2005, ISBN: 9780471252207
Taschenbuch, Gebundene Ausgabe
Headline. Good. 4.41 x 1.26 x 7.05 inches. Paperback. 2005. 352 pages. Cover worn<br>A naked teenage girl is found dead near the beautiful Byzantine Yoros Castle in Turkey. She has… Mehr…
Headline. Good. 4.41 x 1.26 x 7.05 inches. Paperback. 2005. 352 pages. Cover worn<br>A naked teenage girl is found dead near the beautiful Byzantine Yoros Castle in Turkey. She has stabbed h erself through the heart but there is evidence of bizarre sexual practice. In another part of Istanbul, a young boy sems to have c ommitted suicide in similar circumstances. What dark rituals coul d have compelled them to fatal self-abuse? Inspectors Cetin Ikmen and Mehmet Suleyman follow an internet trail that leads them to an underworld of Goth nightclubs and Satanic worship. But even th ose murkey shadows hide more than they reveal and the answers to an ever increasing number of suspicious deaths is more shocking a nd terrible than they could ever have imagined. Editorial Review s Review Perfect blend of foreign exoticism and impeccable myste ry plotting... Superior police procedural sleuthing in which the locale is etched with precision and the city of Istanbul becomes an indispensable character?Crime Time Praise for Barbara Nadel's Ikmen series: 'Really refreshing to encounter something as idios yncratic and evocative...as Barbara Nadel's Istanbul-set thriller ?The Times Unusual and very well-written?Sunday Telegraph Intri guing, exotic...exciting, accomplished and original?Literary Revi ew Full of complex characters and louche atmosphere?Independent Intelligent and captivating...recalls Michael Dibdin's Aurelio Z en series?The Sunday Times Exotic and atmospheric?Guardian Abou t the Author Trained as an actress, Barbara Nadel used to work i n mental health services. Born in the East End of London, she now writes full time and has been a visitor to Turkey for over twent y years. She received the Crime Writers' Association Silver Dagge r for her novel DEADLY WEB, and the Swedish Flintax Prize for his torical crime fiction for her first Francis Hancock novel, LAST R IGHTS. To find out more, follow Barbara on Twitter @BarbaraNadel or visit her website www.barbara-nadel.com </div ., Headline, 2005, 2.5, Time Warner. Good. Paperback. 2004. 90 pages. minor wear, marks<br><br><p><strong>THE KILLS</strong ><br /><br /><em>DA Alexandra Cooper: 6</em><br /><br />by Linda Fairstein<br /><br />Time Warner, UK, 2004<br />ISBN 978075153338 5<br />sml pb,490pp<br /><br />GOOD: minor wear, marks<br /><br / >Paige Vallis claimed that she gave in to Tripping's sexual deman ds because he had threatened to harm his son if she didn't. Alexa ndra Cooper, prosecuting the ex-CIA man, knew she had her work cu t out to convince the jury, but before Paige could complete her t estimony on the stand she is found dead - strangled in her own ap artment building, just hours after she'd confessed to Alex that s he had had a relationship with another ex-CIA operative. While th e accusation of rape against Tripping is dropped, he has other ch arges to face, not least abusing his own child. As Tripping's def ence team go into overdrive to keep their client out of jail, Ale x, Chapman and Mercer set out to discover who so conveniently kil led the woman who could have put him behind bars. As they peel ba ck the layers of Paige's life, they discover a decades-old viper' s nest of robbery and double-dealing and discover that truth of t he adage of money being at the root of all evil - however old and 'respectable' it might be.</p> ., Time Warner, 2004, 2.5, Avon. Good. 4.19 x 1 x 6.75 inches. Mass Market Paperback. 2004. 400 pages. Cover worn.<br>The worst that can possibly happen . . . has. A beautiful child is dead-defiled and murdered in a lonel y graveyard on a fog-shrouded evening. It is the sort of horrific crime Chief Inspector Alan Banks fled the city to escape. But th e slaying of a bright and lovely teenager from a wealthy, respect ed family is not the end of a nightmare. Lies, dark secrets, unho ly accusations, and hints of sexual depravity swirl around this a bomination like leaves in an autumn wind, leading to a shattering travesty of justice that will brutally divide a devastated commu nity with suspicion and hatred. But Banks must remain vigilant in his hunt-because when the devil is left free to pursue his terri ble calling, more blood will surely flow. Editorial Reviews Rev iew The novels of Peter Robinson are: chilling, evocative, deeply nuanced works of art. (Dennis LeHane) Stunningly complex and in tricately plotted....Peter Robinson fools and entertains me with every twist. (Nevada Barr) Complex and intelligent. (London Sund ay Times) Exquisitely complex and atmospheric. (Los Angeles Time s Book Review) Taut, carefully thought out...with plots that are refreshingly cliché-free. (Time Out London) Cunning...authentic and atmospheric. (Independent) Different and intriguing. (Sunda y Telegraph) Peter Robinson is: a gifted creator of fully fleshe d and vividly present characters. (Boston Globe) a skillful writ er... (Houston Chronicle) absorbing...Robinson continues to stre tch the boundaries of the standard procedural. (Orlando Sentinel) Splendid. (San Diego Union-Tribune) The equal of legends in th e genre such as P.D. James and Ruth Rendell. (St. Louis Post-Disp atch) [A] painful but enlightening journey into the past. (New Y ork Times Book Review) This one is entertaining and sophisticate d, crime writing of a high order. (Washington Post) Suspenseful and engrossing. (Orlando Sentinel) So readable... (Seattle Times ) About the Author One of the world's most popular and acclaime d writers, Peter Robinson is the best-selling, award-winning auth or of the DCI Banks series; he has also written two short-story c ollections and three stand-alone novels, which combined have sold more than ten million copies around the world. Among his many ho nors and prizes are the Edgar Award, the CWA (UK) Dagger in the L ibrary Award, and the Swedish Crime Writers' Academy Martin Beck Award. </div ., Avon, 2004, 2.5, Pocket Star. Good. 4.19 x 0.9 x 6.75 inches. Mass Market Paperback. 2001. 