Formulated within and against the context of Russian formalism that became the backbone of semiotics, Mikhail Bahktin's work has enabled contemporary critical theories to return to specif… Mehr…
Formulated within and against the context of Russian formalism that became the backbone of semiotics, Mikhail Bahktin's work has enabled contemporary critical theories to return to specific sociopolitical and historical moments that had been closed off by formalist abstractions. In Dialogics of the Oppressed, Peter Hitchcock looks through the lens of Bakhtin's theory of dialogism for an analysis of subaltern writing. Rather than assume an integral subaltern subject as the object of analysis, Hitchcock - in case studies of four global feminists, Nawal el Saadawi, Pat Barker, Zhang Jie, and Agnes Smedley - emphasizes the cultural agency of the subaltern and shows the political implications this agency might have for literary analysis in general and cultural studies in particular.Presents a provocative set of readingsthrough the Bakhtinian model of dialogismof texts by four women writers of the twentieth century. . . instructive and compelling. Barbara HarlowUniversity of TexasDialogics of the Oppressed argues from an internationalistic perspective to underline that the heterogeneity of dialogic feminism itself constitutes a significant array of discursive resistance to the hegemony of disciplines and so-called area studies operative in the metropolitan First World academy. Hitchcock demonstrates through dialogic analyses of the writings of these four feminists that a form of multicultural materialism can itself disrupt the restrictive logics and practices of literary studies in the Western academy, and that indeed, there is a counterlogic in the culture of the subaltern. Hitchcock's underlying objective is the development of a powerful critique of the epistemological bases of the academy that marginalize and devalorize certain cultural productions and subjects, as well as a cognitive mapping of the politics of pedagogy in current transformations of disciplinarity. Social Science Social Science eBook, University of Minnesota Press<
Formulated within and against the context of Russian formalism that became the backbone of semiotics, Mikhail Bahktin's work has enabled contemporary critical theories to return to specif… Mehr…
Formulated within and against the context of Russian formalism that became the backbone of semiotics, Mikhail Bahktin's work has enabled contemporary critical theories to return to specific sociopolitical and historical moments that had been closed off by formalist abstractions. In Dialogics of the Oppressed, Peter Hitchcock looks through the lens of Bakhtin's theory of dialogism for an analysis of subaltern writing. Rather than assume an integral subaltern subject as the object of analysis, Hitchcock - in case studies of four global feminists, Nawal el Saadawi, Pat Barker, Zhang Jie, and Agnes Smedley - emphasizes the cultural agency of the subaltern and shows the political implications this agency might have for literary analysis in general and cultural studies in particular.Presents a provocative set of readingsthrough the Bakhtinian model of dialogismof texts by four women writers of the twentieth century. . . instructive and compelling. Barbara HarlowUniversity of TexasDialogics of the Oppressed argues from an internationalistic perspective to underline that the heterogeneity of dialogic feminism itself constitutes a significant array of discursive resistance to the hegemony of disciplines and so-called area studies operative in the metropolitan First World academy. Hitchcock demonstrates through dialogic analyses of the writings of these four feminists that a form of multicultural materialism can itself disrupt the restrictive logics and practices of literary studies in the Western academy, and that indeed, there is a counterlogic in the culture of the subaltern. Hitchcock's underlying objective is the development of a powerful critique of the epistemological bases of the academy that marginalize and devalorize certain cultural productions and subjects, as well as a cognitive mapping of the politics of pedagogy in current transformations of disciplinarity. Social Science Social Science eBook<
Univ of Minnesota Pr. Used - Good. Former Library book. Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee. Shipped to over one million happy … Mehr…
Univ of Minnesota Pr. Used - Good. Former Library book. Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee. Shipped to over one million happy customers. Your purchase benefits world literacy!, Univ of Minnesota Pr<
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Formulated within and against the context of Russian formalism that became the backbone of semiotics, Mikhail Bahktin's work has enabled contemporary critical theories to return to specif… Mehr…
