This book explores the ways in which the American writers Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston used modernist primitivism to assert a uniquely American literary identi… Mehr…
This book explores the ways in which the American writers Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston used modernist primitivism to assert a uniquely American literary identity in the face of European cultural hegemony.The extended Introduction traces the history of primitivism from a classical rhetorical trope to its emergence in the twentieth century as aesthetic, exemplified by Picasso and his use of African masks, that combined new work in the human sciences especially anthropology and psychology, with new ideas in the visual arts to challenge traditional ideas of realism and artistic accomplishment. The first two chapters bring together visual evidence, published and unpublished writings, and linguistic theory to give the first detailed account of the theoretical and gender concerns of the Stein-Picasso collaboration, which culminated in Picasso's Les demoiselles d'Avignon and Stein's Melanctha.In the final two chapters, the author shows how both Hemingway and Hurston participated in the racialist scientific debates of the 1920s and used primitivism to find their respective artistic voices: Hemingway in his use of American Indians in recasting his life narratives in the Nick Adams stories, and Hurston in her attempts to use her anthropological training to construct a mythic African-American past.; EPUB; Reference & Languages > Literature: history & criticism, Taylor and Francis<
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This book explores the ways in which the American writers Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston used modernist primitivism to assert a uniquely American literary identi… Mehr…
This book explores the ways in which the American writers Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston used modernist primitivism to assert a uniquely American literary identity in the face of European cultural hegemony.The extended Introduction traces the history of primitivism from a classical rhetorical trope to its emergence in the twentieth century as aesthetic, exemplified by Picasso and his use of African masks, that combined new work in the human sciences especially anthropology and psychology, with new ideas in the visual arts to challenge traditional ideas of realism and artistic accomplishment. The first two chapters bring together visual evidence, published and unpublished writings, and linguistic theory to give the first detailed account of the theoretical and gender concerns of the Stein-Picasso collaboration, which culminated in Picasso's Les demoiselles d'Avignon and Stein's Melanctha.In the final two chapters, the author shows how both Hemingway and Hurston participated in the racialist scientific debates of the 1920s and used primitivism to find their respective artistic voices: Hemingway in his use of American Indians in recasting his life narratives in the Nick Adams stories, and Hurston in her attempts to use her anthropological training to construct a mythic African-American past.; PDF; Reference & Languages > Literature: history & criticism, Taylor and Francis<
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No. 9781135705466. Versandkosten:Instock, Despatched same working day before 3pm, zzgl. Versandkosten. Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
This book explores the ways in which the American writers Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston used modernist primitivism to assert a uniquely American literary identi… Mehr…
This book explores the ways in which the American writers Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston used modernist primitivism to assert a uniquely American literary identity in the face of European cultural hegemony.The extended Introduction traces the history of primitivism from a classical rhetorical trope to its emergence in the twentieth century as aesthetic, exemplified by Picasso and his use of African masks, that combined new work in the human sciences especially anthropology and psychology, with new ideas in the visual arts to challenge traditional ideas of realism and artistic accomplishment. The first two chapters bring together visual evidence, published and unpublished writings, and linguistic theory to give the first detailed account of the theoretical and gender concerns of the Stein-Picasso collaboration, which culminated in Picasso's Les demoiselles d'Avignon and Stein's Melanctha.In the final two chapters, the author shows how both Hemingway and Hurston participated in the racialist scientific debates of the 1920s and used primitivism to find their respective artistic voices: Hemingway in his use of American Indians in recasting his life narratives in the Nick Adams stories, and Hurston in her attempts to use her anthropological training to construct a mythic African-American past.; EPUB; Reference & Languages > Literature: history & criticism, Taylor and Francis<
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No. 9781135705466. Versandkosten:Instock, Despatched same working day before 3pm, zzgl. Versandkosten. Details...
