1996, ISBN: 9789042000650

[PU: Amsterdam-Atlanta, Rodopi. 1996], Original publisher's sewn green paperback, pictorial frontcover, thick 8vo: xvi, 456pp., and 94 pages plates at the rear [101figures], list of illus… Mehr…

[PU: Amsterdam-Atlanta, Rodopi. 1996], Original publisher's sewn green paperback, pictorial frontcover, thick 8vo: xvi, 456pp., and 94 pages plates at the rear [101figures], list of illustrations, notes, bibliographical notes, index. CONTENTS: Frederick Burwick: Verbal and Visual Modes of Imagination. Part I - Imagination. 1. Jürgen Klein: Genius, Ingenium, Imagination: Aesthetic Theories of Production from the Renaissance to Romanticism. 2. Werner Hofmann: "The Dark Total Idea": Schiller on the Creative Process. 3. Horst Meller: The Parricidal Imagination: Schiller, Blake, Fuseli and the Romantic Revolt against the Father. 4. Gabriele Rommel: Imagionation in the Transcendental Poetics of Novalis. Part II - The Sister Arts. 5. Frederick Burwick: Blake's Laocoön and Job: or, On the Boundaries of Painting and Poetry. 6. Roswitha Burwick: Physiology of Perception: Achim von Arnim's Practical and Historical Aesthetics. 7. Wilhelmina L. Hotchkiss: Grounds for Change: Wordsworth, Constable and the Uses of Place. 8. Norma S. Davis: Poet and Painter: Beaumont's Illustrations in the Poetry of William Wordsworth. 9. J. Drummond Bone: Turner and Shelley: The Sense of a Comparison. Part III - The Sublime and the Picturesque. 10. Anne K. Mellor: Immortality or Monstrosity? Reflections on the Sublime in Romantic Literature and Art. 11. Hans-Ulrich Mohr: The Picturesque: A Key Concept of the Eighteenth Century. 12. Lilian R. Furst: In Other Voices: Wackenroder's Herzensergießungen and the Creation of a Romantic Mythology. Part IV - Ekphrasis. 13. James A.W. Heffernan: Byron and Sculpture. 14. Wolf Z. Hirst: How Dreams Become Poems: Keats's Imagined Sculpture and Re-Vision of Epic. 15. Grant F. Scott: Shelley, Medusa, and the Perils of Ekphrasis. Part V - Mode, Manner, Style. 16. Barbara Maria Stafford: Bare versus Prismatic Style: Newton, Piranesi and Eighteenth-Century Theories of Abstraction in Art and Science. 17. Gerald Finley: Pigment into Light: Turner, and Goethe's "Theory of Colours". 18. Murray Roston: The Contemplative Mode. 19. Karl Kroeber: The Clarity of the Mysterious and the Obscurity of the Familiar: Friedrich and Turner. 20. Jörg Traeger: "... As if one's Eyelids had been Cut Away": Imagination in Turner, Friedrich, and David. Very fine copy - as new., Volume 6: Textxet. Studies in Comparative Literature., NL, [SC: 8.50], leichte Gebrauchsspuren, gewerbliches Angebot, Banküberweisung, PayPal, Klarna-Sofortüberweisung, Internationaler Versand<

1996, ISBN: 9789042000650

[PU: Amsterdam-Atlanta, Rodopi. 1996], Original publisher's sewn green paperback, pictorial frontcover, thick 8vo: xvi, 456pp., and 94 pages plates at the rear [101figures], list of illus… Mehr…

[PU: Amsterdam-Atlanta, Rodopi. 1996], Original publisher's sewn green paperback, pictorial frontcover, thick 8vo: xvi, 456pp., and 94 pages plates at the rear [101figures], list of illustrations, notes, bibliographical notes, index. CONTENTS: Frederick Burwick: Verbal and Visual Modes of Imagination. Part I - Imagination. 1. Jürgen Klein: Genius, Ingenium, Imagination: Aesthetic Theories of Production from the Renaissance to Romanticism. 2. Werner Hofmann: "The Dark Total Idea": Schiller on the Creative Process. 3. Horst Meller: The Parricidal Imagination: Schiller, Blake, Fuseli and the Romantic Revolt against the Father. 4. Gabriele Rommel: Imagionation in the Transcendental Poetics of Novalis. Part II - The Sister Arts. 5. Frederick Burwick: Blake's Laocoön and Job: or, On the Boundaries of Painting and Poetry. 6. Roswitha Burwick: Physiology of Perception: Achim von Arnim's Practical and Historical Aesthetics. 7. Wilhelmina L. Hotchkiss: Grounds for Change: Wordsworth, Constable and the Uses of Place. 8. Norma S. Davis: Poet and Painter: Beaumont's Illustrations in the Poetry of William Wordsworth. 9. J. Drummond Bone: Turner and Shelley: The Sense of a Comparison. Part III - The Sublime and the Picturesque. 10. Anne K. Mellor: Immortality or Monstrosity? Reflections on the Sublime in Romantic Literature and Art. 11. Hans-Ulrich Mohr: The Picturesque: A Key Concept of the Eighteenth Century. 12. Lilian R. Furst: In Other Voices: Wackenroder's Herzensergießungen and the Creation of a Romantic Mythology. Part IV - Ekphrasis. 13. James A.W. Heffernan: Byron and Sculpture. 14. Wolf Z. Hirst: How Dreams Become Poems: Keats's Imagined Sculpture and Re-Vision of Epic. 15. Grant F. Scott: Shelley, Medusa, and the Perils of Ekphrasis. Part V - Mode, Manner, Style. 16. Barbara Maria Stafford: Bare versus Prismatic Style: Newton, Piranesi and Eighteenth-Century Theories of Abstraction in Art and Science. 17. Gerald Finley: Pigment into Light: Turner, and Goethe's "Theory of Colours". 18. Murray Roston: The Contemplative Mode. 19. Karl Kroeber: The Clarity of the Mysterious and the Obscurity of the Familiar: Friedrich and Turner. 20. Jörg Traeger: "... As if one's Eyelids had been Cut Away": Imagination in Turner, Friedrich, and David. Very fine copy - as new., Volume 6: Textxet. Studies in Comparative Literature., NL, leichte Gebrauchsspuren, gewerbliches Angebot, Banküberweisung, PayPal, Klarna-Sofortüberweisung, Internationaler Versand<