1993, ISBN: 0807821047

[EAN: 9780807821046], Gebraucht, guter Zustand, [SC: 4.0], [PU: Chapel Hill ; London : Univ. of North Carolina Press], REICHSKULTURKAMMER ; KUNSTPOLITIK GESCHICHTE; KULTURPOLITIK GESCHICH… Mehr…

[EAN: 9780807821046], Gebraucht, guter Zustand, [SC: 4.0], [PU: Chapel Hill ; London : Univ. of North Carolina Press], REICHSKULTURKAMMER ; KUNSTPOLITIK GESCHICHTE; KULTURPOLITIK GESCHICHTE, GESCHICHTE UND HISTORISCHE HILFSWISSENSCHAFTEN, BILDENDE KUNST, Jacket, X, 233 S. Ein gutes und sauberes Exemplar. - The arts occupied a central position in the ideology and propaganda of National Socialism. Yet despite the existence of a number of fine scholarly and popular studies of the subject, the research potential of the Nazi regime's policies toward the arts remains largely untapped. The Reich Chamber of Culture, or Reichskulturkammer, in particular, stands out as an institution that merits far more attention than it has received. Created by the Reich Cabinet in September 1933 upon the initiative of Propaganda Minister Joseph Goebbels, who became president of the mammoth new organization, the Kulturkammer was designed to "promote German culture on behalf of the German Volk and Reich" and to "regulate the economic and social affairs of the culture professions." Subdivided into separate chambers for music, theater, the visual arts, literature, film, radio, and the press, this organization encompassed several hundred thousand professionals and influenced the activities of millions of amateur artists and musicians as well. Most of what we know about the Kulturkammer and its chambers relates to the purge and censorship dimensions of their responsibilities, although even these require far more investigation. Meanwhile, the economic, social, and professional dimensions of chamber policy have been largely overlooked. During the years of Nazi rule, the culture chambers implemented, or attempted to implement, numerous measures designed to ameliorate the material hardships that had long confronted German artists and to secure a modicum of long-term economic stability for the traditionally crisis-ridden art professions. ISBN 0807821047 Sprache: Englisch Gewicht in Gramm: 711 Originalleinen mit Schutzumschlag., Books<

1993, ISBN: 0807821047

[EAN: 9780807821046], Gebraucht, guter Zustand, [PU: Chapel Hill ; London : Univ. of North Carolina Press], REICHSKULTURKAMMER ; KUNSTPOLITIK GESCHICHTE; KULTURPOLITIK GESCHICHTE, GESCHIC… Mehr…

[EAN: 9780807821046], Gebraucht, guter Zustand, [PU: Chapel Hill ; London : Univ. of North Carolina Press], REICHSKULTURKAMMER ; KUNSTPOLITIK GESCHICHTE; KULTURPOLITIK GESCHICHTE, GESCHICHTE UND HISTORISCHE HILFSWISSENSCHAFTEN, BILDENDE KUNST, Jacket, X, 233 S. Ein gutes und sauberes Exemplar. - The arts occupied a central position in the ideology and propaganda of National Socialism. Yet despite the existence of a number of fine scholarly and popular studies of the subject, the research potential of the Nazi regime's policies toward the arts remains largely untapped. The Reich Chamber of Culture, or Reichskulturkammer, in particular, stands out as an institution that merits far more attention than it has received. Created by the Reich Cabinet in September 1933 upon the initiative of Propaganda Minister Joseph Goebbels, who became president of the mammoth new organization, the Kulturkammer was designed to "promote German culture on behalf of the German Volk and Reich" and to "regulate the economic and social affairs of the culture professions." Subdivided into separate chambers for music, theater, the visual arts, literature, film, radio, and the press, this organization encompassed several hundred thousand professionals and influenced the activities of millions of amateur artists and musicians as well. Most of what we know about the Kulturkammer and its chambers relates to the purge and censorship dimensions of their responsibilities, although even these require far more investigation. Meanwhile, the economic, social, and professional dimensions of chamber policy have been largely overlooked. During the years of Nazi rule, the culture chambers implemented, or attempted to implement, numerous measures designed to ameliorate the material hardships that had long confronted German artists and to secure a modicum of long-term economic stability for the traditionally crisis-ridden art professions. ISBN 0807821047 Sprache: Englisch Gewicht in Gramm: 711 Originalleinen mit Schutzumschlag., Books<

1993, ISBN: 0807821047

[ED: kartoniert], [PU: Chapel Hill ; London : Univ. of North Carolina Press], This book is used by an scientist of literature and with many remarks. The arts occupied a central position i… Mehr…

[ED: kartoniert], [PU: Chapel Hill ; London : Univ. of North Carolina Press], This book is used by an scientist of literature and with many remarks. The arts occupied a central position in the ideology and propaganda of National Socialism. Yet despite the existence of a number of fine scholarly and popular studies of the subject, the research potential of the Nazi regime's policies toward the arts remains largely untapped. The Reich Chamber of Culture, or Reichskulturkammer, in particular, stands out as an institution that merits far more attention than it has received. Created by the Reich Cabinet in September 1933 upon the initiative of Propaganda Minister Joseph Goebbels, who became president of the mammoth new organization, the Kulturkammer was designed to "promote German culture on behalf of the German Volk and Reich" and to "regulate the economic and social affairs of the culture professions." Subdivided into separate chambers for music, theater, the visual arts, literature, film, radio, and the press, this organization encompassed several hundred thousand professionals and influenced the activities of millions of amateur artists and musicians as well. Most of what we know about the Kulturkammer and its chambers relates to the purge and censorship dimensions of their responsibilities, although even these require far more investigation. Meanwhile, the economic, social, and professional dimensions of chamber policy have been largely overlooked. During the years of Nazi rule, the culture chambers implemented, or attempted to implement, numerous measures designed to ameliorate the material hardships that had long confronted German artists and to secure a modicum of long-term economic stability for the traditionally crisis-ridden art professions., DE, [SC: 2.40], deutliche Gebrauchsspuren, privates Angebot, [GW: 711g], Banküberweisung, PayPal, Internationaler Versand, [CT: Englischsprachige Bücher / Wissenschaftliche Literatur (englisch)]<

1993, ISBN: 9780807821046

X, 233 S. Originalleinen mit Schutzumschlag. Ein gutes und sauberes Exemplar. - The arts occupied a central position in the ideology and propaganda of National Socialism. Yet despite the … Mehr…

X, 233 S. Originalleinen mit Schutzumschlag. Ein gutes und sauberes Exemplar. - The arts occupied a central position in the ideology and propaganda of National Socialism. Yet despite the existence of a number of fine scholarly and popular studies of the subject, the research potential of the Nazi regime's policies toward the arts remains largely untapped. The Reich Chamber of Culture, or Reichskulturkammer, in particular, stands out as an institution that merits far more attention than it has received. Created by the Reich Cabinet in September 1933 upon the initiative of Propaganda Minister Joseph Goebbels, who became president of the mammoth new organization, the Kulturkammer was designed to "promote German culture on behalf of the German Volk and Reich" and to "regulate the economic and social affairs of the culture professions." Subdivided into separate chambers for music, theater, the visual arts, literature, film, radio, and the press, this organization encompassed several hundred thousand professionals and influenced the activities of millions of amateur artists and musicians as well. Most of what we know about the Kulturkammer and its chambers relates to the purge and censorship dimensions of their responsibilities, although even these require far more investigation. Meanwhile, the economic, social, and professional dimensions of chamber policy have been largely overlooked. During the years of Nazi rule, the culture chambers implemented, or attempted to implement, numerous measures designed to ameliorate the material hardships that had long confronted German artists and to secure a modicum of long-term economic stability for the traditionally crisis-ridden art professions. ISBN 0807821047 Versand D: 4,50 EUR Reichskulturkammer, Kunstpolitik, Geschichte, Kulturpolitik, Historische, Hilfswissenschaften, Bildende, Kunst, [PU:Chapel Hill ; London : Univ. of North Carolina Press,]<