1985, ISBN: 0920095526

Taschenbuch

[EAN: 9780920095522], Near Fine, [PU: Vancouver Art Gallery, Vancouver, BC], CONTEMPORARY ART, EXPRESSIONIST VANCOUVER ARTISTS, BRITISH COLUMBIA CANADIAN ART HISTORY, HISTORY CANADIAN, WO… Mehr…

[EAN: 9780920095522], Near Fine, [PU: Vancouver Art Gallery, Vancouver, BC], CONTEMPORARY ART, EXPRESSIONIST VANCOUVER ARTISTS, BRITISH COLUMBIA CANADIAN ART HISTORY, HISTORY CANADIAN, WOMEN'S STUDIES, WOMEN CATALOGUES, EXHIBITIONS,, Art|General, (SAVE on USA Shipping total cost under 1lb $3.75 under 2 lb $4.25 ) (Canada shipping adjusted for postal code etc.) Books shipped Tuesday Thursday Saturday for books ordered 2 day before. DIGITAL PICTURES ON REQUEST. Aprox. Wgt. includes Packaging. (Canadian customers Shipping adjusted for postal code)Edition Not Stated No Other Date. Signed "For Amy + John Some of my oldest friends here with love from Gathie Falk Sept 6/85" CONDITION: . STATS - Book Dimensions 11 3/4 by 9 1/2 Inches. 79 Pages. Chronology, List of works, Collections. Illustrated throughout with full color illustrations, Some black & white illustrations. WGT. to 2 lbs. CLIP - History is rarely kind to women artists. It is therefore unusual that the most highly regarded artist of this region is a woman, Emily Carr. Carr interpreted the spectacular physical and cultural landscape of this place during the first half of the centu ry. It was not, however, until her 57th year that she began to receive national recognition for her painting, which she had abandoned in despair 15 years earlier. It was during this period that Carr met the American artist Mark Tobey, who was to have con siderable influence on her work. She was also invited to present her work at The National Gallery of Canada. As a result of this exhibition, she met the Canadian landscape painters, the Group of Seven, forging a life-long friendship with Lawren Harris. H arris was to move to Vancouver, where he spent the last 30 years of his life actively involved as a Trustee of the Vancouver Art Gallery and as a teacher. One of his pupils was Gathie Falk. Falk is presently in her 57th year and, like Carr at the same age, in the process of discarding the image of an eccentric engaged in a personal odyssey of little apparent relevance to the community at large. It is appropriate, at this time, that Falk's w ork be given serious consideration and her contribution to the cultural life of this country be recognized. As Falk points out in the following pages, her work, particularly that in the area of performance, was often considered to be "just fooling around " rather than carefully composed and rehearsed works. Her sculpture was also considered more playful than serious. An interview with Pierre Th berge, formerly of The National Gallery of Canada and the Montreal Mus e des beaux-arts, reveals a significant and recent change in attitude to Falk's work:<

1985, ISBN: 0920095526

Taschenbuch

[EAN: 9780920095522], Near Fine, [PU: Vancouver Art Gallery, Vancouver, BC], CONTEMPORARY ART, EXPRESSIONIST VANCOUVER ARTISTS, BRITISH COLUMBIA CANADIAN ART HISTORY, HISTORY CANADIAN, WO… Mehr…

[EAN: 9780920095522], Near Fine, [PU: Vancouver Art Gallery, Vancouver, BC], CONTEMPORARY ART, EXPRESSIONIST VANCOUVER ARTISTS, BRITISH COLUMBIA CANADIAN ART HISTORY, HISTORY CANADIAN, WOMEN'S STUDIES, WOMEN CATALOGUES, EXHIBITIONS,, Books shipped Monday Thursday for books ordered day before. DIGITAL PICTURES ON REQUEST. Aprox. Wgt. includes Packaging. (Canadian customers Shipping adjusted for postal code) Edition Not Stated No Other Date. Signed "For Amy + John Some of my oldest friends here with love from Gathie Falk Sept 6/85" CONDITION: . STATS - Book Dimensions 11 3/4 by 9 1/2 Inches. 79 Pages. Chronology, List of works, Collections. Illustrated throughout with full color illustrations, Some black & white illustrations. WGT. to 2 lbs. CLIP - History is rarely kind to women artists. It is therefore unusual that the most highly regarded artist of this region is a woman, Emily Carr. Carr interpreted the spectacular physical and cultural landscape of this place during the first half of the centu ry. It was not, however, until her 57th year that she began to receive national recognition for her painting, which she had abandoned in despair 15 years earlier. It was during this period that Carr met the American artist Mark Tobey, who was to have con siderable influence on her work. She was also invited to present her work at The National Gallery of Canada. As a result of this exhibition, she met the Canadian landscape painters, the Group of Seven, forging a life-long friendship with Lawren Harris. H arris was to move to Vancouver, where he spent the last 30 years of his life actively involved as a Trustee of the Vancouver Art Gallery and as a teacher. One of his pupils was Gathie Falk. Falk is presently in her 57th year and, like Carr at the same age, in the process of discarding the image of an eccentric engaged in a personal odyssey of little apparent relevance to the community at large. It is appropriate, at this time, that Falk's w ork be given serious consideration and her contribution to the cultural life of this country be recognized. As Falk points out in the following pages, her work, particularly that in the area of performance, was often considered to be "just fooling around " rather than carefully composed and rehearsed works. Her sculpture was also considered more playful than serious. An interview with Pierre Th berge, formerly of The National Gallery of Canada and the Montreal Mus e des beaux-arts, reveals a significant and recent change in attitude to Falk's work:<

