path of Scottish emigrants, Gibson traces the history of bagpiping in the New World and uncovers examples of late eighteenth-century traditional bagpiping and dance in Gaelic Cape Breton, Nova Scotia. He argues that these anachronistic cultural forms provide a vital link to the vanished folk music and culture of the Scottish highlanders. This definitive study throws light on the ways pipers and piping contributed to social integration in the days of the clan system and on the decline in Scottish Gaelic culture following the abolition of clans. It also illuminates the cultural problems faced by all ethnic minorities assimilated into unitary multinational societies. Trade Books>Trade Paperback>Music>Music Hist & Reference>Other Musical Genres, McGill-Queens University Press Core >1<
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Pulling together what is known of eighteenth-century West Highland piping and pipers and relating this to the effects of changing social conditions on traditional Scottish Gaelic piping s… Mehr…
Pulling together what is known of eighteenth-century West Highland piping and pipers and relating this to the effects of changing social conditions on traditional Scottish Gaelic piping since the suppression of the last Jacobite rebellion, Gibson presents a new interpretation of the decline of Gaelic piping and a new view of Gaelic society prior to the Highland diaspora. Refuting widely accepted opinions that after Culloden pipes and pipers were effectively banned in Scotland by the Disarming Act (1746), Gibson reveals that traditional dance bagpiping continued at least to the mid-nineteenth century. He argues that the dramatic depopulation of the Highlands in the nineteenth century was one of the main reasons for the decline of piping. Following the path of Scottish emigrants, Gibson traces the history of bagpiping in the New World and uncovers examples of late eighteenth-century traditional bagpiping and dance in Gaelic Cape Breton, Nova Scotia. He argues that these anachronistic cultural forms provide a vital link to the vanished folk music and culture of the Scottish highlanders. This definitive study throws light on the ways pipers and piping contributed to social integration in the days of the clan system and on the decline in Scottish Gaelic culture following the abolition of clans. It also illuminates the cultural problems faced by all ethnic minorities assimilated into unitary multinational societies. Books > Entertainment > Music > Instruments and Instruction > General Instruments List_Books, [PU: McGill-Queen's University Press]<
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The bagpipe is one of the cultural icons of Scottish highlanders, but in the twentieth century traditional Scottish Gaelic piping has all but disappeared. Few recordings were ever made of… Mehr…
The bagpipe is one of the cultural icons of Scottish highlanders, but in the twentieth century traditional Scottish Gaelic piping has all but disappeared. Few recordings were ever made of traditional pipe music and there are almost no Gaelic-speaking pipers of the old school left. Recording an important aspect of Gaelic culture before it disappears, John Gibson chronicles the decline of traditional Highland Gaelic bagpiping - and Gaelic culture as a whole - and provides examples of traditional bagpipe music that have survived in the New World. Buch (fremdspr.) John G. Gibson Taschenbuch, McGill-Queen's University Press, 24.11.2000, McGill-Queen's University Press, 2000<
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Paperback, [PU: McGill-Queen's University Press], The bagpipe is one of the cultural icons of Scottish highlanders, but in the twentieth century traditional Scottish Gaelic piping has all… Mehr…
Paperback, [PU: McGill-Queen's University Press], The bagpipe is one of the cultural icons of Scottish highlanders, but in the twentieth century traditional Scottish Gaelic piping has all but disappeared. This work chronicles the decline of traditional Highland Gaelic bagpiping - and Gaelic culture as a whole - and provides examples of traditional bagpipe music that have survived in the world., Folk & Traditional Music, Folk & Traditional Music<
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Pulling together what is known of eighteenth-century West Highland piping and pipers and relating this to the effects of changing social conditions on traditional Scottish Gaelic piping s… Mehr…
Pulling together what is known of eighteenth-century West Highland piping and pipers and relating this to the effects of changing social conditions on traditional Scottish Gaelic piping since the suppression of the last Jacobite rebellion, Gibson presents a new interpretation of the decline of Gaelic piping and a new view of Gaelic society prior to the Highland diaspora. Refuting widely accepted opinions that after Culloden pipes and pipers were effectively banned in Scotland by the Disarming Act (1746), Gibson reveals that traditional dance bagpiping continued at least to the mid-nineteenth century. He argues that the dramatic depopulation of the Highlands in the nineteenth century was one of the main reasons for the decline of piping. Following the path of Scottish emigrants, Gibson traces the history of bagpiping in the New World and uncovers examples of late eighteenth-century traditional bagpiping and dance in Gaelic Cape Breton, Nova Scotia. He argues that these anachronistic cultural forms provide a vital link to the vanished folk music and culture of the Scottish highlanders. This definitive study throws light on the ways pipers and piping contributed to social integration in the days of the clan system and on the decline in Scottish Gaelic culture following the abolition of clans. It also illuminates the cultural problems faced by all ethnic minorities assimilated into unitary multinational societies. Trade Books>Trade Paperback>Music>Music Hist & Reference>Other Musical Genres, McGill-Queens University Press Core >1<
