In her examination of the culture of Italian fascism, Mabel Berezin focuses on how Mussolini''s regime consciously constructed a nonliberal public sphere to support its political aims. Fa… Mehr…
In her examination of the culture of Italian fascism, Mabel Berezin focuses on how Mussolini''s regime consciously constructed a nonliberal public sphere to support its political aims. Fascism stresses form over content, she believes, and the regime tried to build its political support through the careful construction and manipulation of public spectacles or rituals such as parades, commemoration ceremonies, and holiday festivities.The fascists believed they could rely on the motivating power of spectacle, and experiential symbols. In contrast with the liberal democratic notion of separable public and private selves, Italian fascism attempted to merge the public and private selves in political spectacles, creating communities of feeling in public piazzas. Such communities were only temporary, Berezin explains, and fascist identity was only formed to the extent that it could be articulated in a language of pre-existing cultural identities.In the Italian case, those identities meant the popular culture of Roman Catholicism and the cult of motherhood. Berezin hypothesizes that at particular historical moments certain social groups which perceive the division of public and private self as untenable on cultural grounds will gain political ascendance. Her hypothesis opens a new perspective on how fascism works. Books > History > European History > Southern European History > Italian History List_Books, [PU: Cornell University Press]<
Indigo.ca
new in stock. Versandkosten:zzgl. Versandkosten. Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
In her examination of the culture of Italian fascism, Mabel Berezin focuses on how Mussolini''s regime consciously constructed a nonliberal public sphere to support its political aims. Fa… Mehr…
In her examination of the culture of Italian fascism, Mabel Berezin focuses on how Mussolini''s regime consciously constructed a nonliberal public sphere to support its political aims. Fascism stresses form over content, she believes, and the regime tried to build its political support through the careful construction and manipulation of public spectacles or rituals such as parades, commemoration ceremonies, and holiday festivities.The fascists believed they could rely on the motivating power of spectacle, and experiential symbols. In contrast with the liberal democratic notion of separable public and private selves, Italian fascism attempted to merge the public and private selves in political spectacles, creating communities of feeling in public piazzas. Such communities were only temporary, Berezin explains, and fascist identity was only formed to the extent that it could be articulated in a language of pre-existing cultural identities.In the Italian case, those identities meant the popular culture of Roman Catholicism and the cult of motherhood. Berezin hypothesizes that at particular historical moments certain social groups which perceive the division of public and private self as untenable on cultural grounds will gain political ascendance. Her hypothesis opens a new perspective on how fascism works. Books > Social and Cultural Studies List_Books, [PU: Cornell University Press]<
Indigo.ca
new in stock. Versandkosten:spese di spedizione aggiuntive., zzgl. Versandkosten Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
In her examination of the culture of Italian fascism, Mabel Berezin focuses on how Mussolini''s regime consciously constructed a nonliberal public sphere to support its political aims. Fa… Mehr…
In her examination of the culture of Italian fascism, Mabel Berezin focuses on how Mussolini''s regime consciously constructed a nonliberal public sphere to support its political aims. Fascism stresses form over content, she believes, and the regime tried to build its political support through the careful construction and manipulation of public spectacles or rituals such as parades, commemoration ceremonies, and holiday festivities.The fascists believed they could rely on the motivating power of spectacle, and experiential symbols. In contrast with the liberal democratic notion of separable public and private selves, Italian fascism attempted to merge the public and private selves in political spectacles, creating communities of feeling in public piazzas. Such communities were only temporary, Berezin explains, and fascist identity was only formed to the extent that it could be articulated in a language of pre-existing cultural identities.In the Italian case, those identities meant the popular culture of Roman Catholicism and the cult of motherhood. Berezin hypothesizes that at particular historical moments certain social groups which perceive the division of public and private self as untenable on cultural grounds will gain political ascendance. Her hypothesis opens a new perspective on how fascism works. Books List_Books, [PU: Cornell University Press]<
Indigo.ca
new in stock. Versandkosten:zzgl. Versandkosten. Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Fnac.com : Livraison gratuite et - 5% sur tous les livres. Making the Fascist Self, WILDER HOUSE SERIES IN POLITICS, HISTORY, AND CULTURE - Livre. Découvrez des nouveautés, des coups de … Mehr…
Fnac.com : Livraison gratuite et - 5% sur tous les livres. Making the Fascist Self, WILDER HOUSE SERIES IN POLITICS, HISTORY, AND CULTURE - Livre. Découvrez des nouveautés, des coups de cœur, des avis d'internautes, … Livre - Livre, Cornell Univ Pr<
Fnac.com
Nr. 3-8737293. Versandkosten:, Le délai dépend du marchand, zzgl. Versandkosten. Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Hardcover, 0801432022., Gebraucht, sehr guter Zustand, World His|Italy, Wilder House Series in Politics, History, and Culture; 1 x 9 x 6 Inches; 267 pages., [PU: Cornell Univ Pr]
In her examination of the culture of Italian fascism, Mabel Berezin focuses on how Mussolini''s regime consciously constructed a nonliberal public sphere to support its political aims. Fa… Mehr…
