ISBN: 9781118338513

It is also a vital resource for research students, academics, and professionals in the art world. by J. Harris. JONATHAN HARRIS is Head of Birmingham School of Art at Birmingham City Univ… Mehr…

It is also a vital resource for research students, academics, and professionals in the art world. by J. Harris. JONATHAN HARRIS is Head of Birmingham School of Art at Birmingham City University, UK. The Nile on eBay   FREE SHIPPING UK WIDE   Global Contemporary Art World - a Rough Guide by J. Harris An Introduction. The final installment in the critically-acclaimed trilogy on globalization and art explores the growing dominance of Asian centers of art. FORMATPaperback LANGUAGEEnglish CONDITIONBrand New Publisher Description The final installment in the critically-acclaimed trilogy on globalization and art explores the growing dominance of Asian centers of art This book takes readers on a fascinating journey around five Asian centers of contemporary art and its myriad institutions, agents, forms, materials, and languages, while posing vital questions about the political economy of culture and the power of visual art in a multi-polar world. He analyzes the financial powerhouse of Art Basel Hong Kong, new media art in South Korea, the place of the Kochi Biennale within contemporary art in India, transnational art and art education in China, and the geo-politics of art patronage in Palestine, and he develops a highly original synthesis of theoretical perspectives and empirical research.Drawing on detailed case studies and personal insights gained from his extensive experience of the contemporary art scene in Asia, Professor Harris examines the evolving relationship between the western centers of art practice, collection, and validation and the emerging "peripheries" of Asian Tiger societies with burgeoning art centers. And he arrives at the somewhat controversial conclusion that dominance of the art world is rapidly slipping away from Europe and North America.The Global Contemporary Art World is essential reading for undergraduates and postgraduate students in modern and contemporary art, art history, art theory and criticism, cultural studies, the sociology of culture, and globalization studies. It is also a vital resource for research students, academics, and professionals in the art world. Back Cover This book takes readers on a fascinating journey around five Asian centers of contemporary art and its myriad institutions, agents, forms, materials, and languages, while posing vital questions about the political economy of culture and the power of visual art in a multi-polar world. The author analyzes the financial powerhouse of Art Basel Hong Kong, new media art in South Korea, the place of the Kochi Biennale within contemporary art in India, transnational art and art education in China, and the geo-politics of art patronage in Palestine, and develops a highly original synthesis of theoretical perspectives and empirical research. Drawing on detailed case studies and personal insights gained from his extensive experience of the contemporary art scene in Asia, Jonathan Harris examines the evolving relationship between the western centers of art practice, collection, and validation and the emerging "peripheries" of Asian Tiger societies with burgeoning art centers. He also discusses the controversial question of whether the dominance of the art world is rapidly slipping away from Europe and North America. The Global Contemporary Art World is essential reading for undergraduates and postgraduate students in modern and contemporary art, art history, art theory and criticism, cultural studies, the sociology of culture, and globalization studies. It is also a vital resource for research students, academics, and professionals in the art world. Flap This book takes readers on a fascinating journey around five Asian centers of contemporary art and its myriad institutions, agents, forms, materials, and languages, while posing vital questions about the political economy of culture and the power of visual art in a multi-polar world. The author analyzes the financial powerhouse of Art Basel Hong Kong, new media art in South Korea, the place of the Kochi Biennale within contemporary art in India, transnational art and art education in China, and the geo-politics of art patronage in Palestine, and develops a highly original synthesis of theoretical perspectives and empirical research. Drawing on detailed case studies and personal insights gained from his extensive experience of the contemporary art scene in Asia, Jonathan Harris examines the evolving relationship between the western centers of art practice, collection, and validation and the emerging "peripheries" of Asian Tiger societies with burgeoning art centers. He also discusses the controversial question of whether the dominance of the art world is rapidly slipping away from Europe and North America. The Global Contemporary Art World is essential reading for undergraduates and postgraduate students in modern and contemporary art, art history, art theory and criticism, cultural studies, the sociology of culture, and globalization studies. It is also a vital resource for research students, academics, and professionals in the art world. Author Biography JONATHAN HARRIS is Head of Birmingham School of Art at Birmingham City University, UK. He has taught and lectured on modern and contemporaryart at universities, museums and galleries worldwide for over thirty years. His The New Art History: A Critical Introduction (2001) remains a classic text, and he has published twenty books as editor, author and co-author, including Globalization and Contemporary Art and The Utopian Globalists (Wiley-Blackwell, 2011 and 2013). Table of Contents About the Author viiIntroduction: "Global," "Contemporary," "Art," "World" 1Entering the Maze 1Modernity, Contemporary Art and Globalization 7Five Asian Centers Within the Global Contemporary Art World 15Global Crash, Crises and the Art World 20Contemporary Art in the Friezer 251 Doing the Business: Producing Consumption in the Hong Kong Art World 35Hong Kong Gets the Art Basel Treatment 35Offshore Art Business in the Global Neoliberal Capitalist Economy 39Combined and Uneven Development in the Hong Kong Art World 45Hong Kong's Art World Inside and Outside China 522 New Media Art and Cultural Globalism in South Korea 65The Chic of Global "New Media Art" 65Contemporary Art as Global Cultural Diplomacy 69"Glocal Video": Conventions and Critiques 73Culture, Contemporaneity and the Postcolonial Artwork 76The "Real DMZ Project": Conflict Art in the Korean Peninsula 80Contemporary Art Across Global Asia 853 Globalizing Indian Contemporary Art: The Biennial as Rhetorical Form 95The Kochi Biennale Big Sell 96Kochi as a Global Venue 99Art at Kochi: Liberal Pluralism Versus Social Engagement with Globalization? 102The Highs and Lows of Art, Media and Kochi Biennale Capital 108Utopian Rhetoric in Contemporary Art at the Kochi Biennale 1134 Social Reproduction of Contemporary Art in the People's Republic of China: Higher Education and the Branding of "Contemporary Chinese Art" 127Art and Design Education as a Globalization Process 127Changing Identifications in Art and Design Education in China 132Contemporary Chinese Art Marketed for Global Consumption 136Chinese Art and the World Art System 1415 Contemporary Art and Post -National Identities in the State of Palestine 155"Palestine is Open for Business"! 155Grounding the Culture Industry in Palestine 158Palestinian Museums -of -art -in -waiting 162The "NGO -ization" of the Contemporary Art World in the State of Palestine 167Concrete into Dust 1726 Conclusion: Motifs of Global Fracture in the Art Of Bashir Makhoul and Wang Guofeng 181Re -Entering the Maze 181In Girum Imus Nocte et Consumimur Igni 185Utopian Photo -Mythologies 188Aesthetic and Social Implications of Digital Photography 191Aesthetic and Social Implications of Digital Technology 194Selected Bibliography 201Index 217 Long Description This book takes readers on a fascinating journey around five Asian centers of contemporary art and its myriad institutions, agents, forms, materials, and languages, while posing vital questions about the political economy of culture and the power of visual art in a multi-polar world. The author analyzes the financial powerhouse of Art Basel Hong Kong, new media art in South Korea, the place of the Kochi Biennale within contemporary art in India, transnational art and art education in China, and the geo-politics of art patronage in Palestine, and develops a highly original synthesis of theoretical perspectives and empirical research. Drawing on detailed case studies and personal insights gained from his extensive experience of the contemporary art scene in Asia, Jonathan Harris examines the evolving relationship between the western centers of art practice, collection, and validation and the emerging "peripheries" of Asian Tiger societies with burgeoning art centers. He also discusses the controversial question of whether the dominance of the art world is rapidly slipping away from Europe and North America. The Global Contemporary Art World is essential reading for undergraduates and postgraduate students in modern and contemporary art, art history, art theory and criticism, cultural studies, the sociology of culture, and globalization studies. It is also a vital resource for research students, academics, and professionals in the art world. Details ISBN1118338510 Year 2017 ISBN-10 1118338510 ISBN-13 9781118338513 Format Paperback Media Book Pages 240 Publisher John Wiley & Sons Inc Imprint John Wiley & Sons Inc Place of Publication New York Country of Publication United States DEWEY 701.03 Short Title The Global Contemporary Art World Language English Subtitle A Rough Guide Audience Professional and Scholarly Publication Date 2017-10-03 UK Release Date 2017-10-03 Author J. Harris AU Release Date 2017-10-02 NZ Release Date 2017-10-02 US Release Date 2017, John Wiley & Sons INC International Concepts<

