I Wish I Was Me: Pete Waterman - The Autobiography - gebrauchtes Buch

I told him I was sorry I'd messed up but we'd just have to drop the whole project.

"We can't," he said. "She's expecting to do something with us, now!"

"She should be so lucky," I said.

"What did you say?"

"She should be so lucky."

"Great, " he said. "That'll do. 'I Should be So Lucky'. Can we write some lyrics?"And so one of Pete Waterman's most infamous creations was born and Kylie was launched onto a startling solo music career. It's gems like this that make I Wish I Was Me such a fabulous read and the pages are literally packed to the rafters with sparkling anecdotes from the King of Camp Pop as he sets the record straight on his extraordinary career as one of pop music's most successful producers. Waterman has been responsible for some of the cheesiest, but most popular chart acts of the last 10 years: Kylie Minogue, Jason Donovan, Rick Astley, Mel and Kim, Bananarama to name but a small few. Along with his writing and producing partners, Matt Aitken and Mike Stock, Waterman virtually defined the 1980s pop scene with some of the most infamous songs ever put to vinyl: "You Spin Me Right Round", "I Should be So Lucky", "Venus". In fact, it was a rare week in the 1980s when SAW (Stock Aitken and Waterman) didn't dominate the top 20 and no matter how hip you think your record collection is now, chances are there are a few of their 7 inches lurking in there somewhere. His SAW years are chronicled in a laid-back, colloquial fashion and Waterman's no nonsense voice shines through, albeit often peppered with bad language. He talks candidly about the early days and of the unfortunate court case which bought the lucrative SAW team to an end. At times, Waterman seems a little too full of his own self-importance but the man has every right to be. After reading this account, it is obvious he has worked long and hard to reach the top of his game, and his success is precisely because he believed so much in what he was doing. He knew, and still does, that no amount of hype or image can disguise a bad song. But with Pete Waterman what you see is what you get, and what you get here is one of the best insights into the music business to be published in recent years. --Jonathan Weir.