In Jamaica, dancehall music and culture has become perhaps the most prominent expression of Jamaican popular culture. Taking its name from dance halls in which popular local recordings we… Mehr…
In Jamaica, dancehall music and culture has become perhaps the most prominent expression of Jamaican popular culture. Taking its name from dance halls in which popular local recordings were played by sound systems, the concept of Dancehall as a cultural space has rapidly gained momentum in the last three decades as deejay stars enjoy unprecedented successes locally and internationally.Donna Hope builds on her earlier work on popular culture and theories of sexuality/gender to examine the process and progress of Jamaican masculinities. Man Vibes: Masculinities in Jamaican Dancehall explores Jamaican masculinity through the male-dominated dancehall space that is at once a celebration of the marginalized poor and also a challenge to social inequality. Using the major masculine debates that are articulated in dancehall music and culture, Hope explores the transition of Jamaican masculinity in the 21st century. The dancehall representations of Ole Dawg (promiscuity), Badman (violence), Chi Chi Man (anti-male homosexuality), Bling Bling (consumerist/consumptive) and Fashion Ova Style (stylized transgressions and homosexuality) are all used to evaluate the relationship between dancehall culture and the hegemonic standard of masculine. Man Vibes significantly advances the Cultural Studies agenda and acts as a contemporary reader by speaking not only to dancehall music and culture’s masculinities but to Jamaican and Black masculinities in general. Trade Books>Trade Paperback>Fiction>Fiction>Fiction, Ian Randle Publishers Core >1<
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"In Jamaica, dancehall music and culture has become perhaps the most prominent expression of Jamaican popular culture. Taking its name from dance halls in which popular local recordings w… Mehr…
"In Jamaica, dancehall music and culture has become perhaps the most prominent expression of Jamaican popular culture. Taking its name from dance halls in which popular local recordings were played by sound systems, the concept of Dancehall as a cultural space has rapidly gained momentum in the last three decades as deejay stars enjoy unprecedented successes locally and internationally. Donna Hope builds on her earlier work on popular culture and theories of sexuality/gender to examine the process and progress of Jamaican masculinities. Man Vibes: Masculinities in Jamaican Dancehall explores Jamaican masculinity through the male-dominated dancehall space that is at once a celebration of the marginalized poor and also a challenge to social inequality. Using the major masculine debates that are articulated in dancehall music and culture, Hope explores the transition of Jamaican masculinity in the 21st century. The dancehall representations of Ole Dawg (promiscuity), Badman (violence), Chi Chi Man (anti-male homosexuality), Bling Bling (consumerist/consumptive) and Fashion Ova Style (stylized transgressions and homosexuality) are all used to evaluate the relationship between dancehall culture and the hegemonic standard of masculine. Man Vibes significantly advances the Cultural Studies agenda and acts as a contemporary reader by speaking not only to dancehall music and culture s masculinities but to Jamaican and Black masculinities in general. " " Media > Book<
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(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
"In Jamaica, dancehall music and culture has become perhaps the most prominent expression of Jamaican popular culture. Taking its name from dance halls in which popular local recordings w… Mehr…
"In Jamaica, dancehall music and culture has become perhaps the most prominent expression of Jamaican popular culture. Taking its name from dance halls in which popular local recordings were played by sound systems, the concept of Dancehall as a cultural space has rapidly gained momentum in the last three decades as deejay stars enjoy unprecedented successes locally and internationally. Donna Hope builds on her earlier work on popular culture and theories of sexuality/gender to examine the process and progress of Jamaican masculinities. Man Vibes: Masculinities in Jamaican Dancehall explores Jamaican masculinity through the male-dominated dancehall space that is at once a celebration of the marginalized poor and also a challenge to social inequality. Using the major masculine debates that are articulated in dancehall music and culture, Hope explores the transition of Jamaican masculinity in the 21st century. The dancehall representations of Ole Dawg (promiscuity), Badman (violence), Chi Chi Man (anti-male homosexuality), Bling Bling (consumerist/consumptive) and Fashion Ova Style (stylized transgressions and homosexuality) are all used to evaluate the relationship between dancehall culture and the hegemonic standard of masculine. Man Vibes significantly advances the Cultural Studies agenda and acts as a contemporary reader by speaking not only to dancehall music and culture s masculinities but to Jamaican and Black masculinities in general. " " Media ><
BetterWorldBooks.com
used in stock. Versandkosten:zzgl. Versandkosten. Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Paperback, [PU: Ian Randle Publishers,Jamaica], Explores Jamaican masculinity through the male-dominated dancehall space that is at once a celebration of the marginalized poor and also a … Mehr…
Paperback, [PU: Ian Randle Publishers,Jamaica], Explores Jamaican masculinity through the male-dominated dancehall space that is at once a celebration of the marginalized poor and also a challenge to social inequality. Using the major masculine debates that are articulated in dancehall music and culture, Donna Hope explores the transition of Jamaican masculinity in the 21st century., Gender Studies: Men<
In Jamaica, dancehall music and culture has become perhaps the most prominent expression of Jamaican popular culture. Taking its name from dance halls in which popular local recordings we… Mehr…
