The subject matter and iconography of much of the art in the U.S. Capitol forms a remarkably coherent program of the early course of North American empire, from discovery and settlement t… Mehr…
The subject matter and iconography of much of the art in the U.S. Capitol forms a remarkably coherent program of the early course of North American empire, from discovery and settlement to the national development and westward expansion that necessitated the subjugation of the indigenous peoples.In Art and Empire, Vivien Green Fryd’s revealing cultural and political interpretation of the portraits, reliefs, allegories, and historical paintings commissioned for the U.S. Capitol, the reader is given an enhanced appreciation for the racial and ethnic implications of these works.This latest contribution to the United States Capitol Historical Society’s Perspectives on the Art and Architectural History of the United States Capitol series provides an affordable and accessible insight into one of our most visited, viewed, and revered national buildings. Professor Fryd demonstrates how the politics of our history is written in stone and painted on the walls of these hallowed halls. New Textbooks>Trade Paperback>U.S. History>U.S. History>U.S. History, Ohio University Press Core >1 >T<
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The subject matter and iconography of much of the art in the U.S. Capitol forms a remarkably coherent program of the early course of North American empire, from discovery and settlement t… Mehr…
The subject matter and iconography of much of the art in the U.S. Capitol forms a remarkably coherent program of the early course of North American empire, from discovery and settlement to the national development and westward expansion that necessitated the subjugation of the indigenous peoples. In "Art and Empire," Vivien Green Fryd's revealing cultural and political interpretation of the portraits, reliefs, allegories, and historical paintings commissioned for the U.S. Capitol, the reader is given an enhanced appreciation for the racial and ethnic implications of these works. This latest contribution to the United States Capitol Historical Society's Perspectives on the Art and Architectural History of the United States Capitol series provides an affordable and accessible insight into one of our most visited, viewed, and revered national buildings. Professor Fryd demonstrates how the politics of our history is written in stone and painted on the walls of these hallowed halls. Media > Book, [PU: Ohio University Press]<
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(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
The subject matter and iconography of much of the art in the U.S. Capitol forms a remarkably coherent program of the early course of North American empire, from discovery and settlement t… Mehr…
The subject matter and iconography of much of the art in the U.S. Capitol forms a remarkably coherent program of the early course of North American empire, from discovery and settlement to the national development and westward expansion that necessitated the subjugation of the indigenous peoples.In Art and Empire, Vivien Green Fryd’s revealing cultural and political interpretation of the portraits, reliefs, allegories, and historical paintings commissioned for the U.S. Capitol, the reader is given an enhanced appreciation for the racial and ethnic implications of these works.This latest contribution to the United States Capitol Historical Society’s Perspectives on the Art and Architectural History of the United States Capitol series provides an affordable and accessible insight into one of our most visited, viewed, and revered national buildings. Professor Fryd demonstrates how the politics of our history is written in stone and painted on the walls of these hallowed halls. New Textbooks>Trade Paperback>U.S. History>U.S. History>U.S. History, Ohio University Press Core >1 >T<
The subject matter and iconography of much of the art in the U.S. Capitol forms a remarkably coherent program of the early course of North American empire, from discovery and settlement t… Mehr…
The subject matter and iconography of much of the art in the U.S. Capitol forms a remarkably coherent program of the early course of North American empire, from discovery and settlement to the national development and westward expansion that necessitated the subjugation of the indigenous peoples. In "Art and Empire," Vivien Green Fryd's revealing cultural and political interpretation of the portraits, reliefs, allegories, and historical paintings commissioned for the U.S. Capitol, the reader is given an enhanced appreciation for the racial and ethnic implications of these works. This latest contribution to the United States Capitol Historical Society's Perspectives on the Art and Architectural History of the United States Capitol series provides an affordable and accessible insight into one of our most visited, viewed, and revered national buildings. Professor Fryd demonstrates how the politics of our history is written in stone and painted on the walls of these hallowed halls. Media > Book, [PU: Ohio University Press]<
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A cultural and political interpretation of the portraits, reliefs, allegories and historical paintings commissioned for the US Capital between 1815 and 1860. It seeks to give the reader an enhanced appreciation for the racial and ethnic implications of these works.
Detailangaben zum Buch - Art and Empire
EAN (ISBN-13): 9780821413425 ISBN (ISBN-10): 0821413422 Taschenbuch Erscheinungsjahr: 2000 Herausgeber: Ohio University Press 273 Seiten Gewicht: 0,685 kg Sprache: eng/Englisch
Buch in der Datenbank seit 2007-05-03T13:26:16+02:00 (Berlin) Detailseite zuletzt geändert am 2024-02-12T11:20:44+01:00 (Berlin) ISBN/EAN: 0821413422
ISBN - alternative Schreibweisen: 0-8214-1342-2, 978-0-8214-1342-5 Alternative Schreibweisen und verwandte Suchbegriffe: Autor des Buches: vanderbilt, green, fryd, fry, vivien Titel des Buches: architectural history, empire capital, perspectives empire, architect capitol, history the united states capitol, art and empire, ethnic politics, art and politics now, 1815, green art
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