2007, ISBN: 9780321490452

Gebundene Ausgabe

New English Library. Good. 4.37 x 7.05 x 1.26 inches. Paperback. 1998. 320 pages. Cover worn<br>The triumphant epic fantasy inspired by Omar Khayyam's The Rubaiyat, The Wolves … Mehr…

New English Library. Good. 4.37 x 7.05 x 1.26 inches. Paperback. 1998. 320 pages. Cover worn<br>The triumphant epic fantasy inspired by Omar Khayyam's The Rubaiyat, The Wolves of the Gods is a world of breathtaking beauty and savagery, of noble sacrifice and base be trayal, a world where the most powerful magic of all, for good an d evil, lies in the divided hearts of humans and demons . . . A nameless evil stalks the land, preying on all that lives, human and demon alike. Only one man has the power to stem the ravening tide: Safar Timura, greatest wizard of the age, whose matchless m agic once raised Iraj Protarus to the throne of all Esmir . . . a nd then, when king turned tyrant, destroyed him. Now Safar is do ne with the deadly intrigues of courts and kings. Back in his mou ntain home of Kyrania, he wants only to be left alone. But when a brutal murder smashes his solitude, Safar must lead his people o n a desperate trek to safety--a perilous journey to fabled, far-o ff Syrapis guided only by a magical vision and the words of a sor cerer long dead. The road leads straight through dark Caluz, a o nce-proud land now fallen beneath the sorcerous yoke of an unspea kable darkness. But there is no going back. Close at Safar's heel s another evil follows like a rapacious wolf: Iraj Protarus. For the King of Kings has returned from the dead, hideously transform ed--and thirsting for Safar's blood. Editorial Reviews From Pub lishers Weekly Magic and battle flourish as Safar Timura, great w izard and hero, is pursued by his former friend, now nemesis, Ira j Protarus, who has come back from the dead as a wolven shape-cha nger. Safar must lead his people to safety from their native Kyra nia; secretly, he is also following a vision from the master-wiza rd Lord Asper and hoping to stop the blight affecting his world. In his quest, he is aided by Leiria, a female soldier; Palimak, a half-demon, half-human child whom Safar is raising as a son; and Khysmet, the perfect steed whom Safar was destined to find along the way. These and a variety of striking secondary characters jo urney through the ensorcelled land of Caluz on their way to a new home in fabled Syrapis across the sea. Not only Iraj, but others , such as the circus-troupe Safar joined as a youth, return; but even so this second volume in the series remains very accessible to new readers. The book strikes a good balance between action an d character development and provides a rich mixture of demons, so rcery, swordplay and political intrigue. Cole also manages more m oments of real horror than most fantasy writers while still hitti ng the high notes of wonder, romance and fellowship. (Mar.) FYI: A sample chapter will be bound into 127,000 issues of Realm of Fa ntasy magazine. Copyright 1998 Reed Business Information, Inc. -- This text refers to an out of print or unavailable edition of thi s title. From the Publisher After years of traditional quest fan tasy, I've gotten a bit tired of the same old same old. So when A llan Cole turned in his outline for the Timura trilogy, which beg an with Wizard of the Winds and continues with Wolves of the Gods , I was thrilled. It swept me right back to the days when I devou red books such as Mary Renault's The King Must Die, and although I hardly ever edit fantasy, I just had to sign up this series. A vast world, great magic, neat characters, and thoroughly nasty vi llain--what more could I ask to make work feel like a vacation? - -Shelly Shapiro, Executive Editor --This text refers to an out of print or unavailable edition of this title. Review A rich mixtu re of demons, sorcery, swordplay, and political intrigue. --Publi shers Weekly ALLAN COLE IS A SKILLED, COMPELLING STORYTELLER. -- TERRY BROOKS COLE PROVES ONCE AGAIN HIS MASTERY OF SETTING AS WE LL AS PACING. --Booklist From the Paperback edition. --This text refers to an out of print or unavailable edition of this title. From Booklist Cole says his current major project, begun in Wiza rd of the Winds and of which this is the second volume, is based on The Rubaiyat, and certainly a Middle Eastern