432 pages. <br>Booked to Die, the first book in John Dunning's be stselling, award-winning Cliff Janeway series, is a joy to read f or its wealth of inside knowledge about the antiquarian book busi ness and its eccentric traders (The New York Times Book Review). Denver homicide detective Cliff Janeway may not always play by t he book, but he's an avid collector of rare and first editions. B obby Westfall is a local bookscout, a gentle and quiet man who ha s sold enough valuable books to keep himself and his cats fed and housed. When Bobby is murdered, Janeway would like nothing bette r than to rearrange the suspect's spine. But the suspect, local l owlife Jackie Newton, is a master at eluding the law, and Janeway 's wrathful brand of off-duty justice costs him his badge. Turni ng to his lifelong passion, Janeway opens a small bookshop-all th e while searching for evidence to put Newton away. When prized vo lumes in a highly sought-after collection begin to appear, so do dead bodies. Now Janeway's life is about to change in profound an d shocking ways as he attempts to find out who's dealing death al ong with vintage Chandlers and Twains. One of the most enjoyable books I've read (The Denver Post), Booked to Die is the first in the Cliff Janeway series. It is a standout piece of crime fictio n...Compelling page-turning stuff (The Philadelphia Inquirer). E ditorial Reviews Review New York Times Book Review A joy to read ...[A] whodunit in the classic mode. The Denver Post A knockout. ...One of the most enjoyable books I've read in a long time. The Philadephia Inquirer A standout piece of crime fiction...Compell ing page-turning stuff. The Plain Dealer (Cleveland) Irresistibl e....An outstanding novel. Boston Sunday Globe I am...an unabash ed admirer of John Dunning's Booked to Die. No one...can fail to be delighted by the sort of folkloric advice Janeway carries with him. San Francisco Chronicle Fascinating...Assured and muscular prose...Very cannily and creepily, Dunning shows how quiet men w ith civilized tastes can turn into killers...The payoff, in pleas ure, is for the reader. United Press International Very credible ...An involved tale that satisfies the mystery reader's wants. M ystery Scene Memorable...Compellng...Vivdly realistic...Fascinati ng and utterly convincing...A suspenseful, well-crafted mystery t hat should keep readers guessing right up to the closing paragrap h. This novel, friends, is a keeper. St. Petersburg Times (FL) A perfect mystery. It's intelligently written; the action is baffl ingly logical; the reader learns something, and it's got a sucker punch of a finale. Publishers Weekly (starred review) Crisp, di rect prose and nearly pitch-perfect dialogue enhance this meticul ously detailed page-turner. From the Back Cover Denver homicide detective Cliff Janeway may not always play by the book, but he's an avid collector of rare and first editions. After a local book scout is killed on his turf, Janeway would like nothing better th an to rearrange the suspect's spine. But the suspect, sleazeball Jackie Newton, is a master at eluding murder convictions. Unfortu nately for Janeway, his swift form of off-duty justice costs him his badge. Turning to his lifelong passion, Janeway opens a smal l bookshop -- all the while searching for evidence to put Newton away. But when prized volumes in a highly sought-after collection begin to appear, so do dead bodies. Now Janeway's life is about to change in profound and shocking ways as he attempts to find ou t who's dealing death along with vintage Chandlers and Twains. About the Author John Dunning has revealed some of book collectin g's most shocking secrets in his bestselling series of crime nove ls featuring Cliff Janeway: Booked to Die, which won the prestigi ous Nero Wolfe award; The Bookman's Wake, a New York Times Notabl e Book; and the New York Times bestsellers The Bookman's Promise, The Sign of the Book, and The Bookwoman's Last Fling. He is also the author of the Edgar Award-nominated Deadline, The Holland Su ggestions, and Two O'Clock, Eastern Wartime. An expert on rare an d collectible books, he owned the Old Algonquin Bookstore in Denv er for many years. He lives in Denver, Colorado. Visit OldAlgonqu in.com. About the Author John Dunning has revealed some of book collecting's most shocking secrets in his bestselling series of c rime novels featuring Cliff Janeway: Booked to Die, which won the prestigious Nero Wolfe award; The Bookman's Wake, a New York Tim es Notable Book; and the New York Times bestsellers The Bookman's Promise, The Sign of the Book, and The Bookwoman's Last Fling. H e is also the author of the Edgar Award-nominated Deadline, The H olland Suggestions, and Two O'Clock, Eastern Wartime. An expert o n rare and collectible books, he owned the Old Algonquin Bookstor e in Denver for many years. He lives in Denver, Colorado. Visit O ldAlgonquin.com. Excerpt. ? Reprinted by permission. All rights reserved. Chapter One The phone rang. It was 2:30 A.M. Normally I am a light sleeper, but that night I was down among the dead. I had just finished a thirteen-hour shift, my fourth day running of heavy overtime, and I hadn't been sleeping well until tonight. A guy named Jackie Newton was haunting my dreams. He was my enem y and I thought that someday I would probably have to kill him. W hen the bell went off, I was dreaming about Jackie Newton and our final showdown. For some reason -- logic is never the strong poi nt of a dream like that -- Jackie and I were in the hallway at Ea st High School. The bell brought the kids out for the change of c lasses; Jackie started shooting and the kids began to drop, and t hat bell kept ringing as if it couldn't stop. In the bed beside me, Carol stirred. Oh, Cliff, she groaned. Would somebody please get that goddamn telephone? I groped for the night table, felt the phone, and knocked the damn thing to the floor. From some dis tant galaxy I could hear the midget voice of Neal Hennessey, sayi ng, Cliff?...Cliff?...Hey, Clifford! I reached along the black fl oor and found the phone, but it was still many seconds later befo re Hennessey took on his bearlike image in my mind. Looks like w e got another one, Hennessey said without preamble. I struggled to sit up, trying to get used to the idea that Jackie Newton hadn 't shot me after all. Hey, Cliffie...you alive yet? Yeah, Neal, sure. First time I been sound asleep in a week. He didn't apolo gize; he just waited. Where you at? I said. Alley off Fifteenth , just up from the Denver Post. This one looks an awful lot like the others. Give me about half an hour. We'll be here. I sat f