Watt D. E. R . and Shead N.F. (Editors):The Heads of Religious Houses in Scotland from Twelfth to Sixteenth Centuries
- Taschenbuch 2001, ISBN: 9780902054189
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New York: Nan A. Talese/Doubleday, 1996. First Edition. Hard Cover. Very Good/Very Good. First edition. Light general wear. 1996 Hard Cover. We have more books available by this author!… Mehr…
New York: Nan A. Talese/Doubleday, 1996. First Edition. Hard Cover. Very Good/Very Good. First edition. Light general wear. 1996 Hard Cover. We have more books available by this author!. xxxv, 347 pp. "The Gunpowder Plot of 1605, in earlier centuries often called the Gunpowder Treason Plot, was a failed assassination attempt against King James I of England and VI of Scotland by a group of provincial English Catholics led by Robert Catesby. The plan was to blow up the House of Lords during the State Opening of Parliament on 5 November 1605, the prelude to a popular revolt in the Midlands during which James's nine-year-old daughter, Princess Elizabeth, was to be installed as the Catholic head of state. Catesby may have embarked on the scheme after hopes of securing greater religious tolerance under King James had faded, leaving many English Catholics disappointed. His fellow plotters included Thomas Wintour, Robert Wintour, John Wright, Christopher Wright, Guy Fawkes, Robert Keyes, Thomas Percy, John Grant, Ambrose Rookwood, Sir Everard Digby, Francis Tresham and Thomas Bates. Fawkes, who had 10 years of military experience fighting in the Spanish Netherlands in suppression of the Dutch Revolt, was given charge of the explosives. The plot was revealed to the authorities in an anonymous letter sent to William Parker, 4th Baron Monteagle, on 26 October 1605. During a consequent search of the House of Lords, early in the morning of 5 November 1605, Fawkes was discovered guarding 36 barrels of gunpowder, Nan A. Talese/Doubleday, 1996, 3, A Tillyloss Scandal by Sir James Matthew Barrieedited by E. Haldeman-Juliuspublished by Haldeman-Julius Co., Girard, KS (1893)Ten Cent Pocket Series No. 307Paperback3.3 x 5 inches, 93 pagesSir James Matthew Barrie, 1st Baronet, OM ( 9 May 1860 19 June 1937) was a Scottish novelist and playwright, best remembered today as the creator of Peter Pan. He was born and educated in Scotland but moved to London, where he wrote a number of successful novels and plays. There he met the Llewelyn Davies boys, who inspired him to write about a baby boy who has magical adventures in Kensington Gardens (included in The Little White Bird), then to write Peter Pan, or The Boy Who Wouldn't Grow Up, a "fairy play" about an ageless boy and an ordinary girl named Wendy who have adventures in the fantasy setting of Neverland.Although he continued to write successfully, Peter Pan overshadowed his other work, and is credited with popularising the name Wendy. Barrie unofficially adopted the Davies boys following the deaths of their parents. Barrie was made a baronet by George V on 14 June 1913, and a member of the Order of Merit in the 1922 New Year Honours. Before his death, he gave the rights to the Peter Pan works to Great Ormond Street Hospital for Children in London, which continues to benefit from them.Barrie knew that he wished to follow a career as an author. However, his family attempted to persuade him to choose a profession such as the ministry. With advice from Alexander, he was able to work out a compromise: he would attend a university, but would study literature. Barrie enrolled at the University of Edinburgh where he wrote drama reviews for the Edinburgh Evening Courant. He graduated and obtained an M.A. on 21 April 1882.Following a job advertisement found by his sister in The Scotsman, he worked for a year and a half as a staff journalist on the Nottingham Journal. He then returned to Kirriemuir. He submitted a piece to the St. James's Gazette, a London newspaper, using his mother's stories about the town where she grew up (renamed "Thrums"). The editor "liked that Scotch thing" so well that Barrie ended up writing a series of these stories. They served as the basis for his first novels: Auld Licht Idylls (1888), A Window in Thrums (1890), and The Little Minister (1891).The stories depicted the "Auld Lichts", a strict religious sect to which his grandfather had once belonged. Modern literary criticism of these early works has been unfavourable, tending to disparage them as sentimental and nostalgic depictions of a parochial Scotland, far from the realities of the industrialised nineteenth century, but they were popular enough at the time to establish Barrie as a successful writer. Following that success, he published Better Dead (1888) privately and at his own expense, but it failed to sell. His two "Tommy" novels, Sentimental Tommy (1896) and Tommy and Grizel (1900), were about a boy and young man who clings to childish fantasy, with an unhappy ending.Meanwhile, Barrie's attention turned increasingly to works for the theatre, beginning with a biography of Richard Savage, written by Barrie and H. B. Marriott Watson; unfortunately, it was performed only once and critically panned. He immediately followed this with Ibsen's Ghost (or Toole Up-to-Date)(1891), a parody of Henrik Ibsen's dramas Hedda Gabler and Ghosts. Ghosts had been unlicensed in the UK until 1914, but had created a sensation at the time from a single "club" performance.The production of Ibsen's Ghost at Toole's Theatre in London was seen by William Archer, the translator of Ibsen's works into English. Apparently comfortable with the parody, he enjoyed the humour of the play and recommended it to others. Barrie's third play Walker, London (1892) resulted in him being introduced to a young actress named Mary Ansell. He proposed to her and they were married on 9 July 1894. Barrie bought her a Saint Bernard puppy, who played a part in the novel The Little White Bird. He used Ansell's given name for many characters in his novels. Barrie also authored Jane Annie, a comic opera for Richard D'Oyly Carte (1893), which unfortunately failed. He begged his friend Arthur Conan Doyle to revise and finish it for him.In 1901 and 1902, he had back-to-back successes; Quality Street was about a respectable, responsible old maid who poses as her own flirtatious niece to try to win the attention of a former suitor returned from the war. Following that, The Admirable Crichton was a critically acclaimed social commentary with elaborate staging, about an aristocratic family and their household servants shipwrecked on a desert island. Under these difficult circumstances, a male household member seems better suited to taking on the responsibilities of leadership than the lord of the manor.The character of "Peter Pan" first appeared in The Little White Bird. The novel was published in the UK by Hodder & Stoughton in 1902, and serialised in the US in the same year in Scribner's Magazine. Barrie's more famous and enduring work Peter Pan, or The Boy Who Wouldn't Grow Up had its first stage performance on 27 December 1904. This play introduced audiences to the name Wendy; it was inspired by a young girl named Margaret Henley who called Barrie "Friendy", but could not pronounce her Rs very well. The Bloomsbury scenes show the societal constraints of late Victorian and Edwardian middle class domestic reality, contrasted with Neverland, a world where morality is ambivalent. George Bernard Shaw described the play as "ostensibly a holiday entertainment for children but really a play for grown-up people", suggesting deeper social metaphors at work in Peter Pan.Barrie had a long string of successes on the stage after Peter Pan, many of which discuss social concerns, as Barrie continued to integrate his work and his beliefs. The Twelve Pound Look (1921) concerns a wife divorcing a peer and gaining an independent income. Other plays, such as Mary Rose (1920) and Dear Brutus (1917), revisit the idea of the ageless child and parallel worlds.Barrie was involved in the 1909 and 1911 attempts to challenge the censorship of the theatre by the Lord Chamberlain, along with a number of other playwrights.In 1911, Barrie developed the Peter Pan play into the novel Peter and Wendy. In April 1929, Barrie gave the copyright of the Peter Pan works to Great Ormond Street Hospital, a leading children's hospital in London. The current status of the copyright is somewhat complex.His final play was The Boy David (1936), which dramatised the Biblical story of King Saul and the young David. Like the role of Peter Pan, that of David was played by a woman, Elisabeth Bergner, for whom Barrie wrote the play.--------------------------------Emanuel Haldeman-Julius (July 30, 1889 July 31, 1951) was a Jewish-American socialist writer, atheist thinker, social reformer and publisher. He is best remembered as the head of Haldeman-Julius Publications, the creator of a series of pamphlets known as "Little Blue Books," total sales of which ran into the hundreds of millions of copies.Emanuel Julius was born July 30, 1889, in Philadelphia, Pennsylvania|, the son of David Julius (né Zolajefsky), a bookbinder. His parents were Jewish emigrants who fled Odessa (then part of the Russian Empire) and emigrated to America to escape religious persecution. His paternal and maternal grandfathers had both been rabbis but his own parents were not religious. "They were indifferent, for which I thank them."As a boy, Emanuel read voraciously. Literature and pamphlets produced by the socialists were inexpensive; Julius read them and was convinced by their arguments. As he put it in 1913, "Only four years ago, I was a factory hand slaving away in a textile mill in