flavor is present in abundance. As to plot, Wolves picks up the conflict between t he wizard Safar Timura and the supposedly dead King of Kings, Ira j Protarus, where its predecessor left it. Iraj was once Safar's friend but was afterward destroyed by Safar when power turned Ira j to evil. Now Safar has to lead his people on a grim quest for a ncient magic, which contains their only hope of safety, across th e hostile land of Caluz, which Cole depicts most vividly, thanks to abundant, well-chosen detail. Cole proves once again his maste ry of setting as well as pacing, and the characterizations are mo re than acceptable, with the apparent return of Iraj from the dea d, more bloodthirsty than ever, providing a cliffhanger ending an d promising well for the remainder of the saga. Roland Green --Th is text refers to an out of print or unavailable edition of this title. From the Back Cover A rich mixture of demons, sorcery, sw ordplay, and political intrigue. --Publishers Weekly ALLAN COLE IS A SKILLED, COMPELLING STORYTELLER. --TERRY BROOKS COLE PROVES ONCE AGAIN HIS MASTERY OF SETTING AS WELL AS PACING. --Booklist --This text refers to an out of print or unavailable edition of t his title. From Kirkus Reviews Round two of the struggle between the wizard Safar Timura and King of Kings Iraj Protarus, once bo yhood friends, now the deadliest of enemies. Indeed, Safar though t he'd killed Iraj at the end of Wizard of the Winds (1997), but instead Iraj has returned from the dead; now, supported by his sp ell-brothers who can all transform themselves into huge and terri ble wolves, he's more powerful than ever. But Safar, his beloved Leiria, and his son Palinak have another problem: An evil Somethi ng, active beneath the surface of the Earth, threatens to break t hrough at Caluz and destroy everything. This force is mediated by a massive machine that churns out mechanical magic; somehow, Saf ar must destroy it. One for the fans. The publishers are pushing the series hard, but it just isn't sturdy enough to withstand pre ssure. -- Copyright ®1998, Kirkus Associates, LP. All rights rese rved. --This text refers to an out of print or unavailable editio n of this title. From the Inside Flap The triumphant epic fantas y inspired by Omar Khayyam's The Rubaiyat, The Wolves of the Gods is a world of breathtaking beauty and savagery, of noble sacrifi ce and base betrayal, a world where the most powerful magic of al l, for good and evil, lies in the divided hearts of humans and de mons . . . A nameless evil stalks the land, preying on all that lives, human and demon alike. Only one man has the power to stem the ravening tide: Safar Timura, greatest wizard of the age, who se matchless magic once raised Iraj Protarus to the throne of all Esmir . . . and then, when king turned tyrant, destroyed him. N ow Safar is done with the deadly intrigues of courts and kings. B ack in his mountain home of Kyrania, he wants only to be left alo ne. But when a brutal murder smashes his solitude, Safar must lea d his people on a desperate trek to safety--a perilous journey to fabled, far-off Syrapis guided only by a magical vision and the words of a sorcerer long dead. The road leads straight through d ark Caluz, a once-proud land now fallen beneath the sorcerous yok e of an unspeakable darkness. But there is no going back. Close a t Safar's heels another evil follows like a rapacious wolf: Iraj Protarus. For the King of Kings has returned from the dead, hideo usly transformed--and thirsting for Safar's blood. --This text re fers to an out of print or unavailable edition of this title. Ex cerpt. ® Reprinted by permission. All rights reserved. Up, up in the mountains. Up where Winter reigns eternal and her warriors b ully earth and sky. Then higher still. Climb to the reaches wher e even eagles are wary. Where the winds cut sharp, paring old sn owfields of their surface to get at the black rock below. Where moody skies brood over a stark domain. Yes, up. Up to the seven mountain peaks that make the Bride and Six Maids. And higher ... still higher ... to the highest point of all: the Bride's snowy crown where the High Caravans climb to meet clear horizons. Whe re the Demon Moon waits, filling the northern heavens with its b loody shimmer. It was the cusp of a new day: the sun rising agai nst the Demon