Andreas Dresen - Taschenbuch

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ISBN/EAN: 1906165688

ISBN - alternative Schreibweisen:
1-906165-68-8, 978-1-906165-68-0
Alternative Schreibweisen und verwandte Suchbegriffe:
Autor des Buches: andreas peter, andreas dresen, hodgins, nick, julian, andreas sommer
Titel des Buches: german maker, andrea, andreas dresen

Daten vom Verlag:

Autor/in: Julian Preece; Nick Hodgin
Titel: Contemporary German Writers and Filmmakers; Andreas Dresen
Verlag: Peter Lang Ltd. International Academic Publishers
260 Seiten
Erscheinungsjahr: 2016-12-26
Oxford; GB
Gedruckt / Hergestellt in Deutschland.
Gewicht: 0,390 kg
Sprache: Englisch
80,20 € (DE)
82,45 € (AT)
94,40 CHF (CH)
POD

BC; Hardcover, Softcover / Sprachwissenschaft, Literaturwissenschaft/Deutsche Sprachwissenschaft, Deutschsprachige Literaturwissenschaft; Filmgeschichte, Filmtheorie und Filmkritik; Verstehen; Film theory & criticism; Literary studies: fiction, novelists & prose writers; Öffentliche Darbietungen, Film, Rundfunk; Andreas; auteur cinema; contemporary German cinema; DEFA film; Dresen; Finlay; Frank; Hodgin; Julian; Nick; politics and cinema; Preece; Literaturwissenschaft: Prosa, Erzählung, Roman, Autoren; EA

is Professor of German at Swansea University and author and editor of numerous books on twentieth- and twenty-first-century German literature. He is the director of the Swansea Centre for Contemporary German Culture.

is Lecturer in German at the University of Sheffield and has published widely on East German culture, especially film. His new projects include a cultural history of the GDR, essays on East German architecture and on documentary film culture of the Cold War.

(Stopped on Track, 2011). The essays collected in this volume by leading scholars from the USA, UK and Ireland place him in the tradition of auteur cinema while emphasising his roots in the pre-1990 film industry of DEFA in the GDR. Dresen works with an established team of performers, technicians and scriptwriters, uses improvisation and non-professional actors, and makes music and song an integral component of many of his films. He is a scholar-filmmaker who pushes at the boundaries of his chosen modes and genres (documentary, neo-realism, films about films or literary adaptation); he is socially committed, casting a Brechtian eye on interpersonal encounters in neoliberal environments; and he is always interested to tell universal stories from the localities he knows best, the working-class milieus of Germany’s east.

, 2005). This collection of essays places him in the tradition of auteur cinema while emphasising his roots in the pre-1990 film industry of DEFA in the GDR.

(2015), Liminal Space and GDR Cinema Tradition.