1985, ISBN: 9780823015924

[PU: New York : Watson-Guptill], Mit zahlr. auch farb. Abb. Originalbroschur. Einband leicht berieben. - American art in 1870 was dominated by the grandiose romanticism of the Hudson Rive… Mehr…

[PU: New York : Watson-Guptill], Mit zahlr. auch farb. Abb. Originalbroschur. Einband leicht berieben. - American art in 1870 was dominated by the grandiose romanticism of the Hudson River School and the nostalgic sentiment of the native genre school. Into this art world, Thomas Eakins and his older contemporary, Winslow Homer, brought a new note-naturalism. Eakins' watercolors were far from the spontaneous, direct-from-nature works usual in the medium. They were as thoughtfully planned as his oils. As with the latter, the three-dimensional structure of the picture was often worked out in preliminary perspective drawings, such as the one for John Biglin in a Single Scull-drawings that have a precise beauty of their own. But though Eakins was a strong draftsman, strangely enough he made few drawings aside from his perspective studies. Instead, oil sketches in full color were painted directly from the subject, then squared off, and their forms transferred to the final surface. Even for his watercolors, his studies were in oil-a curious reversal of the usual procedure. ISBN 0823015920, DE, [SC: 35.00], gebraucht; sehr gut, gewerbliches Angebot, [GW: 550g], Banküberweisung, Offene Rechnung, PayPal, Internationaler Versand<

1985, ISBN: 0823015920

[EAN: 9780823015924], Gebraucht, guter Zustand, [SC: 11.36], [PU: New York : Watson-Guptill], Einband leicht berieben. - American art in 1870 was dominated by the grandiose romanticism of… Mehr…

[EAN: 9780823015924], Gebraucht, guter Zustand, [SC: 11.36], [PU: New York : Watson-Guptill], Einband leicht berieben. - American art in 1870 was dominated by the grandiose romanticism of the Hudson River School and the nostalgic sentiment of the native genre school. Into this art world, Thomas Eakins and his older contemporary, Winslow Homer, brought a new note-naturalism. Eakins' watercolors were far from the spontaneous, direct-from-nature works usual in the medium. They were as thoughtfully planned as his oils. As with the latter, the three-dimensional structure of the picture was often worked out in preliminary perspective drawings, such as the one for John Biglin in a Single Scull-drawings that have a precise beauty of their own. But though Eakins was a strong draftsman, strangely enough he made few drawings aside from his perspective studies. Instead, oil sketches in full color were painted directly from the subject, then squared off, and their forms transferred to the final surface. Even for his watercolors, his studies were in oil-a curious reversal of the usual procedure. ISBN 0823015920 Sprache: Englisch Gewicht in Gramm: 550 Mit zahlr. auch farb. Abb. Originalbroschur., Books<

1985, ISBN: 0823015920

[EAN: 9780823015924], Gebraucht, guter Zustand, [SC: 4.0], [PU: New York : Watson-Guptill], Einband leicht berieben. - American art in 1870 was dominated by the grandiose romanticism of t… Mehr…

[EAN: 9780823015924], Gebraucht, guter Zustand, [SC: 4.0], [PU: New York : Watson-Guptill], Einband leicht berieben. - American art in 1870 was dominated by the grandiose romanticism of the Hudson River School and the nostalgic sentiment of the native genre school. Into this art world, Thomas Eakins and his older contemporary, Winslow Homer, brought a new note-naturalism. Eakins' watercolors were far from the spontaneous, direct-from-nature works usual in the medium. They were as thoughtfully planned as his oils. As with the latter, the three-dimensional structure of the picture was often worked out in preliminary perspective drawings, such as the one for John Biglin in a Single Scull-drawings that have a precise beauty of their own. But though Eakins was a strong draftsman, strangely enough he made few drawings aside from his perspective studies. Instead, oil sketches in full color were painted directly from the subject, then squared off, and their forms transferred to the final surface. Even for his watercolors, his studies were in oil-a curious reversal of the usual procedure. ISBN 0823015920 Sprache: Englisch Gewicht in Gramm: 550 Mit zahlr. auch farb. Abb. Originalbroschur., Books<

1988, ISBN: 9780823015924

paperback, Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Custom… Mehr…

paperback, Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!, Gebraucht, sehr guter Zustand, [PU: Watson-Guptill]<