1995, ISBN: 9788170461166

Paris: Gallimard, 1994. 19 x 13 cm , 471p, br., couv. ill., etat de neuf. Traduit du russe par Andrée Robel.-Contient/ Posons le problème.- Rabelais et l histoire de la ri… Mehr…

Paris: Gallimard, 1994. 19 x 13 cm , 471p, br., couv. ill., etat de neuf. Traduit du russe par Andrée Robel.-Contient/ Posons le problème.- Rabelais et l histoire de la rire.- Le vocabulaire de la place publique dans l oeuvre de Rabelais.- Les formes et images de la fête populaire dans l oeuvre de Rabelais.- Le banquet chez Rabelais.- L image grotesque du corps chez Rabelais et ses sources.- Le "bas" matériel et corporel chez Rabelais.- Les images de Rabelais et la réalité de son temps. Presentation de l'editeur; "L'oeuvre de François Rabelais et la culture populaire au Moyen Age et sous la Renaissance est considéré, à juste titre, comme un ouvrage d'une importance capitale qui fait date dans les études rabelaisiennes. La méthode d'investigation littéraire de Mikhaïl Bakhtine, fondée sur les principes d&apos;un marxisme vivant et enrichissant, lui a permis d&apos;éclairer sous un jour totalement nouveau l&apos;oeuvre de notre grand écrivain, sur la base d&apos;une étude approfondie de ses sources populaires. " Si Rabelais, explique l'auteur, nous fait l'effet d'un solitaire qui ne ressemble à nul autre parmi les grands noms de la littérature des quatre derniers siècles, au contraire, sur la toile de fond du trésor populaire convenablement mis au jour, ce sont ces quatre siècles d&apos;évolution littéraire qui risquent plutôt de nous paraître spécifiques, privés de ressemblance avec quoi que ce soit, tandis que les images de Rabelais nous apparaîtront tout à fait à leur place dans l&apos;évolution millénaire accomplie par la culture populaire. " Afin de comprendre Rabelais il faut se débarrasser de toutes les conceptions et notions artistiques ancrées dans l'esprit des contemporains, situer sa place et son rôle dans le vaste flot de la culture comique populaire ... "., Gallimard, 1994, Edité par la Fondation pour l'Energie de Fusion (FEF), à Paris 1986, in 8 (20,5 x 14,5 cm), 470 pages. Nombreuses illustration en noir. broché, couverture souple illustrée. +++++++ Etude sur les méthodes scientifiques de Louis Pasteur, La biophysique, et le Sida. Au sommaire : Pasteur sa méthode et ses racines scientifiques, La biophysique optique et le concept de Néguentropie, Aspects biologiques économiques et stratégiques de la menace du Sida, Une initiative de défense biologique pour vaincre les maladies, Textes choisis, Postface - Bon état, couverture légérement jaunie., Editar la Fondation pour l'Energie de Fusion (FEF), aris, 1986, Seagull Books, 1995. First edition. Hardcover. New. Santiniketan holds a unique position in the cultural history of India, as the embodiment of a concept and an ideal which was part of what is largely regarded as a cultural renaissance in the early part of the century. The cultural leader and artists who committed themselves to Santiniketan felt a need to view all the arts and crafts as a single connected panorama in order to revitalize the roots of their traditions. They wanted to see art as part of daily life, not just in museums, picture galleries or the audience halls of the affluent. They also wanted to keep alive the priceless methods and techniques that had contributed to forming the distinct personality of the country`s age-old visual tradition of murals. As a result they turned Santiniketan into a rich open air museum of modern Indian art with several in situ murals, some of which are landmarks of Indian art history. This monograph is an effort to bring these murals before a wider public and to describe their background. It contains a general survey of the murals, detailed descriptions of the major works and their historical background, and brief discussions on techniques and themes. It has reproductions in black and white and colour, a catalogue of works, and a bibliography. Altogether, it promises to be a useful source book on the early efforts in Santiniketan to relate art to architecture and environment, focusing especially on the pioneering works by Nandalal Bose and Benodebehari Mukherjee. It also presents the few murals done in more recent years by contemporary artists like K.G. Subramanyan and Somnath Hore which, despite their novel image, are in the same spirit as the earlier ones. Printed Pages: 162., Seagull Books, 1995<

1995, ISBN: 9788170461166

Seagull Books, 1995. First edition. Hardcover. New. Santiniketan holds a unique position in the cultural history of India, as the embodiment of a concept and an ideal which was part of … Mehr…

Seagull Books, 1995. First edition. Hardcover. New. Santiniketan holds a unique position in the cultural history of India, as the embodiment of a concept and an ideal which was part of what is largely regarded as a cultural renaissance in the early part of the century. The cultural leader and artists who committed themselves to Santiniketan felt a need to view all the arts and crafts as a single connected panorama in order to revitalize the roots of their traditions. They wanted to see art as part of daily life, not just in museums, picture galleries or the audience halls of the affluent. They also wanted to keep alive the priceless methods and techniques that had contributed to forming the distinct personality of the country`s age-old visual tradition of murals. As a result they turned Santiniketan into a rich open air museum of modern Indian art with several in situ murals, some of which are landmarks of Indian art history. This monograph is an effort to bring these murals before a wider public and to describe their background. It contains a general survey of the murals, detailed descriptions of the major works and their historical background, and brief discussions on techniques and themes. It has reproductions in black and white and colour, a catalogue of works, and a bibliography. Altogether, it promises to be a useful source book on the early efforts in Santiniketan to relate art to architecture and environment, focusing especially on the pioneering works by Nandalal Bose and Benodebehari Mukherjee. It also presents the few murals done in more recent years by contemporary artists like K.G. Subramanyan and Somnath Hore which, despite their novel image, are in the same spirit as the earlier ones. Printed Pages: 162., Seagull Books, 1995<

1991, ISBN: 9788170461166

Seagull Books Pvt.Ltd, Gebundene Ausgabe, 108 Seiten, Publiziert: 1991-01-01T00:00:01Z, Produktgruppe: Buch, Kategorien, Bücher, Fremdsprachige Bücher, Englische Bücher, 7c9a6c79-19ea-4de… Mehr…

Seagull Books Pvt.Ltd, Gebundene Ausgabe, 108 Seiten, Publiziert: 1991-01-01T00:00:01Z, Produktgruppe: Buch, Kategorien, Bücher, Fremdsprachige Bücher, Englische Bücher, 7c9a6c79-19ea-4dea-90da-d7d47042d341_2301, 7c9a6c79-19ea-4dea-90da-d7d47042d341_0, Arborist Merchandising Root, Seagull Books Pvt.Ltd, 1991<

ISBN: 9788170461166

Seagull Books . hardcover. New. pp. xii + 96, Seagull Books