In her examination of the culture of Italian fascism, Mabel Berezin focuses on how Mussolini''s regime consciously constructed a nonliberal public sphere to support its political aims. Fascism stresses form over content, she believes, and the regime tried to build its political support through the careful construction and manipulation of public spectacles or rituals such as parades, commemoration ceremonies, and holiday festivities.The fascists believed they could rely on the motivating power of spectacle, and experiential symbols. In contrast with the liberal democratic notion of separable public and private selves, Italian fascism attempted to merge the public and private selves in political spectacles, creating communities of feeling in public piazzas. Such communities were only temporary, Berezin explains, and fascist identity was only formed to the extent that it could be articulated in a language of pre-existing cultural identities.In the Italian case, those identities meant the popular culture of Roman Catholicism and the cult of motherhood. Berezin hypothesizes that at particular historical moments certain social groups which perceive the division of public and private self as untenable on cultural grounds will gain political ascendance. Her hypothesis opens a new perspective on how fascism works. Books > History > European History > Southern European History > Italian History List_Books, [PU: Cornell University Press]<
In her examination of the culture of Italian fascism, Mabel Berezin focuses on how Mussolini''s regime consciously constructed a nonliberal public sphere to support its political aims. Fa… Mehr…
In her examination of the culture of Italian fascism, Mabel Berezin focuses on how Mussolini''s regime consciously constructed a nonliberal public sphere to support its political aims. Fascism stresses form over content, she believes, and the regime tried to build its political support through the careful construction and manipulation of public spectacles or rituals such as parades, commemoration ceremonies, and holiday festivities.The fascists believed they could rely on the motivating power of spectacle, and experiential symbols. In contrast with the liberal democratic notion of separable public and private selves, Italian fascism attempted to merge the public and private selves in political spectacles, creating communities of feeling in public piazzas. Such communities were only temporary, Berezin explains, and fascist identity was only formed to the extent that it could be articulated in a language of pre-existing cultural identities.In the Italian case, those identities meant the popular culture of Roman Catholicism and the cult of motherhood. Berezin hypothesizes that at particular historical moments certain social groups which perceive the division of public and private self as untenable on cultural grounds will gain political ascendance. Her hypothesis opens a new perspective on how fascism works. Books > Social and Cultural Studies List_Books, [PU: Cornell University Press]<
new in stock. Versandkosten:spese di spedizione aggiuntive., zzgl. Versandkosten
In her examination of the culture of Italian fascism, Mabel Berezin focuses on how Mussolini''s regime consciously constructed a nonliberal public sphere to support its political aims. Fa… Mehr…
In her examination of the culture of Italian fascism, Mabel Berezin focuses on how Mussolini''s regime consciously constructed a nonliberal public sphere to support its political aims. Fascism stresses form over content, she believes, and the regime tried to build its political support through the careful construction and manipulation of public spectacles or rituals such as parades, commemoration ceremonies, and holiday festivities.The fascists believed they could rely on the motivating power of spectacle, and experiential symbols. In contrast with the liberal democratic notion of separable public and private selves, Italian fascism attempted to merge the public and private selves in political spectacles, creating communities of feeling in public piazzas. Such communities were only temporary, Berezin explains, and fascist identity was only formed to the extent that it could be articulated in a language of pre-existing cultural identities.In the Italian case, those identities meant the popular culture of Roman Catholicism and the cult of motherhood. Berezin hypothesizes that at particular historical moments certain social groups which perceive the division of public and private self as untenable on cultural grounds will gain political ascendance. Her hypothesis opens a new perspective on how fascism works. Books List_Books, [PU: Cornell University Press]<
Fnac.com : Livraison gratuite et - 5% sur tous les livres. Making the Fascist Self, WILDER HOUSE SERIES IN POLITICS, HISTORY, AND CULTURE - Livre. Découvrez des nouveautés, des coups de … Mehr…
Fnac.com : Livraison gratuite et - 5% sur tous les livres. Making the Fascist Self, WILDER HOUSE SERIES IN POLITICS, HISTORY, AND CULTURE - Livre. Découvrez des nouveautés, des coups de cœur, des avis d'internautes, … Livre - Livre, Cornell Univ Pr<
Nr. 3-8737293. Versandkosten:, Le délai dépend du marchand, zzgl. Versandkosten.
Hardcover, 0801432022., Gebraucht, sehr guter Zustand, World His|Italy, Wilder House Series in Politics, History, and Culture; 1 x 9 x 6 Inches; 267 pages., [PU: Cornell Univ Pr]
1Da einige Plattformen keine Versandkonditionen übermitteln und diese vom Lieferland, dem Einkaufspreis, dem Gewicht und der Größe des Artikels, einer möglichen Mitgliedschaft der Plattform, einer direkten Lieferung durch die Plattform oder über einen Drittanbieter (Marketplace), etc. abhängig sein können, ist es möglich, dass die von eurobuch angegebenen Versandkosten nicht mit denen der anbietenden Plattform übereinstimmen.
Detailangaben zum Buch - Making the Fascist Self: The Political Culture of Interwar Italy
EAN (ISBN-13): 9780801432026 ISBN (ISBN-10): 0801432022 Gebundene Ausgabe Erscheinungsjahr: 1997 Herausgeber: Cornell University Press
Buch in der Datenbank seit 2007-11-12T17:00:20+01:00 (Berlin) Detailseite zuletzt geändert am 2023-04-22T11:09:06+02:00 (Berlin) ISBN/EAN: 9780801432026
ISBN - alternative Schreibweisen: 0-8014-3202-2, 978-0-8014-3202-6 Alternative Schreibweisen und verwandte Suchbegriffe: Autor des Buches: berezin, mussolini Titel des Buches: making the fascist self, making history
Weitere, andere Bücher, die diesem Buch sehr ähnlich sein könnten:
