2011, ISBN: 0199742618

[EAN: 9780199742615], Neubuch, [PU: Oxford University Press, USA, New York], Paperback. Most modern performers, trained on the performance practices of the Classical and Romantic periods,… Mehr…

[EAN: 9780199742615], Neubuch, [PU: Oxford University Press, USA, New York], Paperback. Most modern performers, trained on the performance practices of the Classical and Romantic periods, come to the music of the Renaissance with well-honed but anachronistic ideas. Fundamental differences between 16th-century repertoire and that of later epochs thus tend to be overlooked-yet it is just these differences which can make a performance truly stunning. The Performance of 16th-Century Music will enable the performer to better understand this music and advance their technical and expressive abilities. Early music specialist Anne Smith outlines several major areas of technical knowledge and skill needed to perform the music of this period. She takes readers through the significance of part-book notation; solmization; rhythmic flexibility; and elements of structure in relation to rhetoric of the time; while familiarizing them with contemporary criteria and standards of excellence for performance. Through The Performance of 16th-Century Music, today's musicians will gain fundamental insight into how 16th-century polyphony functions, and the tools necessary to perform this repertoire to its fullest, most glorious potential. Through The Performance of 16th-Century Music, today's musicians will gain fundamental insight into how 16th-century polyphony functions, and the tools necessary to perform this repertoire to its fullest and glorious potential. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability., Books<

2011, ISBN: 0199742618

[EAN: 9780199742615], Neubuch, [PU: Oxford University Press Inc, United States], Language: English. Brand new Book. Modern musical training tends to focus primarily on performance practic… Mehr…

[EAN: 9780199742615], Neubuch, [PU: Oxford University Press Inc, United States], Language: English. Brand new Book. Modern musical training tends to focus primarily on performance practices of the Classical and Romantic periods, and most performers come to the music of the Renaissance with well-honed but anachronistic ideas and concepts. As a result, elemental differences between 16th-century repertoire and that of later epochs tend to be overlooked-yet it is just these differences which can make a performance truly stunning. The Performance of 16th-Century Music offers a remedy for the performer, presenting the information and guidance that will enable them to better understand the music and advance their technical and expressive abilities. Drawing from nearly 40 years of performing, teaching, and studying this repertoire and its theoretical sources, renowned early music specialist Anne Smith outlines several major areas of technical knowledge and skill needed to perform the music of this period. She takesthe reader through part-books and choirbooks; solmization; rhythmic inequality; and elements of structure in relation to rhetoric of the time; while familiarizing them with contemporary criteria and standards of excellence for performance. Through The Performance of 16th-Century Music, today's musicians willgain fundamental insight into how 16th-century polyphony functions, and the tools necessary to perform this repertoire to its fullest and glorious potential., Books<

ISBN: 9780199742615

Most modern performers, trained on the performance practices of the Classical and Romantic periods, come to the music of the Renaissance with well-honed but anachronistic ideas. Fundament… Mehr…

Most modern performers, trained on the performance practices of the Classical and Romantic periods, come to the music of the Renaissance with well-honed but anachronistic ideas. Fundamental differences between 16th-century repertoire and that of later epochs thus tend to be overlooked-yet it is just these differences which can make a performance truly stunning. The Performance of 16th-Century Music will enable the performer to better understand this music and advance their technical and expressive abilities. Early music specialist Anne Smith outlines several major areas of technical knowledge and skill needed to perform the music of this period. She takes readers through the significance of part-book notation; solmization; rhythmic flexibility; and elements of structure in relation to rhetoric of the time; while familiarizing them with contemporary criteria and standards of excellence for performance. Through The Performance of 16th-Century Music, today's musicians will gain fundamental insight into how 16th-century polyphony functions, and the tools necessary to perform this repertoire to its fullest, most glorious potential. Books, [PU: Oxford University Press]<

ISBN: 9780199742615

Taschenbuch, Gebundene Ausgabe

Oxford, UK: at the Clarendon Press, 1885 Book. Very Good. Hardcover. 1st Edition. Thick Octavo. lxxviii (i), 557 (3) pp, color frontis (fold-out of Leaf 235), corrections, Introduction, a… Mehr…

Oxford, UK: at the Clarendon Press, 1885 Book. Very Good. Hardcover. 1st Edition. Thick Octavo. lxxviii (i), 557 (3) pp, color frontis (fold-out of Leaf 235), corrections, Introduction, appendix: I. comparative table of English cycles of religious plays; II. list of places and plays in Great Britain; IIII. ntes on dialect and grammar; index to introduction with explanations of names of crafts. The Plays; music, reference to the music with to fold-out (of leafs 238) glossary. With introduction and glossary by Lucy Toulmin Smith. First Edition, 1885. Bumped fore-edge corners of boards with minor edge wear to boards, small tears at gutters endpapers but does not effect binding, and lightly age-toned bottom and fore- text block edge. No markings, tight binding, page surfaces clean. 6" x 8.75." Red cloth with gilt borders on front board, gilt lettering to spine, gilt top text block edge, and decorative endpapers.., at the Clarendon Press, 1885, 3, Paperback. New. Brand New., 6<