2014, ISBN: 9781479825387

Gebundene Ausgabe

Paperback / softback. New. <b>Develop your innate intuition, deepen your connection to the energy flow of the universe, and manifest your heart's desires using the power of you… Mehr…

Paperback / softback. New. <b>Develop your innate intuition, deepen your connection to the energy flow of the universe, and manifest your heart's desires using the power of your own electromagnetic field by diving deeply into the spiritual science of auras, the colorful energy fields that surround each and every one of us.</b><br /><br />A fresh take on auras from a medical intuitive who has been working with energy on a quantum level for over twenty years. Take a deep dive into the history and science of auras with this in-depth guide, learning not just what the colors of auras mean and how to see them in yourself and others, but how to raise the frequency of your own aura and those of others and use that knowledge to manifest your best life, filled with harmony and abundance.<br /><br />This books dives profoundly into the truth of complete interconnection in the universe and the living electromagnetic fields around all living things, which we call auras. In essence, the study and awareness of auras is an opening to feel the connection between all life. It also encourages and necessitates opening the clairvoyant and other intuitive senses to feel, taste, smell, touch, see, and hear auras and perceive them in new and expanded ways. These experiences allow the reader to open mind and heart to the universal life force that comprises all existence., 6, Ecco. New.. An impassioned call for a return to reading poetry and an incisive argument for poetry's accessibility to all readers, by critically acclaimed poet Matthew ZapruderIn Why Poetry, award-winning poet Matthew Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it He takes on what it is that poetry-and poetry alone-can do In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with a poem Zapruder explores what poems are and how we can read them so that we can, as Whitman wrote, "possess the origin of all poems" without the aid of any teacher or expert Most important, he asks how reading poetry can help us to lead our lives with greater meaning and purpose Anchored in poetic analysis and steered through Zapruder's personal experience of coming to the form, Why Poetry is engaging and conversational, even as it makes a passionate argument for the necessity of poetry in an age when information is constantly being mistaken for knowledge While providing a simple reading method for approaching poems and illuminating concepts like associative movement, metaphor, and negative capability, Zapruder explicitly confronts the obstacles that readers face when they encounter poetry to show us that poetry can be read, and enjoyed, by anyone, Ecco, 6, New. 'This wonderfully wicked lady never fails to deliver the absolute best always . . . I'm equal parts envious and in awe of her mind' Netgalley review 'Please Suzanne don't ever stop writing' Netgalley review --- No one really knows what they are. Only that they're the first civilization. Aeons, they call themselves. They're immortal. Powerful. Secretive. And they'll come for her. Witch Wynter Dellavale knows that for certain. Because in unfairly trying to execute her, they started a chain of events they're struggling to stop. Needing safety, she flees to Devil's Cradle, the home of monsters. A place for the outcasts, the fugitives, the crazies. A place ruled by the Ancients, seven beings who were once banished by the Aeons. Among the Ancients is the infamous Cain, brother of Abel and embodiment of jealousy - who, on another note, wants her in his bed. There's a heavy price for the safety the Ancients offer, but Wynter will have to pay it. She can't take on the Aeons alone. And she has no intention of dying - been there, done that. Not that she'll be the easy prey the Aeons are expecting. They have no knowledge of the ... thing that lives inside her. You see, when witches are brought back from the afterlife, they don't always come back the same. And they don't always come back alone. What readers are saying about Suzanne Wright: 'The chemistry sizzles off the page' Netgalley review 'Hot as hell . . . explosive' Netgalley review 'It's been two minutes since my last fix and I need Suzanne Wright to give me more' Edgy Reviews 'No words to describe how much I ADORE this extraordinary and magical read!!!' Gi's Spot Reviews on Burn 'Sarcastic banter, a sexy alpha demon and his smart-mouthed heroine, an intense, highly passionate romance . . . I devoured this book from start to finish!' The Escapist Book Blog on Burn 'Unique, original and very entertaining' Ramblings from this Chick, 6, NYU Press, 2014. Hardcover. New/New. New hardcover with one quarter black cloth over boards with gilt lettering to spine. New DJ. 8vo. (5.98 x 0.75 x 9.02 inches). Clean text free of marks or underlining. Dust jacket design by Kathleen Lynch. B&W maps, diagrams and illustrations. Includes chapter notes, bibliography and an index. 276 pp. Fast shipping in a secure book box mailer with tracking. Read a free excerpt here! American engineers have done astounding things to bend the Mississippi River to their will: forcing one of its tributaries to flow uphill, transforming over a thousand miles of roiling currents into a placid staircase of water, and wresting the lower half of the river apart from its floodplain. American law has aided and abetted these feats. But despite our best efforts, so-called "natural disasters" continue to strike the Mississippi basin, as raging floodwaters decimate waterfront communities and abandoned towns literally crumble into the Gulf of Mexico. In some places, only the tombstones remain, leaning at odd angles as the underlying soil erodes away. Mississippi River Tragedies reveals that it is seductively deceptive--but horribly misleading--to call such catastrophes "natural." Authors Christine A. Klein and Sandra B. Zellmer present a sympathetic account of the human dreams, pride, and foibles that got us to this point, weaving together engaging historical narratives and accessible law stories drawn from actual courtroom dramas. The authors deftly uncover the larger story of how the law reflects and even amplifies our ambivalent attitude toward nature--simultaneously revering wild rivers and places for what they are, while working feverishly to change them into something else. Despite their sobering revelations, the authors' final message is one of hope. Although the acknowledgement of human responsibility for unnatural disasters can lead to blame, guilt, and liability, it can also prod us to confront the consequences of our actions, leading to a liberating sense of possibility and to the knowledge necessary to avoid future disasters. ., NYU Press, 2014, 6<

