ISBN: 9783030386580
This book argues that adaptation is an underrecognized yet constitutive element of Nordic noir. In so doing, it reframes the prevailing critical view. Now celebrated for its global sweep,… Mehr…
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2020, ISBN: 9783030386580
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ISBN: 9783030386580
This book argues that adaptation is an underrecognized yet constitutive element of Nordic noir. In so doing, it reframes the prevailing critical view. Now celebrated for its global sweep,… Mehr…
2020, ISBN: 9783030386580
eBooks, eBook Download (PDF), 1st ed. 2020, [PU: Springer International Publishing], Seiten: 336, Springer International Publishing, 2020
2020
ISBN: 9783030386580
eBooks, eBook Download (PDF), Auflage, [PU: Palgrave Macmillan], [ED: 1], Palgrave Macmillan, 2020
ISBN: 9783030386580
Nordic Noir Adaptation Appropriation: ab 106.99 € eBooks > Kunst, Musik & Design Springer-Verlag GmbH eBook als pdf, Springer-Verlag GmbH
ISBN: 9783030386580
Nordic Noir Adaptation Appropriation: ab 74.99 € Medien > Bücher > E-books
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Detailangaben zum Buch - Nordic Noir, Adaptation, Appropriation
EAN (ISBN-13): 9783030386580
Erscheinungsjahr: 2020
Herausgeber: Springer International Publishing
Buch in der Datenbank seit 2020-11-19T12:51:07+01:00 (Berlin)
Detailseite zuletzt geändert am 2023-10-15T19:28:16+02:00 (Berlin)
ISBN/EAN: 9783030386580
ISBN - alternative Schreibweisen:
978-3-030-38658-0
Alternative Schreibweisen und verwandte Suchbegriffe:
Titel des Buches: nordic noir, appropriation
Daten vom Verlag:
Autor/in: Linda Badley; Andrew Nestingen; Jaakko Seppälä
Titel: Palgrave Studies in Adaptation and Visual Culture; Nordic Noir, Adaptation, Appropriation
Verlag: Palgrave Macmillan; Springer International Publishing
336 Seiten
Erscheinungsjahr: 2020-05-06
Cham; CH
Sprache: Englisch
117,69 € (DE)
121,00 € (AT)
142,00 CHF (CH)
Available
XX, 336 p. 38 illus., 34 illus. in color.
EA; E107; eBook; Nonbooks, PBS / Kunst/Fotografie, Film, Video, TV; Darstellende Künste; Verstehen; Nordic Noir; Scandinavian Crime; Adaptation; Appropriation; Translation; Paratext; Transmedia; Center/Periphery; Similarity/Difference; Narrative; Open Access; B; Adaptation Studies; Genre Studies; Literature, Cultural and Media Studies; Filmgenres; BB
Section I, Center/Periphery.- Chapter 01, Appropriations of Nordic locations: Shetland and Ø - Gunhild Agger.- Chapter 02, Arctic Noir on Screen: Midnight Sun (2016–) as a Mix of Geopolitical Criticism and Spectacular, Mythical Landscapes - Anne Marit Waade.- Chapter 03, Arctic Noir: Revitalizing Sámi Culture through Film Noir - Gunnar Iversen.- Chapter 04, Law of the Land Balancing Between Noir and Western - Kaisa Hiltunen.- Chapter 05, Revisiting the Crime Scene: Intermedial Translation, Adaptation and Novelisation of The Killing - Jakob Stougaard-Nielsen.- Chapter 06, Paratextual Adaptations of Nordic Noir - Pietari Kaapa.- Section II, Similarity/Difference.- Chapter 07, The Postman Rings Yet Again. Or: The Appropriation of James M. Cain in Norway - Audun Engelstad.- Chapter 08, Nordic Noir: The Broad Picture - Luis M. García-Mainar.- Chapter 09, Traces of the (in)visible: David Lagercrantz’ Novel The Girl in the Spider’s Web as Filmic Text - Maaret Koskinen.- Chapter 10, After Wallander? Adapting Nordic Noir Success into a Viable Audio-Visual Industry in Southern Sweden - Olof Hedling.- Chapter 11, “Remakes as Rebots: Äkta Människor, Humans, and the Uncanny Valley” - Mark B. Sandberg.- Section III, Narration and Style.- Chapter 12, The Style of Nordic Noir: Exploring Bordertown as a Stylistic Adaptation of Prototypical Nordic noirs - Jaakko Seppälä.- Chapter 13, From Nordic Noir to Euronoir: Nordic Noir Influencing European Serial Drama - Kim Toft Hansen.- Chapter 14, Viking Noir - Björn Nordfjörd.- Chapter 15, Nordic Noir Remade in Hollywood: The Killing and The Bridge Revisited - Lynge Stegger Gemzøe.Approaches Nordic noir from a unique angle, in terms of adaptation, appropriation, translation and related phenomena Brings together international experts to analyse the global circulation, influence and impact of Nordic noir Explores original ideas and becomes the first book to focus on the production and marketing of Nordic noir
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