Philadelphia. I came upon the philosophy of Socialism and it put a new spirit into me. It lifted me out of the depths and pointed the way to something higher. I commenced to crave for expression. I felt that I have something to say. So, I scribbled things down. And, to my surprise, Socialist editors gave me a little encouragement." He joined the Socialist Party before World War I and was the party's 1932 Senatorial candidate for the state of Kansas.After working for various newspapers, Julius rose to particular prominence as an editor (1915-1922) of the Appeal to Reason, a socialist newspaper with a large but declining national circulation. He and his first wife, Marcet Haldeman (whose last name he adopted in hyphenate), purchased the Appeal's printing operation in Girard, Kansas and began printing 3.5" x 5" pocket books on cheap pulp paper (similar to that used in pulp magazines), stapled in paper cover. These were first were called The Appeal's Pocket Series and sold in 1919 for 25 cents. The covers were either red or yellow. Over the next several years Haldeman-Julius changed the name successively to The People's Pocket Series, Appeal Pocket Series, Ten Cent Pocket Series, Five Cent Pocket Series, Pocket Series and finally in 1923, Little Blue Books. The five cent price of the books remained in place for many years. Many titles of classic literature were given lurid titles in order to increase sales. Eventually, millions of copies per year were sold in the late 1920s.In 1922 they renamed the Appeal as The Haldeman-Julius Weekly (known from 1929 to 1951 as The American Freeman), which became the house organ. In 1924 they launched The Haldeman-Julius Monthly (later renamed The Debunker), which had a greater emphasis on Freethought, and in 1932 added The Militant Atheist, among other journals.The novelist Louis L'Amour (1908-1988) described the Haldeman-Julius publications in his autobiography and their potential influence: Riding a freight train out of El Paso, I had my first contact with the Little Blue Books. Another hobo was reading one, and when he finished he gave it to me. The Little Blue Books were a godsend to wandering men and no doubt to many others. Published in Girard, Kansas, by Haldeman-Julius, they were slightly larger than a playing card and had sky-blue paper covers with heavy black print titles. I believe there were something more than three thousand titles in all and they were sold on newsstands for 5 or 10 cents each. Often in the years following, I carried ten or fifteen of them in my pockets, reading when I could. Among the books available were the plays of Shakespeare, collections of short stories by De Maupassant, Poe, Jack London, Gogol, Gorky, Kipling, Gautier, Henry James, and Balzac. There were collections of essays by Voltaire, Emerson, and Charles Lamb, among others. There were books on the history of music and architecture, painting, the principles of electricity; and, generally speaking, the books offered a wide range of literature and ideas. In subsequent years I read several hundred of the Little Blue Books, including books by Tom Paine, Charles Darwin, and Thomas Huxley.The couple had two children: Alice Haldeman-Julius Deloach (19171991) and Henry Haldeman-Julius (19191990; he later changed his name to Henry Julius Haldeman). They adopted Josephine Haldeman-Julius Roselle (b. 1910). Marcet and Emanuel legally separated in 1933. Marcet died in 1941, and a year later Haldeman-Julius married Susan Haney, an employee.In 1948 the FBI targeted and questioned Haldeman-Julius after his publication of The FBI - The Basis of an American Police State: The Alarming Methods of J. Edgar Hoover. In June 1951 Haldeman-Julius was found guilty of income tax evasion by a Federal grand jury and sentenced to six months in Federal prison and fined $12,500. The next month he drowned in his swimming pool. His son Henry took over his father's publishing efforts, and the books continued to be sold until the printing house burned down on July 4, 1978.Haldeman-Julius's papers are held at Pittsburg State University in Pittsburg, Kansas, a few miles from Girard in the southeastern corner of the state, as well as at the University of Illinois at Chicago, Indiana University and California State at Northridge., Haldeman-Julius Co., 1893, 2.5, Edinburgh: Scottish Record Society, 2001. First Edition . Hardcover. Very Good. Hardback. A very good copy in dark blue cloth lettered in gilt on the spine. A clean copy without ownership inscription or other internal marking. Pp.xviii,244. "The purpose of this book is to establish as far as the surviving patchy evidence will allow the succession of superiors of monastic houses (by whatever title) who took a leading place in the running of the church in medieval Scotland." Includes an index of names., Scottish Record Society, 2001, 3<