Pulling together what is known of eighteenth-century West Highland piping and pipers and relating this to the effects of changing social conditions on traditional Scottish Gaelic piping s… Mehr…
Pulling together what is known of eighteenth-century West Highland piping and pipers and relating this to the effects of changing social conditions on traditional Scottish Gaelic piping since the suppression of the last Jacobite rebellion, Gibson presents a new interpretation of the decline of Gaelic piping and a new view of Gaelic society prior to the Highland diaspora. Refuting widely accepted opinions that after Culloden pipes and pipers were effectively banned in Scotland by the Disarming Act (1746), Gibson reveals that traditional dance bagpiping continued at least to the mid-nineteenth century. He argues that the dramatic depopulation of the Highlands in the nineteenth century was one of the main reasons for the decline of piping. Following the path of Scottish emigrants, Gibson traces the history of bagpiping in the New World and uncovers examples of late eighteenth-century traditional bagpiping and dance in Gaelic Cape Breton, Nova Scotia. He argues that these anachronistic cultural forms provide a vital link to the vanished folk music and culture of the Scottish highlanders. This definitive study throws light on the ways pipers and piping contributed to social integration in the days of the clan system and on the decline in Scottish Gaelic culture following the abolition of clans. It also illuminates the cultural problems faced by all ethnic minorities assimilated into unitary multinational societies. Books > Entertainment > Music > Instruments and Instruction > General Instruments List_Books, [PU: McGill-Queen's University Press]<
The bagpipe is one of the cultural icons of Scottish highlanders, but in the twentieth century traditional Scottish Gaelic piping has all but disappeared. Few recordings were ever made of… Mehr…
The bagpipe is one of the cultural icons of Scottish highlanders, but in the twentieth century traditional Scottish Gaelic piping has all but disappeared. Few recordings were ever made of traditional pipe music and there are almost no Gaelic-speaking pipers of the old school left. Recording an important aspect of Gaelic culture before it disappears, John Gibson chronicles the decline of traditional Highland Gaelic bagpiping - and Gaelic culture as a whole - and provides examples of traditional bagpipe music that have survived in the New World. Buch (fremdspr.) John G. Gibson Taschenbuch, McGill-Queen's University Press, 24.11.2000, McGill-Queen's University Press, 2000<
Nr. 5628270. Versandkosten:Lieferzeiten außerhalb der Schweiz 3 bis 21 Werktage, , wird besorgt, Lieferzeit unbekannt, zzgl. Versandkosten. (EUR 16.67)
Paperback, [PU: McGill-Queen's University Press], The bagpipe is one of the cultural icons of Scottish highlanders, but in the twentieth century traditional Scottish Gaelic piping has all… Mehr…
Paperback, [PU: McGill-Queen's University Press], The bagpipe is one of the cultural icons of Scottish highlanders, but in the twentieth century traditional Scottish Gaelic piping has all but disappeared. This work chronicles the decline of traditional Highland Gaelic bagpiping - and Gaelic culture as a whole - and provides examples of traditional bagpipe music that have survived in the world., Folk & Traditional Music, Folk & Traditional Music<
Fnac.com : Livraison gratuite et - 5% sur tous les livres. Traditional Gaelic Bagpiping, 1745-1945 - Livre. Découvrez des nouveautés, des coups de cœur, des avis d'internautes, … Livre - … Mehr…
Fnac.com : Livraison gratuite et - 5% sur tous les livres. Traditional Gaelic Bagpiping, 1745-1945 - Livre. Découvrez des nouveautés, des coups de cœur, des avis d'internautes, … Livre - Livre, [PU: McGill-Queen's University Press]<
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He argues that the dramatic depopulation of the Highlands in the nineteenth century was one of the main reasons for the decline of piping. Following the path of Scottish emigrants, Gibson traces the history of bagpiping in the New World and uncovers examples of late eighteenth-century traditional bagpiping and dance in Gaelic Cape Breton, Nova Scotia. He argues that these anachronistic cultural forms provide a vital link to the vanished folk music and culture of the Scottish highlanders. This definitive study throws light on the ways pipers and piping contributed to social integration in the days of the clan system and on the decline in Scottish Gaelic culture following the abolition of clans. It also illuminates the cultural problems faced by all ethnic minorities assimilated into unitary multinational societies. John G. Gibson is a Scots-born writer-historian living in Judique, Cape Breton, Nova Scotia.
Detailangaben zum Buch - Traditional Gaelic Bagpiping, 1745-1945 John G. Gibson Author
EAN (ISBN-13): 9780773521346 ISBN (ISBN-10): 0773521348 Taschenbuch Erscheinungsjahr: 2000 Herausgeber: McGill-Queens University Press Core >1 406 Seiten Gewicht: 0,590 kg Sprache: eng/Englisch
Buch in der Datenbank seit 2008-01-12T10:31:49+01:00 (Berlin) Detailseite zuletzt geändert am 2021-08-28T14:10:04+02:00 (Berlin) ISBN/EAN: 0773521348
ISBN - alternative Schreibweisen: 0-7735-2134-8, 978-0-7735-2134-6 Alternative Schreibweisen und verwandte Suchbegriffe: Autor des Buches: gibson john Titel des Buches: traditional gaelic bagpiping 1745 1945
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