Ed Ruscha, Photographer. - signiertes Exemplar
2021, ISBN: 9783865212061
Taschenbuch, Gebundene Ausgabe, Erstausgabe
Santa Monica: Smart Art Press, 2004. Very light shelf wear and small tear at top of spine. Edition of 1200. First Edition. Paperback. Very Fine. 16mo - over 5¾" - 6¾&qu… Mehr…
Santa Monica: Smart Art Press, 2004. Very light shelf wear and small tear at top of spine. Edition of 1200. First Edition. Paperback. Very Fine. 16mo - over 5¾" - 6¾" tall., Smart Art Press, 2004, 5, Steidl/Whitney Museum of American Art, New York. Hardcover. New. New. In shrink wrap. Looks like an interesting title!, Steidl/Whitney Museum of American Art, New York, 6, New York: Robert Miller Gallery. Fine. 1987. First Edition. Hardcover. 0944680003 . Hardcover in black boards with bold red letters on front. No dust jacket, as issued. One of a limited edition of 2000 copies published to accompany an exhibit of Ruscha's paintings at the Robert Miller Gallery in New York in November 1987. Book is As New, crisp and clean, with tight binding and sharp corners. Inked name on corner of front pastedown page. Published in conjunction with the Leo Castelli Gallery. Book design by Ed Ruscha and John Cheim. Photographed by Paul Ruscha. 11" x 11". Unpaginated. ., Robert Miller Gallery, 1987, 5, Beverly Hills, CA: Gagosian Gallery, 2003. 1st Edition . Soft cover. Fine. Large paperback octavo. 42 photos. Published for the gallery exhibition March/April 2003. Fine copy., Gagosian Gallery, 2003, 5, New York: Aperture, 2017. First edition and first printing. Hardcover. 280 pages. Wes Anderson, Quentin Bajac, David Campany, Paul Graham, Guido Guidi, Takashi Homma, An-My Lê, Michael Lesy, Hans Ulrich Obrist, Francine Prose, Ed Ruscha, Britt Salvesen, Taryn Simon, Thomas Struth, and Lynne Tillman were each tasked with selecting and writing about 10 images from Shore's seminal "Uncommon Places" archive. A fine copy with some light bumping to the top front corner and in a fine wraparound band to the rear board. Signed by Shore on the half title page. This is a heavy and oversized book and will require extra shipping., Aperture, 2017, 0, London: Gagosian, 2021. like new/no dj as issued. like new, appears unread. Gagosian, 2021, Hardcover, 11 1/4 × 9 1/4 inches (28.6 × 23.5 cm), 40pp, in English. -- Ships from Hawaii with free Priority Mail upgrade within US. --. This book was published on the occasion of Ed Ruscha: Dedication Stones, a special exhibition of new drawings by the artist in Saanen, Switzerland. In each of the drawings, Ruscha renders a different short word or symbol containing the letter x, which for him represents the ultimate variable, an endlessly adaptable surrogate for other ideas. It is also a literal component of the terms and names he illustrates-Bix, Mix, Fix, Tax, and so on. But while Ruscha engages with the words as abstract lingual units, their cultural associations ultimately remain in play; each drawing bears a subtitle that places its subject in a specific context. At the same time, the gray tonality, stippled texture, classical serif fonts, and trompe l'oeil pins depicted in the drawings suggest text chiseled in stone, galvanizing an association with monuments and tombstones-even as their "torn" edges seem to depict paper surfaces. The catalogue features reproductions of the sixteen exhibited works, alongside installation photography. (Gagosian Gallery)., Gagosian, 2021, 5, Redcat/California Institute of the Arts, (2003).. First edition.. Small 4to. 64 pp. Some light rubbing to cover, else very near fine in illustrated wrappers. Exhibition curated by Ed Ruscha, who contributes Curators Remarks. Fully-illustrated with color reproductions and b&w photographs., Redcat/California Institute of the Arts, 0, Balboa, CA: The Fine Art Patrons of Newport Harbor, 1968. First edition. Softcover. vg- to vg+. Quarto. Unpaginated. Photo-illustrated glossy wrappers, with a white hard plastic clasp binding. This publication is a catalog for the exhibition of work from artists Joe Goode and Ed Ruscha, held at the Balboa Pavilion Gallery, in Newport Beach, CA, from March 27- April 21st, 1968. Illustrated throughout with b/w and color reproductions of works shown at the exhibit, and a text introductions by noted museum director and artist Henry T. Hopkins, and Ruscha's mother Dorothy. Wrappers with a small closed tear along the top edge of the front cover. Light rubbing to corners and along edges. light cracking along the hinge. Light smudges on the back cover. Interior with a few minor sporadic smudges to the pages, with images unaffected. Wrappers in very good-, interior in very good+ condition overall., The Fine Art Patrons of Newport Harbor, 1968, 3, Los Angeles: Fellows of Contemporary Art and Laguna Art Museum, 1992. First edition. Paperback. Very Good +. Wide paperbound quarto. 142 pp. Text by Charles Desmarais. A clean very good copy in bound photo-illustrated wrappers with wide French flaps. A superb survey of the L. A. art scene of the 60's and 70's with special attention paid to Walace Berman, Eleanor Antin, Robert Heinecken, Douglas Huebler, Ed Ruscha and several other artists., Fellows of Contemporary Art and Laguna Art Museum, 1992, 3, Beverly Hills: Gagosian, (2003).. First edition.. 59 pp. Fine in printed wrappers. Seven products, twenty five apartments, three palm trees, six rooftops, and one arial view., Beverly Hills: Gagosian, 0, SANTA MONICA: Craig Krull Gallery/Bergamont Station. Fine with no dust jacket. 2004. First Edition; First Printing. Softcover. First edition. Fine in pictorial printed wrappers. 45 images of the artist. (80pp. ) (5 1/2" X 7") 1200 copies printed. Cool artist's book consisting of vintage photographs taken by Jerry McMillan of artist Ed Ruscha over 14 years. ; 5 1/2" x 7"; 80 pages ., Craig Krull Gallery/Bergamont Station, 2004, 5, Amsterdam: STEDELIJK MUSEUM.. Fine with no dust jacket. 1976. First Edition; First Printing. Paperback.. Fine in stapled wrappers. Several b&w illustrations. 1700 copies produced. ; 8 " X 10 3/4" ., STEDELIJK MUSEUM., 1976, 5, New York: Gagosian Gallery. Fine with no dust jacket. 2013. Reception card. OPENING RECEPTION CARD. Fine on heavy card stock. (7" X 7") Sent by the gallery to patrons for the opening reception of: ED RUSCHA: BOOKS & CO. March 5- April, 27, 29013 Tuesday, March 5, 6-8pm at the Gagosian Gallery in New York. Featuring the artist books of Ed Ruscha together with artist books by more than 100 artists he has inspired. The card features a full-color image of Ed Ruscha laying on his back smiling covered by his books. A very cool ephemeral piece. Includes Gagosiabn mailing envelope. ; 7" x 7"; 1 pages ., Gagosian Gallery, 2013, 5, London: Phaidon, 2003. 1st Edition. hardbound. Very Good tight clean copy/no dustwrapper. 