Broder, Patricia Janis:Great Paintings of the Old American West [Poster Size folio Prints Spec publication]
- signiertes Exemplar 2000, ISBN: 9780517279533
Taschenbuch, Gebundene Ausgabe, Erstausgabe
Budapest, Hugary: Budapest Fine Arts Publishing House / Kepzomuveszeti Kiado, 1990. Hardcover. Very Good +. Elephant Folio - over 15 - 23" tall. 23pp + [28pp] indexed plates w desc… Mehr…
Budapest, Hugary: Budapest Fine Arts Publishing House / Kepzomuveszeti Kiado, 1990. Hardcover. Very Good +. Elephant Folio - over 15 - 23" tall. 23pp + [28pp] indexed plates w description and detail of each plate on verso. Gift inscription inked on title page. Illustrated boards are clean showing moderate rubbing to corners, head and tail and small scuff on lower front board. Binding square and sound. The book is bound like a portfolio so that individual plates can be removed for framing. Hungarian language text. Elephant folio - 485 x 335mm Rembrandt Esa Biblia (Rembrant and the Bible) is a collection of twenty-eight drawings by the master all on Biblical themes. György Kelényi is a professor at the Eötvös Loránd University Faculty of Arts, Institute of Art History in Hungary, Budapest Fine Arts Publishing House / Kepzomuveszeti Kiado, 1990, 3, 1983. Rare Williams College Museum Exhibit Program 1983 36 color prints Brothers Maurice Brazil Prendergast 1858-1924 and Charles Prendergast 1863-1948 were both Post-Impressionist painters 4to sized brochure had glued binding which is completely separated - the outer wraps and all of the pages are loose (since most people buy these to frame the artwork you will not have to separate the pages) Gray laid wraps have the facsimile signatures of both artists on overleafs; unpaginated, about 45 pages. Foreword by Thomas Krens. Some sunning to spine, edgewear, light crease to top corner, several pages have what looks like a fingermark in the margin, on closer inspection it appears to be a publishing defect; there are also some tiny specks of paint in the inner margin of Foreword page. Please note: prints are back to back, not on separate pages Maurice Prendergast works, prints 1 through 26 Old Woman Low Tide, Nantasket Low Tide, Beachmont Festa della Redentore Mosaic, Venice La Tour Solidor Central Park, New York Rialto, Venice (two different versions) Elephant New England Holiday Fantasy Portrait of Girl in Green Landscape, New Hampshire Marblehead (from this print on there is a light crease in the top inside corner in the margin above the print Old Fashioned Flowers Houses, New Hampshire Spring Promenade Girls in the Park Bathers in a Cove Passamaquoddy House x 3 versions Bathers Rider Against Blue Hills Charles Prendergast works Prints 27 through 36 Charles was also a framemaker and some of the prints also show the frames 27. Annunciation 28. The Riders 29. Decoration on Glass 30. Landscapes with Sailing Boats 31. Hill Town 32. Bathers Under the Trees 33. Circus 34. Skaters at the World's Fair 35. Polo Players 36. Interior, Florida Please note: Our photographs may show only a portion (or close-up) of the actual print. Thanks for shopping with us! 100% of your purchase benefits charity and supports literacy and lifelong learning.. Disbound. Good/No Jacket. Illus. by Prendergast, Maurice and Charles. 4to - over 9¾" - 12" tall. Private Press., 1983, 2.5, Washington DC. 2000. National Geographic Society. 1st American Edition. Very Good in Dustjacket. 0792276892. 272 pages. hardcover. Cover photograph by Joanna Pinneo. Signed by the Author & All Five Photographers Featured - Karen Kasmauski, Jodi Cobb, Sisse Brimberg, Maria Stenzel, & Annie Griffiths Belt. keywords: Photography Women Nature Anthology. FROM THE PUBLISHER - From Eliza Scidmore, whose 1914 hand-tinted portrait immortalizes a Japanese child framed by chrysanthemums on page 18, to such famous names as Margaret Bourke-White and Dickey Chapelle, to the most gifted eyes of today, Women Photographers at National Geographic is a gallery of some 40 extraordinary visual talents and their finest work. Cathy Newman's informative text chronicles the adventures, achievements, and observations of four generations of remarkable, resourceful women: Annie Griffiths Belt, who passed herself off as a boy to capture a ceremony closed to women in Israel; Bourke-White, a figure of such romance and ?lan that she inspired the television movie Double Exposure; plucky Dorothy Hosmer, whose pictures documented her 1937 bicycle tour of Romania -- and almost went unpublished because a prim male editor found the very idea unladylike. But the piece de resistance is of course the photography, both in rich color and evocatively nuanced black and white: Landscapes like Edith Watson's view of Cape Breton island early in the century. .portraits like Jodi Cobb's Saudi beauty, veiled but for flashing sloe eyes. .scenes of lethal beauty like Dickey Chapelle's fiery Vietnamese nightmare, published only after she was killed in the field. .and over 140 more, from a majestic quintet of elephants to a long-ago schoolroom of solemn, shaven-headed Russian village boys. Interspersed among the chapters are showcase portfolios of five superb contemporary women photographers, whose personal essays explore their visions and hallmark themes: 'Women on Women' by Jodi Cobb, Maria Stenzel's 'Art of Adventure,' Annie Griffiths Belt on 'Intimacy,' Karen Kasmauski's gallery of 'The Human Condition,' and Sisse Brimberg's reflections on how one links the gap 'Across Cultures.' inventory #28388 ISBN: 0792276892., 0, Vienna: Alfred Hölder, 1891. First limited edition. Hardcover. g+.. 