Moon's assault, the True Moon giving up the fight and fading into nothingness. It was spring struggling with late winter. A time of desperation. A time of hunger. Just below the Bride's crown a patch of green glowed in defiance of all that m isery. The green was a trick of nature, a meadow blossoming from a bowl of granite and ice. The winds sheared off the bowl's pecu liar formation, making a small, warm safe harbor for life. But safety is in the eye of the beholder. Safety is the false sanctu ary of innocent imagination. And in that time, the time that cam e to be known as the Age of the Wolf, safety was not to be trust ed. Three forces converged on that meadow. And only one was inn ocent. * * * * * The wolf pack took him while he slept. He was only a boy, a goatherd too young to be alone in the mountains. He'd spent a sleepless night huddled over a small fire, fearful o f every sound and shadow. Exhausted, he'd fallen asleep at first light and was now helpless in his little rock shelter, obliviou s to the hungry gray shapes ghosting across the meadow and the p anicked bleating of his goats. Then he jolted awake, sudden drea d a cold knife in his bowels. The pack leader hurtled forward, e yes burning, jaws reaching for his throat. The boy screamed and threw up his hands. But the ravaging shock never came, and he s uddenly found himself sitting bolt upright in his bedroll, strik ing at nothingness. He gaped at the idyllic scene before him--th e meadow glistening with dew under the early morning sun, his go ats munching peacefully on tender shoots. Not a wolf in sight. The boy laughed in huge relief. It was only a dream! he chortled. What a stupid you are, Tio. But speaking the words aloud did n ot entirely still Tio's thundering heart. Nor did it lessen his sense of dread. He stared about, searching for the smallest sign of danger. Finally his eyes lifted to the heights surrounding t he small meadow. All he could see was icy rock glittering beneat h cheery blue skies. The boy laughed again, and this time the la ughter rang true. You see, Tio, he said, seizing comfort from th e sound of his own voice. There's nothing to harm you. No wolves . No bears. No lions. Don't be such a child! Tio and his older b rother, Renor--a big strapping lad who was almost a man and ther efore, Tio believed, feared nothing--had brought the goats up fr om Kyrania a few days before. Then one of the animals had been ba dly injured and Renor had left the herd with Tio while he hurrie d down the mountainside for help with the goat strapped to his b ack. You only have to spend the one night alone, Renor had reass ured him. I'll be back by morning. You won't be afraid, will you ? Tio's pride had been wounded by the question. Don't be stupid. Of course I won't, he'd said. What! Do you think I'm still a ch ild? Tio's boldness had departed with his brother. Soon he was a gonizing over the slightest unfamiliar stir. Then at dusk he'd h ad the sudden feeling he was being watched. His imagination had conjured all sorts of monsters intent on making a meal of a lone ly boy. He knew this was foolish. Kyranian boys had been guiding the herds up into the Gods' Divide for centuries. The only harm any had ever suffered was from a bad fall, and that occurred so rarely it wasn't worth thinking about. As for voracious animals --there weren't any. At least none who lusted for human flesh. S o there was nothing at all to fear. Tio had repeated these thing s to himself many times during the night, as if chanting a praye r in the warm company of his friends and family in the little te mple by the holy lake of Felakia. It did no good. If anything, t he dreadful feeling of being watched only intensified. Now, howe ver, with the sun climbing above the peaks and flooding the meado w with light, Tio's boldness returned. Such a child, he said ag ain, shaking his head and making his voice low in imitation of h is brother's manly tones. Didn't I say there was nothing to be a fraid of? What did you think, stupid one? That the demons would come and get you? He snorted. As if Lord Timura would allow such a thing! Why, if a demon ever showed his ugly face in Kyrania, L ord Timura would snap his fingers and turn his nose into a ... a ... a turnip! Yes, that's what he'd do. Make his nose look like a turnip! He giggled, imagining