1985, ISBN: 0920095526

Taschenbuch

[EAN: 9780920095522], Near Fine, [PU: Vancouver Art Gallery, Vancouver, BC], CONTEMPORARY ART, EXPRESSIONIST VANCOUVER ARTISTS, BRITISH COLUMBIA CANADIAN ART HISTORY, HISTORY CANADIAN, WO… Mehr…

[EAN: 9780920095522], Near Fine, [PU: Vancouver Art Gallery, Vancouver, BC], CONTEMPORARY ART, EXPRESSIONIST VANCOUVER ARTISTS, BRITISH COLUMBIA CANADIAN ART HISTORY, HISTORY CANADIAN, WOMEN'S STUDIES, WOMEN CATALOGUES, EXHIBITIONS,, Books shipped Tuesday Friday. DIGITAL PICTURES ON REQUEST. Aprox. Wgt. includes Packaging. Edition Not Stated No Other Date Signed "For Amy + John Some of my oldest friends here with love from Gathie Falk Sept 6/85" CONDITION: . STATS - Book Dimensions 11 3/4 by 9 1/2 Inches. 79 Pages. Chronology, List of works, Collections. Illustrated throughout with full color illustrations, Some black & white illustrations. WGT. to 2 lbs. CLIP - History is rarely kind to women artists. It is therefore unusual that the most highly regarded artist of this region is a woman, Emily Carr. Carr interpreted the spectacular physical and cultural landscape of this place during the first half of the centu ry. It was not, however, until her 57th year that she began to receive national recognition for her painting, which she had abandoned in despair 15 years earlier. It was during this period that Carr met the American artist Mark Tobey, who was to have con siderable influence on her work. She was also invited to present her work at The National Gallery of Canada. As a result of this exhibition, she met the Canadian landscape painters, the Group of Seven, forging a life-long friendship with Lawren Harris. H arris was to move to Vancouver, where he spent the last 30 years of his life actively involved as a Trustee of the Vancouver Art Gallery and as a teacher. One of his pupils was Gathie Falk. Falk is presently in her 57th year and, like Carr at the same age, in the process of discarding the image of an eccentric engaged in a personal odyssey of little apparent relevance to the community at large. It is appropriate, at this time, that Falk's w ork be given serious consideration and her contribution to the cultural life of this country be recognized. As Falk points out in the following pages, her work, particularly that in the area of performance, was often considered to be "just fooling around " rather than carefully composed and rehearsed works. Her sculpture was also considered more playful than serious. An interview with Pierre Th berge, formerly of The National Gallery of Canada and the Montreal Mus e des beaux-arts, reveals a significant and recent change in attitude to Falk's work:<

1985, ISBN: 0920095526

Taschenbuch

[EAN: 9780920095522], Near Fine, [PU: Vancouver Art Gallery, Vancouver, BC], CONTEMPORARY ART, EXPRESSIONIST VANCOUVER ARTISTS, BRITISH COLUMBIA CANADIAN ART HISTORY, HISTORY CANADIAN, WO… Mehr…

