Philip K. Dick, Roger Zelazny:
Deus Irae von Philip K. Dick (englisch) Taschenbuch Buch - Taschenbuch
ISBN: 9780547572222
An artist searches for God so he can paint his portrait in Philip K. Dick's collaboration with Roger Zelazny. PHILIP K. DICK (19281982) wrote 121 short stories and 45 novels and is consid… Mehr…
An artist searches for God so he can paint his portrait in Philip K. Dick's collaboration with Roger Zelazny. PHILIP K. DICK (19281982) wrote 121 short stories and 45 novels and is considered one of the most visionary authors of the twentieth century. The Nile on eBay FREE SHIPPING UK WIDE Deus Irae by Philip K. Dick, Roger Zelazny In this collaboration with Roger Zelazny, an armless and legless painter must undertake a pilgrimage through a nuclear war-ravaged America in a search for the God of Wrath, whose picture he has been commissioned to paint. FORMATPaperback LANGUAGEEnglish CONDITIONBrand New Publisher Description An artist searches for God so he can paint his portrait in Philip K. Dick's collaboration with Roger Zelazny. After World War III, the Servants of Wrath cult deified the mysterious Carlton Lufteufel, creator of the doomsday weapon that wiped out much of humanity. But to worship the man, they need an image of him as a god, and no one has ever seen him. So the high priests send a limbless master painter named Tibor McMasters into the wilderness on a mission to find Lufteufel and capture his likeness. Unfortunately for Tibor, the nation's remaining Christians do not want him to succeed and are willing to kill to ensure that the so-called Deus Irae remains hidden. This hallucinatory tale through a nuclear wasteland asks what price the artist must pay for art and tries to figure out just what makes a god. Back Cover [headline] Two masters of science fiction collaborate on one wild post-apocalyptic story. After World War III, the Servants of Wrath cult deified the mysterious Carlton Lufteufel, creator of the doomsday weapon that wiped out much of humanity. But to worship the man, they need an image of him as a god, and no one has ever seen him. So the high priests send a limbless master painter named Tibor McMasters into the wilderness on a mission to find Lufteufel and capture his likeness. Unfortunately for Tibor, the nation's remaining Christians do not want him to succeed and are willing to kill to ensure that the so-called Deus Irae remains hidden. This hallucinatory tale through a nuclear wasteland asks what price the artist must pay for art and tries to figure out just what makes a god. PHILIP K. DICK (19281982) wrote 121 short stories and 45 novels and is considered one of the most visionary authors of the twentieth century. His work is included in the Library of America and has been translated into more than twenty five languages. Eleven works have been adapted to film, including Blade Runner (based on Do Androids Dream of Electric Sheep? ), Total Recall , Minority Report , and A Scanner Darkly . ROGER ZELAZNY was the author of the Chronicles of Amber novels, as well as numerous other classic science fiction and fantasy novels and short stories over a three decade career. He won the Nebula Award three times and the Hugo Award six times. Author Biography Over a writing career that spanned three decades, PHILIP K. DICK (1928-1982) published 36 science fiction novels and 121 short stories in which he explored the essence of what makes man human and the dangers of centralized power. Toward the end of his life, his work turned to deeply personal, metaphysical questions concerning the nature of God. Eleven novels and short stories have been adapted to film, notably Blade Runner (based on Do Androids Dream of Electric Sheep?), Total Recall, Minority Report, and A Scanner Darkly, as well as television's The Man in the High Castle. The recipient of critical acclaim and numerous awards throughout his career, including the Hugo and John W. Campbell awards, Dick was inducted into the Science Fiction Hall of Fame in 2005, and between 2007 and 2009, the Library of America published a selection of his novels in three volumes. His work has been translated into more than twenty-five languages.Roger Zelazny burst onto the SF scene in the early 1960s with a series of dazzling and groundbreaking short stories. He won his first of six Hugo Awards for Lord of Light, and soon after produced the first book of his enormously popular Amber series, Nine Princes in Amber. In addition to his Hugos, he went on to win three Nebula Awards over the course of a long and distinguished career. He died on June 14, 1995. Excerpt from Book 1 Here! The black-spotted cow drawing the bicycle cart. In the center of the cart And at the doorway of the sacristy Father Handy glanced against the morning sunlight from Wyoming to the north as if the sun came from that direction, saw the church''s employee, the limbless trunk with knobbed head lolling as if in trip-fantastic to a slow jig as the Holstein cow wallowed forward. A bad day, Father Handy thought. For he