BEISPIEL
Hegarty, Paul:Noise/Music: A History
- gebunden oder broschiert ISBN: 9780826417268
[ED: Hardcover], [PU: CONTINUUM], Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electroni… Mehr…
[ED: Hardcover], [PU: CONTINUUM], Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today.
A very smart overview of an often neglected area of modern music.
Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Paul Hegartyargues that noise is a judgement about sound, that what was noise can become acceptable as music, and that in many ways the idea of noise is similar to the idea of the avant-garde.
While it provides an excellent historical overview, the book'smain concern is in the noise music that has emerged since the mid 1970s, whether through industrial music, punk, free jazz, or the purer noise of someone like Merzbow. The book progresses seamlessly from discussions of John Cage, Erik Satie, and Pauline Oliveros through to bands like Throbbing Gristle and the Boredoms. Sharp and erudite, and underpinned throughout by the ideas of thinkers like Adorno and Deleuze, Noise/Music is the perfect primer for anyone interested in the louder side of experimental music.
Table of Contents:
1. Introduction: Noise in Music
2. Electricity
3. Free
4. Industry
5. Inept
6. Power
7. Japan
8. Merzbow
9. Electronic
10. Quiet
11. Conclusion
232 p. - 228 x 153mm
Versandfertig in 2-4 Wochen, DE, [SC: 0.00], Neuware, gewerbliches Angebot, offene Rechnung (Vorkasse vorbehalten)<
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Paul Hegarty:Noise Music: A History
- neues Buch ISBN: 9780826417268
Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different… Mehr…
Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Paul Hegarty argues that noise is a judgement about sound, that what was noise can become acceptable as music, and that in many ways the idea of noise is similar to the idea of the avant-garde. While it provides an excellent historical overview, the book''s main concern is in the noise music that has emerged since the mid 1970s, whether through industrial music, punk, free jazz, or the purer noise of someone like Merzbow. The book progresses seamlessly from discussions of John Cage, Erik Satie, and Pauline Oliveros through to bands like Throbbing Gristle and the Boredoms. Sharp and erudite, and underpinned throughout by the ideas of thinkers like Adorno and Deleuze, Noise/Music is the perfect primer for anyone interested in the louder side of experimental music. Paul Hegarty, Books, Entertainment, Noise Music: A History Books>Entertainment, Bloomsbury Academic<
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Paul Hegarty:Noise Music: A History
- gebrauchtes Buch 1970, ISBN: 0826417264
Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different… Mehr…
Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Paul Hegarty argues that noise is a judgement about sound, that what was noise can become acceptable as music, and that in many ways the idea of noise is similar to the idea of the avant-garde. While it provides an excellent historical overview, the book's main concern is in the noise music that has emerged since the mid 1970s, whether through industrial music, punk, free jazz, or the purer noise of someone like Merzbow. The book progresses seamlessly from discussions of John Cage, Erik Satie, and Pauline Oliveros through to bands like Throbbing Gristle and the Boredoms. Sharp and erudite, and underpinned throughout by the ideas of thinkers like Adorno and Deleuze, Noise/Music is the perfect primer for anyone interested in the louder side of experimental music. arts music and photography,home and garden,history and criticism,music Music, Bloomsbury Academic<
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BEISPIEL
Paul Hegarty:Noise-Music : A History
- gebunden oder broschiert 2007, ISBN: 9780826417268
Bloomsbury Academic & Professional, 2007. Hardcover. Good. Disclaimer:A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine… Mehr…
Bloomsbury Academic & Professional, 2007. Hardcover. Good. Disclaimer:A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. The dust jacket is missing. At ThriftBooks, our motto is: Read More, Spend Less., Bloomsbury Academic & Professional, 2007, 2.5<
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Paul Hegarty:Noise Music
- gebunden oder broschiert ISBN: 9780826417268
Hardback, [PU: Bloomsbury Publishing PLC], Looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica.… Mehr…
Hardback, [PU: Bloomsbury Publishing PLC], Looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica. This work situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics., Theory Of Music & Musicology, Theory Of Music & Musicology<
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