Psychoanalysis and Hidden Narrative in Filmproposes a way of constructing hidden psychological narratives of popular film and novels. Instead of offering interpretations of classic films,… Mehr…
Psychoanalysis and Hidden Narrative in Filmproposes a way of constructing hidden psychological narratives of popular film and novels. Instead of offering interpretations of classic films, Trevor C. Pederson recognizes that the psychoanalytic tradition began with making sense of the seemingly inconsequential. Here he turns his attention to popular films like Joel Schumacher''sThe Lost Boys(1987). While masterworks likePsycho(1960) are not the object of interpretation, Hitchcock''s film is used as a skeleton key. The revelation that Norman Bates'' character had been his mother all along, suggests a framework of reading a film as having symptom characters who are excised to create a latent plot. The symptom character''s behavior or inter-relations are then transcribed to an ego character. This is a shift in the tradition of literary doubling from hermeneutic intuition to a formal methodology that generates data for the unconscious. Pederson continues the project of unifying competing schools into a single model of mind and offers clinical examples from his own practice for all its terms. Psychodynamic techniques that emphasize the importance of working with the body, the id, and the ubiquity of repetition are introduced. A return to Freud''s structural theory, in which complexes are anchored in the stages of superego development, is used to carefully plot and explain the social nature of the superego and its relation to authority in society (secondary narcissism) and the otherworldly (primary narcissism). Discrete phases of superego development and their ties to both the social and the id revive the grand promises of classical psychoanalysis to link with every field in the humanities. Psychoanalysis and Hidden Narrative in Filmwill appeal to psychoanalysts and psychoanalytic psychotherapists as well as scholars of film studies and literature interested in using a psychoanalytic approach and ideas in their work. | Psychoanalysis And Hidden Narrative In Film by Trevor C. Pederson Hardcover | Indigo Chapters Books > Health > Mental Health > Psychology & Psychiatry P10178, Trevor C. Pederson<
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Psychoanalysis and Hidden Narrative in Film proposes a way of constructing hidden psychological narratives of popular film and novels. Instead of offering interpretations of classic films… Mehr…
Psychoanalysis and Hidden Narrative in Film proposes a way of constructing hidden psychological narratives of popular film and novels. Instead of offering interpretations of classic films, Trevor C. Pederson recognizes that the psychoanalytic tradition began with making sense of the seemingly inconsequential. Here he turns his attention to popular films like Joel Schumacher's The Lost Boys (1987). While masterworks like Psycho (1960) are not the object of interpretation, Hitchcock’s film is used as a skeleton key. The revelation that Norman Bates’ character had been his mother all along, suggests a framework of reading a film as having symptom characters who are excised to create a latent plot. The symptom character's behavior or inter-relations are then transcribed to an ego character. This is a shift in the tradition of literary doubling from hermeneutic intuition to a formal methodology that generates data for the unconscious. Pederson continues the project of unifying competing schools into a single model of mind and offers clinical examples from his own practice for all its terms. Psychodynamic techniques that emphasize the importance of working with the body, the id, and the ubiquity of repetition are introduced. A return to Freud’s structural theory, in which complexes are anchored in the stages of superego development, is used to carefully plot and explain the social nature of the superego and its relation to authority in society (secondary narcissism) and the otherworldly (primary narcissism). Discrete phases of superego development and their ties to both the social and the id revive the grand promises of classical psychoanalysis to link with every field in the humanities. Psychoanalysis and Hidden Narrative in Film will appeal to psychoanalysts and psychoanalytic psychotherapists as well as scholars of film studies and literature interested in using a psychoanalytic approach and ideas in their work. Trade Books>Hardcover>Psychology>Psychotherapy>Psychotherapy, Taylor & Francis Core >2<
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Psychoanalysis and Hidden Narrative in Film proposes a way of constructing hidden psychological narratives of popular film and novels. Instead of offering interpretations of classic films… Mehr…
Psychoanalysis and Hidden Narrative in Film proposes a way of constructing hidden psychological narratives of popular film and novels. Instead of offering interpretations of classic films, Trevor C. Pederson recognizes that the psychoanalytic tradition began with making sense of the seemingly inconsequential. Here he turns his attention to popular films like Joel Schumacher's The Lost Boys (1987). While masterworks like Psycho (1960) are not the object of interpretation, Hitchcock's film is used as a skeleton key. The revelation that Norman Bates' character had been his mother all along, suggests a framework of reading a film as having symptom characters who are excised to create a latent plot. The symptom character's behavior or inter-relations are then transcribed to an ego character. This is a shift in the tradition of literary doubling from hermeneutic intuition to a formal methodology that generates data for the unconscious. Pederson continues the project of unifying competing schools into a single model of mind and offers clinical examples from his own practice for all its terms. Psychodynamic techniques that emphasize the importance of working with the body, the id, and the ubiquity of repetition are introduced. A return to Freud's structural theory, in which complexes are anchored in the stages of superego development, is used to carefully plot and explain the social nature of the superego and its relation to authority in society (secondary narcissism) and the otherworldly (primary narcissism). Discrete phases of superego development and their ties to both the social and the id revive the grand promises of classical psychoanalysis to link with every field in the humanities. Psychoanalysis and Hidden Narrative in Film will appeal to psychoanalysts and psychoanalytic psychotherapists as well as scholars of film studies and literature interested in using a psychoanalytic approach and ideas in their work. Trade Books>Hardcover>Psychology>Psychotherapy>Psychotherapy, Taylor & Francis Core >2<
