1998, ISBN: 9780870997976

Gebundene Ausgabe

Easton Press, January 1984. Novelty . Very Good/No Jacket. Very Good Leathe-bound Hardcover with no DJ. Teal covers with gilt lettering. Gilt covered textblock. Light shelfwear to cover… Mehr…

Easton Press, January 1984. Novelty . Very Good/No Jacket. Very Good Leathe-bound Hardcover with no DJ. Teal covers with gilt lettering. Gilt covered textblock. Light shelfwear to covers. Pages clean and tight in binding. Pictures available upon request. A locally owned, independent book shop since 1984., Easton Press, 3, Milano, Bompiani, 1948, 8vo (cm. 20,5 x 12) cartonato originale con copertina e sovraccoperta illustrate a colori (piccoli strappi e mancanze), pp. 272 con 40 tavole fuori testo. A cura di Giulia Veronesi., 0, Cleveland, Museum of Art, 1947.. Second edition (so stated). 8vo. Frontispiece self portrait and 77 reproductions (1 color four-page fold out). Foreword by William M. Milliken. 3 page introduction by Henry Sales Francis. Original stiff gray pictorial wrappers lettered in orange. Very good. 24 pages of text + 59 pages of plates. No signatures or bookplates; a few pencil markings in the text.. 2nd Edition. Soft cover. Very Good., Cleveland, Museum of Art, 1947., 0, Carlos Hirsch, Buenos Aires, 1961-01-01. Hardcover. Good/Good. Carlos Hirsch, Buenos Aires, [Published Date: 1961]. Hardcover, 64 pp Text in Spanish. Third Edition, 1961. Con 24 Reproducciones. Seleccionadas Por Viktor Griessmaier. Part of the 6 book series entitled Tiempo Y Colors, Tendencias de la Pintura Moderna. Includes 11 page essay by Peter De Francia followed by 24 single page full color plates on right hand side with explanatory notes opposite on left hand side. Includes works by Adalbert Stifter, Adolf Menzel, Camille Pissaro (2); Alfred Sisley (2); Claude Monet (4); Auguste Renoir (3); Edouard Manet (4); Edgar Degas (2); Paul Cezanne; Henri deToulouse-Lautrec; Paul Signac, Max Liebermann; Max Slevogt. Good in good dust jacket. Small (5.25 x 7.25") pale green Paper over Boards boards with black lettering on front and spine. Light to moderate scuffing, aging and soiling to edges of covers. Binding tight. Pages lightly aged but otherwise unmarked. Dust jacket has a few small nicks and tears and light creasing along edges. Moderate overall scuffing and soiling to jacket as well with a bit of the color scuffed off along edges and spine. Now in an archival-quality Brodart Cover NOT Ex-Library. NO remainder marks., Carlos Hirsch, Buenos Aires, 1961-01-01, 2.5, Switzerland: Naefels, 1977. Hardcover. Near Fine/Very Good. 4to - over 9¾ - 12" tall. No Edition Or Printing Stated. Includes List Of Illustrations. The Book Is Bound In A Canvas Cloth Over Boards With Blue Lettering On The Front And Spine. The Book Has Minor Edge Wear. The Jacket Has Light Wear And Minor Age Toning., Naefels, 1977, 3.5, New York: The Metropolitan Museum of Art, New York / Harry N. Abrams, Inc, 1997. Hardbound. VG+/VG+. Blue cloth, gilt letters on spine, dark blue and color illustrated dj. 368 pp., 226 BW illus., 200 color illus. Issued in conjunction with a 1997-1998 exhibition. "When Edgar Degas died in 1917, his enormous art collection, consisting of several thousand paintings, drawings, and prints, came to light. This remarkable assemblage included great numbers of works by the French nineteenth-century masters whom Degas revered -- Delacroix, Ingres, and Daumier -- and at the same time demonstrated Degas's profound interest in the art of certain of his contemporaries, particularly Manet, Cezanne, Gauguin, and Mary Cassatt. Dispersed when it was sold at auction in 1918 during the bombardment of Paris, the collection is now the subject of both an illuminating exhibition and this accompanying catalogue." (dj) The book is a collection of 13 thematic and illustrated essays that explore Degas as an artist-collector, as a colleague to other artists, and in the dispersal of his collection. Lavishly illustrated., The Metropolitan Museum of Art, New York / Harry N. Abrams, Inc, 1997, 3<

1998, ISBN: 9780870997976

Switzerland: Naefels, 1977. Hardcover. Near Fine/Very Good. 4to - over 9¾ - 12" tall. No Edition Or Printing Stated. Includes List Of Illustrations. The Book Is Bound In A… Mehr…

Switzerland: Naefels, 1977. Hardcover. Near Fine/Very Good. 4to - over 9¾ - 12" tall. No Edition Or Printing Stated. Includes List Of Illustrations. The Book Is Bound In A Canvas Cloth Over Boards With Blue Lettering On The Front And Spine. The Book Has Minor Edge Wear. The Jacket Has Light Wear And Minor Age Toning., Naefels, 1977, 3.5, New York: The Metropolitan Museum of Art, New York / Harry N. Abrams, Inc, 1997. Hardbound. VG+/VG+. Blue cloth, gilt letters on spine, dark blue and color illustrated dj. 368 pp., 226 BW illus., 200 color illus. Issued in conjunction with a 1997-1998 exhibition. "When Edgar Degas died in 1917, his enormous art collection, consisting of several thousand paintings, drawings, and prints, came to light. This remarkable assemblage included great numbers of works by the French nineteenth-century masters whom Degas revered -- Delacroix, Ingres, and Daumier -- and at the same time demonstrated Degas's profound interest in the art of certain of his contemporaries, particularly Manet, Cezanne, Gauguin, and Mary Cassatt. Dispersed when it was sold at auction in 1918 during the bombardment of Paris, the collection is now the subject of both an illuminating exhibition and this accompanying catalogue." (dj) The book is a collection of 13 thematic and illustrated essays that explore Degas as an artist-collector, as a colleague to other artists, and in the dispersal of his collection. Lavishly illustrated., The Metropolitan Museum of Art, New York / Harry N. Abrams, Inc, 1997, 3<