or another minute, then I got up and went into the bathroom. I tu rned on the light and looked in the mirror and got the first terr ifying look at myself in the cold hard light of the new day. You' re getting old, Janeway, I thought. Old Andrew Wyeth could make a masterpiece out of a face like that. Call it Clifford Liberty Ja neway at thirty-six, with no blemish eliminated and no character line unexplored. I splashed cold water on my face: it had a grea t deal less character after that. To finally answer Hennessey, ye s, I was almost alive again. The vision of Jackie Newton rose up before me and my hand went automatically to the white splash of s car tissue just under my right shoulder. A bank robber had shot m e there five years ago. I knew Jackie Newton would give a lot to put in another one, about three inches to the left and an inch or so down. Man with an old bullet wound, by Wyeth: an atypical wo rk, definitely not your garden-variety Helga picture. When I cam e out of the bathroom Carol was up. She had boiled water and had a cup of instant coffee steaming on my nightstand. What now? she said. As I struggled into my clothes, I told her it looked like another derelict murder. She sighed loudly and sat on the bed. She was lovely even in a semistupor. She had long auburn hair and could probably double for Helga in a pinch. No one but Wyeth wou ld know. Would you like me to come with you? I gave a little la ugh, blowing the steam from my coffee. Call it moral support, sh e said. Just for the ride down and back. Nobody needs to see me. I could stay in the car. Somebody would see you, all right, and then the tongues would start. It'd be all over the department by tomorrow. You know something? I don't even care. I care. What w e do in our own time is nobody's business. I went to the closet and opened it. Our clothes hung there side by side -- the blue un iform Carol had worn on yesterday's shift; my dark sport coat; ou r guns, which had become as much a part of the wardrobe as pants, shirts, ties, badges. I never went anywhere without mine, not ev en to the corner store. I had had a long career for a guy thirty- six: I'd made my share of enemies, and Jackie Newton was only the latest. I put the gun on under my coat. I didn't wear a tie, wa sn't about to at that time of night. I was off duty and I'd just been roused from a sound sleep; I wasn't running for city council , and I hated neckties. I know you've been saying that for a lon g time now, that stuff about privacy, Carol said dreamily. But I think the real reason is, if people know about me, I make you vul nerable. I didn't want to get into it. It was just too early for a philosophical discourse. There was something in what Carol sai d, but something in what I said too. I've never liked office goss ip, and I didn't want people talking about her and me. But Carol had been looking at it from another angle lately. We had been se eing each other, in the polite vernacular, for a year now, and sh e was starting to want something more permanent. Maybe bringing o ur arrangement into the public eye would show me how little there was to worry about. People did it all the time. For most of them the world didn't come to an end. Occasionally something good cam e out of it. So she thought. I'm going back to bed, she said. W ake me when you come in. Maybe I'll have a nice surprise for you. She lay back and closed her eyes. Her hair made a spectacular s unburst on the pillow. I sat for a while longer, sipping my coffe e. There wasn't any hurry: a crime lab can take three hours at th e scene. I'd leave in five minutes and still be well within the h alf hour I'd promised Hennessey. The trouble is, when I have dead time -- even five minutes unfilled in the middle of the night -- I begin to think. I think about Carol and me and all the days to come. I think about the job and all the burned-out gone-forever days behind us. I think about quitting and I wonder what I'd do. I think about being tied to someone and anchoring those ties with children. Carol would not be a bad one to do that with. She's p retty and bright, and maybe this is what love is. She's good comp any: her interests broaden almost every day. She reads three book s to my one, and I read a lot. We talk far into the night. She st ill doesn't understand the first edition game: Hemingway, she say s, reads just as well in a two-bit paperback as he does in a $500 first printing. I can still hear myself lecturing her the first time she said that. Only a fool would read a first edition. Simpl y having such a book makes life in general and Hemingway in parti cular go better when you do break out the reading copies. I liste ned to myself and thought, This woman must think I'm a government -inspected horse's ass. Then I showed her my Faulkners, one with a signature, and I saw her shiver with an almost sexual pleasure as she touched the paper where he'd signed it. Faulkner was her m ost recent god, and I had managed to put together a small but res pectable collection of his first editions. You've got to read thi s stuff, she said to me when she was a month deep in his work. Ho w can you collect the man without ever reading what he's written? In fact, I had read him, years ago: I never could get the viewpo ints straight in The Sound and the Fury, but I had sense enough a t sixteen to know that the problem wasn't with Faulkner but with me. I was trying to work up the courage to tackle him again: if I began to collect him, I reasoned, I'd have to read him sooner or later. Carol shook her head. Look at it this way, I said, the Fa ulkners have appreciated about twenty percent in the three years I've owned them. That she understood. My apartment looked like a n adjunct of the Denver Public Library. There were wall-to-wall b ooks in every room. Carol had never asked the Big Dumb Question t hat people always ask when they come into a place like this: Jeez , d'ya read all these? She browsed, fascinated. The books have a loose logic to their shelving: mysteries in the bedroom; novels o ut here; art books, notably by the Wyeths, on the far wall. There 's no discrimination -- they are all first editions -- and when p eople try to go highbrow on me, I love reminding them that my as- new copy of Raymond Chandler's Lady in the Lake is worth a cool $ 1,000 today, more than a bale of books by most of the critically acclaimed and already forgotten so-called masters of the art-and- beauty school. There's nothing wrong with writing detective stori es if you do it well enough. I've been collecting books for a lo ng time. Once I killed two men in the same day, and this room had an almost immediate healing effect. I've missed my calling, I t hought. But now was probably years too late to be thinking about it. Time to go. Cliff? Her eyes were still closed, but she was not quite asleep. I'm leaving now, I said. You going out to se e Jackie Newton? If this is what it looks like, you better belie ve it. Have Neal watch your flank. And both of you be careful. I went over and kissed her on the temple. Two minutes later I was in my car, gliding through the cool Denver night. Copyright ? 