Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis… Mehr…
Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis, and current film theory about gender and subjectivity, the author combines close readings of seven films with historical and biographical studies of the directors who made them.Offering substantial readings of Jean-Luc Godard¿s controversial deconstructedKing Learand of Liz White¿s independent African-AmericanOthello,Donaldson also applies his provocative and contemporary point of view to more familiar films. He reads Olivier¿sHenry Vin relation to its treatment of sexual difference; Olivier¿sHamletin part as an expression of the director¿s childhood sexual trauma; Kurosawa¿sThrone of Bloodas an allegory of the relationship between Western and Japanese cinema; and Zeffirelli¿s immensely popularRomeo and Julietin the light of its powerful homoerotic subtext.With striking perspectives on Shakespeare, on the movies as an expressive medium, and on the complex processes of cultural change, this is timeless useful reading for teachers and students of film and literature. Peter S. Donaldson, Books, Entertainment, Shakespearean Films/shakespearean Directors Books>Entertainment, Taylor and Francis<
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Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis… Mehr…
Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis, and current film theory about gender and subjectivity, the author combines close readings of seven films with historical and biographical studies of the directors who made them. Offering substantial readings of Jean-Luc Godard’s controversial deconstructed King Lear and of Liz White’s independent African-American Othello, Donaldson also applies his provocative and contemporary point of view to more familiar films. He reads Olivier’s Henry V in relation to its treatment of sexual difference; Olivier’s Hamlet in part as an expression of the director’s childhood sexual trauma; Kurosawa’s Throne of Blood as an allegory of the relationship between Western and Japanese cinema; and Zeffirelli’s immensely popular Romeo and Juliet in the light of its powerful homoerotic subtext. With striking perspectives on Shakespeare, on the movies as an expressive medium, and on the complex processes of cultural change, this is timeless useful reading for teachers and students of film and literature. Trade Books>Trade Paperback>Movies & TV>Film Studies>Film Studies, Taylor & Francis Core >1<
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(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Originally published in 1990 this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis psychoanalysis… Mehr…
Originally published in 1990 this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis psychoanalysis and current film theory about gender and subjectivity the author combines close readings of seven films with historical and biographical studies of the directors who made them. Offering substantial readings of Jean-Luc Godards controversial deconstructed King Lear and of Liz Whites independent African-American Othello Donaldson also applies his provocative and contemporary point of view to more familiar films. He reads Oliviers Henry V in relation to its treatment of sexual difference; Oliviers Hamlet in part as an expression of the directors childhood sexual trauma; Kurosawas Throne of Blood as an allegory of the relationship between Western and Japanese cinema; and Zeffirellis immensely popular Romeo and Juliet in the light of its powerful homoerotic subtext. With striking perspectives on Shakespeare on the movies as an expressive medium and on the complex processes of cultural change this is timeless useful reading for teachers and students of film and literature. Media > Books > Print Books new, Routledge<
No Synopsis Available Shakespearean Films/Shakespearean Directors, 9781138981799, Book, Textbook Books > Performing Arts > Film Nonspecific Binding, Routledge
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(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis… Mehr…
Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis, and current film theory about gender and subjectivity, the author combines close readings of seven films with historical and biographical studies of the directors who made them.Offering substantial readings of Jean-Luc Godard¿s controversial deconstructedKing Learand of Liz White¿s independent African-AmericanOthello,Donaldson also applies his provocative and contemporary point of view to more familiar films. He reads Olivier¿sHenry Vin relation to its treatment of sexual difference; Olivier¿sHamletin part as an expression of the director¿s childhood sexual trauma; Kurosawa¿sThrone of Bloodas an allegory of the relationship between Western and Japanese cinema; and Zeffirelli¿s immensely popularRomeo and Julietin the light of its powerful homoerotic subtext.With striking perspectives on Shakespeare, on the movies as an expressive medium, and on the complex processes of cultural change, this is timeless useful reading for teachers and students of film and literature. Peter S. Donaldson, Books, Entertainment, Shakespearean Films/shakespearean Directors Books>Entertainment, Taylor and Francis<
- new Free shipping on orders above $25 Versandkosten:zzgl. Versandkosten
Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis… Mehr…
Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis, and current film theory about gender and subjectivity, the author combines close readings of seven films with historical and biographical studies of the directors who made them. Offering substantial readings of Jean-Luc Godard’s controversial deconstructed King Lear and of Liz White’s independent African-American Othello, Donaldson also applies his provocative and contemporary point of view to more familiar films. He reads Olivier’s Henry V in relation to its treatment of sexual difference; Olivier’s Hamlet in part as an expression of the director’s childhood sexual trauma; Kurosawa’s Throne of Blood as an allegory of the relationship between Western and Japanese cinema; and Zeffirelli’s immensely popular Romeo and Juliet in the light of its powerful homoerotic subtext. With striking perspectives on Shakespeare, on the movies as an expressive medium, and on the complex processes of cultural change, this is timeless useful reading for teachers and students of film and literature. Trade Books>Trade Paperback>Movies & TV>Film Studies>Film Studies, Taylor & Francis Core >1<
Originally published in 1990 this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis psychoanalysis… Mehr…
Originally published in 1990 this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis psychoanalysis and current film theory about gender and subjectivity the author combines close readings of seven films with historical and biographical studies of the directors who made them. Offering substantial readings of Jean-Luc Godards controversial deconstructed King Lear and of Liz Whites independent African-American Othello Donaldson also applies his provocative and contemporary point of view to more familiar films. He reads Oliviers Henry V in relation to its treatment of sexual difference; Oliviers Hamlet in part as an expression of the directors childhood sexual trauma; Kurosawas Throne of Blood as an allegory of the relationship between Western and Japanese cinema; and Zeffirellis immensely popular Romeo and Juliet in the light of its powerful homoerotic subtext. With striking perspectives on Shakespeare on the movies as an expressive medium and on the complex processes of cultural change this is timeless useful reading for teachers and students of film and literature. Media > Books > Print Books new, Routledge<
No Synopsis Available Shakespearean Films/Shakespearean Directors, 9781138981799, Book, Textbook Books > Performing Arts > Film Nonspecific Binding, Routledge
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Detailangaben zum Buch - Shakespearean Films/Shakespearean Directors Peter S. Donaldson Author
EAN (ISBN-13): 9781138981799 Taschenbuch Erscheinungsjahr: 2016 Herausgeber: Taylor & Francis Core >1
Buch in der Datenbank seit 2016-08-26T07:44:31+02:00 (Berlin) Detailseite zuletzt geändert am 2024-04-14T15:33:42+02:00 (Berlin) ISBN/EAN: 9781138981799
ISBN - alternative Schreibweisen: 978-1-138-98179-9 Alternative Schreibweisen und verwandte Suchbegriffe: Autor des Buches: peter may, donaldson, jean luc godard Titel des Buches: shakespeare film, shakespearean
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