ISBN: 9780231121712

This is a wonderful book. -- David Roediger, University of Illinois. Everyman Stories Part 7. Smith crosses disciplinary boundaries by probing the social history of literary, dramatic, an… Mehr…

This is a wonderful book. -- David Roediger, University of Illinois. Everyman Stories Part 7. Smith crosses disciplinary boundaries by probing the social history of literary, dramatic, and cinematic texts. The Nile on eBay   FREE SHIPPING UK WIDE   Visions of Belonging by Judith Smith Explores how the family stories entered the popular imagination and shaped collective dreams in the postwar years and into the 1950s. This book also provides access to a vibrant conversation among white and black Americans about the boundaries between public life and family matters, and the meanings of race and ethnicity. FORMATPaperback LANGUAGEEnglish CONDITIONBrand New Publisher Description Visions of Belonging explores how beloved and still-remembered family stories-A Tree Grows in Brooklyn, I Remember Mama, Gentleman's Agreement, Death of a Salesman, Marty, and A Raisin in the Sun-entered the popular imagination and shaped collective dreams in the postwar years and into the 1950s. These stories helped define widely shared conceptions of who counted as representative Americans and who could be recognized as belonging. The book listens in as white and black authors and directors, readers and viewers reveal divergent, emotionally textured, and politically charged social visions. Their diverse perspectives provide a point of entry into an extraordinary time when the possibilities for social transformation seemed boundless. But changes were also fiercely contested, especially as the war's culture of unity receded in the resurgence of cold war anticommunism, and demands for racial equality were met with intensifying white resistance. Judith E. Smith traces the cultural trajectory of these family stories, as they circulated widely in bestselling paperbacks, hit movies, and popular drama on stage, radio, and television. Visions of Belonging provides unusually close access to a vibrant conversation among white and black Americans about the boundaries between public life and family matters and the meanings of race and ethnicity. Would the new appearance of white working class ethnic characters expand Americans'understanding of democracy? Would these stories challenge the color line? How could these stories simultaneously show that black families belonged to the larger "family" of the nation while also representing the forms of danger and discriminations that excluded them from full citizenship? In the 1940s, war-driven challenges to racial and ethnic borderlines encouraged hesitant trespass against older notions of "normal." But by the end of the 1950s, the cold war cultural atmosphere discouraged probing of racial and social inequality and ultimately turned family stories into a comforting retreat from politics. The book crosses disciplinary boundaries, suggesting a novel method for cultural history by probing the social history of literary, dramatic, and cinematic texts. Smith's innovative use of archival research sets authorial intent next to audience reception to show how both contribute to shaping the contested meanings of American belonging. Notes This is a wonderful book. There is a brilliant specificity to this project; Smith's re-readings of well known texts reveal just how much cultural expressions of this era wittingly and unwittingly registered the time period's enormous social transformations. Her work explores the links between patriarchy and patriotism by showing how cultural stories about the family make citizenship legible and credible to ordinary people. -- George Lipsitz, author of American Studies in a Moment of Danger There is nothing else like this wonderful book among histories of post-World War II America. In the aftermath of the great victory against fascism and on through the darkening 1950s, playwrights, TV scriptwriters, film directors, bestselling novelists and their enraptured audiences struggled to reimagine the American Everyman and Everywoman and in the process reconceive the country. As she investigates the riches of popular culture high and low, Judith Smith captures both the hopefulness and myopia of their moment. Visions of Belonging is an extraordinary blend of tenderness and intellectual power. -- Christine Stansell, Princeton University Judith Smith takes the major popular culture texts of the postwar era -- such as I Remember Mama, A Raisin in the Sun, A Tree Grows in Brooklyn, and Death of a Salesman -- and brilliantly reveals how much they have to say about prevailing attitudes toward ethnicity, gender, class, race, sexuality, family, and national identity. Reading this book was a revelation to me. -- Lizabeth Cohen, author of A Consumers' Republic: The Politics of Mass Consumption in Postwar America Judith Smith skillfully demonstrates how central issues of race and the inclusion of African Americans in American democracy were to the postwar period. Her vivid and absorbing account of the narratives and representations of the American family in the literature, film, and television productions of the period provide an insightful new way to understand the contest for democracy in the twentieth century. -- Kevin Gaines, University of Michigan We have grown so accustomed to sharing the pain, laughter, and triumphs of 'ordinary families' -- from the Waltons to the Osbournes -- in U.S. popular culture that it is easy to suppose such imagined intimacies have always existed. Judith Smith profoundly shows us that such visions of belonging not only have a history, but one that redefines the broader stories of world war and cold war, of liberalism and the left, and, above all, of the definitive ways that the popular became multiethnic and the ambiguous ways that it became interracial. -- David Roediger, University of Illinois Author Biography Judith E. Smith is professor of American studies at University of Massachusetts Boston and the author of Family Connections: A History of Italian and Jewish Immigrant Lives in Providence, Rhode Island, 1900-1940. Table of Contents Acknowledgments Part 1. Ordinary Families, Popular Culture, and Popular Democracy, 1935-1945 Radio's Formula Drama Popular Theater and Popular Democracy Popular Democracy on the Radio Popular Democracy in Wartime: Multiethnic and Multiracial? Representing the Soldier The New World of the Home Front Soldiers as Veterans: Imagining the Postwar World Looking Back Stories Part 2. Making the Working-Class Family Ordinary: A Tree Grows in Brooklyn From Working-Class Daughter to Working-Class Writer Revising 1930s Radical Visions Remembering a Working-Class Past Instructing the Middle Class The Ethnic and Racial Boundaries of the Ordinary Making Womanhood Ordinary Hollywood Revises A Tree Grows in Brooklyn The Declining Appeal of Tree's Social Terrain Part 3. Home Front Harmony and Remembering Mama "Mama's Bank Account" and Other Ethnic Working-Class Fictions Remembering Mama on the Stage The Mother Next Door on Film, 1947-1948 Mama on CBS, 1949-1956 The Appeal of TV Mama's Ordinary Family "Trading Places" Stories Part 4. Loving Across Prewar Racial and Sexual Boundaries Lillian Smith and Strange Fruit Quality Reinstates the Color Line Strange Fruit as Failed Social Drama The Returning Negro Soldier, Interracial Romance, and Deep Are the Roots Interracial Male Homosociability in Home of the Brave Part 5. "Seeing Through" Jewishness Perception and Racial Boundaries in Focus Policing Racial and Gender Boundaries in The Brick Foxhole Recasting the Victim in Crossfire Deracializing Jewishness in Gentleman's Agreement Part 6. Hollywood Makes Race (In)Visible "A Great Step Forward": The Film Home of the Brave Lost Boundaries: Racial Indeterminacy as Whiteness Pinky: Racial Indeterminacy as Blackness Trading Places or No Way Out? Everyman Stories Part 7. Competing Postwar Representations of Universalism The "Truly Universal People": Richard Durham's Destination Freedom The Evolution of Arthur Miller's Ordinary Family Miller's Search for "the People," 1947-1948 The Creation of an Ordinary American Tragedy: Death of a Salesman The Rising Tide of Anticommunism Part 8. Marital Realism and Everyman Love Stories Marital Realism Before and After the Blacklist The Promise of Live Television Drama Paddy Chayefsky's Everyman Ethnicity Conservative and Corporate Constraints on Representing the Ordinary Filming Television's "Ordinary": Marty's Everyman Romance Part 9. Reracializing the Ordinary American Family: Raisin in the Sun Lorraine Hansberry's South Side Childhood Leaving Home, Stepping "Deliberately Against the Beat" The Freedom Family and the Black Left "I Am a Writer": Hansberry in Greenwich Village Raisin in the Sun: Hansberry's Conception, Audience Reception Frozen in the Frame: The Film of Raisin Visions of Belonging Notes Index Review " Visions of Belonging is a monumental work of cultural history... Judith Smith has challenged the common wisdom... And made a powerful contribution." -- Elaine Tyler May, Journal of Interdisciplinary History "Smith's Visions of Belonging is a masterpiece of interdisciplinary scholarship. Research, narrative, and analysis are all exemplary, making the book a 'must read' on the topic of post-war American cultural and social history." -- Canadian Review of American Studies "A powerful & meticulously researched study of fourteen stories that helped to plot the boundaries of cultural citizenship." -- Dara Orenstein, Journal of American Ethnic History "[It] is full of vitality and is bound to be used, cited, and assigned to generations of students." -- Joseph Hawes " "Smith has written an important book that will serve as a great resource for historians of American postwar culture and politics." -- Renee Romano, American Histo, Columbia University Press<

