Salvador Dalí's autobiography confesses that Hitler turned me on in the highest, while Sylvia Plath maintains that every woman adores a Fascist. Susan Sontag's famous observation tha… Mehr…
Salvador Dalí's autobiography confesses that Hitler turned me on in the highest, while Sylvia Plath maintains that every woman adores a Fascist. Susan Sontag's famous observation that art reveals the seamier side of fascism in bondage, discipline, and sexual deviance would certainly appear to be true in modernist and postwar literary texts. How do we account for eroticized representations of fascism in anti-fascist literature, for sexual desire that escapes the bounds of politics? Laura Frost advances a compelling reading of works by D. H. Lawrence, Virginia Woolf, Jean Genet, Georges Bataille, Marguerite Duras, and Sylvia Plath, paying special attention to undercurrents of enthrallment with tyrants, uniforms, and domination. She argues that the first generation of writers raised within psychoanalytic discourse found in fascism the libidinal unconscious through which to fantasize acts—including sadomasochism and homosexuality—not permitted in a democratic conception of sexuality without power relations. By delineating democracy's investment in a sexually transgressive fascism, an investment that persists to this day, Frost demonstrates how politics enters into fantasy. This provocative and closely-argued book offers both a fresh contribution to modernist literature and a theorization of fantasy. Trade Books>Hardcover>Classics>Lit Studies>Lit Theory & Criticism, Cornell University Press Core >2<
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Salvador DalÃ''s autobiography confesses that ""Hitler turned me on in the highest,"" while Sylvia Plath maintains that ""every woman adores a Fascist."" Susan Sontag''s famous observati… Mehr…
Salvador DalÃ''s autobiography confesses that ""Hitler turned me on in the highest,"" while Sylvia Plath maintains that ""every woman adores a Fascist."" Susan Sontag''s famous observation that art reveals the seamier side of fascism in bondage, discipline, and sexual deviance would certainly appear to be true in modernist and postwar literary texts. How do we account for eroticized representations of fascism in anti-fascist literature, for sexual desire that escapes the bounds of politics?Laura Frost advances a compelling reading of works by D. H. Lawrence, Virginia Woolf, Jean Genet, Georges Bataille, Marguerite Duras, and Sylvia Plath, paying special attention to undercurrents of enthrallment with tyrants, uniforms, and domination. She argues that the first generation of writers raised within psychoanalytic discourse found in fascism the libidinal unconscious through which to fantasize acts?including sadomasochism and homosexuality?not permitted in a democratic conception of sexuality without power relations. By delineating democracy''s investment in a sexually transgressive fascism, an investment that persists to this day, Frost demonstrates how politics enters into fantasy. This provocative and closely-argued book offers both a fresh contribution to modernist literature and a theorization of fantasy. | Sex Drives by Laura Frost Paper over Board | Indigo Chapters Books > Literary Criticism > Criticism & Theory P10106, Laura Frost<
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(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Salvador DalÃ''s autobiography confesses that ""Hitler turned me on in the highest,"" while Sylvia Plath maintains that ""every woman adores a Fascist."" Susan Sontag''s famous observati… Mehr…
Salvador DalÃ''s autobiography confesses that ""Hitler turned me on in the highest,"" while Sylvia Plath maintains that ""every woman adores a Fascist."" Susan Sontag''s famous observation that art reveals the seamier side of fascism in bondage, discipline, and sexual deviance would certainly appear to be true in modernist and postwar literary texts. How do we account for eroticized representations of fascism in anti-fascist literature, for sexual desire that escapes the bounds of politics?Laura Frost advances a compelling reading of works by D. H. Lawrence, Virginia Woolf, Jean Genet, Georges Bataille, Marguerite Duras, and Sylvia Plath, paying special attention to undercurrents of enthrallment with tyrants, uniforms, and domination. She argues that the first generation of writers raised within psychoanalytic discourse found in fascism the libidinal unconscious through which to fantasize acts?including sadomasochism and homosexuality?not permitted in a democratic conception of sexuality without power relations. By delineating democracy''s investment in a sexually transgressive fascism, an investment that persists to this day, Frost demonstrates how politics enters into fantasy. This provocative and closely-argued book offers both a fresh contribution to modernist literature and a theorization of fantasy. | Sex Drives by Laura Frost Hardcover | Indigo Chapters Books > Literary Criticism > Criticism & Theory P10106, Laura Frost<