the poor demon's plight. He hel d his own nose, making stuffed sinus noises: Snark! Snark! More giggling followed. The demon couldn't even breathe! Snark! Snark ! Then he had a sudden thought, and his laughter broke off. Tio remembered his dream hadn't been about demons, but wolves. He gl anced nervously about the meadow again, but smiled when he saw i t was peaceful as ever. Wolves don't eat people, he reassured h imself. Just goats. Sick goats. Or little goats. But never peopl e. He picked up the thick cudgel by his side and shook it in his most threatening manner. Wolves are afraid of this! he said bra vely. Everybody says so. Satisfied, he munched a little bread an d cheese, then settled back on his bedroll to await his brother' s return, the stout cudgel gripped in his small fists. A few mo ments later exhaustion took him once again. He fell into a deep sleep, and the stick fell from his hands and rolled onto the gras s. Graymuzzle was anxious for her cubs. Her teats were aching an d swollen with milk, and she knew her pups would be whining for her in their cold den. Graymuzzle's hollow belly rumbled, and it wasn't only in sympathy for her young. Weeks had passed since t he pack had made a decent kill. It had been a hard winter, the h ardest and longest in Graymuzzle's memory. First disease and the n fierce storms had wiped out the herds in her old hunting groun ds. The wolf pack, with Graymuzzle leading them, had ranged for miles searching for food. They'd been reduced to digging deep in to the snow to claw up maggoty roots. When winter had finally end ed, spring brought scant relief. The weather remained treacherou s, going from calm to storm with no warning. Vegetation was spar se, and there was little meat on the, New English Library, 1998, 2.5, Addison-Wesley Professional. Very Good. 7.1 x 1 x 9.3 inches. Hardcover. 2007. 384 pages. <br>Praise for Design Patterns in Ruby Design Pattern s in Ruby documents smart ways to resolve many problems that Ruby developers commonly encounter. Russ Olsen has done a great job o f selecting classic patterns and augmenting these with newer patt erns that have special relevance for Ruby. He clearly explains ea ch idea, making a wealth of experience available to Ruby develope rs for their own daily work. ?Steve Metsker, Managing Consultant with Dominion Digital, Inc. This book provides a great demonstr ation of the key 'Gang of Four' design patterns without resorting to overly technical explanations. Written in a precise, yet almo st informal style, this book covers enough ground that even those without prior exposure to design patterns will soon feel confide nt applying them using Ruby. Olsen has done a great job to make a book about a classically 'dry' subject into such an engaging and even occasionally humorous read. ?Peter Cooper This book renew ed my interest in understanding patterns after a decade of good i ntentions. Russ picked the most useful patterns for Ruby and intr oduced them in a straightforward and logical manner, going beyond the GoF's patterns. This book has improved my use of Ruby, and e ncouraged me to blow off the dust covering the GoF book. ?Mike S tok Design Patterns in Ruby is a great way for programmers from statically typed objectoriented languages to learn how design pat terns appear in a more dynamic, flexible language like Ruby. ?Ro b Sanheim, Ruby Ninja, Relevance Most design pattern books are b ased on C++ and Java. But Ruby is different?and the language's un ique qualities make design patterns easier to implement and use. In this book, Russ Olsen demonstrates how to combine Ruby's power and elegance with patterns, and write more sophisticated, effect ive software with far fewer lines of code. After reviewing the h istory, concepts, and goals of design patterns, Olsen offers a qu ick tour of the Ruby language?enough to allow any experienced sof tware developer to immediately utilize patterns with Ruby. The bo ok especially calls attention to Ruby features that simplify the use of patterns, including dynamic typing, code closures, and mix ins for easier code reuse. Fourteen of the classic Gang of Four patterns are considered from the Ruby point of view, explaining w hat problems each pattern solves, discussing whether traditional implementations make sense in the Ruby environment, and