[EAN: 9780920095522], Near Fine, [PU: Vancouver Art Gallery, Vancouver, BC], CONTEMPORARY ART, EXPRESSIONIST VANCOUVER ARTISTS, BRITISH COLUMBIA CANADIAN ART HISTORY, HISTORY CANADIAN, WOMEN'S STUDIES, WOMEN CATALOGUES, EXHIBITIONS,, Books shipped Tuesday Friday. DIGITAL PICTURES ON REQUEST. Aprox. Wgt. includes Packaging. Edition Not Stated No Other Date Signed "For Amy + John Some of my oldest friends here with love from Gathie Falk Sept 6/85" CONDITION: . STATS - Book Dimensions 11 3/4 by 9 1/2 Inches. 79 Pages. Chronology, List of works, Collections. Illustrated throughout with full color illustrations, Some black & white illustrations. WGT. to 2 lbs. CLIP - History is rarely kind to women artists. It is therefore unusual that the most highly regarded artist of this region is a woman, Emily Carr. Carr interpreted the spectacular physical and cultural landscape of this place during the first half of the centu ry. It was not, however, until her 57th year that she began to receive national recognition for her painting, which she had abandoned in despair 15 years earlier. It was during this period that Carr met the American artist Mark Tobey, who was to have con siderable influence on her work. She was also invited to present her work at The National Gallery of Canada. As a result of this exhibition, she met the Canadian landscape painters, the Group of Seven, forging a life-long friendship with Lawren Harris. H arris was to move to Vancouver, where he spent the last 30 years of his life actively involved as a Trustee of the Vancouver Art Gallery and as a teacher. One of his pupils was Gathie Falk. Falk is presently in her 57th year and, like Carr at the same age, in the process of discarding the image of an eccentric engaged in a personal odyssey of little apparent relevance to the community at large. It is appropriate, at this time, that Falk's w ork be given serious consideration and her contribution to the cultural life of this country be recognized. As Falk points out in the following pages, her work, particularly that in the area of performance, was often considered to be "just fooling around " rather than carefully composed and rehearsed works. Her sculpture was also considered more playful than serious. An interview with Pierre Th berge, formerly of The National Gallery of Canada and the Montreal Mus e des beaux-arts, reveals a significant and recent change in attitude to Falk's work:<

1985, ISBN: 0920095526

Taschenbuch

[EAN: 9780920095522], [PU: Vancouver Art Gallery, Vancouver, BC], CONTEMPORARY ART, EXPRESSIONIST VANCOUVER ARTISTS, BRITISH COLUMBIA CANADIAN ART HISTORY, HISTORY CANADIAN, WOMEN'S STUDI… Mehr…

[EAN: 9780920095522], [PU: Vancouver Art Gallery, Vancouver, BC], CONTEMPORARY ART, EXPRESSIONIST VANCOUVER ARTISTS, BRITISH COLUMBIA CANADIAN ART HISTORY, HISTORY CANADIAN, WOMEN'S STUDIES, WOMEN CATALOGUES, EXHIBITIONS,, Books shipped Tuesday Friday. DIGITAL PICTURES ON REQUEST. Aprox. Wgt. includes Packaging. Edition Not Stated No Other Date Signed "For Amy + John Some of my oldest friends here with love from Gathie Falk Sept 6/85" CONDITION: . STATS - Book Dimensions 11 3/4 by 9 1/2 Inches. 79 Pages. Chronology, List of works, Collections. Illustrated throughout with full color illustrations, Some black & white illustrations. WGT. to 2 lbs. CLIP - History is rarely kind to women artists. It is therefore unusual that the most highly regarded artist of this region is a woman, Emily Carr. Carr interpreted the spectacular physical and cultural landscape of this place during the first half of the centu ry. It was not, however, until her 57th year that she began to receive national recognition for her painting, which she had abandoned in despair 15 years earlier. It was during this period that Carr met the American artist Mark Tobey, who was to have con siderable influence on her work. She was also invited to present her work at The National Gallery of Canada. As a result of this exhibition, she met the Canadian landscape painters, the Group of Seven, forging a life-long friendship with Lawren Harris. H arris was to move to Vancouver, where he spent the last 30 years of his life actively involved as a Trustee of the Vancouver Art Gallery and as a teacher. One of his pupils was Gathie Falk. Falk is presently in her 57th year and, like Carr at the same age, in the process of discarding the image of an eccentric engaged in a personal odyssey of little apparent relevance to the community at large. It is appropriate, at this time, that Falk's w ork be given serious consideration and her contribution to the cultural life of this country be recognized. As Falk points out in the following pages, her work, particularly that in the area of performance, was often considered to be "just fooling around " rather than carefully composed and rehearsed works. Her sculpture was also considered more playful than serious. An interview with Pierre Th berge, formerly of The National Gallery of Canada and the Montreal Mus e des beaux-arts, reveals a significant and recent change in attitude to Falk's work:<