2014, ISBN: 9781479825387

London : Philip Wilson Publishers, 2003. First Edition. Hardback. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially… Mehr…

London : Philip Wilson Publishers, 2003. First Edition. Hardback. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap.; 8vo 8"" - 9"" tall; 160 pages; Physical desc.: 160 p. : ill. (chiefly col.) ; 27 cm. Subjects: London (England) --History --London (England) --Civilization --Exhibitions --Social life and customs --Culture, British --20th century --1920s. Summary:This illustrated survey examines the art, design, fashion and architecture of 1920s London alongside wider social and political ideas about Britain, modernism, mass democracy and popular culture. It provides a framework for understanding the cultural maelstrom of the decade. London was at the heart of 1920s debates about the future of Britain. What was the London of the future to be in a world shaken by catastrophic wars, revolutions and scientific miracles? Was the British capital to be a Babylon of unrestrained capitalism, American-style; a mechanistic machine for living, Soviet-style; or a global Imperial capital? London was the place where these alternative visions jostled for space with traditional ideas about Englishness and Britishness. The book discusses these debates in terms of how they were made physical through London's streets and buildings, the clothes, material goods and creative works produced, worn and used by Londoners. It shows London emerging from the decade as a city for the modern world, British-style, newly-democratized, a unique mix of international modernism and distinctly post-modern diversity, irony and pragmatism. This text accompanies an exhibition at the Museum of London which opens in September 2003., London : Philip Wilson Publishers, 2003, 0, NYU Press, 2014. Hardcover. New/New. New hardcover with one quarter black cloth over boards with gilt lettering to spine. New DJ. 8vo. (5.98 x 0.75 x 9.02 inches). Clean text free of marks or underlining. Dust jacket design by Kathleen Lynch. B&W maps, diagrams and illustrations. Includes chapter notes, bibliography and an index. 276 pp. Fast shipping in a secure book box mailer with tracking. From the publisher, "American engineers have done astounding things to bend the Mississippi River to their will: forcing one of its tributaries to flow uphill, transforming over a thousand miles of roiling currents into a placid staircase of water, and wresting the lower half of the river apart from its floodplain. American law has aided and abetted these feats. But despite our best efforts, so-called "natural disasters" continue to strike the Mississippi basin, as raging floodwaters decimate waterfront communities and abandoned towns literally crumble into the Gulf of Mexico. In some places, only the tombstones remain, leaning at odd angles as the underlying soil erodes away. Mississippi River Tragedies reveals that it is seductively deceptive-but horribly misleading-to call such catastrophes "natural." Authors Christine A. Klein and Sandra B. Zellmer present a sympathetic account of the human dreams, pride, and foibles that got us to this point, weaving together engaging historical narratives and accessible law stories drawn from actual courtroom dramas. The authors deftly uncover the larger story of how the law reflects and even amplifies our ambivalent attitude toward nature-simultaneously revering wild rivers and places for what they are, while working feverishly to change them into something else. Despite their sobering revelations, the authors' final message is one of hope. Although the acknowledgement of human responsibility for unnatural disasters can lead to blame, guilt, and liability, it can also prod us to confront the consequences of our actions, leading to a liberating sense of possibility and to the knowledge necessary to avoid future disasters., NYU Press, 2014, 6<