introduci ng Ruby-specific improvements. You'll discover opportunities to i mplement patterns in just one or two lines of code, instead of th e endlessly repeated boilerplate that conventional languages ofte n require. Design Patterns in Ruby also identifies innovative ne w patterns that have emerged from the Ruby community. These inclu de ways to create custom objects with metaprogramming, as well as the ambitious Rails-based Convention Over Configuration pattern, designed to help integrate entire applications and frameworks. Engaging, practical, and accessible, Design Patterns in Ruby will help you build better software while making your Ruby programmin g experience more rewarding. Editorial Reviews From the Back Co ver Praise for Design Patterns in Ruby Design Patterns in Ruby documents smart ways to resolve many problems that Ruby developer s commonly encounter. Russ Olsen has done a great job of selectin g classic patterns and augmenting these with newer patterns that have special relevance for Ruby. He clearly explains each idea, m aking a wealth of experience available to Ruby developers for the ir own daily work. ?Steve Metsker, Managing Consultant with Domi nion Digital, Inc. This book provides a great demonstration of t he key 'Gang of Four' design patterns without resorting to overly technical explanations. Written in a precise, yet almost informa l style, this book covers enough ground that even those without p rior exposure to design patterns will soon feel confident applyin g them using Ruby. Olsen has done a great job to make a book abou t a classically 'dry' subject into such an engaging and even occa sionally humorous read. ?Peter Cooper This book renewed my inte rest in understanding patterns after a decade of good intentions. Russ picked the most useful patterns for Ruby and introduced the m in a straightforward and logical manner, going beyond the GoF's patterns. This book has improved my use of Ruby, and encouraged me to blow off the dust covering the GoF book. ?Mike Stok Desig n Patterns in Ruby is a great way for programmers from statically typed objectoriented languages to learn how design patterns appe ar in a more dynamic, flexible language like Ruby. ?Rob Sanheim, Ruby Ninja, Relevance Most design pattern books are based on C+ + and Java. But Ruby is different?and the language's unique quali ties make design patterns easier to implement and use. In this bo ok, Russ Olsen demonstrates how to combine Ruby's power and elega nce with patterns, and write more sophisticated, effective softwa re with far fewer lines of code. After reviewing the history, co ncepts, and goals of design patterns, Olsen offers a quick tour o f the Ruby language?enough to allow any experienced software deve loper to immediately utilize patterns with Ruby. The book especia lly calls attention to Ruby features that simplify the use of pat terns, including dynamic typing, code closures, and mixins for ea sier code reuse. Fourteen of the classic Gang of Four patterns a re considered from the Ruby point of view, explaining what proble ms each pattern solves, discussing whether traditional implementa tions make sense in the Ruby environment, and introducing Ruby-sp ecific improvements. You'll discover opportunities to implement p atterns in just one or two lines of code, instead of the endlessl y repeated boilerplate that conventional languages often require. Design Patterns in Ruby also identifies innovative new patterns that have emerged from the Ruby community. These include ways to create custom objects with metaprogramming, as well as the ambit ious Rails-based Convention Over Configuration pattern, designed to help integrate entire applications and frameworks. Engaging, practical, and accessible, Design Patterns in Ruby will help you build better software while making your Ruby programming experien ce more rewarding. About the Author Russ Olsen has been buildi ng software for more than twenty-five years. He has led projects through several generations of programming technologies, from FOR TRAN to C to C++ to Java, and now Ruby. He has been using and tea ching Ruby since 2002. Olsen writes the popular technology blog T echnology As If People Mattered (http://www.russolsen). </div About the Author Russ Olsen has been building software for mor e than twenty-five years. He has led projects through several gen erations of programming technologies, from FORTRAN to C to C++ to Java, and now Ruby. He has been using and teaching Ruby since 20 02. Olsen writes the popular technology blog Technology As If Peo ple Mattered (http://www.russolsen). </div ., Addison-Wesley Professional, 2007, 3<

