2007, ISBN: 9789042023741

The Hemingway Review  Volume 25, Number 2, Spring 2006CONTENTSArticlesNarbeshuber, Lisa.Hemingway's In Our Time: Cubism, Conservation, and the Suspension of IdentificationSubject Headings… Mehr…

The Hemingway Review  Volume 25, Number 2, Spring 2006CONTENTSArticlesNarbeshuber, Lisa.Hemingway's In Our Time: Cubism, Conservation, and the Suspension of IdentificationSubject Headings:Hemingway, Ernest, 1899-1961. In our time.Cubism.Abstract:Taking issue with criticism that links In Our Time to Cubist technique and theory, the essay nevertheless finds the comparison of Hemingway's stories and Cubism fruitful for what it tells us about form in his work. The liberated tone of early Cubism stands in stark contrast to the restrictive tone of In Our Time. Hemingway's collection focuses mostly on the isolated, meditative, reflexive character of Nick, whereas Cubism strives for the democratic and the social. In Our Time assumes a certain depth, whereas Cubism creates flat surfaces.Field, Allyson Nadia.Expatriate Lifestyle as Tourist Destination: The Sun Also Rises and Experiential Travelogues of the TwentiesSubject Headings:Hemingway, Ernest, 1899-1961. Sun also rises.Paris (France) -- Description and travel.Travelers' writings -- History and criticism.Abstract:In The Sun Also Rises, Hemingway depicts the fictional movements of his characters as experiential travelogue, making the expatriate artist lifestyle a tourist experience. While not explicitly a guidebook, the novel belongs to the tradition of period travelogues such as Pages from the Book of Paris, Paris with the Lid Lifted, How to be Happy in Paris (without being ruined), and Paris on Parade. Such books served as guides to a lifestyle, rather than to monuments or museums. Jake Barnes's emphasis on his environment and recurrent references to the streets, bars, and cafés frequented by his expatriate companions place The Sun Also Rises within a body of travel literature describing the infamous expatriate lifestyle.Kaye, Jeremy.The "Whine" of Jewish Manhood: Re-Reading Hemingway's Anti-Semitism, Reimagining Robert CohnSubject Headings:Hemingway, Ernest, 1899-1961. Sun also rises.Hemingway, Ernest, 1899-1961 -- Characters -- Robert Cohn.Cohn, Robert (Fictitious character)Jews in literature.Masculinity in literature.Abstract:The article examines the significance of Robert Cohn, The Sun Also Rises's infamous Jewish boxer, to the construction of masculinity in Hemingway's novel. Whereas a long critical tradition has treated Cohn's Jewishness largely as evidence of Hemingway's supposed anti-Semitism, the author maintains that Cohn's Jewishness has subversive potential. He asks how we can reimagine Cohn, not as an object of anti-Semitism, but as an agent of Jewish manhood, disrupting the novel's privileged pairing of hegemonic and Heming- wayesque masculinity.Kruse, Horst Hermann.Allusions to the New Testament and The Merchant of Venice in "God Rest You Merry, Gentlemen": Hemingway's Anti-Semitism ReconsideredSubject Headings:Hemingway, Ernest, 1899-1961. God rest you merry, gentlemen.Bible. N.T. -- Influence.Shakespeare, William, 1564-1616. Merchant of Venice.Abstract:"God Rest You Merry, Gentlemen" has confused readers and critics alike. The essay points out allusions to The Merchant of Venice and the New Testament, describing how they combine with other subdued references to form an attack on puritanical attitudes in contemporary America. In breaking up the stereotypical view of the Jew and in setting up the Jewish Doc Fischer as a Christ figure, Hemingway deliberately atones for previously anti-Semitic writing. Study of the story's composition and early publication history also supports these findings and argues for a reconsideration of commonly held views concerning Hemingway's anti-Semitism.Special Section: Under KilimanjaroTwelve scholars with diverse critical approaches offer their first impressions of Under Kilimanjaro, the complete version of Hemingway's Africa book newly published by Kent State University Press.Miller, Linda Patterson, 1946-From the 'African Book' to Under Kilimanjaro: An IntroductionSubject Headings:Hemingway, Ernest, 1899-1961. Under Kilimanjaro.Lewis, Robert W. (Robert William), 1930-, ed.Fleming, Robert E. (Robert Edward), 1936-, ed.Craig, Joanna Hildebrand.Dancing with HemingwaySubject Headings:Hemingway, Ernest, 