Baroque Garden Cultures: Emulation, Sublimation, Subversion proposes a new approach to the study of baroque gardens, examining the social reception of gardens as a means to understand… Mehr…
Baroque Garden Cultures: Emulation, Sublimation, Subversion proposes a new approach to the study of baroque gardens, examining the social reception of gardens as a means to understand garden culture in general and exploring baroque gardens as a feature of baroque cultures in particular. In so doing, it negotiates a turning point in garden history.Jose Antonio Maravall determined that baroque culture grew out of the social and economic crises of the seventeenth and eighteenth centuries, precipitating the establishment of the state and its concomitant engines of repression and propaganda. This absolutist state deployed the arts as a political means to dazzle society into submission to the monarch. The varying degrees of state control allowed for diverse cultural and political reception of the arts to emerge and for the possibility of anti-baroque arts to develop alongside baroque ones. This possibility invites us to understand the conditions of artistic production as a preamble to aesthetic criticism and to position garden history within the framework of social history. Such an approach explores and explains the vexing differences in baroque art and landscape architecture in different countries and at different times from the end of the sixteenth century to the present. Although primarily associated with Europe, baroque culture developed elsewhere as well.Gardens played a prominent role in the development of the European baroque, with variations due to the different political systems and social structures in place between 1580 and 1770. These countries nevertheless entertained a dense network of cultural relationships and the reception of baroque gardens can thus be studied in an international context.This study of gardens ranging from western and northern Europe in the seventeenth and eighteenth centuries to as far away as twelfth-century China shows how the study of audience reception can renew our understanding of the cultural role of gardens. Gardens have a life of their own and this book’s various chapters ponder how they might have been formative of culture in a way that completely escaped the intentions of their creators and designers. This volume also studies the changing reception of gardens long after they were designed, including the reception of historical gardens by contemporary tourists and art critics. Baroque Garden Cultures demonstrates that while baroque garden politics encouraged emulation and led to various forms of sublimation of its attempts at cultural control, it could not ultimately escape clever means of subversion. New Textbooks>Hardcover>Art,Design & Photography>Design>Architecture, Harvard University Press Core >2 >T<
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[EAN: 9780884023043], Gebraucht, guter Zustand, [PU: Dumbarton Oaks Research Library and Collection 2005-01-01], Item is in good condition. Some moderate creases and wear. This item may not come with CDs or additional parts including access codes for textbooks. This may not have a dust jacket. Might be an ex-library copy and contain writing/highlighting. Photos are stock pictures and not of the actual item., Books<
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Hardback, [PU: Dumbarton Oaks Research Library & Collection], Baroque Garden Cultures proposes a new approach to the study of baroque gardens, examining the social reception of gardens as… Mehr…
Hardback, [PU: Dumbarton Oaks Research Library & Collection], Baroque Garden Cultures proposes a new approach to the study of baroque gardens, examining the social reception of gardens as a means to understand garden culture in general and exploring baroque gardens as a feature of baroque cultures in particular., Architecture<
Baroque Garden Cultures: Emulation, Sublimation, Subversion proposes a new approach to the study of baroque gardens, examining the social reception of gardens as a means to understand… Mehr…
Baroque Garden Cultures: Emulation, Sublimation, Subversion proposes a new approach to the study of baroque gardens, examining the social reception of gardens as a means to understand garden culture in general and exploring baroque gardens as a feature of baroque cultures in particular. In so doing, it negotiates a turning point in garden history.Jose Antonio Maravall determined that baroque culture grew out of the social and economic crises of the seventeenth and eighteenth centuries, precipitating the establishment of the state and its concomitant engines of repression and propaganda. This absolutist state deployed the arts as a political means to dazzle society into submission to the monarch. The varying degrees of state control allowed for diverse cultural and political reception of the arts to emerge and for the possibility of anti-baroque arts to develop alongside baroque ones. This possibility invites us to understand the conditions of artistic