2007, ISBN: 9780321490452

Addison-Wesley Professional. Very Good. 7.1 x 1 x 9.3 inches. Hardcover. 2007. 384 pages. <br>Praise for Design Patterns in Ruby Design Pattern s in Ruby documents smart ways to re… Mehr…

Addison-Wesley Professional. Very Good. 7.1 x 1 x 9.3 inches. Hardcover. 2007. 384 pages. <br>Praise for Design Patterns in Ruby Design Pattern s in Ruby documents smart ways to resolve many problems that Ruby developers commonly encounter. Russ Olsen has done a great job o f selecting classic patterns and augmenting these with newer patt erns that have special relevance for Ruby. He clearly explains ea ch idea, making a wealth of experience available to Ruby develope rs for their own daily work. ?Steve Metsker, Managing Consultant with Dominion Digital, Inc. This book provides a great demonstr ation of the key 'Gang of Four' design patterns without resorting to overly technical explanations. Written in a precise, yet almo st informal style, this book covers enough ground that even those without prior exposure to design patterns will soon feel confide nt applying them using Ruby. Olsen has done a great job to make a book about a classically 'dry' subject into such an engaging and even occasionally humorous read. ?Peter Cooper This book renew ed my interest in understanding patterns after a decade of good i ntentions. Russ picked the most useful patterns for Ruby and intr oduced them in a straightforward and logical manner, going beyond the GoF's patterns. This book has improved my use of Ruby, and e ncouraged me to blow off the dust covering the GoF book. ?Mike S tok Design Patterns in Ruby is a great way for programmers from statically typed objectoriented languages to learn how design pat terns appear in a more dynamic, flexible language like Ruby. ?Ro b Sanheim, Ruby Ninja, Relevance Most design pattern books are b ased on C++ and Java. But Ruby is different?and the language's un ique qualities make design patterns easier to implement and use. In this book, Russ Olsen demonstrates how to combine Ruby's power and elegance with patterns, and write more sophisticated, effect ive software with far fewer lines of code. After reviewing the h istory, concepts, and goals of design patterns, Olsen offers a qu ick tour of the Ruby language?enough to allow any experienced sof tware developer to immediately utilize patterns with Ruby. The bo ok especially calls attention to Ruby features that simplify the use of patterns, including dynamic typing, code closures, and mix ins for easier code reuse. Fourteen of the classic Gang of Four patterns are considered from the Ruby point of view, explaining w hat problems each pattern solves, discussing whether traditional implementations make sense in the Ruby environment, and introduci ng Ruby-specific improvements. You'll discover opportunities to i mplement patterns in just one or two lines of code, instead of th e endlessly repeated boilerplate that conventional languages ofte n require. Design Patterns in Ruby also identifies innovative ne w patterns that have emerged from the Ruby community. These inclu de ways to create custom objects with metaprogramming, as well as the ambitious Rails-based Convention Over Configuration pattern, designed to help integrate entire applications and frameworks. Engaging, practical, and accessible, Design Patterns in Ruby will help you build better software while making your Ruby programmin g experience more rewarding. Editorial Reviews From the Back Co ver Praise for Design Patterns in Ruby Design Patterns in Ruby documents smart ways to resolve many problems that Ruby developer s commonly encounter. Russ Olsen has done a great job of selectin g classic patterns and augmenting these with newer patterns that have special relevance for Ruby. He clearly explains each idea, m aking a wealth of experience available to Ruby developers for the ir own daily work. ?Steve Metsker, Managing Consultant with Domi nion Digital, Inc. This book provides a great demonstration of t