193/300. Elephant Folio. x, 368pp. Original three-quarter red leather over marbled boards and gilt lettering on black label on spine. Decorative endpapers. Publisher's device on title page. Decorative head pieces, initials and endpieces. Each page with double frame border. Foreword by Jakob von Falke. Contains chapters on the general history of the Dome S. Blasii in Braunschweig and the Braunschweig-Lüneburg treasure of relics, the significance of the treasure for archaeology and art history, detailed description of the treasure, text of various documents relating to the treasure, notes, and an alphabetical register at rear. Illustrated with 144 woodcuts by F. W. Bader. Text in German. Some wear along edges of binding, small chips, one medium , joints partially cracked, and rubbed. First twelve pages with light medium foxing. Binding and interior in overall good+ condition., Alfred Hölder, 1891, 2.5, Los Angeles: The Philosophical Research Society, 1998. Diamond Jubilee Edition, Second Printing. Hardcover. Good- to fine condition. Inscribed in calligraphy on title page to Kyidinkongeba Ali Sawadgo Abu-Bekr of the Naqshbandi Mujaddadi, Mazhariya, Khariya Order. Elephant Folio. 245pp., 48 color plates, including frontispiece. Two of them fold-outs, one of them a Shakespeare portrait with additional plate of superimposed Bacon portrait, and additional seven pages with color plates from a Hermetic Manuscript. Original pebbled blue cloth with silver framing and lettering on cover and spine, housed in matching slipcase. Blue endpapers. Full page color frontispiece. Second title page of original Subscriber's Edition printed in red and black with publisher's device. After the publication of "The secret Teachings of All Ages" Manly P. Hall "...went from being just another earnest young preacher in the City of Angels to becoming an icon of the increasingly influential metaphysical movement sweeping the country in the 1920s. His book challenged assumptions about society's spiritual roots and made people look at them in new ways... a gorgeous, dreamlike book of mysterious symbols, concise essays and colorful renderings of mythical beasts rising out of the sea, and angelic beings with lions' heads presiding over somber initiation rites in torch-lit temples of ancestral civilizations that had mastered latent powers beyond the reach of modern man." (Louis Sahagun). Hall wrote in 1988: "The greatest knowledge of all time should be available to the twentieth century not only in the one shilling editions of the Bohn Library in small type and shabby binding, but in a book that would be a monument, not merely a coffin. John Henry Nash agreed with me." Profusely illustrated with striking color reproductions of artwork by J. Ausustus Knapp and b/w in-text drawings. A classic example of the printing and bookbinding arts. Binding with light wear along edges. Cracked at gutters of inside front and back covers. Slipcase with wear along edges, back panel missing, substituted with clear tape. Slipcase in fair, binding in good-, block in fine condition., The Philosophical Research Society, 1998, 5, Los Angeles: The Philosophical Research Society, 1998. Diamond Jubilee Edition, Second Printing. Hardcover. Good- to fine condition. Inscribed in calligraphy on title page to Kyidinkongeba Ali Sawadgo Abu-Bekr of the Naqshbandi Mujaddadi, Mazhariya, Khariya Order. Elephant Folio. 245pp., 48 color plates, including frontispiece. Two of them fold-outs, one of them a Shakespeare portrait with additional plate of superimposed Bacon portrait, and additional seven pages with color plates from a Hermetic Manuscript. Original pebbled blue cloth with silver framing and lettering on cover and spine, housed in matching slipcase. Blue endpapers. Full page color frontispiece. Second title page of original Subscriber's Edition printed in red and black with publisher's device. After the publication of "The secret Teachings of All Ages" Manly P. Hall "...went from being just another earnest young preacher in the City of Angels to becoming an icon of the increasingly influential metaphysical movement sweeping the country in the 1920s. His book challenged assumptions about society's spiritual roots and made people look at them in new ways... a gorgeous, dreamlike book of mysterious symbols, concise essays and colorful renderings of mythical beasts rising out of the sea, and angelic beings with lions' heads presiding over somber initiation rites in torch-lit temples of ancestral civilizations that had mastered latent powers beyond the reach of modern man." (Louis Sahagun). Hall wrote in 1988: "The greatest knowledge of all time should be available to the twentieth century not only in the one shilling editions of the Bohn Library in small type and shabby binding, but in a book that would be a monument, not merely a coffin. John Henry Nash agreed with me." Profusely illustrated with striking color reproductions of artwork by J. Ausustus Knapp and b/w in-text drawings. A classic example of the printing and bookbinding arts. Binding with light wear along edges. Cracked at gutters of inside front and lightly at back cover. Slipcase with wear along edges, back panel missing, substituted with clear tape. Slipcase in fair, binding in good-, block in fine condition., The Philosophical Research Society, 1998, 5, Istanbul: Pamukbank, 1997. Limited Edition . Soft cover. New. Elephant Folio - over 15 - 23" tall. Original color photograph on positive paper. In original cover with its cartoon frame. Size: (all 50x60 cm - photograph 23x36 cm). Positive paper is a light-sensitive paper on which the image taken on the negative film was created in accordance with the original image. A short biography on verso. Signed by the photographer. 