Transcultural Modernities - gebunden oder broschiert

EAN (ISBN-13): 9789042025387
ISBN (ISBN-10): 9042025387
Gebundene Ausgabe
Erscheinungsjahr: 2009
Herausgeber: Editions Rodopi B.V.
464 Seiten
Gewicht: 0,848 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 2010-07-01T13:58:32+02:00 (Berlin)
Detailseite zuletzt geändert am 2022-02-02T10:48:03+01:00 (Berlin)
ISBN/EAN: 9789042025387

ISBN - alternative Schreibweisen:
90-420-2538-7, 978-90-420-2538-7
Alternative Schreibweisen und verwandte Suchbegriffe:
Autor des Buches: beker, brill, daniela merolla
Titel des Buches: african modernities, transcultural modernities

---

Daten vom Verlag:

Autor/in: Elisabeth Bekers; Sissy Helff; Daniela Merolla
Titel: Transcultural Modernities. - Narrating Africa in Europe.
Verlag: Editions Rodopi
Erscheinungsjahr: 2009-12-04
Gewicht: 0,462 kg
Sprache: Englisch
92,00 € (DE)
94,60 € (AT)
Not available (reason unspecified)

BA; GB; Hardcover, Softcover / Sprachwissenschaft, Literaturwissenschaft/Allgemeine und Vergleichende Literaturwissenschaft; Literaturwissenschaft, allgemein

Table of Contents Acknowledgements Illustrations Introduction New Euro-African Literary Spaces Sabrina BRANCATO: Voices Lost in a Non-Place: African Writing in Spain Peter N. PEDRONI: Kossi Komla–Ebri and Migrant Writing in Italy Daniela MEROLLA: Poetics of Transition: Africa and Dutch Literary Space Elisabeth BEKERS: Chronicling Beyond Abyssinia: African Writing in Flanders, Belgium Eila RANTONEN: African Voices in Finland and Sweden Literary Perspectives Frank SCHULZE–ENGLER: Transcultural Modernities and Anglophone African Literature Susan ARNDT: Euro-African Trans-Spaces? Migration, Transcultural Narration and Literary Studies Elisabeth BEKERS: Culture in Transit: The Migration of Female Genital Excision to Europe in Euro-African Writing Susanne GEHRMANN: Black Masculinity, Migration and Psychological Crisis: A Reading of Simon Njami’s African Gigolo Elisa DIALLO: Polyphony, Old ‘Lyonnais’ and Animism: Africa in Urban Europe in Un Rêve utile de Tierno Monénembo Nadia BUTT: Negotiating Untranslatability and Islam in Leila Aboulela’s The Translator Obododimma OHA: ‘Occupying the Isolated Terminal Space and Silent’: The Rhetoric of Inclusion and Exclusion in the Poetry of Femi Oyebode Daria TUNCA: Linguistic Counterpoint in Gbenga Agbenugba’s Another Lonely Londoner Visual and Cinematographic Narratives Alex ROTAS: New Labels, But It’s Still Labelling: Ibrahim El Salahi and Mohamed Bushara as ‘Asylum Artists’ in the UK Marie–Christine PRESS: North African Modernities: Myth Stripped Bare Daphne PAPPERS: Spies in the Sixteenth Arrondissement: Myriam Mihindou Exhibits at the Musée Dapper in Paris Jacobia DAHM: Emigrants and Immigrants of Burkina Faso, Senegal, and France: Ousmane Sembène’s La Noire De. and S. Pierre Yameogo’s Moi et mon blanc Marie–Hélène GUTBERLET: Towards an Aesthetic of the Migrant Self: The Film Le Clandestin by José Zeka Laplaine Nwachukwu Frank UKADIKE: Critical Dialogues: Transcultural Modernities and Modes of Narrating Africa in Documentary Films Imagining Life – Narrating Stories Graham HUGGAN: Imagining Disaster in the African Postcolony Sissy HELFF: Refugee Life Narratives: The Disturbing Potential of a Genre and the Case of Mende Nazer Katrin BERNDT: Shared Paradoxes in Namibian and German History: Lucia Engombe’s Kind Nr. 95 Annika LIEBY–MCPHERSON: From Utopia to Atopia to Diaspora? Social (Re-)Organization in a German Refugee Home Bettina HORN–UDEZE: “Here in Europe it’s like a secret cult”: A Nigerian Migrant’s Narration of Initiation into the System of Migration Christine MATZKE: “Performing ‘Africa’” in Germany: Members of abok Theatre Company in Conversation Fouad LAROUI: Misunderstandings: Working Euro-African Life into Fiction Creative Writing Fouad LAROUI: Le Pyjama bleu Chika UNIGWE: Cotton Candy Notes on Contributors and Editors Notes for Contributors