Through a series of detailed film case histories ranging from The Great Dictator to Hiroshima mon amour to The Lives of Others The Aesthetics of Antifascist Film: Radical Projection expl… Mehr…
Through a series of detailed film case histories ranging from The Great Dictator to Hiroshima mon amour to The Lives of Others The Aesthetics of Antifascist Film: Radical Projection explores the genesis and recurrence of antifascist aesthetics as it manifests in the WWII Cold War and Post-Wall historical periods. Emerging during a critical moment in film history1930s/1940s Hollywood cinematic antifascism was representative of the international nature of antifascist alliances with the amalgam of film styles generated in migr Hollywood during the WWII period reflecting a dialogue between an urgent political commitment to antifascism and an equally intense commitment to aesthetic complexity. Opposed to a fascist aesthetics based on homogeneity purity and spectacle these antifascist films project a radical beauty of distortion heterogeneity fragmentation and loss. By juxtaposing documentation and the modernist techniques of surrealism and expressionism the filmmakers were able to manifest a non-totalizing work of art that still had political impact. Drawing on insights from film and cultural studies aesthetic and ethical philosophy and socio-political theory this book argues that the artistic struggles with political commitment and modernist strategies of representation during the 1930s and 40s resulted in a distinctive radical aesthetic form that represents an alternate strand of post-modernism. Media > Books > Print Books new, Routledge<
Through a series of detailed film case histories ranging fromThe Great Dictator to Hiroshima mon amourtoThe Lives of Others,The Aesthetics of Antifascist Film: Radical Projectionexplores … Mehr…
Through a series of detailed film case histories ranging fromThe Great Dictator to Hiroshima mon amourtoThe Lives of Others,The Aesthetics of Antifascist Film: Radical Projectionexplores the genesis and recurrence of antifascist aesthetics as it manifests in the WWII, Cold War and Post-Wall historical periods.Emerging during a critical moment in film history-1930s/1940s Hollywood- cinematic antifascism was representative of the international nature of antifascist alliances, with the amalgam of film styles generated in émigré Hollywood during the WWII period reflecting a dialogue between an urgent political commitment to antifascism and an equally intense commitment to aesthetic complexity. Opposed to a fascist aesthetics based on homogeneity, purity and spectacle, these antifascist films project a radical beauty of distortion, heterogeneity, fragmentation and loss. By juxtaposing documentation and the modernist techniques of surrealism and expressionism, the filmmakers were able to manifest a non-totalizing work of art that still had political impact.Drawing on insights from film and cultural studies, aesthetic and ethical philosophy, and socio-political theory, this book argues that the artistic struggles with political commitment and modernist strategies of representation during the 1930s and 40s resulted in a distinctive, radical aesthetic form that represents an alternate strand of post-modernism. Books > Social Science List_Books<
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Through a series of detailed film case histories ranging from The Great Dictator to Hiroshima mon amour to The Lives of Others The Aesthetics of Antifascist Film: Radical Projection expl… Mehr…
Through a series of detailed film case histories ranging from The Great Dictator to Hiroshima mon amour to The Lives of Others The Aesthetics of Antifascist Film: Radical Projection explores the genesis and recurrence of antifascist aesthetics as it manifests in the WWII Cold War and Post-Wall historical periods. Emerging during a critical moment in film history1930s/1940s Hollywood cinematic antifascism was representative of the international nature of antifascist alliances with the amalgam of film styles generated in migr Hollywood during the WWII period reflecting a dialogue between an urgent political commitment to antifascism and an equally intense commitment to aesthetic complexity. Opposed to a fascist aesthetics based on homogeneity purity and spectacle these antifascist films project a radical beauty of distortion heterogeneity fragmentation and loss. By juxtaposing documentation and the modernist techniques of surrealism and expressionism the filmmakers were able to manifest a non-totalizing work of art that still had political impact. Drawing on insights from film and cultural studies aesthetic and ethical philosophy and socio-political theory this book argues that the artistic struggles with political commitment and modernist strategies of representation during the 1930s and 40s resulted in a distinctive radical aesthetic form that represents an alternate strand of post-modernism. Media > Books > Print Books new, Routledge<
Through a series of detailed film case histories ranging from The Great Dictator to Hiroshima mon amour to The Lives of Others The Aesthetics of Antifascist Film: Radical Projection expl… Mehr…
