ISBN: 9781903364994

Preface, by Gian Piero Brunetta 1., by Marcia Landy 2. 1860(Blasetti), by Ruth Ben-Ghiat 3. Ladri di biciclette (de Sica) / The Bicycle Thief, by Carlo Celli 5. Accattone (Pasolini), by P… Mehr…

Preface, by Gian Piero Brunetta 1., by Marcia Landy 2. 1860(Blasetti), by Ruth Ben-Ghiat 3. Ladri di biciclette (de Sica) / The Bicycle Thief, by Carlo Celli 5. Accattone (Pasolini), by Patrick Rumble 11. The Cinema of Italy, a new addition to the 24 Frames series, looks at the recurring historical, thematic and stylistic features of twenty-four of the most important Italian sound films. Viewing Italian cinema at the intersection of history, politics, art and popular culture, the 24 concise essays of this anthology contextualize each film within both Italian and Western film culture. Alongside the crucial lessons of neorealist masterpieces such as Rossellini's Paisan and De Sica's The Bicycle Thief, this collection looks at how Italian cinema has confronted both the nation's history ( 1860, Senso, The Conformist, Lamerica), the so-called "Southern question" ( Salvatore Giuliano, Padre Padrone), as well as modern configurations of labor and gender relationships through the films of Camerini, De Santis, Olmi, Pasolini, Antonioni, Wertmüller, and the Taviani Brothers. The Cinema of Italy also considers the very personal works of Fellini, Ferreri and Moretti and gives special attention to those film-makers (Argento and Leone) whose cinema directly addresses such international film genres as horror and the western. Giorgio Bertellini Preface, by Gian Piero Brunetta 1. Gli uomini che mascalzoni (Camerini) / Men What Rascals!, by Marcia Landy 2. 1860(Blasetti), by Ruth Ben-Ghiat 3. Paisá (Rossellini) / Paisan, by Giuliana Muscio 4. Ladri di biciclette (de Sica) / The Bicycle Thief, by Carlo Celli 5. Riso amaro (de Santis) / Bitter Rice, by Antonio Vitti 6. Senso (Visconti), by C. Paul Sellors 7. La Strada (Fellini), by Peter Bondanella 8. La Ciociara / Two Women, by Ellen Nerenberg 9. Rocco e i suoi fratelli (Visconti) / Rocco and his Brothers, by Anne Hudson 10. Accattone (Pasolini), by Patrick Rumble 11. Divorzio all'Italiana / Divorce, Italian Style, by John David Rhodes 12. Il Posto (Olmi) / The Job, by Vito Zagarrio 13. Salvatore Giuliano (Rosi), by Geoffrey Nowell-Smith 14. Otto e mezzo(Fellini) / 8 1/2, by Jacqueline Reich 15. Deserto Rosso (Antonioni) / Red Desert, by Peter Brunette 16. Per un pugno di dollari (Leone) / Fistful of Dollars, by Christopher Frayling 17. Il Conformista (Bertolucci) / The Conformist, by Jefferson Kline 18. Film d'Amore e d'Anarchia(Wertmüller) / Love and Anarchy, by Millicent Marcus 19. La Grande Abbuffata / La Grande Bouffe, by Maurizio Viano 20. Il Portiere di Notte (Cavani) / The Night Porter, by Gaetana Marrone 21. Profondo Rosso / Deep Read (Argento), by Giorgio Bertellini 22. Padre Padrone (Taviani) / Father and Master, by Noa Steimatsky 23. Caro Diario (Moretti) / Dear Diary, by Laura Frascaroli 24. Lamerica (Amelio), by Aine O'Healy, Neu, Festpreisangebot, [LT: FixedPrice], EAN: 9781903364994, UPC: 9781903364994, Format: Hardback, 288 pages, Recommended Age Range: 12+ years, Breite: 19.4 cm, Gewicht: 0.84 kg, Höhe: 2.5 cm, Länge: 24.3 cm, Sprache: Eng<

2004, ISBN: 190336499X

[EAN: 9781903364994], Neubuch, [PU: Wallflower Press, London], Hardcover. The Cinema of Italy, a new addition to the 24 Frames series, looks at the recurring historical, thematic and styl… Mehr…