he key 'Gang of Four' design patterns without resorting to overly technical explanations. Written in a precise, yet almost informa l style, this book covers enough ground that even those without p rior exposure to design patterns will soon feel confident applyin g them using Ruby. Olsen has done a great job to make a book abou t a classically 'dry' subject into such an engaging and even occa sionally humorous read. ?Peter Cooper This book renewed my inte rest in understanding patterns after a decade of good intentions. Russ picked the most useful patterns for Ruby and introduced the m in a straightforward and logical manner, going beyond the GoF's patterns. This book has improved my use of Ruby, and encouraged me to blow off the dust covering the GoF book. ?Mike Stok Desig n Patterns in Ruby is a great way for programmers from statically typed objectoriented languages to learn how design patterns appe ar in a more dynamic, flexible language like Ruby. ?Rob Sanheim, Ruby Ninja, Relevance Most design pattern books are based on C+ + and Java. But Ruby is different?and the language's unique quali ties make design patterns easier to implement and use. In this bo ok, Russ Olsen demonstrates how to combine Ruby's power and elega nce with patterns, and write more sophisticated, effective softwa re with far fewer lines of code. After reviewing the history, co ncepts, and goals of design patterns, Olsen offers a quick tour o f the Ruby language?enough to allow any experienced software deve loper to immediately utilize patterns with Ruby. The book especia lly calls attention to Ruby features that simplify the use of pat terns, including dynamic typing, code closures, and mixins for ea sier code reuse. Fourteen of the classic Gang of Four patterns a re considered from the Ruby point of view, explaining what proble ms each pattern solves, discussing whether traditional implementa tions make sense in the Ruby environment, and introducing Ruby-sp ecific improvements. You'll discover opportunities to implement p atterns in just one or two lines of code, instead of the endlessl y repeated boilerplate that conventional languages often require. Design Patterns in Ruby also identifies innovative new patterns that have emerged from the Ruby community. These include ways to create custom objects with metaprogramming, as well as the ambit ious Rails-based Convention Over Configuration pattern, designed to help integrate entire applications and frameworks. Engaging, practical, and accessible, Design Patterns in Ruby will help you build better software while making your Ruby programming experien ce more rewarding. About the Author Russ Olsen has been buildi ng software for more than twenty-five years. He has led projects through several generations of programming technologies, from FOR TRAN to C to C++ to Java, and now Ruby. He has been using and tea ching Ruby since 2002. Olsen writes the popular technology blog T echnology As If People Mattered (http://www.russolsen.com). </div About the Author Russ Olsen has been building software for mor e than twenty-five years. He has led projects through several gen erations of programming technologies, from FORTRAN to C to C++ to Java, and now Ruby. He has been using and teaching Ruby since 20 02. Olsen writes the popular technology blog Technology As If Peo ple Mattered (http://www.russolsen.com). </div ., Addison-Wesley Professional, 2007, 3<

2007, ISBN: 9780321490452

Gebundene Ausgabe

Addison-Wesley Longman, Amsterdam, Gebundene Ausgabe, Auflage: 1, 352 Seiten, Publiziert: 2007-12-21T00:00:01Z, Produktgruppe: Buch, Hersteller-Nr.: B00EKYRDC0, 1.6 kg, Verkaufsrang: 9391… Mehr…

Addison-Wesley Longman, Amsterdam, Gebundene Ausgabe, Auflage: 1, 352 Seiten, Publiziert: 2007-12-21T00:00:01Z, Produktgruppe: Buch, Hersteller-Nr.: B00EKYRDC0, 1.6 kg, Verkaufsrang: 939146, Programmiersprachen, Programmierung & Webdesign, Computer & Internet, Kategorien, Bücher, Ingenieurwissenschaft & Technik, Naturwissenschaften & Technik, Fremdsprachige Bücher, Featured Categories, Englische Bücher, 7c9a6c79-19ea-4dea-90da-d7d47042d341_2301, 7c9a6c79-19ea-4dea-90da-d7d47042d341_0, Arborist Merchandising Root, Textbooks, acc906d0-2585-4921-a56f-3ff277850936_4901, acc906d0-2585-4921-a56f-3ff277850936_0, Special Features Stores, Addison-Wesley Longman, Amsterdam, 2007<