4to. profusely illustrated Comprehensive illustrated monograph on the work of Ed Ruscha, with chapters on Sixties Pop, Books and Photographs, Single Words, Thoughts and Phrases, Landscapes and Skies, and more; profusely illustrated in colour and b&w; includes list of exhibitions, bibliography; illustrated boards, no dustwrapper (as issued); Very Good tight and clean throughout; boards very lightly rubbed; PLEASE NOTE: HEAVY BOOK MAY INCUR EXTRA SHIPPING IF DESTINATION IS OUTSIDE AUSTRALIA., Phaidon, 2003, 3, As new in publisher's shrink wrap., Gagosian Gallery, 2015, 5, New York: Robert Miller Gallery. , 1992. First edition. Hardcover. Fine/fine. Sm.sq.4to. Hardcover. Peach moiré cloth-covered boards; with clear acetate dust jacket printed with title in black. Paintings by Ed Ruscha. Essay by Peter Schjeldahl. Includes a list of plates. Unpaginated, with 31 four-color plates and 1 black-and-white illustration (1974 photograph of Ruscha by Narit Wilde). Designed and edited by John Cheim., Robert Miller Gallery., 1992, 5, Madrid: Galeria Metta.. Fine with no dust jacket. 1999. First Edition; First Printing. Softcover. First edition. Fine in printed wrappers. (43pp. ) (9 1/2" X 10 3/4") Illustrated with list of solo exhibitions. Text in Spanish. ; 9 1/2" X 10 3/4"; 43 pages ., Galeria Metta., 1999, 5, NY: WHITNEY MUSEUM OF ART.. Near Fine with no dust jacket. 1990. First Edition; First Printing. Softcover. 087427074X . First edition. Near fine in green printed wrappers. (Trivial hint of shelf-wear at edges of spine. ) (8" X 10") Exhibition catalogue for the show presented July 27- Oct. 14, 1990. ., WHITNEY MUSEUM OF ART., 1990, 4, New York: Hudson Hills/San FRANCISCO MUSEUM OF MODERN ART. Fine with no dust jacket. 1982. First Edition; First Printing. Softcover. 0933920229 . First edition. The trade-size paperback issue with the Ruscha work "I Dont Want No Retro Spective" pictured on front cover. Fine in printed paperback wrappers. (182pp. ) (10" x 10") 62 color plates, including 9 gatefolds & 150 duotone & black & white photographs. Laid-in separately is the uncommon exhibition brochure curated by Louise Katzman which is fine in stapled wrappers. (8pp. ) (5 1/2" X 8 1/2") Both items 'as new'.; 10 " x 10"; 182 pages ., Hudson Hills/San FRANCISCO MUSEUM OF MODERN ART, 1982, 5, Los Angeles: Ed Ruscha, 2001. First edition. Softcover. Very good to fine condition. Octavo. (2) 26 (4) plates. Original stiff cream wraps with S motif in color on cover. S Books by Ed Ruscha. 2000 copies printed in 2001. Twenty-six color offset reproductions of variant book covers printed on glossy paper, plus cover image. Photographs by Paul Ruscha. This edition was made possible by an award from The Coutts Contemporary Art Foundation, Zurich. Created by Ed Ruscha in 2001, after a 25-year hiatus from making artist books. Each photograph represents a monochromatic book cover gilded with variant letters S applied, two letters in one case. The methods of applying the letters to the covers appear to be different, e.g. bleaching or painting. This edition was produced in conjunction with Ruscha's exhibition at the James Kelly Gallery in Santa Fe in 2001. Minor wear, light compression at upper area of spine., Ed Ruscha, 2001, 3, New York: Kineticism Press.. Very Good with no dust jacket. 1973. First Edition; First Printing. Softcover. First edition. Very good in stapled wrappers. (Trace of staining on front cover with a good deal more on rear cover. ) Unpaginated (80pp. ) (9 1/4" X 9 1/4") Features an interview with Edward Ruscha "...A KIND OF A HUH? ?" conducted by Willoughby Sharp. Plus ad for a French exhibition of Ruscha with photograph of "Texas Gallery" and inside front cover Leo Castelli Gallery ad with "EDWARD RUSCHA (ED-WERD REW-SHAY) YOUNG ARTIST" calling card. Also an interview with William Wegman conducted by Liza Bear. Wegman cover as well. 2 inserts present. Apart from the unfortunate stains on covers a pleasing copy of an obscure early piece. ; 9 1/4" X 9 1/4"; 80 pages ., Kineticism Press., 1973, 3, (RUSCHA, EDWARD). Dean, Robert. ARTISTS WHO MAKE PIECES: ED RUSCHA'S FUGITIVE PRODUCTIONS. Tokyo: Fuji Xerox Art Space & Tokyo Publishing House, 2007. First Edition. 4to. Printed Wrappers. Artist Monograph. Fine. 48pp, profusely illustrated in color and b&w. Text in Japanese and English. With an exhibition checklist and exhibition history. This is the catalogue published in conjunction with a 2007 Tokyo exhibition of artist books, printed ephemera, and graphic design by Edward Ruscha. A brand new, most handsome example of this exceedingly uncommon - only four copies are currently cited in OCLC WorldCat - document. Inventory Number: 027523, Fuji Xerox Art Space & Tokyo Publishing House, 2007, 5, Gottingen: STEIDL.. Fine with no dust jacket. 2006. First Edition; First Printing. Hardcover. 3865212069 . First edition. Fine in red cloth with white titles, without dust jackets as issued, sealed in publisher's plastic shrinkwrap. ; 8 1/4" X 10 1/4" ., STEIDL., 2006, 5<
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Ed Ruscha, Photographer. - signiertes Exemplar
2021, ISBN: 9783865212061
Taschenbuch, Gebundene Ausgabe, Erstausgabe
Steidl/Whitney Museum of American Art, New York. Hardcover. New. New. In shrink wrap. Looks like an interesting title!, Steidl/Whitney Museum of American Art, New York, 6, New York: Rob… Mehr…
Steidl/Whitney Museum of American Art, New York. Hardcover. New. New. In shrink wrap. Looks like an interesting title!, Steidl/Whitney Museum of American Art, New York, 6, New York: Robert Miller Gallery. Fine. 1987. First Edition. Hardcover. 0944680003 . Hardcover in black boards with bold red letters on front. No dust jacket, as issued. One of a limited edition of 2000 copies published to accompany an exhibit of Ruscha's paintings at the Robert Miller Gallery in New York in November 1987. Book is As New, crisp and clean, with tight binding and sharp corners. Inked name on corner of front pastedown page. Published in conjunction with the Leo Castelli Gallery. Book design by Ed Ruscha and John Cheim. Photographed by Paul Ruscha. 11" x 11". Unpaginated. ., Robert Miller Gallery, 1987, 5, Beverly Hills, CA: Gagosian Gallery, 2003. 1st Edition . Soft cover. Fine. Large paperback octavo. 