1899-1961. Under Kilimanjaro.Lewis, Robert W. (Robert William), 1930-, ed.Fleming, Robert E. (Robert Edward), 1936-, ed.Lewis, Robert W. (Robert William), 1930-The Making of Under KilimanjaroSubject Headings:Hemingway, Ernest, 1899-1961. Under Kilimanjaro.Lewis, Robert W. (Robert William), 1930-, ed.Fleming, Robert E. (Robert Edward), 1936-, ed.Fleming, Robert E. (Robert Edward), 1936-The Editing ProcessSubject Headings:Hemingway, Ernest, 1899-1961. Under Kilimanjaro.Lewis, Robert W. (Robert William), 1930-, ed.Fleming, Robert E. (Robert Edward), 1936-, ed.Mandel, Miriam B.Ethics and "Night Thoughts": "Truer Than the Truth"Subject Headings:Hemingway, Ernest, 1899-1961. Under Kilimanjaro.Lewis, Robert W. (Robert William), 1930-, ed.Fleming, Robert E. (Robert Edward), 1936-, ed.Martin, Lawrence H.Safari in the Age of KenyattaSubject Headings:Hemingway, Ernest, 1899-1961. Under Kilimanjaro.Lewis, Robert W. (Robert William), 1930-, ed.Fleming, Robert E. (Robert Edward), 1936-, ed.Hemingway, Ernest, 1899-1961 -- Travel -- Kenya.Kenya -- History -- Mau Mau Emergency, 1952-1960.Kitunda, Jeremiah M.Ernest Hemingway's African Book: An AppraisalSubject Headings:Hemingway, Ernest, 1899-1961. Under Kilimanjaro.Lewis, Robert W. (Robert William), 1930-, ed.Fleming, Robert E. (Robert Edward), 1936-, ed.Kenya -- History -- Mau Mau Emergency, 1952-1960.Ethnic groups in literature.Boese, Gil K.Under Kilimanjaro: The Other HemingwaySubject Headings:Hemingway, Ernest, 1899-1961. Under Kilimanjaro.Lewis, Robert W. (Robert William), 1930-, ed.Fleming, Robert E. (Robert Edward), 1936-, ed.Hunting in literature.Nature in literature.Maier, Kevin.Hemingway's Hunting: An Ecological ReconsiderationSubject Headings:Hemingway, Ernest, 1899-1961. Under Kilimanjaro.Lewis, Robert W. (Robert William), 1930-, ed.Fleming, Robert E. (Robert Edward), 1936-, ed.Hunting in literature.Stoneback, H. R. (Harry Robert), 1941-Under Kilimanjaro--Truthiness at Late Light: Or, Would Oprah Kick Hemingway Out of Her Book ClubSubject Headings:Hemingway, Ernest, 1899-1961. Under Kilimanjaro.Lewis, Robert W. (Robert William), 1930-, ed.Fleming, Robert E. (Robert Edward), 1936-, ed.Hemingway, Ernest, 1899-1961. True at first light.Hemingway, Patrick, ed.Panda, Ken.Under Kilimanjaro: The Multicultural HemingwaySubject Headings:Hemingway, Ernest, 1899-1961. Under Kilimanjaro.Lewis, Robert W. (Robert William), 1930-, ed.Fleming, Robert E. (Robert Edward), 1936-, ed.Putnam, Ann.The Last Good CountrySubject Headings:Hemingway, Ernest, 1899-1961. Under Kilimanjaro.Lewis, Robert W. (Robert William), 1930-, ed.Fleming, Robert E. (Robert Edward), 1936-, ed.NoteTarr, Rodger L.Hemingway's Lost Friend: Norton S. BaskinSubject Headings:Hemingway, Ernest, 1899-1961 -- Friends and associates.Baskin, Norton S. -- Friends and associates._____________________________________________The Ernest Hemingway Foundation was established in 1965 by Mary Hemingway, Ernests widow, "for the purposes of awakening, sustaining an interest in, promoting, fostering, stimulating, supporting, improving and developing literature and all forms of literary composition and expression." The Foundation manages the rights to Hemingways posthumously published and remaining unpublished work. In 1980, a group of Hemingway scholars assembled for a conference near the John F. Kennedy Library (the principal repository of Hemingway manuscripts and memorabilia) and formed The Hemingway Society. The Societys work has emphasized "the promotion, assistance and coordination of scholarship and studies relating to the works and life of the late Ernest Hemingway." One of its most important activities includes publication of The Hemingway Review, a peer-reviewed scholarly journal published twice a year. The journal specializes in researched scholarship on the work and life of Ernest Hemingway.The Hemingway Review is published twice a year, in November and May, by The Hemingway Society and The University of Idaho Press. Averaging about 150 pages in length, each issue of the journal specializes in feature -length scholarly articles on the work and life of Ernest Hemingway, and also includes notes, book reviews, library information, and current bibliography. All critical approaches are welcome, including but not limited to historical, textual, biographical, source, and influence studies, as well as gender-based, multicultural, ecocritical, and other post-structuralist methods.SOME FACTS ABOUT The Hemingway Review§ The Hemingway Review welcomes all critical approaches, traditional, contemporary, and cutting edge. Submissions are reviewed by scholars specializing in the method used and/or subject treated.