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First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.; PDF; Reference & Languages > Literature: history & criticism > Literary theory, Taylor and Francis
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Race and Language in Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston, eBooks, eBook Download (PDF), [PU: Taylor and Francis], Taylor and Francis, 2014
This book explores the ways in which the American writers Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston used modernist primitivism to assert a uniquely American literary identi… Mehr…
This book explores the ways in which the American writers Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston used modernist primitivism to assert a uniquely American literary identity in the face of European cultural hegemony.The extended Introduction traces the history of primitivism from a classical rhetorical trope to its emergence in the twentieth century as aesthetic, exemplified by Picasso and his use of African masks, that combined new work in the human sciences especially anthropology and psychology, with new ideas in the visual arts to challenge traditional ideas of realism and artistic accomplishment. The first two chapters bring together visual evidence, published and unpublished writings, and linguistic theory to give the first detailed account of the theoretical and gender concerns of the Stein-Picasso collaboration, which culminated in Picasso's Les demoiselles d'Avignon and Stein's Melanctha.In the final two chapters, the author shows how both Hemingway and Hurston participated in the racialist scientific debates of the 1920s and used primitivism to find their respective artistic voices: Hemingway in his use of American Indians in recasting his life narratives in the Nick Adams stories, and Hurston in her attempts to use her anthropological training to construct a mythic African-American past.; EPUB; Reference & Languages > Literature: history & criticism, Taylor and Francis<
No. 9781135705466. Versandkosten:Instock, Despatched same working day before 3pm, zzgl. Versandkosten.
This book explores the ways in which the American writers Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston used modernist primitivism to assert a uniquely American literary identi… Mehr…
This book explores the ways in which the American writers Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston used modernist primitivism to assert a uniquely American literary identity in the face of European cultural hegemony.The extended Introduction traces the history of primitivism from a classical rhetorical trope to its emergence in the twentieth century as aesthetic, exemplified by Picasso and his use of African masks, that combined new work in the human sciences especially anthropology and psychology, with new ideas in the visual arts to challenge traditional ideas of realism and artistic accomplishment. The first two chapters bring together visual evidence, published and unpublished writings, and linguistic theory to give the first detailed account of the theoretical and gender concerns of the Stein-Picasso collaboration, which culminated in Picasso's Les demoiselles d'Avignon and Stein's Melanctha.In the final two chapters, the author shows how both Hemingway and Hurston participated in the racialist scientific debates of the 1920s and used primitivism to find their respective artistic voices: Hemingway in his use of American Indians in recasting his life narratives in the Nick Adams stories, and Hurston in her attempts to use her anthropological training to construct a mythic African-American past.; PDF; Reference & Languages > Literature: history & criticism, Taylor and Francis<
No. 9781135705466. Versandkosten:Instock, Despatched same working day before 3pm, zzgl. Versandkosten.
This book explores the ways in which the American writers Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston used modernist primitivism to assert a uniquely American literary identi… Mehr…
This book explores the ways in which the American writers Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston used modernist primitivism to assert a uniquely American literary identity in the face of European cultural hegemony.The extended Introduction traces the history of primitivism from a classical rhetorical trope to its emergence in the twentieth century as aesthetic, exemplified by Picasso and his use of African masks, that combined new work in the human sciences especially anthropology and psychology, with new ideas in the visual arts to challenge traditional ideas of realism and artistic accomplishment. The first two chapters bring together visual evidence, published and unpublished writings, and linguistic theory to give the first detailed account of the theoretical and gender concerns of the Stein-Picasso collaboration, which culminated in Picasso's Les demoiselles d'Avignon and Stein's Melanctha.In the final two chapters, the author shows how both Hemingway and Hurston participated in the racialist scientific debates of the 1920s and used primitivism to find their respective artistic voices: Hemingway in his use of American Indians in recasting his life narratives in the Nick Adams stories, and Hurston in her attempts to use her anthropological training to construct a mythic African-American past.; EPUB; Reference & Languages > Literature: history & criticism, Taylor and Francis<
No. 9781135705466. Versandkosten:Instock, Despatched same working day before 3pm, zzgl. Versandkosten.
First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.; PDF; Reference & Languages > Literature: history & criticism > Literary theory, Taylor and Francis
No. 9781135705466. Versandkosten:Instock, Despatched same working day before 3pm, zzgl. Versandkosten.
Race and Language in Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston, eBooks, eBook Download (PDF), [PU: Taylor and Francis], Taylor and Francis, 2014
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EAN (ISBN-13): 9781135705466 ISBN (ISBN-10): 1135705461 Erscheinungsjahr: 2014 Herausgeber: Taylor and Francis
Buch in der Datenbank seit 2008-05-02T16:38:23+02:00 (Berlin) Buch zuletzt gefunden am 2024-03-26T12:04:11+01:00 (Berlin) ISBN/EAN: 1135705461
ISBN - alternative Schreibweisen: 1-135-70546-1, 978-1-135-70546-6 Alternative Schreibweisen und verwandte Suchbegriffe: Autor des Buches: gschwind, pavlos Titel des Buches: die geschichte christi, die unterwelt, modern primitive, modern primitives, hurston neale, was hemingway, stein der, gertrude stein, ernest hemingway
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