Indigo.ca
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(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Salvador Dalí''s autobiography confesses that ""Hitler turned me on in the highest,"" while Sylvia Plath maintains that ""every woman adores a Fascist."" Susan Sontag''s famous observatio… Mehr…
Salvador Dalí''s autobiography confesses that ""Hitler turned me on in the highest,"" while Sylvia Plath maintains that ""every woman adores a Fascist."" Susan Sontag''s famous observation that art reveals the seamier side of fascism in bondage, discipline, and sexual deviance would certainly appear to be true in modernist and postwar literary texts. How do we account for eroticized representations of fascism in anti-fascist literature, for sexual desire that escapes the bounds of politics?Laura Frost advances a compelling reading of works by D. H. Lawrence, Virginia Woolf, Jean Genet, Georges Bataille, Marguerite Duras, and Sylvia Plath, paying special attention to undercurrents of enthrallment with tyrants, uniforms, and domination. She argues that the first generation of writers raised within psychoanalytic discourse found in fascism the libidinal unconscious through which to fantasize acts?including sadomasochism and homosexuality?not permitted in a democratic conception of sexuality without power relations. By delineating democracy''s investment in a sexually transgressive fascism, an investment that persists to this day, Frost demonstrates how politics enters into fantasy. This provocative and closely-argued book offers both a fresh contribution to modernist literature and a theorization of fantasy. | Sex Drives by Laura Frost Hardcover | Indigo Chapters Books > Literary Criticism > Criticism & Theory P10106, Laura Frost<
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(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Salvador Dalí''s autobiography confesses that "Hitler turned me on in the highest," while Sylvia Plath maintains that "every woman adores a Fascist." Susan Sontag''s famous observation th… Mehr…
Salvador Dalí''s autobiography confesses that "Hitler turned me on in the highest," while Sylvia Plath maintains that "every woman adores a Fascist." Susan Sontag''s famous observation that art reveals the seamier side of fascism in bondage, discipline, and sexual deviance would certainly appear to be true in modernist and postwar literary texts. How do we account for eroticized representations of fascism in anti-fascist literature, for sexual desire that escapes the bounds of politics?Laura Frost advances a compelling reading of works by D. H. Lawrence, Virginia Woolf, Jean Genet, Georges Bataille, Marguerite Duras, and Sylvia Plath, paying special attention to undercurrents of enthrallment with tyrants, uniforms, and domination. She argues that the first generation of writers raised within psychoanalytic discourse found in fascism the libidinal unconscious through which to fantasize acts?including sadomasochism and homosexuality?not permitted in a democratic conception of sexuality without power relations. By delineating democracy''s investment in a sexually transgressive fascism, an investment that persists to this day, Frost demonstrates how politics enters into fantasy. This provocative and closely-argued book offers both a fresh contribution to modernist literature and a theorization of fantasy. Books > Literary Criticism > Criticism & Theory List_Books, [PU: Cornell University Press]<
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(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Salvador Dalí's autobiography confesses that Hitler turned me on in the highest, while Sylvia Plath maintains that every woman adores a Fascist. Susan Sontag's famous observation tha… Mehr…
Salvador Dalí's autobiography confesses that Hitler turned me on in the highest, while Sylvia Plath maintains that every woman adores a Fascist. Susan Sontag's famous observation that art reveals the seamier side of fascism in bondage, discipline, and sexual deviance would certainly appear to be true in modernist and postwar literary texts. How do we account for eroticized representations of fascism in anti-fascist literature, for sexual desire that escapes the bounds of politics? Laura Frost advances a compelling reading of works by D. H. Lawrence, Virginia Woolf, Jean Genet, Georges Bataille, Marguerite Duras, and Sylvia Plath, paying special attention to undercurrents of enthrallment with tyrants, uniforms, and domination. She argues that the first generation of writers raised within psychoanalytic discourse found in fascism the libidinal unconscious through which to fantasize acts—including sadomasochism and homosexuality—not permitted in a democratic conception of sexuality without power relations. By delineating democracy's investment in a sexually transgressive fascism, an investment that persists to this day, Frost demonstrates how politics enters into fantasy. This provocative and closely-argued book offers both a fresh contribution to modernist literature and a theorization of fantasy. Trade Books>Hardcover>Classics>Lit Studies>Lit Theory & Criticism, Cornell University Press Core >2<
Salvador DalÃ''s autobiography confesses that ""Hitler turned me on in the highest,"" while Sylvia Plath maintains that ""every woman adores a Fascist."" Susan Sontag''s famous observati… Mehr…
Salvador DalÃ''s autobiography confesses that ""Hitler turned me on in the highest,"" while Sylvia Plath maintains that ""every woman adores a Fascist."" Susan Sontag''s famous observation that art reveals the seamier side of fascism in bondage, discipline, and sexual deviance would certainly appear to be true in modernist and postwar literary texts. How do we account for eroticized representations of fascism in anti-fascist literature, for sexual desire that escapes the bounds of politics?Laura Frost advances a compelling reading of works by D. H. Lawrence, Virginia Woolf, Jean Genet, Georges Bataille, Marguerite Duras, and Sylvia Plath, paying special attention to undercurrents of enthrallment with tyrants, uniforms, and domination. She argues that the first generation of writers raised within psychoanalytic discourse found in fascism the libidinal unconscious through which to fantasize acts?including sadomasochism and homosexuality?not permitted in a democratic conception of sexuality without power relations. By delineating democracy''s investment in a sexually transgressive fascism, an investment that persists to this day, Frost demonstrates how politics enters into fantasy. This provocative and closely-argued book offers both a fresh contribution to modernist literature and a theorization of fantasy. | Sex Drives by Laura Frost Paper over Board | Indigo Chapters Books > Literary Criticism > Criticism & Theory P10106, Laura Frost<
Salvador DalÃ''s autobiography confesses that ""Hitler turned me on in the highest,"" while Sylvia Plath maintains that ""every woman adores a Fascist."" Susan Sontag''s famous observati… Mehr…
Salvador DalÃ''s autobiography confesses that ""Hitler turned me on in the highest,"" while Sylvia Plath maintains that ""every woman adores a Fascist."" Susan Sontag''s famous observation that art reveals the seamier side of fascism in bondage, discipline, and sexual deviance would certainly appear to be true in modernist and postwar literary texts. How do we account for eroticized representations of fascism in anti-fascist literature, for sexual desire that escapes the bounds of politics?Laura Frost advances a compelling reading of works by D. H. Lawrence, Virginia Woolf, Jean Genet, Georges Bataille, Marguerite Duras, and Sylvia Plath, paying special attention to undercurrents of enthrallment with tyrants, uniforms, and domination. She argues that the first generation of writers raised within psychoanalytic discourse found in fascism the libidinal unconscious through which to fantasize acts?including sadomasochism and homosexuality?not permitted in a democratic conception of sexuality without power relations. By delineating democracy''s investment in a sexually transgressive fascism, an investment that persists to this day, Frost demonstrates how politics enters into fantasy. This provocative and closely-argued book offers both a fresh contribution to modernist literature and a theorization of fantasy. | Sex Drives by Laura Frost Hardcover | Indigo Chapters Books > Literary Criticism > Criticism & Theory P10106, Laura Frost<
