2017, ISBN: 3110482584

[EAN: 9783110482584], Neubuch, [PU: De Gruyter Mai 2017], EPISTEMOLOGIE; ERKENNTNISTHEORIE; PHILOSOPHIE / ERKENNTNIS; LITERATURTHEORIE; LITERATURWISSENSCHAFT; SCHREIBEN - SCHREIBUNTERRICH… Mehr…

[EAN: 9783110482584], Neubuch, [PU: De Gruyter Mai 2017], EPISTEMOLOGIE; ERKENNTNISTHEORIE; PHILOSOPHIE / ERKENNTNIS; LITERATURTHEORIE; LITERATURWISSENSCHAFT; SCHREIBEN - SCHREIBUNTERRICHT; EMERGENZ; ERINNERUNG; HYPERREFLEXIVITÄT; MEMORY; LATENTVS.MANIFEST; ICONICDIFFERENCE; HYPER-REFLEXIVITY; EMERGENCE, This item is printed on demand - it takes 3-4 days longer - Neuware -Productive Digression is a translation of the ancient term poetics: as a practice of theory. The products produced in the mode of poiesis are 'digressive' in that they operate off track; they resist the main stream of every day prose. They do so for various reasons and in various respects. Mostly, they are explained historically, relative to historical contexts and, that is, contrary to what they are meant to resist. Instead, this book investigates the modes of resistance, their epistemology of production, in short, the logic of digression. The method addresses the singular exemplarity of art and literature; it elucidates the impact of poiesis as an epistemological challenge and redefines the analysis of literature and art as branches of an Historical Epistemology. Proceeding from the state of affairs in 20th century criticism and aesthetics (Benjamin, Adorno, Blumenberg, Merleau-Ponty), the epistemology of representation (Whitehead, Canguilhem, Bachelard, Rheinberger) is revised in, and with respect to critical consequences (Derrida, Marin, de Man, Agamben). From literary criticism and critical legal studies to the scenario of the life sciences, the essays collected here redirect the logic of research towards the epistemological grounds of an aesthetics underneath the hermeneutics of every day life. 246 pp. Englisch, Books<

2017, ISBN: 9783110482584

[ED: Hardcover], [PU: De Gruyter], This new series presents original scholarly and essayistic work addressing the central status of literature in and for the human sciences. At stake in t… Mehr…

[ED: Hardcover], [PU: De Gruyter], This new series presents original scholarly and essayistic work addressing the central status of literature in and for the human sciences. At stake in the monographs and essay collections are paradigms of literary forms for thinking the human sciences: the knowledge involved in a literary work; how modes of reading and writing shape and depend on an epoch or area of thinking; literature's affinities and points of resistance to what we call the humanities and the sciences. In other words, the series examines how literature works with and upon philosophy, rhetoric, technology, anthropology, sociology, statistics, economics, history, experimental science, mathematics etc. Paradigms is primarily concerned with German letters, but also includes its European and comparative literary contexts.All volumes will be published in English and are first reviewed by the series editors followed by a peer review from two academics in the particular area of specialization. Two to four volumes are planned annually. EditorsRüdiger Campe (Yale University)Karen S. Feldman (University of California, Berkeley) Editorial BoardPaul Fleming (Cornell University) Eva Geulen (Zentrum für Literatur- und Kulturforschung, Berlin)Rüdiger Görner (Queen Mary, University of London)Barbara Hahn (Vanderbilt University)Daniel Heller-Roazen (Princeton University)Helmut Müller-Sievers (University of Colorado at Boulder)William Rasch (Indiana University, Bloomington)Joseph Vogl (Humboldt University, Berlin)Elisabeth Weber (University of California, Santa Barbara) 2017. XII, 234 S. 29 b/w ill. 230 mm Versandfertig in 6-10 Tagen, DE, [SC: 0.00], Neuware, gewerbliches Angebot, Offene Rechnung (Vorkasse vorbehalten)<

2017, ISBN: 3110482584

[EAN: 9783110482584], Neubuch, [SC: 0.0], [PU: De Gruyter], EPISTEMOLOGIE; ERKENNTNISTHEORIE; PHILOSOPHIE / ERKENNTNIS; LITERATURTHEORIE; LITERATURWISSENSCHAFT; SCHREIBEN - SCHREIBUNTERRI… Mehr…