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Hardback. New. Psychoanalysis and Hidden Narrative in Film proposes a way of constructing hidden psychological narratives of popular film and novels. Instead of offering interpretations … Mehr…
Hardback. New. Psychoanalysis and Hidden Narrative in Film proposes a way of constructing hidden psychological narratives of popular film and novels. Instead of offering interpretations of classic films, Trevor C. Pederson recognizes that the psychoanalytic tradition began with making sense of the seemingly inconsequential. Here he turns his attention to popular films like Joel Schumacher's The Lost Boys (1987). While masterworks like Psycho (1960) are not the object of interpretation, Hitchcock's film is used as a skeleton key. The revelation that Norman Bates' character had been his mother all along, suggests a framework of reading a film as having symptom characters who are excised to create a latent plot. The symptom character's behavior or inter-relations are then transcribed to an ego character. This is a shift in the tradition of literary doubling from hermeneutic intuition to a formal methodology that generates data for the unconscious. Pederson continues the project of unifying competing schools into a single model of mind and offers clinical examples from his own practice for all its terms. Psychodynamic techniques that emphasize the importance of working with the body, the id, and the ubiquity of repetition are introduced. A return to Freud's structural theory, in which complexes are anchored in the stages of superego development, is used to carefully plot and explain the social nature of the superego and its relation to authority in society (secondary narcissism) and the otherworldly (primary narcissism). Discrete phases of superego development and their ties to both the social and the id revive the grand promises of classical psychoanalysis to link with every field in the humanities. Psychoanalysis and Hidden Narrative in Film will appeal to psychoanalysts and psychoanalytic psychotherapists as well as scholars of film studies and literature interested in using a psychoanalytic approach and ideas in their work., 6<
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Psychoanalysis and Hidden Narrative in Filmproposes a way of constructing hidden psychological narratives of popular film and novels. Instead of offering interpretations of classic films,… Mehr…
Psychoanalysis and Hidden Narrative in Filmproposes a way of constructing hidden psychological narratives of popular film and novels. Instead of offering interpretations of classic films, Trevor C. Pederson recognizes that the psychoanalytic tradition began with making sense of the seemingly inconsequential. Here he turns his attention to popular films like Joel Schumacher''sThe Lost Boys(1987). While masterworks likePsycho(1960) are not the object of interpretation, Hitchcock''s film is used as a skeleton key. The revelation that Norman Bates'' character had been his mother all along, suggests a framework of reading a film as having symptom characters who are excised to create a latent plot. The symptom character''s behavior or inter-relations are then transcribed to an ego character. This is a shift in the tradition of literary doubling from hermeneutic intuition to a formal methodology that generates data for the unconscious. Pederson continues the project of unifying competing schools into a single model of mind and offers clinical examples from his own practice for all its terms. Psychodynamic techniques that emphasize the importance of working with the body, the id, and the ubiquity of repetition are introduced. A return to Freud''s structural theory, in which complexes are anchored in the stages of superego development, is used to carefully plot and explain the social nature of the superego and its relation to authority in society (secondary narcissism) and the otherworldly (primary narcissism). Discrete phases of superego development and their ties to both the social and the id revive the grand promises of classical psychoanalysis to link with every field in the humanities. Psychoanalysis and Hidden Narrative in Filmwill appeal to psychoanalysts and psychoanalytic psychotherapists as well as scholars of film studies and literature interested in using a psychoanalytic approach and ideas in their work. | Psychoanalysis And Hidden Narrative In Film by Trevor C. Pederson Hardcover | Indigo Chapters Books > Health > Mental Health > Psychology & Psychiatry P10178, Trevor C. Pederson<
Psychoanalysis and Hidden Narrative in Film proposes a way of constructing hidden psychological narratives of popular film and novels. Instead of offering interpretations of classic films… Mehr…
