1995, ISBN: 9780198165743

[PU: Oxford : Clarendon Press], XVI, 269 p., ill. Original softcover. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tra… Mehr…

[PU: Oxford : Clarendon Press], XVI, 269 p., ill. Original softcover. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Crease in binding, otherwise very good and clean. / Knick im Einband, sonst sehr gut und sauber. - Fifteenth-century Italy produced the earliest known treatises on the dance. Guglielmo Ebreo, an eminent Jewish dancing master, dedicated his ‘On the Practice or Art of Dancing’ to the future Sforza Duke of Milan in the determination to give dance the status enjoyed by music and other arts and sciences. He included not only choreographies (subsequently likened to the artistic achievement of Machaut, Leonardo, Dante, and Petrarch), but a Defence of the Dance, a Socratic dialogue, and theoretical precepts—still valid today—which clearly reflect the contemporary humanistic aesthetic and ideals. Challenging exercises (such as dancing counter to the time of the music!) and advice to young ladies at balls are also described. Barbara Sparti has provided a heretofore unavailable source book for students, amateurs, and scholars: a critical edition in Italian and a facing English translation; dance tunes in facsimile and in annotated transcriptions based on choreographies. Recent specialized studies and archival discoveries have greatly enriched the introductory chapters on De pratica's history, the interpretation of its music, Guglielmo’s life, and°dancing in fifteenth-century Italy. An Appendix containing significant theoretical, musical, and choreographic additions from a later copy, also has an Autobiography describing princely festivities, replete with names of participants, locations, and expenditures, of particular importance to historians and those interested in courtly life in the Italian Renaissance. A bibliography, bibliographical notes on Guglielmo’s patrons, illustrations depicting scenes of dancing, as well as glossary of dance, music, and humanistic terms, complete the critical apparatus. - Barbara Sparti is Founder and Director of ‘Gruppo di Danza Rinascimentale’, Rome. She has choreographed for opera, stage, and television, and has taught Renaissance dance in Europe, Japan, and North America. She has also published many articles on Renais, DE, [SC: 5.00], gebraucht; sehr gut, gewerbliches Angebot, [GW: 450g], Auflage: Revised ed., Banküberweisung, Offene Rechnung, PayPal, Internationaler Versand<

1995, ISBN: 0198165749

[EAN: 9780198165743], Gebraucht, guter Zustand, [SC: 5.0], [PU: Oxford : Clarendon Press], XVI, 269 p., ill. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the Int… Mehr…

[EAN: 9780198165743], Gebraucht, guter Zustand, [SC: 5.0], [PU: Oxford : Clarendon Press], XVI, 269 p., ill. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Crease in binding, otherwise very good and clean. / Knick im Einband, sonst sehr gut und sauber. - Fifteenth-century Italy produced the earliest known treatises on the dance. Guglielmo Ebreo, an eminent Jewish dancing master, dedicated his ‘On the Practice or Art of Dancing’ to the future Sforza Duke of Milan in the determination to give dance the status enjoyed by music and other arts and sciences. He included not only choreographies (subsequently likened to the artistic achievement of Machaut, Leonardo, Dante, and Petrarch), but a Defence of the Dance, a Socratic dialogue, and theoretical precepts—still valid today—which clearly reflect the contemporary humanistic aesthetic and ideals. Challenging exercises (such as dancing counter to the time of the music!) and advice to young ladies at balls are also described. Barbara Sparti has provided a heretofore unavailable source book for students, amateurs, and scholars: a critical edition in Italian and a facing English translation; dance tunes in facsimile and in annotated transcriptions based on choreographies. Recent specialized studies and archival discoveries have greatly enriched the introductory chapters on De pratica's history, the interpretation of its music, Guglielmo’s life, and°dancing in fifteenth-century Italy. An Appendix containing significant theoretical, musical, and choreographic additions from a later copy, also has an Autobiography describing princely festivities, replete with names of participants, locations, and expenditures, of particular importance to historians and those interested in courtly life in the Italian Renaissance. A bibliography, bibliographical notes on Guglielmo’s patrons, illustrations depicting scenes of dancing, as well as glossary of dance, music, and humanistic terms, complete the critical apparatus. - Barbara Sparti is Founder and Director of ‘Gruppo di Danza Rinascimentale’, Rome. She has choreographed for opera, stage, and television, and has taught Renaissance dance in Europe, Japan, and North America. She has also published many articles on Renaissance dance. ISBN 9780198165743 Sprache: Englisch Gewicht in Gramm: 450, Books<

1995, ISBN: 9780198165743

Auflage: Revised ed. XVI, 269 p., ill. Original softcover. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJC… Mehr…

Auflage: Revised ed. XVI, 269 p., ill. Original softcover. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Crease in binding, otherwise very good and clean. / Knick im Einband, sonst sehr gut und sauber. - Fifteenth-century Italy produced the earliest known treatises on the dance. Guglielmo Ebreo, an eminent Jewish dancing master, dedicated his On the Practice or Art of Dancing to the future Sforza Duke of Milan in the determination to give dance the status enjoyed by music and other arts and sciences. He included not only choreographies (subsequently likened to the artistic achievement of Machaut, Leonardo, Dante, and Petrarch), but a Defence of the Dance, a Socratic dialogue, and theoretical preceptsstill valid todaywhich clearly reflect the contemporary humanistic aesthetic and ideals. Challenging exercises (such as dancing counter to the time of the music!) and advice to young ladies at balls are also described. Barbara Sparti has provided a heretofore unavailable source book for students, amateurs, and scholars: a critical edition in Italian and a facing English translation; dance tunes in facsimile and in annotated transcriptions based on choreographies. Recent specialized studies and archival discoveries have greatly enriched the introductory chapters on De pratica's history, the interpretation of its music, Guglielmos life, and°dancing in fifteenth-century Italy. An Appendix containing significant theoretical, musical, and choreographic additions from a later copy, also has an Autobiography describing princely festivities, replete with names of participants, locations, and expenditures, of particular importance to historians and those interested in courtly life in the Italian Renaissance. A bibliography, bibliographical notes on Guglielmos patrons, illustrations depicting scenes of dancing, as well as glossary of dance, music, and humanistic terms, complete the critical apparatus. - Barbara Sparti is Founder and Director of Gruppo di Danza Rinascimentale, Rome. She has choreographed for opera, stage, and television, and has taught Renaissance dance in Europe, Japan, and North America. She has also published many articles on Renaissance dance. ISBN 9780198165743 Versand D: 5,50 EUR , [PU:Oxford : Clarendon Press,]<