42 photos. Published for the gallery exhibition March/April 2003. Fine copy., Gagosian Gallery, 2003, 5, London: Gagosian, 2021. like new/no dj as issued. like new, appears unread. Gagosian, 2021, Hardcover, 11 1/4 × 9 1/4 inches (28.6 × 23.5 cm), 40pp, in English. -- Ships from Hawaii with free Priority Mail upgrade within US. --. This book was published on the occasion of Ed Ruscha: Dedication Stones, a special exhibition of new drawings by the artist in Saanen, Switzerland. In each of the drawings, Ruscha renders a different short word or symbol containing the letter x, which for him represents the ultimate variable, an endlessly adaptable surrogate for other ideas. It is also a literal component of the terms and names he illustrates-Bix, Mix, Fix, Tax, and so on. But while Ruscha engages with the words as abstract lingual units, their cultural associations ultimately remain in play; each drawing bears a subtitle that places its subject in a specific context. At the same time, the gray tonality, stippled texture, classical serif fonts, and trompe l'oeil pins depicted in the drawings suggest text chiseled in stone, galvanizing an association with monuments and tombstones-even as their "torn" edges seem to depict paper surfaces. The catalogue features reproductions of the sixteen exhibited works, alongside installation photography. (Gagosian Gallery)., Gagosian, 2021, 5, Redcat/California Institute of the Arts, (2003).. First edition.. Small 4to. 64 pp. Some light rubbing to cover, else very near fine in illustrated wrappers. Exhibition curated by Ed Ruscha, who contributes Curators Remarks. Fully-illustrated with color reproductions and b&w photographs., Redcat/California Institute of the Arts, 0, Balboa, CA: The Fine Art Patrons of Newport Harbor, 1968. First edition. Softcover. vg- to vg+. Quarto. Unpaginated. Photo-illustrated glossy wrappers, with a white hard plastic clasp binding. This publication is a catalog for the exhibition of work from artists Joe Goode and Ed Ruscha, held at the Balboa Pavilion Gallery, in Newport Beach, CA, from March 27- April 21st, 1968. Illustrated throughout with b/w and color reproductions of works shown at the exhibit, and a text introductions by noted museum director and artist Henry T. Hopkins, and Ruscha's mother Dorothy. Wrappers with a small closed tear along the top edge of the front cover. Light rubbing to corners and along edges. light cracking along the hinge. Light smudges on the back cover. Interior with a few minor sporadic smudges to the pages, with images unaffected. Wrappers in very good-, interior in very good+ condition overall., The Fine Art Patrons of Newport Harbor, 1968, 3, New York: Aperture, 2017. First edition and first printing. Hardcover. 280 pages. Wes Anderson, Quentin Bajac, David Campany, Paul Graham, Guido Guidi, Takashi Homma, An-My Lê, Michael Lesy, Hans Ulrich Obrist, Francine Prose, Ed Ruscha, Britt Salvesen, Taryn Simon, Thomas Struth, and Lynne Tillman were each tasked with selecting and writing about 10 images from Shore's seminal "Uncommon Places" archive. A fine copy with some light bumping to the top front corner and in a fine wraparound band to the rear board. Signed by Shore on the half title page. This is a heavy and oversized book and will require extra shipping., Aperture, 2017, 0, Los Angeles: Fellows of Contemporary Art and Laguna Art Museum, 1992. First edition. Paperback. Very Good +. Wide paperbound quarto. 142 pp. Text by Charles Desmarais. A clean very good copy in bound photo-illustrated wrappers with wide French flaps. A superb survey of the L. A. art scene of the 60's and 70's with special attention paid to Walace Berman, Eleanor Antin, Robert Heinecken, Douglas Huebler, Ed Ruscha and several other artists., Fellows of Contemporary Art and Laguna Art Museum, 1992, 3, SANTA MONICA: Craig Krull Gallery/Bergamont Station. Fine with no dust jacket. 2004. First Edition; First Printing. Softcover. First edition. Fine in pictorial printed wrappers. 45 images of the artist. (80pp. ) (5 1/2" X 7") 1200 copies printed. Cool artist's book consisting of vintage photographs taken by Jerry McMillan of artist Ed Ruscha over 14 years. ; 5 1/2" x 7"; 80 pages ., Craig Krull Gallery/Bergamont Station, 2004, 5, Amsterdam: STEDELIJK MUSEUM.. Fine with no dust jacket. 1976. First Edition; First Printing. Paperback.. Fine in stapled wrappers. Several b&w illustrations. 1700 copies produced. ; 8 " X 10 3/4" ., STEDELIJK MUSEUM., 1976, 5, New York: Gagosian Gallery. Fine with no dust jacket. 2013. Reception card. OPENING RECEPTION CARD. Fine on heavy card stock. (7" X 7") Sent by the gallery to patrons for the opening reception of: ED RUSCHA: BOOKS & CO. March 5- April, 27, 29013 Tuesday, March 5, 6-8pm at the Gagosian Gallery in New York. Featuring the artist books of Ed Ruscha together with artist books by more than 100 artists he has inspired. The card features a full-color image of Ed Ruscha laying on his back smiling covered by his books. A very cool ephemeral piece. Includes Gagosiabn mailing envelope. ; 7" x 7"; 1 pages ., Gagosian Gallery, 2013, 5, Beverly Hills: Gagosian, (2003).. First edition.. 59 pp. Fine in printed wrappers. Seven products, twenty five apartments, three palm trees, six rooftops, and one arial view., Beverly Hills: Gagosian, 0, London: Phaidon, 2003. 1st Edition. hardbound. Very Good tight clean copy/no dustwrapper. 4to. profusely illustrated Comprehensive illustrated monograph on the work of Ed Ruscha, with chapters on Sixties Pop, Books and Photographs, Single Words, Thoughts and Phrases, Landscapes and Skies, and more; profusely illustrated in colour and b&w; includes list of exhibitions, bibliography; illustrated boards, no dustwrapper (as issued); Very Good tight and clean throughout; boards very lightly rubbed; PLEASE NOTE: HEAVY BOOK MAY INCUR EXTRA SHIPPING IF DESTINATION IS OUTSIDE AUSTRALIA., Phaidon, 2003, 3, As new in publisher's shrink wrap., Gagosian Gallery, 2015, 5, New York: Robert Miller Gallery. , 1992. First edition. Hardcover. Fine/fine. Sm.sq.4to. Hardcover. Peach moiré cloth-covered boards; with clear acetate dust jacket printed with title in black. Paintings by Ed Ruscha. Essay by Peter Schjeldahl. Includes a list of plates. Unpaginated, with 31 four-color plates and 1 black-and-white illustration (1974 photograph of Ruscha by Narit Wilde). Designed and edited by John Cheim., Robert Miller Gallery., 1992, 5, Los Angeles: Ed Ruscha, 2001. First edition. Softcover. Very good to fine condition. Octavo. (2) 26 (4) plates. Original stiff cream wraps with S motif in color on cover. S Books by Ed Ruscha. 2000 copies printed in 2001. Twenty-six color offset reproductions of variant book covers printed on glossy paper, plus cover image. Photographs by Paul Ruscha. This edition was made possible by an award from The Coutts Contemporary Art Foundation, Zurich. Created by Ed Ruscha in 2001, after a 25-year hiatus from making artist books. Each photograph represents a monochromatic book cover gilded with variant letters S applied, two letters in one case. The methods of applying the letters to the covers appear to be different, e.g. bleaching or painting. This edition was produced in conjunction with Ruscha's exhibition at the James Kelly Gallery in Santa Fe in 2001. Minor wear, light compression at upper area of spine., Ed Ruscha, 2001, 3, New York: Kineticism Press.. Very Good with no dust jacket. 