[EAN: 9783110482584], Neubuch, [SC: 0.0], [PU: De Gruyter], EPISTEMOLOGIE; ERKENNTNISTHEORIE; PHILOSOPHIE / ERKENNTNIS; LITERATURTHEORIE; LITERATURWISSENSCHAFT; SCHREIBEN - SCHREIBUNTERRICHT; EMERGENZ; ERINNERUNG; HYPERREFLEXIVITÄT; MEMORY; LATENTVS.MANIFEST; ICONICDIFFERENCE; HYPER-REFLEXIVITY; EMERGENCE, Druck auf Anfrage Neuware - Printed after ordering - Productive Digression is a translation of the ancient term poetics: as a practice of theory. The products produced in the mode of poiesis are 'digressive' in that they operate off track; they resist the main stream of every day prose. They do so for various reasons and in various respects. Mostly, they are explained historically, relative to historical contexts and, that is, contrary to what they are meant to resist. Instead, this book investigates the modes of resistance, their epistemology of production, in short, the logic of digression. The method addresses the singular exemplarity of art and literature; it elucidates the impact of poiesis as an epistemological challenge and redefines the analysis of literature and art as branches of an Historical Epistemology. Proceeding from the state of affairs in 20th century criticism and aesthetics (Benjamin, Adorno, Blumenberg, Merleau-Ponty), the epistemology of representation (Whitehead, Canguilhem, Bachelard, Rheinberger) is revised in, and with respect to critical consequences (Derrida, Marin, de Man, Agamben). From literary criticism and critical legal studies to the scenario of the life sciences, the essays collected here redirect the logic of research towards the epistemological grounds of an aesthetics underneath the hermeneutics of every day life., Books<

ISBN: 9783110482584

Productive Digression is a translation of the ancient term poetics: as a practice of theory. The products produced in the mode of poiesis are ‘digressive’ in that they ope… Mehr…

Productive Digression is a translation of the ancient term poetics: as a practice of theory. The products produced in the mode of poiesis are ‘digressive’ in that they operate off track; they resist the main stream of every day prose. They do so for various reasons and in various respects. Mostly, they are explained historically, relative to historical contexts and, that is, contrary to what they are meant to resist. Instead, this book investigates the modes of resistance, their epistemology of production, in short, the logic of digression. The method addresses the singular exemplarity of art and literature; it elucidates the impact of poiesis as an epistemological challenge and redefines the analysis of literature and art as branches of an Historical Epistemology. Proceeding from the state of affairs in 20th century criticism and aesthetics (Benjamin, Adorno, Blumenberg, Merleau-Ponty), the epistemology of representation (Whitehead, Canguilhem, Bachelard, Rheinberger) is revised in, and with respect to critical consequences (Derrida, Marin, de Man, Agamben). From literary criticism and critical legal studies to the scenario of the life sciences, the essays collected here redirect the logic of research towards the epistemological grounds of an aesthetics underneath the hermeneutics of every day life. Trade Books>Hardcover>Classics>Lit Studies>Lit Theory & Criticism, De Gruyter Core >2<

ISBN: 9783110482584

Productive Digression is a translation of the ancient term poetics: as a practice of theory. The products produced in the mode of poiesis are 'digressive' in that they operate off tra… Mehr…

Productive Digression is a translation of the ancient term poetics: as a practice of theory. The products produced in the mode of poiesis are 'digressive' in that they operate off track; they resist the main stream of every day prose. They do so for various reasons and in various respects. Mostly, they are explained historically, relative to historical contexts and, that is, contrary to what they are meant to resist. Instead, this book investigates the modes of resistance, their epistemology of production, in short, the logic of digression. The method addresses the singular exemplarity of art and literature; it elucidates the impact of poiesis as an epistemological challenge and redefines the analysis of literature and art as branches of an Historical Epistemology. Proceeding from the state of affairs in 20th century criticism and aesthetics (Benjamin, Adorno, Blumenberg, Merleau-Ponty), the epistemology of representation (Whitehead, Canguilhem, Bachelard, Rheinberger) is revised in, and with respect to critical consequences (Derrida, Marin, de Man, Agamben). From literary criticism and critical legal studies to the scenario of the life sciences, the essays collected here redirect the logic of research towards the epistemological grounds of an aesthetics underneath the hermeneutics of every day life. Trade Books>Hardcover>Classics>Lit Studies>Lit Theory & Criticism, De Gruyter Core >2<