Salvador Dalí''s autobiography confesses that ""Hitler turned me on in the highest,"" while Sylvia Plath maintains that ""every woman adores a Fascist."" Susan Sontag''s famous observatio… Mehr…
Salvador Dalí''s autobiography confesses that ""Hitler turned me on in the highest,"" while Sylvia Plath maintains that ""every woman adores a Fascist."" Susan Sontag''s famous observation that art reveals the seamier side of fascism in bondage, discipline, and sexual deviance would certainly appear to be true in modernist and postwar literary texts. How do we account for eroticized representations of fascism in anti-fascist literature, for sexual desire that escapes the bounds of politics?Laura Frost advances a compelling reading of works by D. H. Lawrence, Virginia Woolf, Jean Genet, Georges Bataille, Marguerite Duras, and Sylvia Plath, paying special attention to undercurrents of enthrallment with tyrants, uniforms, and domination. She argues that the first generation of writers raised within psychoanalytic discourse found in fascism the libidinal unconscious through which to fantasize acts?including sadomasochism and homosexuality?not permitted in a democratic conception of sexuality without power relations. By delineating democracy''s investment in a sexually transgressive fascism, an investment that persists to this day, Frost demonstrates how politics enters into fantasy. This provocative and closely-argued book offers both a fresh contribution to modernist literature and a theorization of fantasy. | Sex Drives by Laura Frost Hardcover | Indigo Chapters Books > Literary Criticism > Criticism & Theory P10106, Laura Frost<
Salvador Dalí''s autobiography confesses that "Hitler turned me on in the highest," while Sylvia Plath maintains that "every woman adores a Fascist." Susan Sontag''s famous observation th… Mehr…
Salvador Dalí''s autobiography confesses that "Hitler turned me on in the highest," while Sylvia Plath maintains that "every woman adores a Fascist." Susan Sontag''s famous observation that art reveals the seamier side of fascism in bondage, discipline, and sexual deviance would certainly appear to be true in modernist and postwar literary texts. How do we account for eroticized representations of fascism in anti-fascist literature, for sexual desire that escapes the bounds of politics?Laura Frost advances a compelling reading of works by D. H. Lawrence, Virginia Woolf, Jean Genet, Georges Bataille, Marguerite Duras, and Sylvia Plath, paying special attention to undercurrents of enthrallment with tyrants, uniforms, and domination. She argues that the first generation of writers raised within psychoanalytic discourse found in fascism the libidinal unconscious through which to fantasize acts?including sadomasochism and homosexuality?not permitted in a democratic conception of sexuality without power relations. By delineating democracy''s investment in a sexually transgressive fascism, an investment that persists to this day, Frost demonstrates how politics enters into fantasy. This provocative and closely-argued book offers both a fresh contribution to modernist literature and a theorization of fantasy. Books > Literary Criticism > Criticism & Theory List_Books, [PU: Cornell University Press]<
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Detailangaben zum Buch - Sex Drives: Fantasies of Fascism in Literary Modernism Laura Frost Author
EAN (ISBN-13): 9780801438943 ISBN (ISBN-10): 0801438942 Gebundene Ausgabe Erscheinungsjahr: 2002 Herausgeber: Cornell University Press Core >2 224 Seiten Sprache: eng/Englisch
Buch in der Datenbank seit 2008-01-15T16:20:12+01:00 (Berlin) Detailseite zuletzt geändert am 2023-11-11T18:38:09+01:00 (Berlin) ISBN/EAN: 0801438942
ISBN - alternative Schreibweisen: 0-8014-3894-2, 978-0-8014-3894-3 Alternative Schreibweisen und verwandte Suchbegriffe: Autor des Buches: laura frost, marguerite duras, jean genet, georges bataille, art homosexuality, salvador dali, sylvia plath, sylvia day, susan sontag Titel des Buches: modernism and fascism, facism, sex fantasies
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