2017, ISBN: 1118338510

[EAN: 9781118338513], New book, [SC: 0.0], [PU: John Wiley & Sons Inc, New York], Paperback. The final installment in the critically-acclaimed trilogy on globalization and art explores th… Mehr…

[EAN: 9781118338513], New book, [SC: 0.0], [PU: John Wiley & Sons Inc, New York], Paperback. The final installment in the critically-acclaimed trilogy on globalization and art explores the growing dominance of Asian centers of art This book takes readers on a fascinating journey around five Asian centers of contemporary art and its myriad institutions, agents, forms, materials, and languages, while posing vital questions about the political economy of culture and the power of visual art in a multi-polar world. He analyzes the financial powerhouse of Art Basel Hong Kong, new media art in South Korea, the place of the Kochi Biennale within contemporary art in India, transnational art and art education in China, and the geo-politics of art patronage in Palestine, and he develops a highly original synthesis of theoretical perspectives and empirical research. Drawing on detailed case studies and personal insights gained from his extensive experience of the contemporary art scene in Asia, Professor Harris examines the evolving relationship between the western centers of art practice, collection, and validation and the emerging "peripheries" of Asian Tiger societies with burgeoning art centers. And he arrives at the somewhat controversial conclusion that dominance of the art world is rapidly slipping away from Europe and North America. The Global Contemporary Art World is essential reading for undergraduates and postgraduate students in modern and contemporary art, art history, art theory and criticism, cultural studies, the sociology of culture, and globalization studies. It is also a vital resource for research students, academics, and professionals in the art world. An Introduction. The final installment in the critically-acclaimed trilogy on globalization and art explores the growing dominance of Asian centers of art. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability., Books<

