7, ISBN: 9780813550800

In 1929 and 1930, during the Hollywood studios' conversion to synchronized-sound film production, white-controlled trade magazines and African American newspapers celebrated a "vogue" for… Mehr…

In 1929 and 1930, during the Hollywood studios' conversion to synchronized-sound film production, white-controlled trade magazines and African American newspapers celebrated a "vogue" for "Negro films." "Hollywood's African American Films" argues that the movie business turned to black musical performance to both resolve technological and aesthetic problems introduced by the medium of "talking pictures" and, at the same time, to appeal to the white "Broadway" audience that patronized their most In 1929 and 1930, during the Hollywood studios' conversion to synchronized-sound film production, white-controlled trade magazines and African American newspapers celebrated a "vogue" for "Negro films." "Hollywood's African American Films" argues that the movie business turned to black musical performance to both resolve technological and aesthetic problems introduced by the medium of "talking pictures" and, at the same time, to appeal to the white "Broadway" audience that patronized their most lucrative first-run theaters. Ryan Jay Friedman asserts that these transitional films reflect contradictions within prevailing racial ideologies-arising most clearly in the movies' treatment of African American characters' decisions to migrate. African-American Studies, Cultural Studies, Hollywood's African American Films~~ Friedman, Prof Ryan~~African-American Studies~~Cultural Studies~~9780813550800, en, Hollywood's African American Films, Friedman, Prof Ryan, 9780813550800, Rutgers University Press, 07/01/2011, , , , Rutgers University Press, 07/01/2011<

ISBN: 9780813550800

In 1929 and 1930, during the Hollywood studios' conversion to synchronized-sound film production, white-controlled trade magazines and African American newspapers celebrated a "vogue" for… Mehr…

In 1929 and 1930, during the Hollywood studios' conversion to synchronized-sound film production, white-controlled trade magazines and African American newspapers celebrated a "vogue" for "Negro films." "Hollywood's African American Films" argues that the movie business turned to black musical performance to both resolve technological and aesthetic problems introduced by the medium of "talking pictures" and, at the same time, to appeal to the white "Broadway" audience that patronized their most lucrative first-run theaters. Capitalizing on highbrow associations with white "slumming" in African American cabarets and on the cultural linkage between popular black musical styles and "natural" acoustics, studios produced a series of African American-cast and white-cast films featuring African American sequences. Ryan Jay Friedman asserts that these transitional films reflect contradictions within prevailing racial ideologies--arising most clearly in the movies' treatment of African American characters' decisions to migrate. Regardless of how the films represent these choices, they all prompt elaborate visual and narrative structures of containment that tend to highlight rather than suppress historical tensions surrounding African American social mobility, Jim Crow codes, and white exploitation of black labor. 9780813550480,9780813550800,0813550807 Other pricing structure might be available at vitalsource.com., Rutgers University Press<

ISBN: 9780813550800

In 1929 and 1930, during the Hollywood studios' conversion to synchronized-sound film production, white-controlled trade magazines and African American newspapers celebrated a vogue for N… Mehr…

In 1929 and 1930, during the Hollywood studios' conversion to synchronized-sound film production, white-controlled trade magazines and African American newspapers celebrated a vogue for Negro films. Hollywood's African American Films argues that the movie business turned to black musical performance to both resolve technological and aesthetic problems introduced by the medium of talking pictures and, at the same time, to appeal to the white Broadway audience that patronized their most lucrative first-run theaters. Capitalizing on highbrow associations with white slumming in African American cabarets and on the cultural linkage between popular black musical styles and natural acoustics, studios produced a series of African American-cast and white-cast films featuring African American sequences. Ryan Jay Friedman asserts that these transitional films reflect contradictions within prevailing racial ideologies--arising most clearly in the movies' treatment of African American characters' decisions to migrate. Regardless of how the films represent these choices, they all prompt elaborate visual and narrative structures of containment that tend to highlight rather than suppress historical tensions surrounding African American social mobility, Jim Crow codes, and white exploitation of black labor. Digital Content>E-books>Movies & TV>Film Studies>Film Studies, Rutgers University Press Digital >16<

ISBN: 9780813550800

Hollywood's African American Films: The Transition to Sound Hollywoods-African-American-Films~~Prof-Ryan-Friedman On Screen>Film Studies>Film Studies NOOK Book (eBook), Rutgers University… Mehr…

Hollywood's African American Films: The Transition to Sound Hollywoods-African-American-Films~~Prof-Ryan-Friedman On Screen>Film Studies>Film Studies NOOK Book (eBook), Rutgers University Press<