Through a series of detailed film case histories ranging from The Great Dictator to Hiroshima mon amour to The Lives of Others The Aesthetics of Antifascist Film: Radical Projection explores the genesis and recurrence of antifascist aesthetics as it manifests in the WWII Cold War and Post-Wall historical periods. Emerging during a critical moment in film history1930s/1940s Hollywood cinematic antifascism was representative of the international nature of antifascist alliances with the amalgam of film styles generated in migr Hollywood during the WWII period reflecting a dialogue between an urgent political commitment to antifascism and an equally intense commitment to aesthetic complexity. Opposed to a fascist aesthetics based on homogeneity purity and spectacle these antifascist films project a radical beauty of distortion heterogeneity fragmentation and loss. By juxtaposing documentation and the modernist techniques of surrealism and expressionism the filmmakers were able to manifest a non-totalizing work of art that still had political impact. Drawing on insights from film and cultural studies aesthetic and ethical philosophy and socio-political theory this book argues that the artistic struggles with political commitment and modernist strategies of representation during the 1930s and 40s resulted in a distinctive radical aesthetic form that represents an alternate strand of post-modernism. new, Routledge<
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[EAN: 9781138695795], Neubuch, [PU: Taylor & Francis], SOCIAL SCIENCE MEDIA STUDIES EUROPEAN FILM CINEMA POST-WAR WWII COLD WAR BERLIN WALL CULTURAL ETHICAL PHILOSOPHY SOCIO-POLITICAL THE… Mehr…
[EAN: 9781138695795], Neubuch, [PU: Taylor & Francis], SOCIAL SCIENCE MEDIA STUDIES EUROPEAN FILM CINEMA POST-WAR WWII COLD WAR BERLIN WALL CULTURAL ETHICAL PHILOSOPHY SOCIO-POLITICAL THEORY POST-MODERNISM WEST GERMANY YOUNG MAN HENRY KING PERIOD BORIS ARTZYBASHEFF ERA HIROSHIMA MON AMOUR, Through a series of detailed film case histories ranging from The Great Dictator to Hiroshima mon amour to The Lives of Others, The Aesthetics of Antifascist Film: Radical Projection explores the genesis and recurrence of antif., Books<
Through a series of detailed film case histories ranging from The Great Dictator to Hiroshima mon amour to The Lives of Others The Aesthetics of Antifascist Film: Radical Projection expl… Mehr…
Through a series of detailed film case histories ranging from The Great Dictator to Hiroshima mon amour to The Lives of Others The Aesthetics of Antifascist Film: Radical Projection explores the genesis and recurrence of antifascist aesthetics as it manifests in the WWII Cold War and Post-Wall historical periods. Emerging during a critical moment in film history1930s/1940s Hollywood cinematic antifascism was representative of the international nature of antifascist alliances with the amalgam of film styles generated in migr Hollywood during the WWII period reflecting a dialogue between an urgent political commitment to antifascism and an equally intense commitment to aesthetic complexity. Opposed to a fascist aesthetics based on homogeneity purity and spectacle these antifascist films project a radical beauty of distortion heterogeneity fragmentation and loss. By juxtaposing documentation and the modernist techniques of surrealism and expressionism the filmmakers were able to manifest a non-totalizing work of art that still had political impact. Drawing on insights from film and cultural studies aesthetic and ethical philosophy and socio-political theory this book argues that the artistic struggles with political commitment and modernist strategies of representation during the 1930s and 40s resulted in a distinctive radical aesthetic form that represents an alternate strand of post-modernism. Media > Books > Print Books new, Routledge<
Through a series of detailed film case histories ranging fromThe Great Dictator to Hiroshima mon amourtoThe Lives of Others,The Aesthetics of Antifascist Film: Radical Projectionexplores … Mehr…
Through a series of detailed film case histories ranging fromThe Great Dictator to Hiroshima mon amourtoThe Lives of Others,The Aesthetics of Antifascist Film: Radical Projectionexplores the genesis and recurrence of antifascist aesthetics as it manifests in the WWII, Cold War and Post-Wall historical periods.Emerging during a critical moment in film history-1930s/1940s Hollywood- cinematic antifascism was representative of the international nature of antifascist alliances, with the amalgam of film styles generated in émigré Hollywood during the WWII period reflecting a dialogue between an urgent political commitment to antifascism and an equally intense commitment to aesthetic complexity. Opposed to a fascist aesthetics based on homogeneity, purity and spectacle, these antifascist films project a radical beauty of distortion, heterogeneity, fragmentation and loss. By juxtaposing documentation and the modernist techniques of surrealism and expressionism, the filmmakers were able to manifest a non-totalizing work of art that still had political impact.Drawing on insights from film and cultural studies, aesthetic and ethical philosophy, and socio-political theory, this book argues that the artistic struggles with political commitment and modernist strategies of representation during the 1930s and 40s resulted in a distinctive, radical aesthetic form that represents an alternate strand of post-modernism. Books > Social Science List_Books<
Through a series of detailed film case histories ranging from The Great Dictator to Hiroshima mon amour to The Lives of Others The Aesthetics of Antifascist Film: Radical Projection expl… Mehr…
