2006, ISBN: 9783775719179

[PU: Ostfildern : Hatje Cantz Verlag], 84 S., 40 Abb., einige zum ausklappen, gebundene Ausgabe, 28 x 31 cm, (E) Neu - ungelesenes Lager-Exemplar! … Mehr…

[PU: Ostfildern : Hatje Cantz Verlag], 84 S., 40 Abb., einige zum ausklappen, gebundene Ausgabe, 28 x 31 cm, (E) Neu - ungelesenes Lager-Exemplar! "Diese Publikation erscheint anlässlich der Verleihung des Hasselblad Award 2006 an den Fotografen David Goldblatt (*1930) für seine aufmerksamen und hellsichtigen Arbeiten zum Alltagsleben unter dem Apartheitsregime in Südafrika. Der Band präsentiert jüngste Arbeiten Goldblatts aus den Jahren 2004 bis 2006, die sich mit der heutigen Situation des Landes in der Post-Apartheid befassen, darunter eine Reihe seiner neuen Triptychen auf Klapptafeln. Sein ganzes Leben hindurch verfolgt Goldblatt in seinem fotografischen Werk die sozialen und politischen Entwicklungen in Südafrika, wobei ihn besonders die Beziehungen zwischen den Menschen interessieren sowie das Umfeld, in dem sie leben. Er beobachtet die gewalterfüllte Geschichte seines Landes aufmerksam und ist sich des Symbolgehalts von Architektur bewusst, was seine außergewöhnliche künstlerische Aussage prägt." "When David Goldblatt received the world-renowned Hasselblad Award in 2006, he had been making photographs of the South African landscape and culture for more than 50 years. Born in 1930 in a gold-mining town near Johannesburg, his parents were Jewish refugees from Lithuania, and they raised him with an emphasis on tolerance and antiracism. In 1975, at the height of apartheid, Goldblatt explored white nationalist culture in Some Afrikaners Photographed, and in the 80s he observed workers on the Kwandebele-Pretoria bus, many of whom traveled eight hours every day to work and back. His late-90s solo show at New York`s Museum of Modern Art focused on architectural work, and showed off Goldblatt`s uncanny ability to discover a society through its buildings and landscapes. His photographs of architectural structures revealed the ways that ideology had defined his home country`s landscape." GB10224 ________________ If you are INTERESTED IN THIS BOOK and have any questions or no account, please ring me up or send an E-MAIL to my address! ___________ ++++++ Ordentliche Rechnung inkl. MwSt. +++++++, DE, [SC: 5.00], gebraucht; wie neu, gewerbliches Angebot, [GW: 990g], Banküberweisung, Offene Rechnung, PayPal, Selbstabholung und Barzahlung, Offene Rechnung (Vorkasse vorbehalten), Internationaler Versand, [CT: Design/Künste/Film / Fotografie, Sport und Hobby / Fotografie]<

2006, ISBN: 9783775719179

Gebundene Ausgabe

New York: Penguin Books, 1992. Book. Very Good. Soft cover. First Edition. 8vo. 256 pp. Trade paperback format. Lightly rubbed on the corners with a flat uncreased spine; ink marks on t… Mehr…

New York: Penguin Books, 1992. Book. Very Good. Soft cover. First Edition. 8vo. 256 pp. Trade paperback format. Lightly rubbed on the corners with a flat uncreased spine; ink marks on the contents page. The Contents are: The Womanizer by Richard Ford; Lady Max by Paul Theroux; An Afghanistan Picture Show by William T. Vollmann; Einstein in Bern by Alan Lightman; Afrikaners and the Future by Andre Brink; Die Hel by David Goldblatt; Look-alikes by Nadine Gordimer; The Mississippi Delta by Ken Light; and Los Angelese by Richard Rayner.., Penguin Books, 1992, 3, Hatje Cantz, 2007. 1st. Hardcover. Very Good/None. Hardcover, 84 pages. When David Goldblatt received the world-renowned Hasselblad Award in 2006, he had been making photographs of the South African landscape and culture for more than 50 years. Born in 1930 in a gold-mining town near Johannesburg, his parents were Jewish refugees from Lithuania, and they raised him with an emphasis on tolerance and antiracism. In 1975, at the height of apartheid, Goldblatt explored white nationalist culture in Some Afrikaners Photographed, and in the 80s he observed workers on the Kwandebele-Pretoria bus, many of whom traveled eight hours every day to work and back. His late-90s solo show at New York's Museum of Modern Art focused on architectural work, and showed off Goldblatt's uncanny ability to discover a society through its buildings and landscapes. His photographs of architectural structures revealed the ways that ideology had defined his home country's landscape. No dj issued. Record # 361966, Hatje Cantz, 2007, 3<

2006, ISBN: 3775719172

Gebundene Ausgabe

[EAN: 9783775719179], Gebraucht, sehr guter Zustand, [SC: 18.0], [PU: Hatje Cantz Verlag], Heavy Book, may require extra postage unless posted within South Africa. The boards are a little… Mehr…

[EAN: 9783775719179], Gebraucht, sehr guter Zustand, [SC: 18.0], [PU: Hatje Cantz Verlag], Heavy Book, may require extra postage unless posted within South Africa. The boards are a little shelf rubbed and edge worn. The binding is excellent. GK. Our orders are shipped using tracked courier delivery services., Books<

2006, ISBN: 9783775719179

[ED: kartoniert], 82 S., zahlr. Abb. Farbig illustrierter Originalkarton. Sehr gut erhaltenes Exemplar., DE, [SC: 2.50], leichte Gebrauchsspuren, gewerbliches Angebot, [PU: Ostfildern: Ha… Mehr…

[ED: kartoniert], 82 S., zahlr. Abb. Farbig illustrierter Originalkarton. Sehr gut erhaltenes Exemplar., DE, [SC: 2.50], leichte Gebrauchsspuren, gewerbliches Angebot, [PU: Ostfildern: Hatje Cantz], Banküberweisung, PayPal, Selbstabholung und Barzahlung, Internationaler Versand<