1 992 by John Dunning ., Pocket Star, 2001, 2.5, Description: Recent studies of twins have shaken the field of psychology to its foundation, revolutionizing our understanding of our own personalities. Because identical twins separated at birth share all the same genes, yet live separate lives, they offer a unique opportunity to test theories about the roles played by nature and nurture in shaping who we are. Twins directly challenges many long-held beliefs. For instance, a series of groundbreaking studies of twins has shown that our genes play a much stronger role in shaping our identities than previously thought. Today, scientists can actually estimate what proportion of our intelligence, our personality, and our behavior is determined by inherited tendencies. Even our political orientation and our religious commitment, it turns out, are largely governed by our genes.Twins is filled with astounding stories of identical twins who have lived entirely separate lives but have an incredible amount in common: their hobbies, their mannerisms, their taste in music, food, and clothes, their experiences in marriage and divorce, their careers, their sexuality, even the names they've given their children.Publisher Information: Copyright date - 1997, John Wiley, New York, # Pages - 202, hardcover, with dust jacket. Larger print, includes index, bibliography.Overall Condition: Good Plus - structurally intact and tight, faint yellowing to pages, minimal soil and overall wear, library system withdrawn with typical markings and pocket, cello cover over dust jacket has kept book in better overall condition ., John Wiley and Sons, 1998, 2.5<
nzl, n.. | Biblio.co.uk bookexpress.co.nz, bookexpress.co.nz, bookexpress.co.nz, bookexpress.co.nz, Garage To Dollars Versandkosten: EUR 15.19 Details... |
1998, ISBN: 9780471252207
London: SPCK, 1974.. "Will appeal to all who have come to know and love its predecessor. After relating his further adventures, the Pilgrim becomes involved in a discussion with a pr… Mehr…
London: SPCK, 1974.. "Will appeal to all who have come to know and love its predecessor. After relating his further adventures, the Pilgrim becomes involved in a discussion with a priest concerning the nature of prayer". Pp.119, 2 sketch maps. Pbk. VG. ., London: SPCK, 1974., 0, Description: Recent studies of twins have shaken the field of psychology to its foundation, revolutionizing our understanding of our own personalities. Because identical twins separated at birth share all the same genes, yet live separate lives, they offer a unique opportunity to test theories about the roles played by nature and nurture in shaping who we are. Twins directly challenges many long-held beliefs. For instance, a series of groundbreaking studies of twins has shown that our genes play a much stronger role in shaping our identities than previously thought. Today, scientists can actually estimate what proportion of our intelligence, our personality, and our behavior is determined by inherited tendencies. Even our political orientation and our religious commitment, it turns out, are largely governed by our genes.Twins is filled with astounding stories of identical twins who have lived entirely separate lives but have an incredible amount in common: their hobbies, their mannerisms, their taste in music, food, and clothes, their experiences in marriage and divorce, their careers, their sexuality, even the names they've given their children.Publisher Information: Copyright date - 1997, John Wiley, New York, # Pages - 202, hardcover, with dust jacket. Larger print, includes index, bibliography.Overall Condition: Good Plus - structurally intact and tight, faint yellowing to pages, minimal soil and overall wear, library system withdrawn with typical markings and pocket, cello cover over dust jacket has kept book in better overall condition ., John Wiley and Sons, 1998, 2.5<
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1997, ISBN: 0471252204
[EAN: 9780471252207], Gebraucht, guter Zustand, [SC: 8.44], [PU: John Wiley & Sons], Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highl… Mehr…
[EAN: 9780471252207], Gebraucht, guter Zustand, [SC: 8.44], [PU: John Wiley & Sons], Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Books<
ZVAB.com Discover Books, Toledo, OH, U.S.A. [64434602] [Rating: 5 (von 5)] NOT NEW BOOK. Versandkosten: EUR 8.44 Details... |
ISBN: 9780471252207
John Wiley & Sons. Hardcover. POOR. Noticeably used book. Heavy wear to cover. Pages contain marginal notes, underlining, and or highlighting. Possible ex library copy, with all the mar… Mehr…
John Wiley & Sons. Hardcover. POOR. Noticeably used book. Heavy wear to cover. Pages contain marginal notes, underlining, and or highlighting. Possible ex library copy, with all the markings/stickers of that library. Accessories such as CD, codes, toys, and dust jackets may not be included., John Wiley & Sons, 1<
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1997, ISBN: 0471252204
[EAN: 9780471252207], Gebraucht, guter Zustand, [SC: 8.68], [PU: Wiley & Sons, Incorporated, John], Former library book; may include library markings. Used book that is in clean, average … Mehr…
[EAN: 9780471252207], Gebraucht, guter Zustand, [SC: 8.68], [PU: Wiley & Sons, Incorporated, John], Former library book; may include library markings. Used book that is in clean, average condition without any missing pages., Books<
ZVAB.com Better World Books, Mishawaka, IN, U.S.A. [51315977] [Rating: 5 (von 5)] NOT NEW BOOK. Versandkosten: EUR 8.68 Details... |
2005, ISBN: 9780471252207
Taschenbuch, Gebundene Ausgabe
Headline. Good. 4.41 x 1.26 x 7.05 inches. Paperback. 2005. 352 pages. Cover worn<br>A naked teenage girl is found dead near the beautiful Byzantine Yoros Castle in Turkey. She has… Mehr…
Headline. Good. 4.41 x 1.26 x 7.05 inches. Paperback. 2005. 352 pages. Cover worn<br>A naked teenage girl is found dead near the beautiful Byzantine Yoros Castle in Turkey. She has stabbed h erself through the heart but there is evidence of bizarre sexual practice. In another part of Istanbul, a young boy sems to have c ommitted suicide in similar circumstances. What dark rituals coul d have compelled them to fatal self-abuse? Inspectors Cetin Ikmen and Mehmet Suleyman follow an internet trail that leads them to an underworld of Goth nightclubs and Satanic worship. But even th ose murkey shadows hide more than they reveal and the answers to an ever increasing number of suspicious deaths is more shocking a nd terrible than they could ever have imagined. Editorial Review s Review Perfect blend of foreign exoticism and impeccable myste ry plotting... Superior police procedural sleuthing in which the locale is etched with precision and the city of Istanbul becomes an indispensable character?Crime Time Praise for Barbara Nadel's Ikmen series: 'Really refreshing to encounter something as idios yncratic and evocative...as Barbara Nadel's Istanbul-set thriller ?The Times Unusual and very well-written?Sunday Telegraph Intri guing, exotic...exciting, accomplished and original?Literary Revi ew Full of complex characters and louche atmosphere?Independent Intelligent and captivating...recalls Michael Dibdin's Aurelio Z en series?The Sunday Times Exotic and atmospheric?Guardian Abou t the Author Trained as an actress, Barbara Nadel used to work i n mental health services. Born in the East End of London, she now writes full time and has been a visitor to Turkey for over twent y years. She received the Crime Writers' Association Silver Dagge r for her novel DEADLY WEB, and the Swedish Flintax Prize for his torical crime fiction for her first Francis Hancock novel, LAST R IGHTS. To find out more, follow Barbara on Twitter @BarbaraNadel or visit her website www.barbara-nadel.com </div ., Headline, 2005, 2.5, Time Warner. Good. Paperback. 2004. 90 pages. minor wear, marks<br><br><p><strong>THE KILLS</strong ><br /><br /><em>DA Alexandra Cooper: 6</em><br /><br />by Linda Fairstein<br /><br />Time Warner, UK, 2004<br />ISBN 978075153338 5<br />sml pb,490pp<br /><br />GOOD: minor wear, marks<br /><br / >Paige Vallis claimed that she gave in to Tripping's sexual deman ds because he had threatened to harm his son if she didn't. Alexa ndra Cooper, prosecuting the ex-CIA man, knew she had her work cu t out to convince the jury, but before Paige could complete her t estimony on the stand she is found dead - strangled in her own ap artment building, just hours after she'd confessed to Alex that s he had had a relationship with another ex-CIA operative. While th e accusation of rape against Tripping is dropped, he has other ch arges to face, not least abusing his own child. As Tripping's def ence team go into overdrive to keep their client out of jail, Ale x, Chapman and Mercer set out to discover who so conveniently kil led the woman who could have put him behind bars. As they peel ba ck the layers of Paige's life, they discover a decades-old viper' s nest of robbery and double-dealing and discover that truth of t he adage of money being at the root of all evil - however old and 'respectable' it might be.</p> ., Time Warner, 2004, 2.5, Avon. Good. 4.19 x 1 x 6.75 inches. Mass Market Paperback. 2004. 400 pages. Cover worn.<br>The worst that can possibly happen . . . has. A beautiful child is dead-defiled and murdered in a lonel y graveyard on a fog-shrouded evening. It is the sort of horrific crime Chief Inspector Alan Banks fled the city to escape. But th e slaying of a bright and lovely teenager from a wealthy, respect ed family is not the end of a nightmare. Lies, dark secrets, unho ly accusations, and hints of sexual depravity swirl around this a bomination like leaves in an autumn wind, leading to a shattering travesty of justice that will brutally divide a devastated commu nity with suspicion and hatred. But Banks must remain vigilant in his hunt-because when the devil is left free to pursue his terri ble calling, more blood will surely flow. Editorial Reviews Rev iew The novels of Peter Robinson are: chilling, evocative, deeply nuanced works of art. (Dennis LeHane) Stunningly complex and in tricately plotted....Peter Robinson fools and entertains me with every twist. (Nevada Barr) Complex and intelligent. (London Sund ay Times) Exquisitely complex and atmospheric. (Los Angeles Time s Book Review) Taut, carefully thought out...with plots that are refreshingly cliché-free. (Time Out London) Cunning...authentic and atmospheric. (Independent) Different and intriguing. (Sunda y Telegraph) Peter Robinson is: a gifted creator of fully fleshe d and vividly present characters. (Boston Globe) a skillful writ er... (Houston Chronicle) absorbing...Robinson continues to stre tch the boundaries of the standard procedural. (Orlando Sentinel) Splendid. (San Diego Union-Tribune) The equal of legends in th e genre such as P.D. James and Ruth Rendell. (St. Louis Post-Disp atch) [A] painful but enlightening journey into the past. (New Y ork Times Book Review) This one is entertaining and sophisticate d, crime writing of a high order. (Washington Post) Suspenseful and engrossing. (Orlando Sentinel) So readable... (Seattle Times ) About the Author One of the world's most popular and acclaime d writers, Peter Robinson is the best-selling, award-winning auth or of the DCI Banks series; he has also written two short-story c ollections and three stand-alone novels, which combined have sold more than ten million copies around the world. Among his many ho nors and prizes are the Edgar Award, the CWA (UK) Dagger in the L ibrary Award, and the Swedish Crime Writers' Academy Martin Beck Award. </div ., Avon, 2004, 2.5, Pocket Star. Good. 4.19 x 0.9 x 6.75 inches. Mass Market Paperback. 2001. 432 pages. <br>Booked to Die, the first book in John Dunning's be stselling, award-winning Cliff Janeway series, is a joy to read f or its wealth of inside knowledge about the antiquarian book busi ness and its eccentric traders (The New York Times Book Review). Denver homicide detective Cliff Janeway may not always play by t he book, but he's an avid collector of rare and first editions. B obby Westfall is a local bookscout, a gentle and quiet man who ha s sold enough valuable books to keep himself and his cats fed and housed. When Bobby is murdered, Janeway would like nothing bette r than to rearrange the suspect's spine. But the suspect, local l owlife Jackie Newton, is a master at eluding the law, and Janeway 's wrathful brand of off-duty justice costs him his badge. Turni ng to his lifelong passion, Janeway opens a small bookshop-all th e while searching for evidence to put Newton away. When prized vo lumes in a highly sought-after collection begin to appear, so do dead bodies. Now Janeway's life is about to change in profound an d shocking ways as he attempts to find out who's dealing death al ong with vintage Chandlers and Twains. One of the most enjoyable books I've read (The Denver Post), Booked to Die is the first in the Cliff Janeway series. It is a standout piece of crime fictio n...Compelling page-turning stuff (The Philadelphia Inquirer). E ditorial Reviews Review New York Times Book Review A joy to read ...[A] whodunit in the classic mode. The Denver Post A knockout. ...One of the most enjoyable books I've read in a long time. The Philadephia Inquirer A standout piece of crime fiction...Compell ing page-turning stuff. The Plain Dealer (Cleveland) Irresistibl e....An outstanding novel. Boston Sunday Globe I am...an unabash ed admirer of John Dunning's Booked to Die. No one...can fail to be delighted by the sort of folkloric advice Janeway carries with him. San Francisco Chronicle Fascinating...Assured and muscular prose...Very cannily and creepily, Dunning shows how quiet men w ith civilized tastes can turn into killers...The payoff, in pleas ure, is for the reader. United Press International Very credible ...An involved tale that satisfies the mystery reader's wants. M ystery Scene Memorable...Compellng...Vivdly realistic...Fascinati ng and utterly convincing...A suspenseful, well-crafted mystery t hat should keep readers guessing right up to the closing paragrap h. This novel, friends, is a keeper. St. Petersburg Times (FL) A perfect mystery. It's intelligently written; the action is baffl ingly logical; the reader learns something, and it's got a sucker punch of a finale. Publishers Weekly (starred review) Crisp, di rect prose and nearly pitch-perfect dialogue enhance this meticul ously detailed page-turner. From the Back Cover Denver homicide detective Cliff Janeway may not always play by the book, but he's an avid collector of rare and first editions. After a local book scout is killed on his turf, Janeway would like nothing better th an to rearrange the suspect's spine. But the suspect, sleazeball Jackie Newton, is a master at eluding murder convictions. Unfortu nately for Janeway, his swift form of off-duty justice costs him his badge. Turning to his lifelong passion, Janeway opens a smal l bookshop -- all the while searching for evidence to put Newton away. But when prized volumes in a highly sought-after collection begin to appear, so do dead bodies. Now Janeway's life is about to change in profound and shocking ways as he attempts to find ou t who's dealing death along with vintage Chandlers and Twains. About the Author John Dunning has revealed some of book collectin g's most shocking secrets in his bestselling series of crime nove ls featuring Cliff Janeway: Booked to Die, which won the prestigi ous Nero Wolfe award; The Bookman's Wake, a New York Times Notabl e Book; and the New York Times bestsellers The Bookman's Promise, The Sign of the Book, and The Bookwoman's Last Fling. He is also the author of the Edgar Award-nominated Deadline, The Holland Su ggestions, and Two O'Clock, Eastern Wartime. An expert on rare an d collectible books, he owned the Old Algonquin Bookstore in Denv er for many years. He lives in Denver, Colorado. Visit OldAlgonqu in.com. About the Author John Dunning has revealed some of book collecting's most shocking secrets in his bestselling series of c rime novels featuring Cliff Janeway: Booked to Die, which won the prestigious Nero Wolfe award; The Bookman's Wake, a New York Tim es Notable Book; and the New York Times bestsellers The Bookman's Promise, The Sign of the Book, and The Bookwoman's Last Fling. H e is also the author of the Edgar Award-nominated Deadline, The H olland Suggestions, and Two O'Clock, Eastern Wartime. An expert o n rare and collectible books, he owned the Old Algonquin Bookstor e in Denver for many years. He lives in Denver, Colorado. Visit O ldAlgonquin.com. Excerpt. ? Reprinted by permission. All rights reserved. Chapter One The phone rang. It was 2:30 A.M. Normally I am a light sleeper, but that night I was down among the dead. I had just finished a thirteen-hour shift, my fourth day running of heavy overtime, and I hadn't been sleeping well until tonight. A guy named Jackie Newton was haunting my dreams. He was my enem y and I thought that someday I would probably have to kill him. W hen the bell went off, I was dreaming about Jackie Newton and our final showdown. For some reason -- logic is never the strong poi nt of a dream like that -- Jackie and I were in the hallway at Ea st High School. The bell brought the kids out for the change of c lasses; Jackie started shooting and the kids began to drop, and t hat bell kept ringing as if it couldn't stop. In the bed beside me, Carol stirred. Oh, Cliff, she groaned. Would somebody please get that goddamn telephone? I groped for the night table, felt the phone, and knocked the damn thing to the floor. From some dis tant galaxy I could hear the midget voice of Neal Hennessey, sayi ng, Cliff?...Cliff?...Hey, Clifford! I reached along the black fl oor and found the phone, but it was still many seconds later befo re Hennessey took on his bearlike image in my mind. Looks like w e got another one, Hennessey said without preamble. I struggled to sit up, trying to get used to the idea that Jackie Newton hadn 't shot me after all. Hey, Cliffie...you alive yet? Yeah, Neal, sure. First time I been sound asleep in a week. He didn't apolo gize; he just waited. Where you at? I said. Alley off Fifteenth , just up from the Denver Post. This one looks an awful lot like the others. Give me about half an hour. We'll be here. I sat f or another minute, then I got up and went into the bathroom. I tu rned on the light and looked in the mirror