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[ED: Hardcover], [PU: Et+K / Springer / Springer International Publishing / Springer, Berlin], This book highlights the quantitative methods of data mining and information visualization a… Mehr…

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ISBN: 9783030028633

This book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vert… Mehr…

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Digital Humanities and Film Studies - gebunden oder broschiert

2019

ISBN: 3030028631

[EAN: 9783030028633], Neubuch, [PU: Springer International Publishing], EMPIRISCHE SOZIALFORSCHUNG EUROPA GESCHICHTE, KULTURGESCHICHTE RUSSLAND GESCHICHTE FORSCHUNG (WIRTSCHAFTS-, SOZIALW… Mehr…

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Digital Humanities and Film Studies: Visualising Dziga Vertov's Work (Quantitative Methods in the Humanities and Social Sciences) - gebrauchtes Buch

ISBN: 9783030028633

Springer International Publishing AG. Used - Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects., Springer International Publishing AG, 3

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Adelheid Heftberger:
Digital Humanities and Film Studies - gebunden oder broschiert

2019, ISBN: 9783030028633

Visualising Dziga Vertov's Work, Buch, Hardcover, 1st ed. 2018, [PU: Springer International Publishing], Springer International Publishing, 2019

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Details zum Buch
Digital Humanities and Film Studies

This book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the “formalists,” developed new concepts of how art could be studied and measured. This book brings those ideas to the digital age. One of the central questions the book intends to address is, “How can hypothetical notions in film studies be supported or falsified using empirical data and statistical tools?” The first stage involves manual and computer-assisted annotation of the films, leading to the production of empirical data which is then used for statistical analysis but more importantly for the development of visualizations. Studies of this type furthermore shed light on the field of visual presentation of time-based processes; an area which has its origin in the Russian formalist sphere of the 1920s and which has recently gained new relevance due to technological advances and new possibilities for computer-assisted analysis of large and complex data sets. In order to reach a profound understanding of Vertov and his films, the manual or computer-assisted data analysis must be combined with film-historical knowledge and a study of primary sources. In addition, the status of the surviving film materials and the precise analysis of these materials combined with knowledge of historical film technology provide insight into archival policy and political culture in the Soviet Union in the 19

Detailangaben zum Buch - Digital Humanities and Film Studies


EAN (ISBN-13): 9783030028633
ISBN (ISBN-10): 3030028631
Gebundene Ausgabe
Erscheinungsjahr: 2019
Herausgeber: Springer International Publishing

Buch in der Datenbank seit 2018-09-27T17:15:17+02:00 (Berlin)
Detailseite zuletzt geändert am 2023-09-13T17:39:38+02:00 (Berlin)
ISBN/EAN: 3030028631

ISBN - alternative Schreibweisen:
3-030-02863-1, 978-3-030-02863-3
Alternative Schreibweisen und verwandte Suchbegriffe:
Autor des Buches: dziga vertov
Titel des Buches: dziga vertov, film, adelheid, studies work sciences


Daten vom Verlag:

Autor/in: Adelheid Heftberger
Titel: Quantitative Methods in the Humanities and Social Sciences; Digital Humanities and Film Studies - Visualising Dziga Vertov's Work
Verlag: Springer; Springer International Publishing
311 Seiten
Erscheinungsjahr: 2019-01-23
Cham; CH
Gedruckt / Hergestellt in Niederlande.
Sprache: Englisch
128,39 € (DE)
131,99 € (AT)
142,00 CHF (CH)
POD
XI, 311 p. 191 illus., 91 illus. in color.

BB; Hardcover, Softcover / Soziologie/Methoden der empirischen und qualitativen Sozialforschung; Sozialforschung und -statistik; Verstehen; Statistik; Dziga Vertov; Digital Humanities; Russian formalist; Information Visualization; Information Design; Data Visualization; Data Mining; Film; Formalist Film Theory; Statistics in Social Sciences, Humanities, Law, Education, Behavorial Sciences, Public Policy; Film and TV History; Russian, Soviet, and East European History; Filmgeschichte, Filmtheorie und Filmkritik; Geschichte anderer geographischer Gruppierungen und Regionen; EA

This book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the “formalists,” developed new concepts of how art could be studied and measured. This book brings those ideas to the digital age. One of the central questions the book intends to address is, “How can hypothetical notions in film studies be supported or falsified using empirical data and statistical tools?” The first stage involves manual and computer-assisted annotation of the films, leading to the production of empirical data which is then used for statistical analysis but more importantly for the development of visualizations. Studies of this type furthermore shed light on the field of visual presentation of time-based processes; an area which has its origin in the Russian formalistsphere of the 1920s and which has recently gained new relevance due to technological advances and new possibilities for computer-assisted analysis of large and complex data sets. In order to reach a profound understanding of Vertov and his films, the manual or computer-assisted data analysis must be combined with film-historical knowledge and a study of primary sources. In addition, the status of the surviving film materials and the precise analysis of these materials combined with knowledge of historical film technology provide insight into archival policy and political culture in the Soviet Union in the 1920s and 30s.
Combines the deep historical knowledge of the material, knowledge of relevant scholarship in cinema studies and Slavic studies, and the systematic use of quantitative studies throughout the book Highlights the use of quantitative methods for collecting comprehensive empirical data from films and using it as an aid for further analysis Considers the films and writings of the Russian director, Dziga Vertov, in the realm of digital humanities

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9783030028640 Digital Humanities and Film Studies (Adelheid Heftberger)


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