Formulated within and against the context of Russian formalism that became the backbone of semiotics, Mikhail Bahktin's work has enabled contemporary critical theories to return to specific sociopolitical and historical moments that had been closed off by formalist abstractions. In Dialogics of the Oppressed, Peter Hitchcock looks through the lens of Bakhtin's theory of dialogism for an analysis of subaltern writing. Rather than assume an integral subaltern subject as the object of analysis, Hitchcock - in case studies of four global feminists, Nawal el Saadawi, Pat Barker, Zhang Jie, and Agnes Smedley - emphasizes the cultural agency of the subaltern and shows the political implications this agency might have for literary analysis in general and cultural studies in particular.Presents a provocative set of readingsthrough the Bakhtinian model of dialogismof texts by four women writers of the twentieth century. . . instructive and compelling. Barbara HarlowUniversity of TexasDialogics of the Oppressed argues from an internationalistic perspective to underline that the heterogeneity of dialogic feminism itself constitutes a significant array of discursive resistance to the hegemony of disciplines and so-called area studies operative in the metropolitan First World academy. Hitchcock demonstrates through dialogic analyses of the writings of these four feminists that a form of multicultural materialism can itself disrupt the restrictive logics and practices of literary studies in the Western academy, and that indeed, there is a counterlogic in the culture of the subaltern. Hitchcock's underlying objective is the development of a powerful critique of the epistemological bases of the academy that marginalize and devalorize certain cultural productions and subjects, as well as a cognitive mapping of the politics of pedagogy in current transformations of disciplinarity. Social Science Social Science eBook, University of Minnesota Press<
Formulated within and against the context of Russian formalism that became the backbone of semiotics, Mikhail Bahktin's work has enabled contemporary critical theories to return to specif… Mehr…
Formulated within and against the context of Russian formalism that became the backbone of semiotics, Mikhail Bahktin's work has enabled contemporary critical theories to return to specific sociopolitical and historical moments that had been closed off by formalist abstractions. In Dialogics of the Oppressed, Peter Hitchcock looks through the lens of Bakhtin's theory of dialogism for an analysis of subaltern writing. Rather than assume an integral subaltern subject as the object of analysis, Hitchcock - in case studies of four global feminists, Nawal el Saadawi, Pat Barker, Zhang Jie, and Agnes Smedley - emphasizes the cultural agency of the subaltern and shows the political implications this agency might have for literary analysis in general and cultural studies in particular.Presents a provocative set of readingsthrough the Bakhtinian model of dialogismof texts by four women writers of the twentieth century. . . instructive and compelling. Barbara HarlowUniversity of TexasDialogics of the Oppressed argues from an internationalistic perspective to underline that the heterogeneity of dialogic feminism itself constitutes a significant array of discursive resistance to the hegemony of disciplines and so-called area studies operative in the metropolitan First World academy. Hitchcock demonstrates through dialogic analyses of the writings of these four feminists that a form of multicultural materialism can itself disrupt the restrictive logics and practices of literary studies in the Western academy, and that indeed, there is a counterlogic in the culture of the subaltern. Hitchcock's underlying objective is the development of a powerful critique of the epistemological bases of the academy that marginalize and devalorize certain cultural productions and subjects, as well as a cognitive mapping of the politics of pedagogy in current transformations of disciplinarity. Social Science Social Science eBook<
Univ of Minnesota Pr. Used - Good. Former Library book. Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee. Shipped to over one million happy … Mehr…
Univ of Minnesota Pr. Used - Good. Former Library book. Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee. Shipped to over one million happy customers. Your purchase benefits world literacy!, Univ of Minnesota Pr<
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Detailangaben zum Buch - Dialogics of the Oppressed
EAN (ISBN-13): 9780816621064 Herausgeber: University of Minnesota Press
Buch in der Datenbank seit 2015-03-17T18:39:55+01:00 (Berlin) Detailseite zuletzt geändert am 2019-04-25T03:18:30+02:00 (Berlin) ISBN/EAN: 9780816621064
ISBN - alternative Schreibweisen: 978-0-8166-2106-4 Alternative Schreibweisen und verwandte Suchbegriffe: Autor des Buches: hitchcock
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