400 copies were printed. All copies were numbered. This is no. 27. Ersin Alok was born in 1937, in Istanbul, Turkey. He graduated from Istanbul University, School of Arts and Letters, Psychology Department, and from Journalism and Commerce Department of The I.I.T.I Academy. (Academy of Economic and Commercial Sciences). He founded the Photography Institute of the Mimar Sinan University. Alok, who started his art career as a painter, held his first exhibition in 1953, at the exhibition hall of the School of Languages, History, and Geography of Ankara University. He started his professional career as a photographer in 1967. He won the first prize, with his Absurd in photography, in the 5th Paris Biennial Then first prizes in Rome, Brussels, Sofia, Warsaw, and USA Barkley follow In 1989, World Photography Association gave Alok the right to represent Asia, and held his panoramic triangular exhibition with three other artist Alok, who has realized 199 exhibitions, has also had 41 exhibitions abroad He has formed a sound archive with his studies on sound recording. He also founded the first DIABANK in Turkey with his 6,500,000 dia archive. Alok has 21 published books., Pamukbank, 1997, 6, Istanbul: Pamukbank, 1997. Limited Edition . Soft cover. New. Elephant Folio - over 15 - 23" tall. Original color photograph on positive paper. In original cover with its cartoon frame. Size: (all 50x60 cm - photograph 23x36 cm). Positive paper is a light-sensitive paper on which the image taken on the negative film was created in accordance with the original image. A short biography on verso. Signed by the photographer. 400 copies were printed. All copies were numbered. This is no. 27. Ersin Alok was born in 1937, in Istanbul, Turkey. He graduated from Istanbul University, School of Arts and Letters, Psychology Department, and from Journalism and Commerce Department of The I.I.T.I Academy. (Academy of Economic and Commercial Sciences). He founded the Photography Institute of the Mimar Sinan University. Alok, who started his art career as a painter, held his first exhibition in 1953, at the exhibition hall of the School of Languages, History, and Geography of Ankara University. He started his professional career as a photographer in 1967. He won the first prize, with his Absurd in photography, in the 5th Paris Biennial Then first prizes in Rome, Brussels, Sofia, Warsaw, and USA Barkley follow In 1989, World Photography Association gave Alok the right to represent Asia, and held his panoramic triangular exhibition with three other artist Alok, who has realized 199 exhibitions, has also had 41 exhibitions abroad He has formed a sound archive with his studies on sound recording. He also founded the first DIABANK in Turkey with his 6,500,000 dia archive. Alok has 21 published books., Pamukbank, 1997, 6, New York: Hessling & Spielmeyer, 1890. First American edition. Loose leaf. g- to near fine. Elephant Folio (18 5/8 x 13 1/2"). (1) 35 plates. Original string-bound three-quarter red cloth over gray boards; label with black lettering pasted to cover. Title plate with publisher's device. Roman numeral I penciled in front of printed "Series," announcing 30 plates though 35 continuously numbered plates present. American edition with different plates. The thirty-five plates show examples of capitals, caryatides, stelas, pillars, busts, masks, rosettes, gussets, edges, consoles, friezes, panels, corners, head-mouldings, crownings, top-stones, frames, etc. Designs for architects, modelers, plasterers, porcelain and majolica manufacturers, industrial schools, etc. in photogravure. Descriptive print in margins of plates in German., title page in English. Red cloth at spine and strings lightly frayed, boards with light staining and rubbed. Title plate browned with light wear along edges. Few plates with light foxing in margins not affecting images. Portfolio in overall good-, plates in very good, images in near fine condition., Hessling & Spielmeyer, 1890, 4, New York: Crown Publishers, 1979. 1st Edition . Original Wraps. Near Fine. Elephant Folio - over 15" - 23" tall. [illustrations from paintings]. New York: Crown Publishers, 1979. Poster version as stated on cover. Actual prints, bound removably in wraps; not the hardbound book which uses them. This is the very scarce appurtenant variety, an elephant-folio-size softcover volume of 50 of the prints in Broder's quarto hardcover volume of the same name - here, however, in a large size, all intended for framing. See cover scan. Probable first-and-only edition, but no edition stated; original copyright date of 1979 is the only date showing, with no indication of later printing. Introduction by Fred Myers, Director of the Thomas Gilcrease Institute of American History and Art. Elephant Folio. Large plates of paintings Remington, Russell, Wyeth, Seltzer, many others. Fine plates in Near fine book with no salient flaws. Plates in this companion volume are intended for framing, as stated on cover [see scan] . l-lng1, Crown Publishers, 1979, 4<
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