Marshall, C. W.:The Stagecraft and Performance of Roman Comedy.
- gebunden oder broschiert 2006, ISBN: 9780521861618
[PU: New York: Cambridge University Press], 320 p. Original hardcover with dust jacket.
From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of… Mehr…
[PU: New York: Cambridge University Press], 320 p. Original hardcover with dust jacket.
From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Crushed spine and dust jacket. Ballpoint pen mark on inside of dust jacket. Otherwise in very good condition. - Content: A comprehensive survey of Roman theatrical production, this book examines all aspects of Roman performance practice, and provides fresh insights into the comedies of Plautus and Terence. Following an introductory chapter on the experience of Roman comedy from the perspective of Roman actors and the Roman audience, addressing among other things the economic concerns of putting on a play in the Roman republic, subsequent chapters provide detailed studies of troupe size and the implications for role assignment, masks, stage action, music, and improvisation in the plays of Plautus and Terence. Marshall argues that Roman comedy was raw comedy, much more rough-and-ready than its Hellenistic precursors, but still fully conscious of its literary past. The consequences of this lead to new conclusions concerning the dramatic structure of Roman comedy, and a clearer understanding of the relationship between the plays-as-text and the role of improvisation during performance. C. W. Marshall teaches Greek and Latin literature at the University of British Columbia, Canada. His work has been published in many books and journals, including the Journal of Hellenic Studies and Classical Quarterly. ISBN 9780521861618, DE, [SC: 4.50], gebraucht; gut, gewerbliches Angebot, [GW: 675g], Banküberweisung, Offene Rechnung, PayPal, Internationaler Versand<
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Marshall, C. W.:The Stagecraft and Performance of Roman Comedy.
- gebunden oder broschiert 2006, ISBN: 0521861616
[EAN: 9780521861618], Gebraucht, sehr guter Zustand, [SC: 4.5], [PU: New York: Cambridge University Press], Jacket, 320 p. From the library of Prof. Wolfgang Haase, long-time editor of AN… Mehr…
[EAN: 9780521861618], Gebraucht, sehr guter Zustand, [SC: 4.5], [PU: New York: Cambridge University Press], Jacket, 320 p. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Crushed spine and dust jacket. Ballpoint pen mark on inside of dust jacket. Otherwise in very good condition. - Content: A comprehensive survey of Roman theatrical production, this book examines all aspects of Roman performance practice, and provides fresh insights into the comedies of Plautus and Terence. Following an introductory chapter on the experience of Roman comedy from the perspective of Roman actors and the Roman audience, addressing among other things the economic concerns of putting on a play in the Roman republic, subsequent chapters provide detailed studies of troupe size and the implications for role assignment, masks, stage action, music, and improvisation in the plays of Plautus and Terence. Marshall argues that Roman comedy was raw comedy, much more rough-and-ready than its Hellenistic precursors, but still fully conscious of its literary past. The consequences of this lead to new conclusions concerning the dramatic structure of Roman comedy, and a clearer understanding of the relationship between the plays-as-text and the role of improvisation during performance. C. W. Marshall teaches Greek and Latin literature at the University of British Columbia, Canada. His work has been published in many books and journals, including the Journal of Hellenic Studies and Classical Quarterly. ISBN 9780521861618 Sprache: Englisch Gewicht in Gramm: 675 Original hardcover with dust jacket., Books<
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Marshall, C. W.:The Stagecraft and Performance of Roman Comedy.
- gebunden oder broschiert 2006, ISBN: 9780521861618
320 p. Original hardcover with dust jacket. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Crushed s… Mehr…
320 p. Original hardcover with dust jacket. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Crushed spine and dust jacket. Ballpoint pen mark on inside of dust jacket. Otherwise in very good condition. - Content: A comprehensive survey of Roman theatrical production, this book examines all aspects of Roman performance practice, and provides fresh insights into the comedies of Plautus and Terence. Following an introductory chapter on the experience of Roman comedy from the perspective of Roman actors and the Roman audience, addressing among other things the economic concerns of putting on a play in the Roman republic, subsequent chapters provide detailed studies of troupe size and the implications for role assignment, masks, stage action, music, and improvisation in the plays of Plautus and Terence. Marshall argues that Roman comedy was raw comedy, much more rough-and-ready than its Hellenistic precursors, but still fully conscious of its literary past. The consequences of this lead to new conclusions concerning the dramatic structure of Roman comedy, and a clearer understanding of the relationship between the plays-as-text and the role of improvisation during performance. C. W. Marshall teaches Greek and Latin literature at the University of British Columbia, Canada. His work has been published in many books and journals, including the Journal of Hellenic Studies and Classical Quarterly. ISBN 9780521861618 Versand D: 4,50 EUR , [PU:New York: Cambridge University Press,]<
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Marshall, C. W:The Stagecraft and Performance of Roman Comedy.
- gebunden oder broschiert 2006, ISBN: 9780521861618
New York, Cambridge University Press, 320 p. Original hardcover with dust jacket. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the C… Mehr…
New York, Cambridge University Press, 320 p. Original hardcover with dust jacket. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Crushed spine and dust jacket. Ballpoint pen mark on inside of dust jacket. Otherwise in very good condition. - Content: A comprehensive survey of Roman theatrical production, this book examines all aspects of Roman performance practice, and provides fresh insights into the comedies of Plautus and Terence. Following an introductory chapter on the experience of Roman comedy from the perspective of Roman actors and the Roman audience, addressing among other things the economic concerns of putting on a play in the Roman republic, subsequent chapters provide detailed studies of troupe size and the implications for role assignment, masks, stage action, music, and improvisation in the plays of Plautus and Terence. Marshall argues that Roman comedy was raw comedy, much more rough-and-ready than its Hellenistic precursors, but still fully conscious of its literary past. The consequences of this lead to new conclusions concerning the dramatic structure of Roman comedy, and a clearer understanding of the relationship between the plays-as-text and the role of improvisation during performance. C. W. Marshall teaches Greek and Latin literature at the University of British Columbia, Canada. His work has been published in many books and journals, including the Journal of Hellenic Studies and Classical Quarterly. ISBN 9780521861618Klassische Philologie 2006, [PU: Cambridge University Press]<
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The Stagecraft and Performance of Roman Comedy C. W. Marshall Author
- neues BuchISBN: 9780521861618
A comprehensive survey of Roman theatrical production, this book examines all aspects of Roman performance practice, and provides fresh insights on the comedies of Plautus and Terence. Fo… Mehr…
A comprehensive survey of Roman theatrical production, this book examines all aspects of Roman performance practice, and provides fresh insights on the comedies of Plautus and Terence. Following an introductory chapter on the experience of Roman comedy from the perspective of Roman actors and the Roman audience, addressing among other things the economic concerns of putting on a play in the Roman republic, subsequent chapters provide detailed studies of troupe size and the implications for role assignment, masks, stage action, music, and improvisation in the plays of Plautus and Terence. Marshall argues that Roman comedy was raw comedy, much more rough-and-ready than its Hellenistic precursors, but still fully conscious of its literary past. The consequences of this lead to fresh conclusions concerning the dramatic structure of Roman comedy, and a clearer understanding of the relationship between the plays-as-text and the role of improvisation during performance. New Textbooks>Hardcover>Theatre & Drama>Drama>Drama Crit,Prof, Cambridge University Press Core >2 >T<
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