Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis… Mehr…
Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis, and current film theory about gender and subjectivity, the author combines close readings of seven films with historical and biographical studies of the directors who made them. Offering substantial readings of Jean-Luc Godard''s controversial deconstructedKing Learand of Liz White''s independent African-AmericanOthello, Donaldson also applies his provocative and contemporary point of view to more familiar films. He reads Olivier''sHenry Vin relation to its treatment of sexual difference; Olivier''sHamletin part as an expression of the director''s childhood sexual trauma; Kurosawa''sThrone of Bloodas an allegory of the relationship between Western and Japanese cinema; and Zeffirelli''s immensely popularRomeo and Julietin the light of its powerful homoerotic subtext. With striking perspectives on Shakespeare, on the movies as an expressive medium, and on the complex processes of cultural change, this is timeless useful reading for teachers and students of film and literature. | Shakespearean Films/shakespearean Directors by Peter S. Donaldson Hardcover | Indigo Chapters Books > Music & Movies & Performing Arts > Movies & Filmmaking > Movie Guides & Reference P10122, Peter S. Donaldson<
Indigo.ca
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Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis… Mehr…
Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis, and current film theory about gender and subjectivity, the author combines close readings of seven films with historical and biographical studies of the directors who made them. Offering substantial readings of Jean-Luc Godard’s controversial deconstructed King Lear and of Liz White’s independent African-American Othello, Donaldson also applies his provocative and contemporary point of view to more familiar films. He reads Olivier’s Henry V in relation to its treatment of sexual difference; Olivier’s Hamlet in part as an expression of the director’s childhood sexual trauma; Kurosawa’s Throne of Blood as an allegory of the relationship between Western and Japanese cinema; and Zeffirelli’s immensely popular Romeo and Juliet in the light of its powerful homoerotic subtext. With striking perspectives on Shakespeare, on the movies as an expressive medium, and on the complex processes of cultural change, this is timeless useful reading for teachers and students of film and literature. Trade Books>Hardcover>Movies & TV>Film Studies>Film Studies, Taylor & Francis Core >2<
BarnesandNoble.com
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(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis… Mehr…
Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis, and current film theory about gender and subjectivity, the author combines close readings of seven films with historical and biographical studies of the directors who made them.Offering substantial readings of Jean-Luc Godard''s controversial deconstructedKing Learand of Liz White''s independent African-AmericanOthello,Donaldson also applies his provocative and contemporary point of view to more familiar films. He reads Olivier''sHenry Vin relation to its treatment of sexual difference; Olivier''sHamletin part as an expression of the director''s childhood sexual trauma; Kurosawa''sThrone of Bloodas an allegory of the relationship between Western and Japanese cinema; and Zeffirelli''s immensely popularRomeo and Julietin the light of its powerful homoerotic subtext.With striking perspectives on Shakespeare, on the movies as an expressive medium, and on the complex processes of cultural change, this is timeless useful reading for teachers and students of film and literature. Books > Reference and Language > Language Arts > Writing and Publishing > Composition and Creative Writing List_Books, [PU: Routledge]<
Indigo.ca
new in stock. Versandkosten:zzgl. Versandkosten. Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis… Mehr…
Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis, and current film theory about gender and subjectivity, the author combines close readings of seven films with historical and biographical studies of the directors who made them.Offering substantial readings of Jean-Luc Godard''s controversial deconstructedKing Learand of Liz White''s independent African-AmericanOthello,Donaldson also applies his provocative and contemporary point of view to more familiar films. He reads Olivier''sHenry Vin relation to its treatment of sexual difference; Olivier''sHamletin part as an expression of the director''s childhood sexual trauma; Kurosawa''sThrone of Bloodas an allegory of the relationship between Western and Japanese cinema; and Zeffirelli''s immensely popularRomeo and Julietin the light of its powerful homoerotic subtext.With striking perspectives on Shakespeare, on the movies as an expressive medium, and on the complex processes of cultural change, this is timeless useful reading for teachers and students of film and literature. Books > Music,Movies & Performing Arts > Movies & Filmmaking > Movie Guides & Reference List_Books, [PU: Routledge]<
Indigo.ca
new in stock. Versandkosten:zzgl. Versandkosten. Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis… Mehr…
Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis, and current film theory about gender and subjectivity, the author combines close readings of seven films with historical and biographical studies of the directors who made them. Offering substantial readings of Jean-Luc Godard''s controversial deconstructedKing Learand of Liz White''s independent African-AmericanOthello, Donaldson also applies his provocative and contemporary point of view to more familiar films. He reads Olivier''sHenry Vin relation to its treatment of sexual difference; Olivier''sHamletin part as an expression of the director''s childhood sexual trauma; Kurosawa''sThrone of Bloodas an allegory of the relationship between Western and Japanese cinema; and Zeffirelli''s immensely popularRomeo and Julietin the light of its powerful homoerotic subtext. With striking perspectives on Shakespeare, on the movies as an expressive medium, and on the complex processes of cultural change, this is timeless useful reading for teachers and students of film and literature. | Shakespearean Films/shakespearean Directors by Peter S. Donaldson Hardcover | Indigo Chapters Books > Music & Movies & Performing Arts > Movies & Filmmaking > Movie Guides & Reference P10122, Peter S. Donaldson<
Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis… Mehr…
Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis, and current film theory about gender and subjectivity, the author combines close readings of seven films with historical and biographical studies of the directors who made them. Offering substantial readings of Jean-Luc Godard’s controversial deconstructed King Lear and of Liz White’s independent African-American Othello, Donaldson also applies his provocative and contemporary point of view to more familiar films. He reads Olivier’s Henry V in relation to its treatment of sexual difference; Olivier’s Hamlet in part as an expression of the director’s childhood sexual trauma; Kurosawa’s Throne of Blood as an allegory of the relationship between Western and Japanese cinema; and Zeffirelli’s immensely popular Romeo and Juliet in the light of its powerful homoerotic subtext. With striking perspectives on Shakespeare, on the movies as an expressive medium, and on the complex processes of cultural change, this is timeless useful reading for teachers and students of film and literature. Trade Books>Hardcover>Movies & TV>Film Studies>Film Studies, Taylor & Francis Core >2<
Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis… Mehr…
Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis, and current film theory about gender and subjectivity, the author combines close readings of seven films with historical and biographical studies of the directors who made them.Offering substantial readings of Jean-Luc Godard''s controversial deconstructedKing Learand of Liz White''s independent African-AmericanOthello,Donaldson also applies his provocative and contemporary point of view to more familiar films. He reads Olivier''sHenry Vin relation to its treatment of sexual difference; Olivier''sHamletin part as an expression of the director''s childhood sexual trauma; Kurosawa''sThrone of Bloodas an allegory of the relationship between Western and Japanese cinema; and Zeffirelli''s immensely popularRomeo and Julietin the light of its powerful homoerotic subtext.With striking perspectives on Shakespeare, on the movies as an expressive medium, and on the complex processes of cultural change, this is timeless useful reading for teachers and students of film and literature. Books > Reference and Language > Language Arts > Writing and Publishing > Composition and Creative Writing List_Books, [PU: Routledge]<
Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis… Mehr…
Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis, and current film theory about gender and subjectivity, the author combines close readings of seven films with historical and biographical studies of the directors who made them.Offering substantial readings of Jean-Luc Godard''s controversial deconstructedKing Learand of Liz White''s independent African-AmericanOthello,Donaldson also applies his provocative and contemporary point of view to more familiar films. He reads Olivier''sHenry Vin relation to its treatment of sexual difference; Olivier''sHamletin part as an expression of the director''s childhood sexual trauma; Kurosawa''sThrone of Bloodas an allegory of the relationship between Western and Japanese cinema; and Zeffirelli''s immensely popularRomeo and Julietin the light of its powerful homoerotic subtext.With striking perspectives on Shakespeare, on the movies as an expressive medium, and on the complex processes of cultural change, this is timeless useful reading for teachers and students of film and literature. Books > Music,Movies & Performing Arts > Movies & Filmmaking > Movie Guides & Reference List_Books, [PU: Routledge]<
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Detailangaben zum Buch - Shakespearean Films/Shakespearean Directors Peter S. Donaldson Author
EAN (ISBN-13): 9780415835008 ISBN (ISBN-10): 0415835003 Gebundene Ausgabe Taschenbuch Erscheinungsjahr: 2013 Herausgeber: Taylor & Francis Core >2
Buch in der Datenbank seit 2013-05-23T23:42:58+02:00 (Berlin) Detailseite zuletzt geändert am 2024-04-28T10:45:30+02:00 (Berlin) ISBN/EAN: 9780415835008
ISBN - alternative Schreibweisen: 0-415-83500-3, 978-0-415-83500-8 Alternative Schreibweisen und verwandte Suchbegriffe: Autor des Buches: donaldson, peter, godard jean luc, olivier olivier, shakespeare, henry white, kurosawa, liz taylor Titel des Buches: shakespeare film, shakespearean
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