Psychoanalysis and Hidden Narrative in Film proposes a way of constructing hidden psychological narratives of popular film and novels. Instead of offering interpretations of classic films, Trevor C. Pederson recognizes that the psychoanalytic tradition began with making sense of the seemingly inconsequential. Here he turns his attention to popular films like Joel Schumacher's The Lost Boys (1987). While masterworks like Psycho (1960) are not the object of interpretation, Hitchcock’s film is used as a skeleton key. The revelation that Norman Bates’ character had been his mother all along, suggests a framework of reading a film as having symptom characters who are excised to create a latent plot. The symptom character's behavior or inter-relations are then transcribed to an ego character. This is a shift in the tradition of literary doubling from hermeneutic intuition to a formal methodology that generates data for the unconscious. Pederson continues the project of unifying competing schools into a single model of mind and offers clinical examples from his own practice for all its terms. Psychodynamic techniques that emphasize the importance of working with the body, the id, and the ubiquity of repetition are introduced. A return to Freud’s structural theory, in which complexes are anchored in the stages of superego development, is used to carefully plot and explain the social nature of the superego and its relation to authority in society (secondary narcissism) and the otherworldly (primary narcissism). Discrete phases of superego development and their ties to both the social and the id revive the grand promises of classical psychoanalysis to link with every field in the humanities. Psychoanalysis and Hidden Narrative in Film will appeal to psychoanalysts and psychoanalytic psychotherapists as well as scholars of film studies and literature interested in using a psychoanalytic approach and ideas in their work. Trade Books>Hardcover>Psychology>Psychotherapy>Psychotherapy, Taylor & Francis Core >2<
Psychoanalysis and Hidden Narrative in Film proposes a way of constructing hidden psychological narratives of popular film and novels. Instead of offering interpretations of classic films… Mehr…
Psychoanalysis and Hidden Narrative in Film proposes a way of constructing hidden psychological narratives of popular film and novels. Instead of offering interpretations of classic films, Trevor C. Pederson recognizes that the psychoanalytic tradition began with making sense of the seemingly inconsequential. Here he turns his attention to popular films like Joel Schumacher's The Lost Boys (1987). While masterworks like Psycho (1960) are not the object of interpretation, Hitchcock's film is used as a skeleton key. The revelation that Norman Bates' character had been his mother all along, suggests a framework of reading a film as having symptom characters who are excised to create a latent plot. The symptom character's behavior or inter-relations are then transcribed to an ego character. This is a shift in the tradition of literary doubling from hermeneutic intuition to a formal methodology that generates data for the unconscious. Pederson continues the project of unifying competing schools into a single model of mind and offers clinical examples from his own practice for all its terms. Psychodynamic techniques that emphasize the importance of working with the body, the id, and the ubiquity of repetition are introduced. A return to Freud's structural theory, in which complexes are anchored in the stages of superego development, is used to carefully plot and explain the social nature of the superego and its relation to authority in society (secondary narcissism) and the otherworldly (primary narcissism). Discrete phases of superego development and their ties to both the social and the id revive the grand promises of classical psychoanalysis to link with every field in the humanities. Psychoanalysis and Hidden Narrative in Film will appeal to psychoanalysts and psychoanalytic psychotherapists as well as scholars of film studies and literature interested in using a psychoanalytic approach and ideas in their work. Trade Books>Hardcover>Psychology>Psychotherapy>Psychotherapy, Taylor & Francis Core >2<
new in stock. Versandkosten:plus shipping costs., zzgl. Versandkosten
Hardback. New. Psychoanalysis and Hidden Narrative in Film proposes a way of constructing hidden psychological narratives of popular film and novels. Instead of offering interpretations … Mehr…
Hardback. New. Psychoanalysis and Hidden Narrative in Film proposes a way of constructing hidden psychological narratives of popular film and novels. Instead of offering interpretations of classic films, Trevor C. Pederson recognizes that the psychoanalytic tradition began with making sense of the seemingly inconsequential. Here he turns his attention to popular films like Joel Schumacher's The Lost Boys (1987). While masterworks like Psycho (1960) are not the object of interpretation, Hitchcock's film is used as a skeleton key. The revelation that Norman Bates' character had been his mother all along, suggests a framework of reading a film as having symptom characters who are excised to create a latent plot. The symptom character's behavior or inter-relations are then transcribed to an ego character. This is a shift in the tradition of literary doubling from hermeneutic intuition to a formal methodology that generates data for the unconscious. Pederson continues the project of unifying competing schools into a single model of mind and offers clinical examples from his own practice for all its terms. Psychodynamic techniques that emphasize the importance of working with the body, the id, and the ubiquity of repetition are introduced. A return to Freud's structural theory, in which complexes are anchored in the stages of superego development, is used to carefully plot and explain the social nature of the superego and its relation to authority in society (secondary narcissism) and the otherworldly (primary narcissism). Discrete phases of superego development and their ties to both the social and the id revive the grand promises of classical psychoanalysis to link with every field in the humanities. Psychoanalysis and Hidden Narrative in Film will appeal to psychoanalysts and psychoanalytic psychotherapists as well as scholars of film studies and literature interested in using a psychoanalytic approach and ideas in their work., 6<
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Detailangaben zum Buch - Psychoanalysis and Hidden Narrative in Film: Reading the Symptom Trevor C. Pederson Author
EAN (ISBN-13): 9781138307094 ISBN (ISBN-10): 1138307092 Gebundene Ausgabe Erscheinungsjahr: 2018 Herausgeber: Taylor & Francis Core >2
Buch in der Datenbank seit 2018-09-07T08:15:26+02:00 (Berlin) Detailseite zuletzt geändert am 2024-04-14T23:16:48+02:00 (Berlin) ISBN/EAN: 1138307092
ISBN - alternative Schreibweisen: 1-138-30709-2, 978-1-138-30709-4 Alternative Schreibweisen und verwandte Suchbegriffe: Autor des Buches: schumacher Titel des Buches: reading film
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