1973. First Edition; First Printing. Softcover. First edition. Very good in stapled wrappers. (Trace of staining on front cover with a good deal more on rear cover. ) Unpaginated (80pp. ) (9 1/4" X 9 1/4") Features an interview with Edward Ruscha "...A KIND OF A HUH? ?" conducted by Willoughby Sharp. Plus ad for a French exhibition of Ruscha with photograph of "Texas Gallery" and inside front cover Leo Castelli Gallery ad with "EDWARD RUSCHA (ED-WERD REW-SHAY) YOUNG ARTIST" calling card. Also an interview with William Wegman conducted by Liza Bear. Wegman cover as well. 2 inserts present. Apart from the unfortunate stains on covers a pleasing copy of an obscure early piece. ; 9 1/4" X 9 1/4"; 80 pages ., Kineticism Press., 1973, 3, Madrid: Galeria Metta.. Fine with no dust jacket. 1999. First Edition; First Printing. Softcover. First edition. Fine in printed wrappers. (43pp. ) (9 1/2" X 10 3/4") Illustrated with list of solo exhibitions. Text in Spanish. ; 9 1/2" X 10 3/4"; 43 pages ., Galeria Metta., 1999, 5, NY: WHITNEY MUSEUM OF ART.. Near Fine with no dust jacket. 1990. First Edition; First Printing. Softcover. 087427074X . First edition. Near fine in green printed wrappers. (Trivial hint of shelf-wear at edges of spine. ) (8" X 10") Exhibition catalogue for the show presented July 27- Oct. 14, 1990. ., WHITNEY MUSEUM OF ART., 1990, 4, New York: Hudson Hills/San FRANCISCO MUSEUM OF MODERN ART. Fine with no dust jacket. 1982. First Edition; First Printing. Softcover. 0933920229 . First edition. The trade-size paperback issue with the Ruscha work "I Dont Want No Retro Spective" pictured on front cover. Fine in printed paperback wrappers. (182pp. ) (10" x 10") 62 color plates, including 9 gatefolds & 150 duotone & black & white photographs. Laid-in separately is the uncommon exhibition brochure curated by Louise Katzman which is fine in stapled wrappers. (8pp. ) (5 1/2" X 8 1/2") Both items 'as new'.; 10 " x 10"; 182 pages ., Hudson Hills/San FRANCISCO MUSEUM OF MODERN ART, 1982, 5, (RUSCHA, EDWARD). Dean, Robert. ARTISTS WHO MAKE PIECES: ED RUSCHA'S FUGITIVE PRODUCTIONS. Tokyo: Fuji Xerox Art Space & Tokyo Publishing House, 2007. First Edition. 4to. Printed Wrappers. Artist Monograph. Fine. 48pp, profusely illustrated in color and b&w. Text in Japanese and English. With an exhibition checklist and exhibition history. This is the catalogue published in conjunction with a 2007 Tokyo exhibition of artist books, printed ephemera, and graphic design by Edward Ruscha. A brand new, most handsome example of this exceedingly uncommon - only four copies are currently cited in OCLC WorldCat - document. Inventory Number: 027523, Fuji Xerox Art Space & Tokyo Publishing House, 2007, 5, Gottingen: STEIDL.. Fine with no dust jacket. 2006. First Edition; First Printing. Hardcover. 3865212069 . First edition. Fine in red cloth with white titles, without dust jackets as issued, sealed in publisher's plastic shrinkwrap. ; 8 1/4" X 10 1/4" ., STEIDL., 2006, 5<
usa, u.. | Biblio.co.uk GridFreed LLC, KULTURAs books, Studio Books, Rare Books Honolulu, Jeff Maser, Bookseller-ABAA, Eric Chaim Kline - Bookseller, Jeff Hirsch Books, ABAA, Derringer Books, Waverley Books, Waverley Books, Waverley Books, Jeff Maser, Bookseller-ABAA, Gotcha By The Books, Postliterate, Roe and Moore, Eric Chaim Kline - Bookseller, Waverley Books, Waverley Books, Waverley Books, Waverley Books, Arcana: Books on the Arts, Waverley Books Versandkosten: EUR 19.89 Details... |
2006, ISBN: 9783865212061
Gebundene Ausgabe
(Hollywood, CA): (Heavy Industry Publications), 1969. First printing. Near fine in near fine jacket.. Signed first edition of Ruscha's photo-novel, illustrating a 1967 short story by Ma… Mehr…
(Hollywood, CA): (Heavy Industry Publications), 1969. First printing. Near fine in near fine jacket.. Signed first edition of Ruscha's photo-novel, illustrating a 1967 short story by Mason Williams, "How To Derive The Maximum Enjoyment From Crackers." Printed in full on the rear dust jacket flap, Williams's directions for a semi-surrealist sexual humiliation comedy are faithfully acted out by Larry Bell, Leon Bing, Rudi Gernreich, and Tommy Smothers, and photographed by Ken Price, Joe Goode, and Ruscha. Ruscha would use the same source material and the same cast for his 1971 short film, "Premium," explaining: "See, it was a movie best of all, but first it was a book. It was a book that was a movie fallen short." Scarce signed. 8.75'' x 6''. Original chipboard wrappers. In original red and white printed dust jacket. [240] pages. Black and white photographic illustrations. Signed by Ruscha on front free endpaper. PROVENANCE: From the collection of longtime MIT Press editor Roger Conover, who published several books by and about Ruscha. Light edgewear and touches of chipping to jacket. Else clean and bright., (Heavy Industry Publications), 1969, 4, Steidl; Museum. New. 2006. Hardcover. 3865212069 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- 183 pages, 170 plates (140 in color) , 20 figures. -- with a bonus offer-- ., Steidl; Museum, 2006, 6<
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Ed Ruscha, Photographer. - Erstausgabe
2006, ISBN: 3865212069
Gebundene Ausgabe
[EAN: 9783865212061], Gebraucht, guter Zustand, [PU: STEIDL., Gottingen], ART/PHOTOGRAPHY/ED RUSCHA NOISBN, First edition. Fine in red cloth with white titles, without dust jackets as iss… Mehr…
[EAN: 9783865212061], Gebraucht, guter Zustand, [PU: STEIDL., Gottingen], ART/PHOTOGRAPHY/ED RUSCHA NOISBN, First edition. Fine in red cloth with white titles, without dust jackets as issued, sealed in publisher's plastic shrinkwrap. ; 8 1/4" X 10 1/4", Books<
AbeBooks.de WAVERLEY BOOKS ABAA, Santa Monica, CA, U.S.A. [89777] [Rating: 4 (von 5)] NOT NEW BOOK. Versandkosten: EUR 51.39 Details... |
Ed Ruscha, Photographer - Erstausgabe
2006, ISBN: 9783865212061
Gebundene Ausgabe
Hardcover, 3865212069., Fine with no dust jacket, [ED: 1], Art/photography/ed RUSCHA, First edition. Fine in red cloth with white titles, without dust jackets as issued, sealed in publish… Mehr…
Hardcover, 3865212069., Fine with no dust jacket, [ED: 1], Art/photography/ed RUSCHA, First edition. Fine in red cloth with white titles, without dust jackets as issued, sealed in publisher's plastic shrinkwrap.; 8 1/4" X 10 1/4", Gottingen, [PU: STEIDL.]<
alibris.co.uk |
Ed Ruscha, Photographer. - signiertes Exemplar
2021, ISBN: 9783865212061
Taschenbuch, Gebundene Ausgabe, Erstausgabe
Santa Monica: Smart Art Press, 2004. Very light shelf wear and small tear at top of spine. Edition of 1200. First Edition. Paperback. Very Fine. 16mo - over 5¾" - 6¾&qu… Mehr…
Santa Monica: Smart Art Press, 2004. Very light shelf wear and small tear at top of spine. Edition of 1200. First Edition. Paperback. Very Fine. 16mo - over 5¾" - 6¾" tall., Smart Art Press, 2004, 5, Steidl/Whitney Museum of American Art, New York. Hardcover. New. New. In shrink wrap. Looks like an interesting title!, Steidl/Whitney Museum of American Art, New York, 6, New York: Robert Miller Gallery. Fine. 1987. First Edition. Hardcover. 0944680003 . Hardcover in black boards with bold red letters on front. No dust jacket, as issued. One of a limited edition of 2000 copies published to accompany an exhibit of Ruscha's paintings at the Robert Miller Gallery in New York in November 1987. Book is As New, crisp and clean, with tight binding and sharp corners. Inked name on corner of front pastedown page. Published in conjunction with the Leo Castelli Gallery. Book design by Ed Ruscha and John Cheim. Photographed by Paul Ruscha. 11" x 11". Unpaginated. ., Robert Miller Gallery, 1987, 5, Beverly Hills, CA: Gagosian Gallery, 2003. 1st Edition . Soft cover. Fine. Large paperback octavo. 42 photos. Published for the gallery exhibition March/April 2003. Fine copy., Gagosian Gallery, 2003, 5, New York: Aperture, 2017. First edition and first printing. Hardcover. 280 pages. Wes Anderson, Quentin Bajac, David Campany, Paul Graham, Guido Guidi, Takashi Homma, An-My Lê, Michael Lesy, Hans Ulrich Obrist, Francine Prose, Ed Ruscha, Britt Salvesen, Taryn Simon, Thomas Struth, and Lynne Tillman were each tasked with selecting and writing about 10 images from Shore's seminal "Uncommon Places" archive. A fine copy with some light bumping to the top front corner and in a fine wraparound band to the rear board. Signed by Shore on the half title page. This is a heavy and oversized book and will require extra shipping., Aperture, 2017, 0, London: Gagosian, 2021. like new/no dj as issued. like new, appears unread. Gagosian, 2021, Hardcover, 11 1/4 × 9 1/4 inches (28.6 × 23.5 cm), 40pp, in English. -- Ships from Hawaii with free Priority Mail upgrade within US. --. This book was published on the occasion of Ed Ruscha: Dedication Stones, a special exhibition of new drawings by the artist in Saanen, Switzerland. In each of the drawings, Ruscha renders a different short word or symbol containing the letter x, which for him represents the ultimate variable, an endlessly adaptable surrogate for other ideas. It is also a literal component of the terms and names he illustrates-Bix, Mix, Fix, Tax, and so on. But while Ruscha engages with the words as abstract lingual units, their cultural associations ultimately remain in play; each drawing bears a subtitle that places its subject in a specific context. At the same time, the gray tonality, stippled texture, classical serif fonts, and trompe l'oeil pins depicted in the drawings suggest text chiseled in stone, galvanizing an association with monuments and tombstones-even as their "torn" edges seem to depict paper surfaces. The catalogue features reproductions of the sixteen exhibited works, alongside installation photography. (Gagosian Gallery)., Gagosian, 2021, 5, Redcat/California Institute of the Arts, (2003).. First edition.. Small 4to. 64 pp. Some light rubbing to cover, else very near fine in illustrated wrappers. Exhibition curated by Ed Ruscha, who contributes Curators Remarks. Fully-illustrated with color reproductions and b&w photographs., Redcat/California Institute of the Arts, 0, Balboa, CA: The Fine Art Patrons of Newport Harbor, 1968. First edition. Softcover. vg- to vg+. Quarto. Unpaginated. Photo-illustrated glossy wrappers, with a white hard plastic clasp binding. This publication is a catalog for the exhibition of work from artists Joe Goode and Ed Ruscha, held at the Balboa Pavilion Gallery, in Newport Beach, CA, from March 27- April 21st, 1968. Illustrated throughout with b/w and color reproductions of works shown at the exhibit, and a text introductions by noted museum director and artist Henry T. Hopkins, and Ruscha's mother Dorothy. Wrappers with a small closed tear along the top edge of the front cover. Light rubbing to corners and along edges. light cracking along the hinge. Light smudges on the back cover. Interior with a few minor sporadic smudges to the pages, with images unaffected. Wrappers in very good-, interior in very good+ condition overall., The Fine Art Patrons of Newport Harbor, 1968, 3, Los Angeles: Fellows of Contemporary Art and Laguna Art Museum, 1992. First edition. Paperback. Very Good +. Wide paperbound quarto. 142 pp. Text by Charles Desmarais. A clean very good copy in bound photo-illustrated wrappers with wide French flaps. A superb survey of the L. A. art scene of the 60's and 70's with special attention paid to Walace Berman, Eleanor Antin, Robert Heinecken, Douglas Huebler, Ed Ruscha and several other artists., Fellows of Contemporary Art and Laguna Art Museum, 1992, 3, Beverly Hills: Gagosian, (2003).. First edition.. 59 pp. Fine in printed wrappers. Seven products, twenty five apartments, three palm trees, six rooftops, and one arial view., Beverly Hills: Gagosian, 0, SANTA MONICA: Craig Krull Gallery/Bergamont Station. Fine with no dust jacket. 2004. First Edition; First Printing. Softcover. First edition. Fine in pictorial printed wrappers. 45 images of the artist. (80pp. ) (5 1/2" X 7") 1200 copies printed. Cool artist's book consisting of vintage photographs taken by Jerry McMillan of artist Ed Ruscha over 14 years. ; 5 1/2" x 7"; 80 pages ., Craig Krull Gallery/Bergamont Station, 2004, 5, Amsterdam: STEDELIJK MUSEUM.. Fine with no dust jacket. 1976. First Edition; First Printing. Paperback.. Fine in stapled wrappers. Several b&w illustrations. 1700 copies produced. ; 8 " X 10 3/4" ., STEDELIJK MUSEUM., 1976, 5, New York: Gagosian Gallery. Fine with no dust jacket. 2013. Reception card. OPENING RECEPTION CARD. Fine on heavy card stock. (7" X 7") Sent by the gallery to patrons for the opening reception of: ED RUSCHA: BOOKS & CO. March 5- April, 27, 29013 Tuesday, March 5, 6-8pm at the Gagosian Gallery in New York. Featuring the artist books of Ed Ruscha together with artist books by more than 100 artists he has inspired. The card features a full-color image of Ed Ruscha laying on his back smiling covered by his books. A very cool ephemeral piece. Includes Gagosiabn mailing envelope. ; 7" x 7"; 1 pages ., Gagosian Gallery, 2013, 5, London: Phaidon, 2003. 1st Edition. hardbound. Very Good tight clean copy/no dustwrapper. 4to. profusely illustrated Comprehensive illustrated monograph on the work of Ed Ruscha, with chapters on Sixties Pop, Books and Photographs, Single Words, Thoughts and Phrases, Landscapes and Skies, and more; profusely illustrated in colour and b&w; includes list of exhibitions, bibliography; illustrated boards, no dustwrapper (as issued); Very Good tight and clean throughout; boards very lightly rubbed; PLEASE NOTE: HEAVY BOOK MAY INCUR EXTRA SHIPPING IF DESTINATION IS OUTSIDE AUSTRALIA., Phaidon, 2003, 3, As new in publisher's shrink wrap., Gagosian Gallery, 2015, 5, New York: Robert Miller Gallery. , 1992. First edition. Hardcover. Fine/fine. Sm.sq.4to. Hardcover. Peach moiré cloth-covered boards; with clear acetate dust jacket printed with title in black. Paintings by Ed Ruscha. Essay by Peter Schjeldahl. Includes a list of plates. Unpaginated, with 31 four-color plates and 1 black-and-white illustration (1974 photograph of Ruscha by Narit Wilde). Designed and edited by John Cheim., Robert Miller Gallery., 1992, 5, Madrid: Galeria Metta.. Fine with no dust jacket. 1999. First Edition; First Printing. Softcover. First edition. Fine in printed wrappers. (43pp. ) (9 1/2" X 10 3/4") Illustrated with list of solo exhibitions. Text in Spanish. ; 9 1/2" X 10 3/4"; 43 pages ., Galeria Metta., 1999, 5, NY: WHITNEY MUSEUM OF ART.. Near Fine with no dust jacket. 1990. First Edition; First Printing. Softcover. 087427074X . First edition. Near fine in green printed wrappers. (Trivial hint of shelf-wear at edges of spine. ) (8" X 10") Exhibition catalogue for the show presented July 27- Oct. 14, 1990. ., WHITNEY MUSEUM OF ART., 1990, 4, New York: Hudson Hills/San FRANCISCO MUSEUM OF MODERN ART. Fine with no dust jacket. 1982. First Edition; First Printing. Softcover. 0933920229 . First edition. The trade-size paperback issue with the Ruscha work "I Dont Want No Retro Spective" pictured on front cover. Fine in printed paperback wrappers. (182pp. ) (10" x 10") 62 color plates, including 9 gatefolds & 150 duotone & black & white photographs. Laid-in separately is the uncommon exhibition brochure curated by Louise Katzman which is fine in stapled wrappers. (8pp. ) (5 1/2" X 8 1/2") Both items 'as new'.; 10 " x 10"; 182 pages ., Hudson Hills/San FRANCISCO MUSEUM OF MODERN ART, 1982, 5, Los Angeles: Ed Ruscha, 2001. First edition. Softcover. Very good to fine condition. Octavo. (2) 26 (4) plates. Original stiff cream wraps with S motif in color on cover. S Books by Ed Ruscha. 2000 copies printed in 2001. Twenty-six color offset reproductions of variant book covers printed on glossy paper, plus cover image. Photographs by Paul Ruscha. This edition was made possible by an award from The Coutts Contemporary Art Foundation, Zurich. Created by Ed Ruscha in 2001, after a 25-year hiatus from making artist books. Each photograph represents a monochromatic book cover gilded with variant letters S applied, two letters in one case. The methods of applying the letters to the covers appear to be different, e.g. bleaching or painting. This edition was produced in conjunction with Ruscha's exhibition at the James Kelly Gallery in Santa Fe in 2001. Minor wear, light compression at upper area of spine., Ed Ruscha, 2001, 3, New York: Kineticism Press.. Very Good with no dust jacket. 1973. First Edition; First Printing. Softcover. First edition. Very good in stapled wrappers. (Trace of staining on front cover with a good deal more on rear cover. ) Unpaginated (80pp. ) (9 1/4" X 9 1/4") Features an interview with Edward Ruscha "...A KIND OF A HUH? ?" conducted by Willoughby Sharp. Plus ad for a French exhibition of Ruscha with photograph of "Texas Gallery" and inside front cover Leo Castelli Gallery ad with "EDWARD RUSCHA (ED-WERD REW-SHAY) YOUNG ARTIST" calling card. Also an interview with William Wegman conducted by Liza Bear. Wegman cover as well. 2 inserts present. Apart from the unfortunate stains on covers a pleasing copy of an obscure early piece. ; 9 1/4" X 9 1/4"; 80 pages ., Kineticism Press., 1973, 3, (RUSCHA, EDWARD). Dean, Robert. ARTISTS WHO MAKE PIECES: ED RUSCHA'S FUGITIVE PRODUCTIONS. Tokyo: Fuji Xerox Art Space & Tokyo Publishing House, 2007. First Edition. 4to. Printed Wrappers. Artist Monograph. Fine. 48pp, profusely illustrated in color and b&w. Text in Japanese and English. With an exhibition checklist and exhibition history. This is the catalogue published in conjunction with a 2007 Tokyo exhibition of artist books, printed ephemera, and graphic design by Edward Ruscha. A brand new, most handsome example of this exceedingly uncommon - only four copies are currently cited in OCLC WorldCat - document. Inventory Number: 027523, Fuji Xerox Art Space & Tokyo Publishing House, 2007, 5, Gottingen: STEIDL.. Fine with no dust jacket. 2006. First Edition; First Printing. Hardcover. 3865212069 . First edition. Fine in red cloth with white titles, without dust jackets as issued, sealed in publisher's plastic shrinkwrap. ; 8 1/4" X 10 1/4" ., STEIDL., 2006, 5<
Ruscha, Ed. (Photographs) Rowell, Margit. (Acknowledgments) Weinberg, Adam D. (Foreword):
Ed Ruscha, Photographer. - signiertes Exemplar2021, ISBN: 9783865212061
Taschenbuch, Gebundene Ausgabe, Erstausgabe
Steidl/Whitney Museum of American Art, New York. Hardcover. New. New. In shrink wrap. Looks like an interesting title!, Steidl/Whitney Museum of American Art, New York, 6, New York: Rob… Mehr…
Steidl/Whitney Museum of American Art, New York. Hardcover. New. New. In shrink wrap. Looks like an interesting title!, Steidl/Whitney Museum of American Art, New York, 6, New York: Robert Miller Gallery. Fine. 1987. First Edition. Hardcover. 0944680003 . Hardcover in black boards with bold red letters on front. No dust jacket, as issued. One of a limited edition of 2000 copies published to accompany an exhibit of Ruscha's paintings at the Robert Miller Gallery in New York in November 1987. Book is As New, crisp and clean, with tight binding and sharp corners. Inked name on corner of front pastedown page. Published in conjunction with the Leo Castelli Gallery. Book design by Ed Ruscha and John Cheim. Photographed by Paul Ruscha. 11" x 11". Unpaginated. ., Robert Miller Gallery, 1987, 5, Beverly Hills, CA: Gagosian Gallery, 2003. 1st Edition . Soft cover. Fine. Large paperback octavo. 