had to declare bad news to Tibor McMasters. Turning, he reentered the church and hid himself; Tibor, on his cart, had not seen him, for Tibor hung in the clutch of within-thoughts and nausea; it always came to this when the artist appeared to begin his work: he was sick at his stomach, and any smell, any sight, even that of his own work, made him cough. And Father Handy wondered about this, the repellency of sense-reception early in the day, as if Tibor, he thought, does not want to be alive again another day. He himself, the priest; he enjoyed the sun. The smell of hot, large clover from the surrounding pastures of Charlottesville, Utah. The tink-tink of the tags of the cows . . . he sniffed the air as it filled his church and yet--not the sight of Tibor but the awareness of the limbless man''s pain; that caused him worry. There, behind the altar, the miniscule part of the work which had been accomplished; five years it would take Tibor, but time did not matter in a subject of this sort: through eternity--no, Father Handy thought; not eternity, because this thing is manmade and hence cursed--but for ages, it will be here generations. The other armless, legless persons to arrive later, who would not, could not, genuflect because they lacked the physiological equipment; this was accepted officially. "Uuuuuuuub," the Holstein lowed, as Tibor, through his U.S. ICBM extensor system, reined it to a halt in the rear yard of the church, where Father Handy kept his detired, unmoving 1976 Cadillac, within which small lovely chickens, all feathered in gay gold, luminous, because they were Mexican banties, clung nightlong, bespoiling . . . and yet, why not? The dung of handsome birds that roamed in a little flock, led by Herbert G, the rooster who had flung himself up ages ago to confront all his rivals, won out and lived to be followed; a leader of beasts, Father Handy thought moodily. Inborn quality in Herbert G, who, right now, scratched within the succulent garden for bugs. For special mutant fat ones. He, the priest, hated bugs, too many odd kinds, thrust up overnight from the fal''t . . . so he loved the predators who fed on the chitinous crawlers, loved his flock of--amusing to think of--birds! Not men. But men arrived, at least on the Holy Day, Tuesday--to differentiate it (purposefully) from the archaic Christian Holy Day, Sunday. In the hind yard, Tibor detached his cart from the cow. Then, on battery power, the cart rolled up its special wood-plank ramp and into the church; Father Handy felt it within the building, the arrival of the man without limbs, who, retching, fought to control his abridged body so that he could resume work where he had left off at sunset yesterday. To Ely, his wife, Father Handy said, "Do you have hot coffee for him? Please" "Yes," she said, dry, dutiful, small, and withered, as if wetless personally; he disliked her body drabness as he watched her lay out a Melmac cup and saucer, not with love but with the unwarmed devotion of a priest''s wife, therefore a priest''s servant. "Hi!" Tibor called cheerfully. Always, as if professionally, merry, above his physiological retching and reretching. "Black," Father Handy said. "Hot. Right here." He stood aside so that the cart, which was massive for an indoor construct, could roll on through the corridor and into the church''s kitchen. "Morning, Mrs. Handy," Tibor said. Ely Handy said dustily as she did not face the limbless man, "Good morning, Tibor. Pax be with you and with thy saintly spark." "Pax or pox?" Tibor said, and winked at Father Handy. No answer; the woman puttered. Hate, Father Handy thought, can take marvelous exceeding attenuated forms; he all at once yearned for it direct, open and ripe and directed properly. Not this mere lack of grace, this formality . . . he watched her get milk from the cooler. Tibor began the difficult task of drinking coffee. First he needed to make his cart stationary. He locked the simple brake. Then detached the selenoid-controlled relay from the ambulatory circuit and sent power from the liquid-helium battery to the manual circuit. A clean aluminum tubular extension reached out and at its terminal a six-digit gripping mechanism, each unit wired separately back through the surge-gates and to the shoulder muscles of the limbless man, groped for the empty ∪ then, as Tibor saw it was still empty, he looked inquiringly. "On the stove," Ely said, meaningly smiling. So the cart''s brake had to be unlocked; Tibor rolled to the stove, relocked the cart''s brake once more via the selenoid selector-relays, and sent his manual grippers to lift the pot The aluminum tubular extensor, armlike, brought the pot up tediously, in a near Parkinson-motion, until, finally, Tibor managed, through all the elaborate ICBM guidance components, to pour coffee into his cup. Father Handy said, "I won''t join you because I had pyloric spasms last night and when I got up this morning." He felt irritable, physically. Like you, he thought, I am, although a Complete, hav<
