1995, ISBN: 9789662226058

Buenos Aires: Grupo Editor Latinoamericano, 1991. Libro. Buen estado. Rústica. 23 x 16 cm.. Col. Temas. 265 pgs. Tapas algo gastadas. Este libro reúne testimonios directos r… Mehr…

Buenos Aires: Grupo Editor Latinoamericano, 1991. Libro. Buen estado. Rústica. 23 x 16 cm.. Col. Temas. 265 pgs. Tapas algo gastadas. Este libro reúne testimonios directos recogidos por Marina Pianca -directora de Diógenes, Anuario Crítico del Teatro Latinoamericano- en extensas y conmovedoras entrevistas a los principales protagonistas del teatro latinoamericano de la última década. De estos testimonios se desprende -además del contenido crítico hacia las formas autoritarias que rigieron durante este período en la región- una circunstancia muy especial: más allá del camino que haya transitado cada uno de sus protagonistas, su vida estará marcada por un "antes y después" del momento vivencial y creativo que aquí comparten. Las historias de estos hombres y mujeres son conmovedoras y educativas. Son testimonios de lucha, de lucha constructiva y de esperanza, que nos vuelven a centrar en la realidad del teatro como instrumento de cohesión, de fiesta comunitaria, aun en las situaciones más límites. Cada palabra nos deja constancia de la poderosa fuerza terapéutica encerrada tanto en el proceso de creación como en el acto solidario de compartirlo. Leyéndolas volvemos a descubrir la energía de nuestra condición humana y de un teatro capaz de explorarla inmerso en la historia. INDICE: Introducción; Julio Saldaña (Managua); Grupo Nixtayolero (Matagalpa); Grupo Teyocoyani (León); Roberto Cossa (Teatro Abierto); Rubens Correa (Teatro Abierto); Jorge Goldenberg (Buenos Aires); Atahualpa del Cioppo (director de El Galpón); Rubén Yáñez (secretario general de El Galpón); César Campodónico (director artístico de El Galpón); Arturo Fleitas y Pepe Vásquez (actores de El Galpón); Sara Larocca (El Galpón); Juan Radrigán (dramaturgo chileno); Oscar Castro (director de El Aleph, de Chile, exiliado en París, Francia); César Escusa (director del Taller de Teatro del Centro de Comunicación Popular de Villa El Salvador, Perú); Continuidad: El teatro en las cárceles; Mauricio Rosencof (dramaturgo uruguayo); Sonia Mosquera y Raquel Dupont; Luis Mario Fourcade (El Galpón)., Grupo Editor Latinoamericano, 1991, Milano, 1913, estratto con copertina posticcia muta, pp. 472/474 con ill. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : estratto or stralcio means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us., This book is a major resource for the study of Socrates as seen by the Muslim tradition. The characteristics attributed to him in Islamic thought are mainly in the realm of ethics. His wisdom was recorded in medieval Muslim literature in the form of sayings or descriptions of behavior, in a style reminiscent of prophetic traditions (adth) in Islam. The Arab Socrates is thus different from thinkers such as Plato or Aristotle, who were seen as systematic philosophers; this difference is probably due to the fact that some of their writings had been translated into Arabic.Among the more important issues in the legacy of the Arab Socrates (who was sometimes confused with Diogenes) was his encounter with the king and his trial and death; his views on God; life and death; speech and silence, and on wisdom and stupidity.The book contains approximately 900 items of information culled from various philosophical, historical, literary and theological sources in Arabic. The material is organized in two sections: biography and teachings. The Arabic text is accompanied by an English translation, copious footnotes, indices and a detailed critical apparatus. The book complements a previous study by the author, Socrates in medieval literature, published by the Magnes Press and Brill in 1991., The Max Schloessinger Memorial Foundation, 1995<

1995, ISBN: 9789662226058

Gebundene Ausgabe

Salt Lake City: University of Utah Press & Leiden: E. J. Brill, 1969. With contributions by Sherif Mardin & Fayez Sayegh, and a foreword by Aziz S. Atiya. Dj. Inscription signed … Mehr…

Salt Lake City: University of Utah Press & Leiden: E. J. Brill, 1969. With contributions by Sherif Mardin & Fayez Sayegh, and a foreword by Aziz S. Atiya. Dj. Inscription signed by Hanna. xii, 418 pages. 8vo. Hardcover. . Catalogs: EGYPT., Salt Lake City: University of Utah Press & Leiden: E. J. Brill, 1969, This book is a major resource for the study of Socrates as seen by the Muslim tradition. The characteristics attributed to him in Islamic thought are mainly in the realm of ethics. His wisdom was recorded in medieval Muslim literature in the form of sayings or descriptions of behavior, in a style reminiscent of prophetic traditions (adth) in Islam. The Arab Socrates is thus different from thinkers such as Plato or Aristotle, who were seen as systematic philosophers; this difference is probably due to the fact that some of their writings had been translated into Arabic.Among the more important issues in the legacy of the Arab Socrates (who was sometimes confused with Diogenes) was his encounter with the king and his trial and death; his views on God; life and death; speech and silence, and on wisdom and stupidity.The book contains approximately 900 items of information culled from various philosophical, historical, literary and theological sources in Arabic. The material is organized in two sections: biography and teachings. The Arabic text is accompanied by an English translation, copious footnotes, indices and a detailed critical apparatus. The book complements a previous study by the author, Socrates in medieval literature, published by the Magnes Press and Brill in 1991., The Max Schloessinger Memorial Foundation, 1995<

1995, ISBN: 9789662226058

This book is a major resource for the study of Socrates as seen by the Muslim tradition. The characteristics attributed to him in Islamic thought are mainly in the realm of ethics. His wi… Mehr…

This book is a major resource for the study of Socrates as seen by the Muslim tradition. The characteristics attributed to him in Islamic thought are mainly in the realm of ethics. His wisdom was recorded in medieval Muslim literature in the form of sayings or descriptions of behavior, in a style reminiscent of prophetic traditions (adth) in Islam. The Arab Socrates is thus different from thinkers such as Plato or Aristotle, who were seen as systematic philosophers; this difference is probably due to the fact that some of their writings had been translated into Arabic.Among the more important issues in the legacy of the Arab Socrates (who was sometimes confused with Diogenes) was his encounter with the king and his trial and death; his views on God; life and death; speech and silence, and on wisdom and stupidity.The book contains approximately 900 items of information culled from various philosophical, historical, literary and theological sources in Arabic. The material is organized in two sections: biography and teachings. The Arabic text is accompanied by an English translation, copious footnotes, indices and a detailed critical apparatus. The book complements a previous study by the author, Socrates in medieval literature, published by the Magnes Press and Brill in 1991., The Max Schloessinger Memorial Foundation, 1995<