This book argues that a professional Elizabethan theatre company always contained one actor known as ''the clown''. Its focus is Will Kemp, clown to the Chamberlain''s Men from 1594 to 15… Mehr…
This book argues that a professional Elizabethan theatre company always contained one actor known as ''the clown''. Its focus is Will Kemp, clown to the Chamberlain''s Men from 1594 to 1599 and famed for his solo dance from London to Norwich in 1600. David Wiles combines textual, theatrical and biographical lines of research in order to map out Kemp''s career. He shows how Shakespeare and other dramatists made use of Kemp''s talents and wrote specific roles as vehicles for him. He discerns a perpetual and productive tension between the ambitions of a progressive writer and the aspirations of a traditional actor whose art was rooted in improvisation. The book also describes the clown tradition in general, dealing with Kemp''s inheritance from medieval theatre, with the work of Richard Tarlton, the great comic actor of the 1570s and 1580s, and with Kemp''s successor, Robert Armin, who created the ''fool'' parts in Shakespeare. | Shakespeare's Clown by David Wiles Paperback | Indigo Chapters Books > Literary Criticism > Criticism & Theory P10106, David Wiles<
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This book argues that a professional Elizabethan theatre company always contained one actor known as ''the clown''. Its focus is Will Kemp, clown to the Chamberlain''s Men from 1594 to 15… Mehr…
This book argues that a professional Elizabethan theatre company always contained one actor known as ''the clown''. Its focus is Will Kemp, clown to the Chamberlain''s Men from 1594 to 1599 and famed for his solo dance from London to Norwich in 1600. David Wiles combines textual, theatrical and biographical lines of research in order to map out Kemp''s career. He shows how Shakespeare and other dramatists made use of Kemp''s talents and wrote specific roles as vehicles for him. He discerns a perpetual and productive tension between the ambitions of a progressive writer and the aspirations of a traditional actor whose art was rooted in improvisation. The book also describes the clown tradition in general, dealing with Kemp''s inheritance from medieval theatre, with the work of Richard Tarlton, the great comic actor of the 1570s and 1580s, and with Kemp''s successor, Robert Armin, who created the ''fool'' parts in Shakespeare. Books > Literary Criticism > Criticism & Theory List_Books, [PU: Cambridge University Press]<
Indigo.ca
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(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Paperback, [PU: Cambridge University Press], This book argues that a professional Elizabethan theatre company always contained one actor known as 'the clown'. Its focus is Will Kemp, clow… Mehr…
Paperback, [PU: Cambridge University Press], This book argues that a professional Elizabethan theatre company always contained one actor known as 'the clown'. Its focus is Will Kemp, clown to the Chamberlain's Men from 1594 to 1599 and famed for his solo dance from London to Norwich in 1600. David Wiles combines textual, theatrical and biographical lines of research in order to map out Kemp's career., Theatre Studies, Writing & Editing Guides, Shakespeare Plays, Literary Studies: General, Literary Studies: Plays & Playwrights<
Kartoniert / Broschiert PERFORMING ARTS / Theater / History & Criticism, Geschichte der darstellenden Künste, mit Schutzumschlag 11, [PU:Cambridge University Press]
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(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
This book argues that a professional Elizabethan theatre company always contained one actor known as ''the clown''. Its focus is Will Kemp, clown to the Chamberlain''s Men from 1594 to 15… Mehr…
This book argues that a professional Elizabethan theatre company always contained one actor known as ''the clown''. Its focus is Will Kemp, clown to the Chamberlain''s Men from 1594 to 1599 and famed for his solo dance from London to Norwich in 1600. David Wiles combines textual, theatrical and biographical lines of research in order to map out Kemp''s career. He shows how Shakespeare and other dramatists made use of Kemp''s talents and wrote specific roles as vehicles for him. He discerns a perpetual and productive tension between the ambitions of a progressive writer and the aspirations of a traditional actor whose art was rooted in improvisation. The book also describes the clown tradition in general, dealing with Kemp''s inheritance from medieval theatre, with the work of Richard Tarlton, the great comic actor of the 1570s and 1580s, and with Kemp''s successor, Robert Armin, who created the ''fool'' parts in Shakespeare. | Shakespeare's Clown by David Wiles Paperback | Indigo Chapters Books > Literary Criticism > Criticism & Theory P10106, David Wiles<
This book argues that a professional Elizabethan theatre company always contained one actor known as ''the clown''. Its focus is Will Kemp, clown to the Chamberlain''s Men from 1594 to 15… Mehr…
This book argues that a professional Elizabethan theatre company always contained one actor known as ''the clown''. Its focus is Will Kemp, clown to the Chamberlain''s Men from 1594 to 1599 and famed for his solo dance from London to Norwich in 1600. David Wiles combines textual, theatrical and biographical lines of research in order to map out Kemp''s career. He shows how Shakespeare and other dramatists made use of Kemp''s talents and wrote specific roles as vehicles for him. He discerns a perpetual and productive tension between the ambitions of a progressive writer and the aspirations of a traditional actor whose art was rooted in improvisation. The book also describes the clown tradition in general, dealing with Kemp''s inheritance from medieval theatre, with the work of Richard Tarlton, the great comic actor of the 1570s and 1580s, and with Kemp''s successor, Robert Armin, who created the ''fool'' parts in Shakespeare. Books > Literary Criticism > Criticism & Theory List_Books, [PU: Cambridge University Press]<
Paperback, [PU: Cambridge University Press], This book argues that a professional Elizabethan theatre company always contained one actor known as 'the clown'. Its focus is Will Kemp, clow… Mehr…
Paperback, [PU: Cambridge University Press], This book argues that a professional Elizabethan theatre company always contained one actor known as 'the clown'. Its focus is Will Kemp, clown to the Chamberlain's Men from 1594 to 1599 and famed for his solo dance from London to Norwich in 1600. David Wiles combines textual, theatrical and biographical lines of research in order to map out Kemp's career., Theatre Studies, Writing & Editing Guides, Shakespeare Plays, Literary Studies: General, Literary Studies: Plays & Playwrights<
Kartoniert / Broschiert PERFORMING ARTS / Theater / History & Criticism, Geschichte der darstellenden Künste, mit Schutzumschlag 11, [PU:Cambridge University Press]
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Focusing on the clown Will Kemp, this book shows how Shakespeare and other dramatists wrote specific roles as vehicles for him.
Detailangaben zum Buch - Shakespeare's Clown by David Wiles Paperback | Indigo Chapters
EAN (ISBN-13): 9780521673341 ISBN (ISBN-10): 0521673348 Taschenbuch Erscheinungsjahr: 2005 Herausgeber: David Wiles 240 Seiten Gewicht: 0,308 kg Sprache: eng/Englisch
Buch in der Datenbank seit 2007-06-01T01:14:42+02:00 (Berlin) Detailseite zuletzt geändert am 2023-02-15T19:56:28+01:00 (Berlin) ISBN/EAN: 9780521673341
ISBN - alternative Schreibweisen: 0-521-67334-8, 978-0-521-67334-1 Alternative Schreibweisen und verwandte Suchbegriffe: Autor des Buches: wiles david, frankkoch, wille, shakespeare, richard chamberlain Titel des Buches: playhouse, the actor and the text, shakespeare clown, also acht corso, wille
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