production as a preamble to aesthetic criticism and to position garden history within the framework of social history. Such an approach explores and explains the vexing differences in baroque art and landscape architecture in different countries and at different times from the end of the sixteenth century to the present. Although primarily associated with Europe, baroque culture developed elsewhere as well.Gardens played a prominent role in the development of the European baroque, with variations due to the different political systems and social structures in place between 1580 and 1770. These countries nevertheless entertained a dense network of cultural relationships and the reception of baroque gardens can thus be studied in an international context.This study of gardens ranging from western and northern Europe in the seventeenth and eighteenth centuries to as far away as twelfth-century China shows how the study of audience reception can renew our understanding of the cultural role of gardens. Gardens have a life of their own and this book’s various chapters ponder how they might have been formative of culture in a way that completely escaped the intentions of their creators and designers. This volume also studies the changing reception of gardens long after they were designed, including the reception of historical gardens by contemporary tourists and art critics. Baroque Garden Cultures demonstrates that while baroque garden politics encouraged emulation and led to various forms of sublimation of its attempts at cultural control, it could not ultimately escape clever means of subversion. New Textbooks>Hardcover>Art,Design & Photography>Design>Architecture, Harvard University Press Core >2 >T<
Baroque Garden Cultures: Emulation, Sublimation, Subversion (Dumbarton Oaks Colloquium on the History of Landscape Architecture) - gebunden oder broschiert
[EAN: 9780884023043], Gebraucht, guter Zustand, [PU: Dumbarton Oaks Research Library and Collection], A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages a… Mehr…
[EAN: 9780884023043], Gebraucht, guter Zustand, [PU: Dumbarton Oaks Research Library and Collection], A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting., Books<
NOT NEW BOOK. Versandkosten: EUR 18.95 GF Books, Inc., Hawthorne, CA, U.S.A. [64674448] [Rating: 5 (von 5)]
[EAN: 9780884023043], Gebraucht, guter Zustand, [PU: Dumbarton Oaks Research Library and Collection 2005-01-01], Item is in good condition. Some moderate creases and wear. This item may n… Mehr…
[EAN: 9780884023043], Gebraucht, guter Zustand, [PU: Dumbarton Oaks Research Library and Collection 2005-01-01], Item is in good condition. Some moderate creases and wear. This item may not come with CDs or additional parts including access codes for textbooks. This may not have a dust jacket. Might be an ex-library copy and contain writing/highlighting. Photos are stock pictures and not of the actual item., Books<
NOT NEW BOOK. Versandkosten: EUR 71.11 LowKeyBooks, Sumas, WA, U.S.A. [65875000] [Rating: 4 (von 5)]
Hardback, [PU: Dumbarton Oaks Research Library & Collection], Baroque Garden Cultures proposes a new approach to the study of baroque gardens, examining the social reception of gardens as… Mehr…
Hardback, [PU: Dumbarton Oaks Research Library & Collection], Baroque Garden Cultures proposes a new approach to the study of baroque gardens, examining the social reception of gardens as a means to understand garden culture in general and exploring baroque gardens as a feature of baroque cultures in particular., Architecture<
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Composed of papers given at the 25th Dumbarton Oaks Colloquium on the History of Landscape Architecture, this volume examines gardens from twelfth-century China and western and northern Europe in the seventeenth and eighteenth centuries. While these gardens were created in drastically different places and times, they may share a similar role in forming culture unintended by their designers. This volume looks at the changing reception of gardens long after they were designed, including the reception of historical gardens by contemporary tourists and art critics.
Detailangaben zum Buch - Baroque Garden Cultures: Emulation, Sublimation, Subversion Michel Conan Editor
EAN (ISBN-13): 9780884023043 ISBN (ISBN-10): 0884023044 Gebundene Ausgabe Erscheinungsjahr: 2005 Herausgeber: Harvard University Press Core >2 >T 433 Seiten Gewicht: 1,260 kg Sprache: eng/Englisch
Buch in der Datenbank seit 2007-04-27T15:41:28+02:00 (Berlin) Detailseite zuletzt geändert am 2023-11-03T14:32:55+01:00 (Berlin) ISBN/EAN: 9780884023043
ISBN - alternative Schreibweisen: 0-88402-304-4, 978-0-88402-304-3 Alternative Schreibweisen und verwandte Suchbegriffe: Autor des Buches: michel conan Titel des Buches: baroque architecture, the baroque landscape, dumbarton oaks colloquium history landscape architecture, baroque gardens, émulation, architecture the culture, baroque garden cultures emulation sublimation subversion
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