2006, ISBN: 9780231121712

Family Stories, Popular Culture, and Postwar Democracy, 1940-1960, Buch, Softcover, Visions of Belonging explores how beloved and still-remembered family stories-A Tree Grows in Brooklyn,… Mehr…

Family Stories, Popular Culture, and Postwar Democracy, 1940-1960, Buch, Softcover, Visions of Belonging explores how beloved and still-remembered family stories-A Tree Grows in Brooklyn, I Remember Mama, Gentleman's Agreement, Death of a Salesman, Marty, and A Raisin in the Sun-entered the popular imagination and shaped collective dreams in the postwar years and into the 1950s. These stories helped define widely shared conceptions of who counted as representative Americans and who could be recognized as belonging. The book listens in as white and black authors and directors, readers and viewers reveal divergent, emotionally textured, and politically charged social visions. Their diverse perspectives provide a point of entry into an extraordinary time when the possibilities for social transformation seemed boundless. But changes were also fiercely contested, especially as the war's culture of unity receded in the resurgence of cold war anticommunism, and demands for racial equality were met with intensifying white resistance. Judith E. Smith traces the cultural trajectory of these family stories, as they circulated widely in bestselling paperbacks, hit movies, and popular drama on stage, radio, and television. Visions of Belonging provides unusually close access to a vibrant conversation among white and black Americans about the boundaries between public life and family matters and the meanings of race and ethnicity. Would the new appearance of white working class ethnic characters expand Americans'understanding of democracy? Would these stories challenge the color line? How could these stories simultaneously show that black families belonged to the larger "family" of the nation while also representing the forms of danger and discriminations that excluded them from full citizenship? In the 1940s, war-driven challenges to racial and ethnic borderlines encouraged hesitant trespass against older notions of "normal." But by the end of the 1950s, the cold war cultural atmosphere discouraged probing of racial and social inequality and ultimately turned family stories into a comforting retreat from politics. The book crosses disciplinary boundaries, suggesting a novel method for cultural history by probing the social history of literary, dramatic, and cinematic texts. Smith's innovative use of archival research sets authorial intent next to audience reception to show how both contribute to shaping the contested meanings of American belonging. [PU: Columbia University Press], Seiten: 464, Columbia University Press, 2006<

2006, ISBN: 9780231121712

Family Stories, Popular Culture, and Postwar Democracy, 1940-1960, Buch, Softcover, [PU: Columbia University Press], Columbia University Press, 2006