[EAN: 9788124600818], Gebraucht, wie neu, [PU: D K Printworld], 37624, Contents Foreword. Preface. Introduction. 1. Rasa. 2. The rasas and their relationship. 3. Srngara rasa. 4. Hasya Ra… Mehr…
[EAN: 9788124600818], Gebraucht, wie neu, [PU: D K Printworld], 37624, Contents Foreword. Preface. Introduction. 1. Rasa. 2. The rasas and their relationship. 3. Srngara rasa. 4. Hasya Rasa. 5. Karuna rasa. 6. Raudra Rasa. 7. Vira rasa. 8. Bhayanaka rasa and Bibhatsa rasa. 9. Adbhuta rasa. 10. Santa rasa. Conclusion. Bibliography. Glossary. Index. The Indian tradition of criticism is over two millennia old. And its rasa theory has from the beginning essentially influenced authors connoisseurs and art critics alike. First expounded sometime between the first century BC and the fourth century AD in the eminent aesthetician Bharata's Natyasastra rasa theory deals with the emotive content of a work of art how it is depicted inferred and transmitted. Dr. Patnaik's book is a unique effort that demonstrates with diverse examples the universality of this ancient theory and its applicability to modern western classics. Elucidating afresh the concept of rasa and all its nine primary kinds largely on the basis of Natyasastra of Bharata and the commentaries of the tenth century aesthetician Abhinavagupta the book investigates the validity of rasa theory as an aesthetic more specifically a literary theory and how its canons are applicable to modern western literature as well as Chinese love lyrics and Japanese Haiku poems. Dr. Patnaik's transcultural exploration thus covers all major genres of literature poetry drama and fiction and also major writers Lawrence Mayakovsky Kafka Camus Conrad Hemingway Faulkner Marquez Eliot Hesse O'Neill Lonesco Beckett Lorca Neruda and several others. In emphasizing the universal validity of the rasa theory the author considers certain modern problems relevant to text meaning and readers/audiences response as well. Very few are the examples of applied rasa theory even in Sanskrit and other Indian literatures leave alone its application to western creative writing. This book with its bold framework and lucid style should therefore fascinate the scholars of Indology Indian aesthetics and above all comparative literary criticism. 280 pp., Books<
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[EAN: 9788124600818], Gebraucht, wie neu, [PU: D K Printworld], 37624, Contents Foreword. Preface. Introduction. 1. Rasa. 2. The rasas and their relationship. 3. Srngara rasa. 4. Hasya Ra… Mehr…
[EAN: 9788124600818], Gebraucht, wie neu, [PU: D K Printworld], 37624, Contents Foreword. Preface. Introduction. 1. Rasa. 2. The rasas and their relationship. 3. Srngara rasa. 4. Hasya Rasa. 5. Karuna rasa. 6. Raudra Rasa. 7. Vira rasa. 8. Bhayanaka rasa and Bibhatsa rasa. 9. Adbhuta rasa. 10. Santa rasa. Conclusion. Bibliography. Glossary. Index. The Indian tradition of criticism is over two millennia old. And its rasa theory has from the beginning essentially influenced authors connoisseurs and art critics alike. First expounded sometime between the first century BC and the fourth century AD in the eminent aesthetician Bharata's Natyasastra rasa theory deals with the emotive content of a work of art how it is depicted inferred and transmitted. Dr. Patnaik's book is a unique effort that demonstrates with diverse examples the universality of this ancient theory and its applicability to modern western classics. Elucidating afresh the concept of rasa and all its nine primary kinds largely on the basis of Natyasastra of Bharata and the commentaries of the tenth century aesthetician Abhinavagupta the book investigates the validity of rasa theory as an aesthetic more specifically a literary theory and how its canons are applicable to modern western literature as well as Chinese love lyrics and Japanese Haiku poems. Dr. Patnaik's transcultural exploration thus covers all major genres of literature poetry drama and fiction and also major writers Lawrence Mayakovsky Kafka Camus Conrad Hemingway Faulkner Marquez Eliot Hesse O'Neill Lonesco Beckett Lorca Neruda and several others. In emphasizing the universal validity of the rasa theory the author considers certain modern problems relevant to text meaning and readers/audiences response as well. Very few are the examples of applied rasa theory even in Sanskrit and other Indian literatures leave alone its application to western creative writing. This book with its bold framework and lucid style should therefore fascinate the scholars of Indology Indian aesthetics and above all comparative literary criticism. 280 pp., Books<
NOT NEW BOOK. Versandkosten: EUR 25.85 Vedams eBooks (P) Ltd, New Delhi, India [573945] [Rating: 4 (von 5)]
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Detailangaben zum Buch - Rasa in Aesthetics - An Application of Rasa Theory to Modern Western Literature
EAN (ISBN-13): 9788124600818 ISBN (ISBN-10): 8124600813 Gebundene Ausgabe Taschenbuch Erscheinungsjahr: 2013 Herausgeber: DK Print World
Buch in der Datenbank seit 2007-03-20T17:27:25+01:00 (Berlin) Detailseite zuletzt geändert am 2023-10-15T20:13:24+02:00 (Berlin) ISBN/EAN: 8124600813
ISBN - alternative Schreibweisen: 81-246-0081-3, 978-81-246-0081-8 Alternative Schreibweisen und verwandte Suchbegriffe: Autor des Buches: patnaik Titel des Buches: aesthetic theory, literary aesthetics, rasa aesthetics application rasa theory modern western literature
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