Through a series of detailed film case histories ranging from The Great Dictator to Hiroshima mon amour to The Lives of Others The Aesthetics of Antifascist Film: Radical Projection explores the genesis and recurrence of antifascist aesthetics as it manifests in the WWII Cold War and Post-Wall historical periods. Emerging during a critical moment in film history1930s/1940s Hollywood cinematic antifascism was representative of the international nature of antifascist alliances with the amalgam of film styles generated in migr Hollywood during the WWII period reflecting a dialogue between an urgent political commitment to antifascism and an equally intense commitment to aesthetic complexity. Opposed to a fascist aesthetics based on homogeneity purity and spectacle these antifascist films project a radical beauty of distortion heterogeneity fragmentation and loss. By juxtaposing documentation and the modernist techniques of surrealism and expressionism the filmmakers were able to manifest a non-totalizing work of art that still had political impact. Drawing on insights from film and cultural studies aesthetic and ethical philosophy and socio-political theory this book argues that the artistic struggles with political commitment and modernist strategies of representation during the 1930s and 40s resulted in a distinctive radical aesthetic form that represents an alternate strand of post-modernism. Media > Books > Print Books new, Routledge<
Through a series of detailed film case histories ranging from The Great Dictator to Hiroshima mon amour to The Lives of Others The Aesthetics of Antifascist Film: Radical Projection expl… Mehr…
Through a series of detailed film case histories ranging from The Great Dictator to Hiroshima mon amour to The Lives of Others The Aesthetics of Antifascist Film: Radical Projection explores the genesis and recurrence of antifascist aesthetics as it manifests in the WWII Cold War and Post-Wall historical periods. Emerging during a critical moment in film history1930s/1940s Hollywood cinematic antifascism was representative of the international nature of antifascist alliances with the amalgam of film styles generated in migr Hollywood during the WWII period reflecting a dialogue between an urgent political commitment to antifascism and an equally intense commitment to aesthetic complexity. Opposed to a fascist aesthetics based on homogeneity purity and spectacle these antifascist films project a radical beauty of distortion heterogeneity fragmentation and loss. By juxtaposing documentation and the modernist techniques of surrealism and expressionism the filmmakers were able to manifest a non-totalizing work of art that still had political impact. Drawing on insights from film and cultural studies aesthetic and ethical philosophy and socio-political theory this book argues that the artistic struggles with political commitment and modernist strategies of representation during the 1930s and 40s resulted in a distinctive radical aesthetic form that represents an alternate strand of post-modernism. new, Routledge<
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[EAN: 9781138695795], Neubuch, [PU: Taylor & Francis], SOCIAL SCIENCE MEDIA STUDIES EUROPEAN FILM CINEMA POST-WAR WWII COLD WAR BERLIN WALL CULTURAL ETHICAL PHILOSOPHY SOCIO-POLITICAL THE… Mehr…
[EAN: 9781138695795], Neubuch, [PU: Taylor & Francis], SOCIAL SCIENCE MEDIA STUDIES EUROPEAN FILM CINEMA POST-WAR WWII COLD WAR BERLIN WALL CULTURAL ETHICAL PHILOSOPHY SOCIO-POLITICAL THEORY POST-MODERNISM WEST GERMANY YOUNG MAN HENRY KING PERIOD BORIS ARTZYBASHEFF ERA HIROSHIMA MON AMOUR, Through a series of detailed film case histories ranging from The Great Dictator to Hiroshima mon amour to The Lives of Others, The Aesthetics of Antifascist Film: Radical Projection explores the genesis and recurrence of antif., Books<
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Through a series of detailed film case histories ranging from The Great Dictator to Hiroshima mon amour to The Lives of Others, The Aesthetics of Antifascist Film: Radical Projection explores the genesis and recurrence of antifascist aesthetics as it manifests in the WWII, Cold War and Post-Wall historical periods.
Emerging during a critical moment in film history―1930s/1940s Hollywood― cinematic antifascism was representative of the international nature of antifascist alliances, with the amalgam of film styles generated in émigré Hollywood during the WWII period reflecting a dialogue between an urgent political commitment to antifascism and an equally intense commitment to aesthetic complexity. Opposed to a fascist aesthetics based on homogeneity, purity and spectacle, these antifascist films project a radical beauty of distortion, heterogeneity, fragmentation and loss. By juxtaposing documentation and the modernist techniques of surrealism and expressionism, the filmmakers were able to manifest a non-totalizing work of art that still had political impact.
Drawing on insights from film and cultural studies, aesthetic and ethical philosophy, and socio-political theory, this book argues that the artistic struggles with political commitment and modernist strategies of representation during the 1930s and 40s resulted in a distinctive, radical aesthetic form that represents an alternate strand of post-modernis
Detailangaben zum Buch - The Aesthetics Of Antifascist Film: Radical Projection
Buch in der Datenbank seit 2017-01-25T23:53:42+01:00 (Berlin) Detailseite zuletzt geändert am 2023-07-19T13:43:25+02:00 (Berlin) ISBN/EAN: 1138695793
ISBN - alternative Schreibweisen: 1-138-69579-3, 978-1-138-69579-5 Alternative Schreibweisen und verwandte Suchbegriffe: Autor des Buches: social distortion Titel des Buches: antifa, film
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