2014, ISBN: 9781479825387

NYU Press, 2014. Hardcover. New/New. New hardcover with one quarter black cloth over boards with gilt lettering to spine. New DJ. 8vo. (5.98 x 0.75 x 9.02 inches). Clean text free of ma… Mehr…

NYU Press, 2014. Hardcover. New/New. New hardcover with one quarter black cloth over boards with gilt lettering to spine. New DJ. 8vo. (5.98 x 0.75 x 9.02 inches). Clean text free of marks or underlining. Dust jacket design by Kathleen Lynch. B&W maps, diagrams and illustrations. Includes chapter notes, bibliography and an index. 276 pp. Fast shipping in a secure book box mailer with tracking. Read a free excerpt here! American engineers have done astounding things to bend the Mississippi River to their will: forcing one of its tributaries to flow uphill, transforming over a thousand miles of roiling currents into a placid staircase of water, and wresting the lower half of the river apart from its floodplain. American law has aided and abetted these feats. But despite our best efforts, so-called "natural disasters" continue to strike the Mississippi basin, as raging floodwaters decimate waterfront communities and abandoned towns literally crumble into the Gulf of Mexico. In some places, only the tombstones remain, leaning at odd angles as the underlying soil erodes away. Mississippi River Tragedies reveals that it is seductively deceptive--but horribly misleading--to call such catastrophes "natural." Authors Christine A. Klein and Sandra B. Zellmer present a sympathetic account of the human dreams, pride, and foibles that got us to this point, weaving together engaging historical narratives and accessible law stories drawn from actual courtroom dramas. The authors deftly uncover the larger story of how the law reflects and even amplifies our ambivalent attitude toward nature--simultaneously revering wild rivers and places for what they are, while working feverishly to change them into something else. Despite their sobering revelations, the authors' final message is one of hope. Although the acknowledgement of human responsibility for unnatural disasters can lead to blame, guilt, and liability, it can also prod us to confront the consequences of our actions, leading to a liberating sense of possibility and to the knowledge necessary to avoid future disasters. ., NYU Press, 2014, 6<

2014, ISBN: 1479825387

[EAN: 9781479825387], Neubuch, [PU: NEW YORK UNIV PR], HISTORY - GENERAL NORTH AMERICA AMERICAS (NORTH, CENTRAL, SOUTH, WEST INDIES), Reveals that it is seductively deceptive - and horrib… Mehr…

[EAN: 9781479825387], Neubuch, [PU: NEW YORK UNIV PR], HISTORY - GENERAL NORTH AMERICA AMERICAS (NORTH, CENTRAL, SOUTH, WEST INDIES), Reveals that it is seductively deceptive - and horribly misleading - to call such catastrophes natural. This book presents a sympathetic account of the human dreams, pride, and foibles that got us to this point, weaving together engaging historical narrat., Books<