2001, ISBN: 00d52b93770df32467677b3393aaaa3d

[PU: MIT Press (2001), Cambridge [MA]], PAINTING PHILOSOPHY ART & LANGUAGE CONCEPTUAL BRITISH HISTORY NOISBN, Art|Techniques|Painting, Jacket, orig.cloth Minor rubbing. VG., dustwrapper. … Mehr…

[PU: MIT Press (2001), Cambridge [MA]], PAINTING PHILOSOPHY ART & LANGUAGE CONCEPTUAL BRITISH HISTORY NOISBN, Art|Techniques|Painting, Jacket, orig.cloth Minor rubbing. VG., dustwrapper. 25x18cm, xiii,234 pp. Contents:The trouble with writing -- Conceptual art and its criticism -- On a picture painted by actors -- On painting a landscape -- Fascinated by glass -- Tasteless experience -- Reflections on the figure -- Painting and the death of the spectator -- Being here. ["In "Conceptual Art and Painting", a companion to his "Essays on Art and Language", Charles Harrison reconsiders Conceptual Art in light of renewed interest in the original movement and of the various forms of "neo-Conceptual" art. He discusses developments in the Art and Language movement since 1991, during which time there have been major retrospectives of its work at the Musee du Jeu de Paume in Paris, the Antonio Tapies Foundation in Barcelona, and PS1 in New York. Harrison also addresses larger issues of painting as an art, the representation of the female body, and the relation of art to its audience" - Publisher's description]. Minor rubbing. VG., dustwrapper.<

2001, ISBN: 00d52b93770df32467677b3393aaaa3d

Minor rubbing. VG., dustwrapper. British Art History MIT Press Cambridge [MA] (2001) orig.cloth 25x18cm, xiii,234 pp. Contents:The trouble with writing -- Conceptual art and its criticism… Mehr…

Minor rubbing. VG., dustwrapper. British Art History MIT Press Cambridge [MA] (2001) orig.cloth 25x18cm, xiii,234 pp. Contents:The trouble with writing -- Conceptual art and its criticism -- On a picture painted by actors -- On painting a landscape -- Fascinated by glass -- Tasteless experience -- Reflections on the figure -- Painting and the death of the spectator -- Being here. ["In "Conceptual Art and Painting", a companion to his "Essays on Art and Language", Charles Harrison reconsiders Conceptual Art in light of renewed interest in the original movement and of the various forms of "neo-Conceptual" art. He discusses developments in the Art and Language movement since 1991, during which time there have been major retrospectives of its work at the Musee du Jeu de Paume in Paris, the Antonio Tapies Foundation in Barcelona, and PS1 in New York. Harrison also addresses larger issues of painting as an art, the representation of the female body, and the relation of art to its audience" - Publisher's description]., MIT Press<

2001, ISBN: 00d52b93770df32467677b3393aaaa3d

Cambridge: MIT Press. Fine copy in fine dust jacket. 2001. 1st. hardcover. Tall 8vo, 234 pp. ., MIT Press, 2001