ISBN: 9781118338513

The final installment in the critically-acclaimed trilogy on globalization and art explores the growing dominance of Asian centers of art This book takes readers on a fascinating journey … Mehr…

The final installment in the critically-acclaimed trilogy on globalization and art explores the growing dominance of Asian centers of art This book takes readers on a fascinating journey around five Asian centers of contemporary art and its myriad institutions, agents, forms, materials, and languages, while posing vital questions about the political economy of culture and the power of visual art in a multi-polar world. He analyzes the financial powerhouse of Art Basel Hong Kong, new media art in South Korea, the place of the Kochi Biennale within contemporary art in India, transnational art and art education in China, and the geo-politics of art patronage in Palestine, and he develops a highly original synthesis of theoretical perspectives and empirical research. Drawing on detailed case studies and personal insights gained from his extensive experience of the contemporary art scene in Asia, Professor Harris examines the evolving relationship between the western centers of art practice, collection, and validation and the emerging "peripheries" of Asian Tiger societies with burgeoning art centers. And he arrives at the somewhat controversial conclusion that dominance of the art world is rapidly slipping away from Europe and North America. The Global Contemporary Art World is essential reading for undergraduates and postgraduate students in modern and contemporary art, art history, art theory and criticism, cultural studies, the sociology of culture, and globalization studies. It is also a vital resource for research students, academics, and professionals in the art world. Bücher > Fremdsprachige Bücher > Englische Bücher 22.6 cm x 15.0 cm x 1.3 cm mm , John Wiley & Sons, Inc., Taschenbuch, John Wiley & Sons, Inc.<

ISBN: 9781118338513

The final installment in the critically-acclaimed trilogy on globalization and art explores the growing dominance of Asian centers of art This book takes readers on a fascinating journey … Mehr…

The final installment in the critically-acclaimed trilogy on globalization and art explores the growing dominance of Asian centers of art This book takes readers on a fascinating journey around five Asian centers of contemporary art and its myriad institutions, agents, forms, materials, and languages, while posing vital questions about the political economy of culture and the power of visual art in a multi-polar world. He analyzes the financial powerhouse of Art Basel Hong Kong, new media art in South Korea, the place of the Kochi Biennale within contemporary art in India, transnational art and art education in China, and the geo-politics of art patronage in Palestine, and he develops a highly original synthesis of theoretical perspectives and empirical research. Drawing on detailed case studies and personal insights gained from his extensive experience of the contemporary art scene in Asia, Professor Harris examines the evolving relationship between the western centers of art practice, collection, and validation and the emerging "peripheries" of Asian Tiger societies with burgeoning art centers. And he arrives at the somewhat controversial conclusion that dominance of the art world is rapidly slipping away from Europe and North America. The Global Contemporary Art World is essential reading for undergraduates and postgraduate students in modern and contemporary art, art history, art theory and criticism, cultural studies, the sociology of culture, and globalization studies. It is also a vital resource for research students, academics, and professionals in the art world. Bücher > Fremdsprachige Bücher > Englische Bücher 22.6 cm x 15.0 cm x 1.3 cm mm , John Wiley & Sons Inc, Taschenbuch, John Wiley & Sons Inc<

ISBN: 9781118338513

The final installment in the critically-acclaimed trilogy on globalization and art explores the growing dominance of Asian centers of art  This book takes readers on a fascinating journe… Mehr…

The final installment in the critically-acclaimed trilogy on globalization and art explores the growing dominance of Asian centers of art  This book takes readers on a fascinating journey around five Asian centers of contemporary art and its myriad institutions, agents, forms, materials, and languages, while posing vital questions about the political economy of culture and the power of visual art in a multi-polar world. He analyzes the financial powerhouse of Art Basel Hong Kong, new media art in South Korea, the place of the Kochi Biennale within contemporary art in India, transnational art and art education in China, and the geo-politics of art patronage in Palestine, and he develops a highly original synthesis of theoretical perspectives and empirical research. Drawing on detailed case studies and personal insights gained from his extensive experience of the contemporary art scene in Asia, Professor Harris examines the evolving relationship between the western centers of art practice, collection, and validation and the emerging ?peripheries? of Asian Tiger societies with burgeoning art centers. And he arrives at the somewhat controversial conclusion that dominance of the art world is rapidly slipping away from Europe and North America. The Global Contemporary Art World is essential reading for undergraduates and postgraduate students in modern and contemporary art, art history, art theory and criticism, cultural studies, the sociology of culture, and globalization studies. It is also a vital resource for research students, academics, and professionals in the art world. Books<