and got the first terr ifying look at myself in the cold hard light of the new day. You' re getting old, Janeway, I thought. Old Andrew Wyeth could make a masterpiece out of a face like that. Call it Clifford Liberty Ja neway at thirty-six, with no blemish eliminated and no character line unexplored. I splashed cold water on my face: it had a grea t deal less character after that. To finally answer Hennessey, ye s, I was almost alive again. The vision of Jackie Newton rose up before me and my hand went automatically to the white splash of s car tissue just under my right shoulder. A bank robber had shot m e there five years ago. I knew Jackie Newton would give a lot to put in another one, about three inches to the left and an inch or so down. Man with an old bullet wound, by Wyeth: an atypical wo rk, definitely not your garden-variety Helga picture. When I cam e out of the bathroom Carol was up. She had boiled water and had a cup of instant coffee steaming on my nightstand. What now? she said. As I struggled into my clothes, I told her it looked like another derelict murder. She sighed loudly and sat on the bed. She was lovely even in a semistupor. She had long auburn hair and could probably double for Helga in a pinch. No one but Wyeth wou ld know. Would you like me to come with you? I gave a little la ugh, blowing the steam from my coffee. Call it moral support, sh e said. Just for the ride down and back. Nobody needs to see me. I could stay in the car. Somebody would see you, all right, and then the tongues would start. It'd be all over the department by tomorrow. You know something? I don't even care. I care. What w e do in our own time is nobody's business. I went to the closet and opened it. Our clothes hung there side by side -- the blue un iform Carol had worn on yesterday's shift; my dark sport coat; ou r guns, which had become as much a part of the wardrobe as pants, shirts, ties, badges. I never went anywhere without mine, not ev en to the corner store. I had had a long career for a guy thirty- six: I'd made my share of enemies, and Jackie Newton was only the latest. I put the gun on under my coat. I didn't wear a tie, wa sn't about to at that time of night. I was off duty and I'd just been roused from a sound sleep; I wasn't running for city council , and I hated neckties. I know you've been saying that for a lon g time now, that stuff about privacy, Carol said dreamily. But I think the real reason is, if people know about me, I make you vul nerable. I didn't want to get into it. It was just too early for a philosophical discourse. There was something in what Carol sai d, but something in what I said too. I've never liked office goss ip, and I didn't want people talking about her and me. But Carol had been looking at it from another angle lately. We had been se eing each other, in the polite vernacular, for a year now, and sh e was starting to want something more permanent. Maybe bringing o ur arrangement into the public eye would show me how little there was to worry about. People did it all the time. For most of them the world didn't come to an end. Occasionally something good cam e out of it. So she thought. I'm going back to bed, she said. W ake me when you come in. Maybe I'll have a nice surprise for you. She lay back and closed her eyes. Her hair made a spectacular s unburst on the pillow. I sat for a while longer, sipping my coffe e. There wasn't any hurry: a crime lab can take three hours at th e scene. I'd leave in five minutes and still be well within the h alf hour I'd promised Hennessey. The trouble is, when I have dead time -- even five minutes unfilled in the middle of the night -- I begin to think. I think about Carol and me and all the days to come. I think about the job and all the burned-out gone-forever days behind us. I think about quitting and I wonder what I'd do. I think about being tied to someone and anchoring those ties with children. Carol would not be a bad one to do that with. She's p retty and bright, and maybe this is what love is. She's good comp any: her interests broaden almost every day. She reads three book s to my one, and I read a lot. We talk far into the night. She st ill doesn't understand the first edition game: Hemingway, she say s, reads just as well in a two-bit paperback as he does in a $500 first printing. I can still hear myself lecturing her the first time she said that. Only a fool would read a first edition. Simpl y having such a book makes life in general and Hemingway in parti cular go better when you do break out the reading copies. I liste ned to myself and thought, This woman must think I'm a government -inspected horse's ass. Then I showed her my Faulkners, one with a signature, and I saw her shiver with an almost sexual pleasure as she touched the paper where he'd signed it. Faulkner was her m ost recent god, and I had managed to put together a small but res pectable collection of his first editions. You've got to read thi s stuff, she said to me when she was a month deep in his work. Ho w can you collect the man without ever reading what he's written? In fact, I had read him, years ago: I never could get the viewpo ints straight in The Sound and the Fury, but I had sense enough a t sixteen to know that the problem wasn't with Faulkner but with me. I was trying to work up the courage to tackle him again: if I began to collect him, I reasoned, I'd have to read him sooner or later. Carol shook her head. Look at it this way, I said, the Fa ulkners have appreciated about twenty percent in the three years I've owned them. That she understood. My apartment looked like a n adjunct of the Denver Public Library. There were wall-to-wall b ooks in every room. Carol had never asked the Big Dumb Question t hat people always ask when they come into a place like this: Jeez , d'ya read all these? She browsed, fascinated. The books have a loose logic to their shelving: mysteries in the bedroom; novels o ut here; art books, notably by the Wyeths, on the far wall. There 's no discrimination -- they are all first editions -- and when p eople try to go highbrow on me, I love reminding them that my as- new copy of Raymond Chandler's Lady in the Lake is worth a cool $ 1,000 today, more than a bale of books by most of the critically acclaimed and already forgotten so-called masters of the art-and- beauty school. There's nothing wrong with writing detective stori es if you do it well enough. I've been collecting books for a lo ng time. Once I killed two men in the same day, and this room had an almost immediate healing effect. I've missed my calling, I t hought. But now was probably years too late to be thinking about it. Time to go. Cliff? Her eyes were still closed, but she was not quite asleep. I'm leaving now, I said. You going out to se e Jackie Newton? If this is what it looks like, you better belie ve it. Have Neal watch your flank. And both of you be careful. I went over and kissed her on the temple. Two minutes later I was in my car, gliding through the cool Denver night. Copyright ? 