In Jamaica, dancehall music and culture has become perhaps the most prominent expression of Jamaican popular culture. Taking its name from dance halls in which popular local recordings were played by sound systems, the concept of Dancehall as a cultural space has rapidly gained momentum in the last three decades as deejay stars enjoy unprecedented successes locally and internationally.Donna Hope builds on her earlier work on popular culture and theories of sexuality/gender to examine the process and progress of Jamaican masculinities. Man Vibes: Masculinities in Jamaican Dancehall explores Jamaican masculinity through the male-dominated dancehall space that is at once a celebration of the marginalized poor and also a challenge to social inequality. Using the major masculine debates that are articulated in dancehall music and culture, Hope explores the transition of Jamaican masculinity in the 21st century. The dancehall representations of Ole Dawg (promiscuity), Badman (violence), Chi Chi Man (anti-male homosexuality), Bling Bling (consumerist/consumptive) and Fashion Ova Style (stylized transgressions and homosexuality) are all used to evaluate the relationship between dancehall culture and the hegemonic standard of masculine. Man Vibes significantly advances the Cultural Studies agenda and acts as a contemporary reader by speaking not only to dancehall music and culture’s masculinities but to Jamaican and Black masculinities in general. Trade Books>Trade Paperback>Fiction>Fiction>Fiction, Ian Randle Publishers Core >1<
"In Jamaica, dancehall music and culture has become perhaps the most prominent expression of Jamaican popular culture. Taking its name from dance halls in which popular local recordings w… Mehr…
"In Jamaica, dancehall music and culture has become perhaps the most prominent expression of Jamaican popular culture. Taking its name from dance halls in which popular local recordings were played by sound systems, the concept of Dancehall as a cultural space has rapidly gained momentum in the last three decades as deejay stars enjoy unprecedented successes locally and internationally. Donna Hope builds on her earlier work on popular culture and theories of sexuality/gender to examine the process and progress of Jamaican masculinities. Man Vibes: Masculinities in Jamaican Dancehall explores Jamaican masculinity through the male-dominated dancehall space that is at once a celebration of the marginalized poor and also a challenge to social inequality. Using the major masculine debates that are articulated in dancehall music and culture, Hope explores the transition of Jamaican masculinity in the 21st century. The dancehall representations of Ole Dawg (promiscuity), Badman (violence), Chi Chi Man (anti-male homosexuality), Bling Bling (consumerist/consumptive) and Fashion Ova Style (stylized transgressions and homosexuality) are all used to evaluate the relationship between dancehall culture and the hegemonic standard of masculine. Man Vibes significantly advances the Cultural Studies agenda and acts as a contemporary reader by speaking not only to dancehall music and culture s masculinities but to Jamaican and Black masculinities in general. " " Media > Book<
"In Jamaica, dancehall music and culture has become perhaps the most prominent expression of Jamaican popular culture. Taking its name from dance halls in which popular local recordings w… Mehr…
"In Jamaica, dancehall music and culture has become perhaps the most prominent expression of Jamaican popular culture. Taking its name from dance halls in which popular local recordings were played by sound systems, the concept of Dancehall as a cultural space has rapidly gained momentum in the last three decades as deejay stars enjoy unprecedented successes locally and internationally. Donna Hope builds on her earlier work on popular culture and theories of sexuality/gender to examine the process and progress of Jamaican masculinities. Man Vibes: Masculinities in Jamaican Dancehall explores Jamaican masculinity through the male-dominated dancehall space that is at once a celebration of the marginalized poor and also a challenge to social inequality. Using the major masculine debates that are articulated in dancehall music and culture, Hope explores the transition of Jamaican masculinity in the 21st century. The dancehall representations of Ole Dawg (promiscuity), Badman (violence), Chi Chi Man (anti-male homosexuality), Bling Bling (consumerist/consumptive) and Fashion Ova Style (stylized transgressions and homosexuality) are all used to evaluate the relationship between dancehall culture and the hegemonic standard of masculine. Man Vibes significantly advances the Cultural Studies agenda and acts as a contemporary reader by speaking not only to dancehall music and culture s masculinities but to Jamaican and Black masculinities in general. " " Media ><
Paperback, [PU: Ian Randle Publishers,Jamaica], Explores Jamaican masculinity through the male-dominated dancehall space that is at once a celebration of the marginalized poor and also a … Mehr…
Paperback, [PU: Ian Randle Publishers,Jamaica], Explores Jamaican masculinity through the male-dominated dancehall space that is at once a celebration of the marginalized poor and also a challenge to social inequality. Using the major masculine debates that are articulated in dancehall music and culture, Donna Hope explores the transition of Jamaican masculinity in the 21st century., Gender Studies: Men<
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Detailangaben zum Buch - Man Vibes: Maculinities in the Jamaican Dancehall Donna P. Hope Author
EAN (ISBN-13): 9789766374075 ISBN (ISBN-10): 9766374074 Taschenbuch Erscheinungsjahr: 2010 Herausgeber: Ian Randle Publishers Core >1
Buch in der Datenbank seit 2012-04-18T15:01:09+02:00 (Berlin) Detailseite zuletzt geändert am 2023-11-30T14:22:26+01:00 (Berlin) ISBN/EAN: 9789766374075
ISBN - alternative Schreibweisen: 976-637-407-4, 978-976-637-407-5 Alternative Schreibweisen und verwandte Suchbegriffe: Autor des Buches: hope Titel des Buches: dancehall, man
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