42 photos. Published for the gallery exhibition March/April 2003. Fine copy., Gagosian Gallery, 2003, 5, London: Gagosian, 2021. like new/no dj as issued. like new, appears unread. Gagosian, 2021, Hardcover, 11 1/4 × 9 1/4 inches (28.6 × 23.5 cm), 40pp, in English. -- Ships from Hawaii with free Priority Mail upgrade within US. --. This book was published on the occasion of Ed Ruscha: Dedication Stones, a special exhibition of new drawings by the artist in Saanen, Switzerland. In each of the drawings, Ruscha renders a different short word or symbol containing the letter x, which for him represents the ultimate variable, an endlessly adaptable surrogate for other ideas. It is also a literal component of the terms and names he illustrates-Bix, Mix, Fix, Tax, and so on. But while Ruscha engages with the words as abstract lingual units, their cultural associations ultimately remain in play; each drawing bears a subtitle that places its subject in a specific context. At the same time, the gray tonality, stippled texture, classical serif fonts, and trompe l'oeil pins depicted in the drawings suggest text chiseled in stone, galvanizing an association with monuments and tombstones-even as their "torn" edges seem to depict paper surfaces. The catalogue features reproductions of the sixteen exhibited works, alongside installation photography. (Gagosian Gallery)., Gagosian, 2021, 5, Redcat/California Institute of the Arts, (2003).. First edition.. Small 4to. 64 pp. Some light rubbing to cover, else very near fine in illustrated wrappers. Exhibition curated by Ed Ruscha, who contributes Curators Remarks. Fully-illustrated with color reproductions and b&w photographs., Redcat/California Institute of the Arts, 0, Balboa, CA: The Fine Art Patrons of Newport Harbor, 1968. First edition. Softcover. vg- to vg+. Quarto. Unpaginated. Photo-illustrated glossy wrappers, with a white hard plastic clasp binding. This publication is a catalog for the exhibition of work from artists Joe Goode and Ed Ruscha, held at the Balboa Pavilion Gallery, in Newport Beach, CA, from March 27- April 21st, 1968. Illustrated throughout with b/w and color reproductions of works shown at the exhibit, and a text introductions by noted museum director and artist Henry T. Hopkins, and Ruscha's mother Dorothy. Wrappers with a small closed tear along the top edge of the front cover. Light rubbing to corners and along edges. light cracking along the hinge. Light smudges on the back cover. Interior with a few minor sporadic smudges to the pages, with images unaffected. Wrappers in very good-, interior in very good+ condition overall., The Fine Art Patrons of Newport Harbor, 1968, 3, New York: Aperture, 2017. First edition and first printing. Hardcover. 280 pages. Wes Anderson, Quentin Bajac, David Campany, Paul Graham, Guido Guidi, Takashi Homma, An-My Lê, Michael Lesy, Hans Ulrich Obrist, Francine Prose, Ed Ruscha, Britt Salvesen, Taryn Simon, Thomas Struth, and Lynne Tillman were each tasked with selecting and writing about 10 images from Shore's seminal "Uncommon Places" archive. A fine copy with some light bumping to the top front corner and in a fine wraparound band to the rear board. Signed by Shore on the half title page. This is a heavy and oversized book and will require extra shipping., Aperture, 2017, 0, Los Angeles: Fellows of Contemporary Art and Laguna Art Museum, 1992. First edition. Paperback. Very Good +. Wide paperbound quarto. 142 pp. Text by Charles Desmarais. A clean very good copy in bound photo-illustrated wrappers with wide French flaps. A superb survey of the L. A. art scene of the 60's and 70's with special attention paid to Walace Berman, Eleanor Antin, Robert Heinecken, Douglas Huebler, Ed Ruscha and several other artists., Fellows of Contemporary Art and Laguna Art Museum, 1992, 3, SANTA MONICA: Craig Krull Gallery/Bergamont Station. Fine with no dust jacket. 2004. First Edition; First Printing. Softcover. First edition. Fine in pictorial printed wrappers. 45 images of the artist. (80pp. ) (5 1/2" X 7") 1200 copies printed. Cool artist's book consisting of vintage photographs taken by Jerry McMillan of artist Ed Ruscha over 14 years. ; 5 1/2" x 7"; 80 pages ., Craig Krull Gallery/Bergamont Station, 2004, 5, Amsterdam: STEDELIJK MUSEUM.. Fine with no dust jacket. 1976. First Edition; First Printing. Paperback.. Fine in stapled wrappers. Several b&w illustrations. 1700 copies produced. ; 8 " X 10 3/4" ., STEDELIJK MUSEUM., 1976, 5, New York: Gagosian Gallery. Fine with no dust jacket. 2013. Reception card. OPENING RECEPTION CARD. Fine on heavy card stock. (7" X 7") Sent by the gallery to patrons for the opening reception of: ED RUSCHA: BOOKS & CO. March 5- April, 27, 29013 Tuesday, March 5, 6-8pm at the Gagosian Gallery in New York. Featuring the artist books of Ed Ruscha together with artist books by more than 100 artists he has inspired. The card features a full-color image of Ed Ruscha laying on his back smiling covered by his books. A very cool ephemeral piece. Includes Gagosiabn mailing envelope. ; 7" x 7"; 1 pages ., Gagosian Gallery, 2013, 5, Beverly Hills: Gagosian, (2003).. First edition.. 59 pp. Fine in printed wrappers. Seven products, twenty five apartments, three palm trees, six rooftops, and one arial view., Beverly Hills: Gagosian, 0, London: Phaidon, 2003. 1st Edition. hardbound. Very Good tight clean copy/no dustwrapper. 4to. profusely illustrated Comprehensive illustrated monograph on the work of Ed Ruscha, with chapters on Sixties Pop, Books and Photographs, Single Words, Thoughts and Phrases, Landscapes and Skies, and more; profusely illustrated in colour and b&w; includes list of exhibitions, bibliography; illustrated boards, no dustwrapper (as issued); Very Good tight and clean throughout; boards very lightly rubbed; PLEASE NOTE: HEAVY BOOK MAY INCUR EXTRA SHIPPING IF DESTINATION IS OUTSIDE AUSTRALIA., Phaidon, 2003, 3, As new in publisher's shrink wrap., Gagosian Gallery, 2015, 5, New York: Robert Miller Gallery. , 1992. First edition. Hardcover. Fine/fine. Sm.sq.4to. Hardcover. Peach moiré cloth-covered boards; with clear acetate dust jacket printed with title in black. Paintings by Ed Ruscha. Essay by Peter Schjeldahl. Includes a list of plates. Unpaginated, with 31 four-color plates and 1 black-and-white illustration (1974 photograph of Ruscha by Narit Wilde). Designed and edited by John Cheim., Robert Miller Gallery., 1992, 5, Los Angeles: Ed Ruscha, 2001. First edition. Softcover. Very good to fine condition. Octavo. (2) 26 (4) plates. Original stiff cream wraps with S motif in color on cover. S Books by Ed Ruscha. 2000 copies printed in 2001. Twenty-six color offset reproductions of variant book covers printed on glossy paper, plus cover image. Photographs by Paul Ruscha. This edition was made possible by an award from The Coutts Contemporary Art Foundation, Zurich. Created by Ed Ruscha in 2001, after a 25-year hiatus from making artist books. Each photograph represents a monochromatic book cover gilded with variant letters S applied, two letters in one case. The methods of applying the letters to the covers appear to be different, e.g. bleaching or painting. This edition was produced in conjunction with Ruscha's exhibition at the James Kelly Gallery in Santa Fe in 2001. Minor wear, light compression at upper area of spine., Ed Ruscha, 2001, 3, New York: Kineticism Press.. Very Good with no dust jacket. 