1 992 by John Dunning ., Pocket Star, 2001, 2.5, Description: Recent studies of twins have shaken the field of psychology to its foundation, revolutionizing our understanding of our own personalities. Because identical twins separated at birth share all the same genes, yet live separate lives, they offer a unique opportunity to test theories about the roles played by nature and nurture in shaping who we are. Twins directly challenges many long-held beliefs. For instance, a series of groundbreaking studies of twins has shown that our genes play a much stronger role in shaping our identities than previously thought. Today, scientists can actually estimate what proportion of our intelligence, our personality, and our behavior is determined by inherited tendencies. Even our political orientation and our religious commitment, it turns out, are largely governed by our genes.Twins is filled with astounding stories of identical twins who have lived entirely separate lives but have an incredible amount in common: their hobbies, their mannerisms, their taste in music, food, and clothes, their experiences in marriage and divorce, their careers, their sexuality, even the names they've given their children.Publisher Information: Copyright date - 1997, John Wiley, New York, # Pages - 202, hardcover, with dust jacket. Larger print, includes index, bibliography.Overall Condition: Good Plus - structurally intact and tight, faint yellowing to pages, minimal soil and overall wear, library system withdrawn with typical markings and pocket, cello cover over dust jacket has kept book in better overall condition ., John Wiley and Sons, 1998, 2.5<
1998, ISBN: 9780471252207
London: SPCK, 1974.. "Will appeal to all who have come to know and love its predecessor. After relating his further adventures, the Pilgrim becomes involved in a discussion with a pr… Mehr…
London: SPCK, 1974.. "Will appeal to all who have come to know and love its predecessor. After relating his further adventures, the Pilgrim becomes involved in a discussion with a priest concerning the nature of prayer". Pp.119, 2 sketch maps. Pbk. VG. ., London: SPCK, 1974., 0, Description: Recent studies of twins have shaken the field of psychology to its foundation, revolutionizing our understanding of our own personalities. Because identical twins separated at birth share all the same genes, yet live separate lives, they offer a unique opportunity to test theories about the roles played by nature and nurture in shaping who we are. Twins directly challenges many long-held beliefs. For instance, a series of groundbreaking studies of twins has shown that our genes play a much stronger role in shaping our identities than previously thought. Today, scientists can actually estimate what proportion of our intelligence, our personality, and our behavior is determined by inherited tendencies. Even our political orientation and our religious commitment, it turns out, are largely governed by our genes.Twins is filled with astounding stories of identical twins who have lived entirely separate lives but have an incredible amount in common: their hobbies, their mannerisms, their taste in music, food, and clothes, their experiences in marriage and divorce, their careers, their sexuality, even the names they've given their children.Publisher Information: Copyright date - 1997, John Wiley, New York, # Pages - 202, hardcover, with dust jacket. Larger print, includes index, bibliography.Overall Condition: Good Plus - structurally intact and tight, faint yellowing to pages, minimal soil and overall wear, library system withdrawn with typical markings and pocket, cello cover over dust jacket has kept book in better overall condition ., John Wiley and Sons, 1998, 2.5<
1997
ISBN: 0471252204
[EAN: 9780471252207], Gebraucht, guter Zustand, [SC: 8.44], [PU: John Wiley & Sons], Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highl… Mehr…
[EAN: 9780471252207], Gebraucht, guter Zustand, [SC: 8.44], [PU: John Wiley & Sons], Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Books<
ISBN: 9780471252207
John Wiley & Sons. Hardcover. POOR. Noticeably used book. Heavy wear to cover. Pages contain marginal notes, underlining, and or highlighting. Possible ex library copy, with all the mar… Mehr…
John Wiley & Sons. Hardcover. POOR. Noticeably used book. Heavy wear to cover. Pages contain marginal notes, underlining, and or highlighting. Possible ex library copy, with all the markings/stickers of that library. Accessories such as CD, codes, toys, and dust jackets may not be included., John Wiley & Sons, 1<
1997, ISBN: 0471252204
[EAN: 9780471252207], Gebraucht, guter Zustand, [SC: 8.68], [PU: Wiley & Sons, Incorporated, John], Former library book; may include library markings. Used book that is in clean, average … Mehr…
[EAN: 9780471252207], Gebraucht, guter Zustand, [SC: 8.68], [PU: Wiley & Sons, Incorporated, John], Former library book; may include library markings. Used book that is in clean, average condition without any missing pages., Books<
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Detailangaben zum Buch - Twins: And What They Tell Us About Who We are
EAN (ISBN-13): 9780471252207
ISBN (ISBN-10): 0471252204
Gebundene Ausgabe
Taschenbuch
Erscheinungsjahr: 1997
Herausgeber: John Wiley & Sons
208 Seiten
Gewicht: 0,413 kg
Sprache: eng/Englisch
Buch in der Datenbank seit 2007-04-02T22:14:03+02:00 (Berlin)
Detailseite zuletzt geändert am 2024-02-07T14:42:26+01:00 (Berlin)
ISBN/EAN: 0471252204
ISBN - alternative Schreibweisen:
0-471-25220-4, 978-0-471-25220-7
Alternative Schreibweisen und verwandte Suchbegriffe:
Autor des Buches: lawrence wright, walter reich
Titel des Buches: twins and what they tell about who are
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