§ The journal does not ordinarily publish fiction, poetry, or other writing that is not researched scholarship. Prospective contributors are encouraged to familiarize themselves with past issues.§ All work considered for publication is subjected to rigorous blind peer review by at least two outside readers in addition to the editor, making work published in The Hemingway Reviewvaluable for tenure and promotion dossiers.§ Twenty-four distinguished Hemingway scholars advise on editorial practices.§ In addition to feature-length articles, The Review includes notes, letters to the editor, book reviews, grant and fellowship information, and current bibliography.§ The Hemingway Review enjoys virtually limitless circulation to college, university, and public libraries via on-line subscription databases including Project Muse, Proquest, Ebsco, and Gale Infotrac.§ In addition, The Hemingway Review circulates in paper to hundreds of individual Hemingway scholars and college and university libraries around the world.   We out-circulate not only other single-author journals, but also many journals with a broader scope.§ The Hemingway Review places scholarship directly into the hands of those readers most likely to apply it in teaching and research., Hemingway Society and The University of Idaho Press, 2006, 4, Washington D. C: U S Government Printing Office, 1971. Good in None jacket null 317 pages. Constitutions of Czechoslovakia, Communist China, Cuba, Latvia, East Germany.. Soft Cover. Good/ . Government Document., U S Government Printing Office, 1971, 2.5, Paperback / softback. New. On October 1, 1920, the city of Santiago, Chile, came to a halt as tens of thousands stopped work and their daily activities to join the funeral procession of Jose Domingo Gomez Rojas, a 24 year old university student and acclaimed poet. Nicknamed &quot;the firecracker poet&quot; for his incendiary poems, such as &quot;The Cry of the Renegade&quot; Gomez Rojas was a member of the University of Chile's student federation (the FECh) which had come under repeated attack for its critiques of Chile's political system and ruling parties. Government officials accused the FECh's leaders of being advocates for the destruction of the social order, subversives who had the temerity to question national policy making, and insolent youths who did not know their place. Arrested for alleged sedition as part of a five-month-long &quot;prosecution of subversives,&quot; Gomez Rojas joined other students and workers in Santiago's prison system. He never left. After two months in police custody, he died in Santiago's asylum, quickly to be reborn as a political martyr for students and workers alike. This microhistory recovers the context within which Gomez Rojas's arrest, imprisonment, and death unfolded and the experiences of men he counted as friends, comrades, colleagues, mentors, and pupils. Fifty years before the much-heralded student movements of 1968, Raymond Craib shows, university students and workers were active political collaborators and radicalized political subjects. In interwar Chile, members of Chile's sizeable working class marched side-by-side with students from the FECh. At the same time, increasingly radicalized university students, as well as former students, workers, and worker-intellectuals, gathered together to talk, read, and find common cause. Members of what Craib calls a &quot;capacious Left&quot; they shared a wide-ranging interest in works of sociology and political theory, a penchant for poetry, and an eclectic embrace of anarchist, socialist, and communist principles and practices. They also shared the experience of repression, an experience that ultimately cost Gomez Rojas his life and marked an entire generation of political organizers and agitators, including future president Salvador Allende and poet Pablo Neruda., 6, Greenwood Press, Westport, first edition, 1995. Cloth, 8vo, 25 cm,. xvii, 371 pp, a few ills. The essays in this collection, drawn from a Hofstra University bicentennial conference on the French