1973. First Edition; First Printing. Softcover. First edition. Very good in stapled wrappers. (Trace of staining on front cover with a good deal more on rear cover. ) Unpaginated (80pp. ) (9 1/4" X 9 1/4") Features an interview with Edward Ruscha "...A KIND OF A HUH? ?" conducted by Willoughby Sharp. Plus ad for a French exhibition of Ruscha with photograph of "Texas Gallery" and inside front cover Leo Castelli Gallery ad with "EDWARD RUSCHA (ED-WERD REW-SHAY) YOUNG ARTIST" calling card. Also an interview with William Wegman conducted by Liza Bear. Wegman cover as well. 2 inserts present. Apart from the unfortunate stains on covers a pleasing copy of an obscure early piece. ; 9 1/4" X 9 1/4"; 80 pages ., Kineticism Press., 1973, 3, Madrid: Galeria Metta.. Fine with no dust jacket. 1999. First Edition; First Printing. Softcover. First edition. Fine in printed wrappers. (43pp. ) (9 1/2" X 10 3/4") Illustrated with list of solo exhibitions. Text in Spanish. ; 9 1/2" X 10 3/4"; 43 pages ., Galeria Metta., 1999, 5, NY: WHITNEY MUSEUM OF ART.. Near Fine with no dust jacket. 1990. First Edition; First Printing. Softcover. 087427074X . First edition. Near fine in green printed wrappers. (Trivial hint of shelf-wear at edges of spine. ) (8" X 10") Exhibition catalogue for the show presented July 27- Oct. 14, 1990. ., WHITNEY MUSEUM OF ART., 1990, 4, New York: Hudson Hills/San FRANCISCO MUSEUM OF MODERN ART. Fine with no dust jacket. 1982. First Edition; First Printing. Softcover. 0933920229 . First edition. The trade-size paperback issue with the Ruscha work "I Dont Want No Retro Spective" pictured on front cover. Fine in printed paperback wrappers. (182pp. ) (10" x 10") 62 color plates, including 9 gatefolds & 150 duotone & black & white photographs. Laid-in separately is the uncommon exhibition brochure curated by Louise Katzman which is fine in stapled wrappers. (8pp. ) (5 1/2" X 8 1/2") Both items 'as new'.; 10 " x 10"; 182 pages ., Hudson Hills/San FRANCISCO MUSEUM OF MODERN ART, 1982, 5, (RUSCHA, EDWARD). Dean, Robert. ARTISTS WHO MAKE PIECES: ED RUSCHA'S FUGITIVE PRODUCTIONS. Tokyo: Fuji Xerox Art Space & Tokyo Publishing House, 2007. First Edition. 4to. Printed Wrappers. Artist Monograph. Fine. 48pp, profusely illustrated in color and b&w. Text in Japanese and English. With an exhibition checklist and exhibition history. This is the catalogue published in conjunction with a 2007 Tokyo exhibition of artist books, printed ephemera, and graphic design by Edward Ruscha. A brand new, most handsome example of this exceedingly uncommon - only four copies are currently cited in OCLC WorldCat - document. Inventory Number: 027523, Fuji Xerox Art Space & Tokyo Publishing House, 2007, 5, Gottingen: STEIDL.. Fine with no dust jacket. 2006. First Edition; First Printing. Hardcover. 3865212069 . First edition. Fine in red cloth with white titles, without dust jackets as issued, sealed in publisher's plastic shrinkwrap. ; 8 1/4" X 10 1/4" ., STEIDL., 2006, 5<
2006
ISBN: 9783865212061
Gebundene Ausgabe
(Hollywood, CA): (Heavy Industry Publications), 1969. First printing. Near fine in near fine jacket.. Signed first edition of Ruscha's photo-novel, illustrating a 1967 short story by Ma… Mehr…
(Hollywood, CA): (Heavy Industry Publications), 1969. First printing. Near fine in near fine jacket.. Signed first edition of Ruscha's photo-novel, illustrating a 1967 short story by Mason Williams, "How To Derive The Maximum Enjoyment From Crackers." Printed in full on the rear dust jacket flap, Williams's directions for a semi-surrealist sexual humiliation comedy are faithfully acted out by Larry Bell, Leon Bing, Rudi Gernreich, and Tommy Smothers, and photographed by Ken Price, Joe Goode, and Ruscha. Ruscha would use the same source material and the same cast for his 1971 short film, "Premium," explaining: "See, it was a movie best of all, but first it was a book. It was a book that was a movie fallen short." Scarce signed. 8.75'' x 6''. Original chipboard wrappers. In original red and white printed dust jacket. [240] pages. Black and white photographic illustrations. Signed by Ruscha on front free endpaper. PROVENANCE: From the collection of longtime MIT Press editor Roger Conover, who published several books by and about Ruscha. Light edgewear and touches of chipping to jacket. Else clean and bright., (Heavy Industry Publications), 1969, 4, Steidl; Museum. New. 2006. Hardcover. 3865212069 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- 183 pages, 170 plates (140 in color) , 20 figures. -- with a bonus offer-- ., Steidl; Museum, 2006, 6<
Ed Ruscha, Photographer. - Erstausgabe
2006, ISBN: 3865212069
Gebundene Ausgabe
[EAN: 9783865212061], Gebraucht, guter Zustand, [PU: STEIDL., Gottingen], ART/PHOTOGRAPHY/ED RUSCHA NOISBN, First edition. Fine in red cloth with white titles, without dust jackets as iss… Mehr…
[EAN: 9783865212061], Gebraucht, guter Zustand, [PU: STEIDL., Gottingen], ART/PHOTOGRAPHY/ED RUSCHA NOISBN, First edition. Fine in red cloth with white titles, without dust jackets as issued, sealed in publisher's plastic shrinkwrap. ; 8 1/4" X 10 1/4", Books<
Ed Ruscha, Photographer - Erstausgabe
2006, ISBN: 9783865212061
Gebundene Ausgabe
Hardcover, 3865212069., Fine with no dust jacket, [ED: 1], Art/photography/ed RUSCHA, First edition. Fine in red cloth with white titles, without dust jackets as issued, sealed in publish… Mehr…
Hardcover, 3865212069., Fine with no dust jacket, [ED: 1], Art/photography/ed RUSCHA, First edition. Fine in red cloth with white titles, without dust jackets as issued, sealed in publisher's plastic shrinkwrap.; 8 1/4" X 10 1/4", Gottingen, [PU: STEIDL.]<
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Detailangaben zum Buch - Ed Ruscha, Photographer
EAN (ISBN-13): 9783865212061
ISBN (ISBN-10): 3865212069
Gebundene Ausgabe
Taschenbuch
Erscheinungsjahr: 2006
Herausgeber: Steidl
184 Seiten
Gewicht: 0,963 kg
Sprache: eng/Englisch
Buch in der Datenbank seit 2007-06-06T19:25:25+02:00 (Berlin)
Detailseite zuletzt geändert am 2024-04-28T22:18:38+02:00 (Berlin)
ISBN/EAN: 3865212069
ISBN - alternative Schreibweisen:
3-86521-206-9, 978-3-86521-206-1
Alternative Schreibweisen und verwandte Suchbegriffe:
Autor des Buches: weinberg, klute, edward ruscha, margit rowell, rowel, roni horn
Titel des Buches: ausstellung köln, ruscha photographer, katalog, kunsthaus zürich, jeu paume, tal, ludwig, fifty amsterdam, paris, catalogue, american whitney museum, the art museum, photo
Daten vom Verlag:
Autor/in: Margit Rowell
Titel: Ed Ruscha, Photographer
Verlag: Steidl Verlag
184 Seiten
Erscheinungsjahr: 2013-07-12
Göttingen; DE
Gedruckt / Hergestellt in Deutschland.
Gewicht: 0,965 kg
Sprache: Englisch
38,00 € (DE)
39,10 € (AT)
52,40 CHF (CH)
Not available, publisher indicates OP
214 Abb.
BB; B401; LEINEN; Hardcover, Softcover / Sachbücher/Kunst, Literatur/Fotokunst; Fotografie; Fotografie, Computerkunst
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0003865212069 Ed Ruscha: Photographer (Rowell, Margit; Ruscha, Ed)
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