[EAN: 9781903364994], Neubuch, [PU: Wallflower Press, London], Hardcover. The Cinema of Italy, a new addition to the 24 Frames series, looks at the recurring historical, thematic and stylistic features of twenty-four of the most important Italian sound films. Viewing Italian cinema at the intersection of history, politics, art and popular culture, the 24 concise essays of this anthology contextualize each film within both Italian and Western film culture. Alongside the crucial lessons of neorealist masterpieces such as Rossellini's Paisan and De Sica's The Bicycle Thief, this collection looks at how Italian cinema has confronted both the nation's history (1860, Senso, The Conformist, Lamerica), the so-called "Southern question" (Salvatore Giuliano, Padre Padrone), as well as modern configurations of labor and gender relationships through the films of Camerini, De Santis, Olmi, Pasolini, Antonioni, Wertmueller, and the Taviani Brothers. The Cinema of Italy also considers the very personal works of Fellini, Ferreri and Moretti and gives special attention to those film-makers (Argento and Leone) whose cinema directly addresses such international film genres as horror and the western. The Cinema of Italy, a new addition to the 24 Frames series, looks at the recurring historical, thematic and stylistic features of twenty-four of the most important Italian sound films. Viewing Italian cinema at the intersection of history, politics, art and popular culture, the 24 concise essays of this anthology contextualize each film within both Italian and Western film culture. Alongside the crucial lessons of neorealist masterpieces such as Rossellini's "Paisan" and De Sica's "The Bicycle Thief," this collection looks at how Italian cinema has confronted both the nation's history ( "1860, Senso, The Conformist, Lamerica"), the so-called "Southern question" ( "Salvatore Giuliano, Padre Padrone"), as well as modern configurations of labor and gender relationships through the films of Camerini, De Santis, Olmi, Pasolini, Antonioni, Wertmller, and the Taviani Brothers. The Cinema of Italy also considers the very personal works of Fellini, Ferreri and Moretti and gives special attention to those film-makers (Argento and Leone) whose cinema directly addresses such international film genres as horror and the western. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability., Books<

2004, ISBN: 190336499X

[EAN: 9781903364994], Neubuch, [PU: Wallflower Press, London], Hardcover. The Cinema of Italy, a new addition to the 24 Frames series, looks at the recurring historical, thematic and styl… Mehr…

[EAN: 9781903364994], Neubuch, [PU: Wallflower Press, London], Hardcover. The Cinema of Italy, a new addition to the 24 Frames series, looks at the recurring historical, thematic and stylistic features of twenty-four of the most important Italian sound films. Viewing Italian cinema at the intersection of history, politics, art and popular culture, the 24 concise essays of this anthology contextualize each film within both Italian and Western film culture. Alongside the crucial lessons of neorealist masterpieces such as Rossellini's Paisan and De Sica's The Bicycle Thief, this collection looks at how Italian cinema has confronted both the nation's history (1860, Senso, The Conformist, Lamerica), the so-called "Southern question" (Salvatore Giuliano, Padre Padrone), as well as modern configurations of labor and gender relationships through the films of Camerini, De Santis, Olmi, Pasolini, Antonioni, Wertmueller, and the Taviani Brothers. The Cinema of Italy also considers the very personal works of Fellini, Ferreri and Moretti and gives special attention to those film-makers (Argento and Leone) whose cinema directly addresses such international film genres as horror and the western. The Cinema of Italy, a new addition to the 24 Frames series, looks at the recurring historical, thematic and stylistic features of twenty-four of the most important Italian sound films. Viewing Italian cinema at the intersection of history, politics, art and popular culture, the 24 concise essays of this anthology contextualize each film within both Italian and Western film culture. Alongside the crucial lessons of neorealist masterpieces such as Rossellini's "Paisan" and De Sica's "The Bicycle Thief," this collection looks at how Italian cinema has confronted both the nation's history ( "1860, Senso, The Conformist, Lamerica"), the so-called "Southern question" ( "Salvatore Giuliano, Padre Padrone"), as well as modern configurations of labor and gender relationships through the films of Camerini, De Santis, Olmi, Pasolini, Antonioni, Wertmller, and the Taviani Brothers. The Cinema of Italy also considers the very personal works of Fellini, Ferreri and Moretti and gives special attention to those film-makers (Argento and Leone) whose cinema directly addresses such international film genres as horror and the western. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability., Books<

ISBN: 9781903364994

The Cinema of Italy, a new addition to the 24 Frames series, looks at the recurring historical, thematic and stylistic features of twenty-four of the most important Italian sound films. V… Mehr…

The Cinema of Italy, a new addition to the 24 Frames series, looks at the recurring historical, thematic and stylistic features of twenty-four of the most important Italian sound films. Viewing Italian cinema at the intersection of history, politics, art and popular culture, the 24 concise essays of this anthology contextualize each film within both Italian and Western film culture. Alongside the crucial lessons of neorealist masterpieces such as Rossellini's Paisan and De Sica's The Bicycle Thief, this collection looks at how Italian cinema has confronted both the nation's history (1860, Senso, The Conformist, Lamerica), the so-called Southern question (Salvatore Giuliano, Padre Padrone), as well as modern configurations of labor and gender relationships through the films of Camerini, De Santis, Olmi, Pasolini, Antonioni, Wertmüller, and the Taviani Brothers. The Cinema of Italy also considers the very personal works of Fellini, Ferreri and Moretti and gives special attention to those film-makers (Argento and Leone) whose cinema directly addresses such international film genres as horror and the western. Trade Books>Hardcover>Movies & TV>Film Studies>Film Studies, Columbia University Press Core >2<

2004, ISBN: 9781903364994

Buch, Hardcover, [PU: Wallflower Press], Seiten: 288, Wallflower Press, 2004