Revolution, seek to come to terms, often from conflicting points of view, with the complex relationship between events and their representations. The question "How did the lived experience that eventually became known as the French Revolution come to be organized?" provides a common thread for the collection. Individual chapters examine the Revolution from the vantage points of theology and philosophy, theater and literature, as well as politics and history. As the contributors show, the French Revolution was more than a series of political events that took place in one European country at the end of the 18th century. Instead, it was a trans-historical, multi-national, and multi-cultural discourse. It served as a point of reference by which and through which a complex of cultural values and styles could be defined, and as a model (even a negative model) for the elaboration of ideologies, and of political and administrative strategies for bureaucracies around the world. An invaluable collection for all students of the Revolution and its impact." - from the publisher's description. Contents include: Introduction by Gail M. Schwab and John R. Jeanneney; Providence for the Revolutionary People by Erica Joy Mannucci; Writing Revolution: Michelet's History of the French Revolution by Tom Conner; Sexual Politics: Marivaux's "La Colonie" by Jeanne Fuchs; "Cazotte" and the Counter-Revolution or the Art of Losing One's Head by Claudine Hunting; The Concept of Virtue in Literature and Politics during the French Revolution of 1789: Sade and Robespierre by Gislinde Seybert; Mme. De Staël: Comparative Politics as Revolutionary Practice by Susan Tenenbaum; Revolution in the Boudoir: Mme. Roland's Subversion of Rousseau's Feminine Ideals by Mary Trouille; French Women Writers and the Revolution: Preliminary Thoughts by Catherine R. Montfort; The Sublimity of Speech as Action: The Myth of Mirabeau, 1791-1848 by Patricia A. Ward; French Theater and Revolution: The Eve and the Aftermath by Mario Hamlet-Metz; Rewriting the Revolutionary Past in Les Prussiens en Lorraine by Barbara T. Cooper; Prosper Mérimée is Thinking the Revolution by Evelyn Gould; Georges Sorel and the "Dreyfusard Revolution" by Jeffrey Mehlman; Revolution in the Education sentimentale: Structure, Theory, and History by Gail M. Schwab; Cities, Bourgeois, and the French Revolution by Charles Tilly; The Nobility's New Clothes: Revisionism and the Survival of the Nobility during the French Revolution by John Dunne; Suffrage and Citizenship in the French Revolution by Malcolm Crook; Aux Urnes, Citoyens! The Transformation of French Electoral Participation (1789-1870) by Melvin Edelstein; The Impact of the French Revolution on London Reform Societies by Marilyn Morris; The French Revolution and Spain by Richard Herr; Republican Revolution or Absolutist Reform? by Uffe Ostergaard; The French Revolution of 1789 and Its Impact on Spanish-American Independence by Gregory Ludlow; Waves Breaking on a Distant Shore: Puerto Rico in the Era of the French Revolution by Julia Ortiz Griffin; The Influence of the French Revolution on Lenin's Conception of the Russian Revolution by George Jackson; Uses of the Past: Bolshevism and the French Revolutionary Tradition by Gabriel Schoenfeld; Marianne Revisited: Anti-Republican Political Caricature, 1880-1900 by Willa Z. Silverman; The Lost Legacy of the French Revolution and the Persecution of French Jewry in Vichy France by Sondra M. Rubenstein; Index Fine., Greenwood Press, Westport, first edition, 1995, 1995, 5, Paperback / softback. New. Berg develops an innovative theory of stereotyping that accounts for the persistence of demeaning images of Latinos in US popular culture, 6, Thousand Oaks: Sage Publications [0-8039-7380-2] 1996. (Trade paperback) Near fine. 166pp. References, indices. (Psychology, Counseling, Family Violence, Feminist Theory, Wife Abuse, Women's Studies, Women's Studies)., Sage Publications, 0, Amsterdam-New York, Rodopi. 2007. Original publisher's gray paper-covered boards, pictorial frontcover, large 8vo: xvi, 218pp., [6]pp., 13 contributions with footnotes - bibliographical notes - references, acknowledgements, notes on authors & editors, notes for coontributors, table of contents. Very fine copy - as new. Volume 35: Matatu. Journal for African Culture and Society., Amsterdam-New York, Rodopi. 2007, 0<