ISBN: 9780674090606
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Cahiers du Cinéma, The 1950s: Neo-Realism, Hollywood, New Wave (Harvard Film Studies) (v. 1) - gebunden oder broschiert
1985, ISBN: 9780674090606
Harvard University Press, 1985-06-01. Hardcover. Good., Harvard University Press, 1985-06-01, 2.5
Biblio.co.uk |
ISBN: 9780674090606
"Cahiers du Cinema" is the most prestigious and influential film journal ever published. An anthology devoted entirely to its writings, in English translation, is long overdue. The selec… Mehr…
Hiler, Jim (editor):
Cahiers Du Cinema: the 1950s: Neo-Realism, Hollywood, New Wave - gebunden oder broschiert1985, ISBN: 9780674090606
Cambridge, MA: Harvard University Press. As New in As New dust jacket. 1985. First Edition; Stated First Printing. Hardcover. 0674090608 . Hardcover with dustjacket. First edition. Bla… Mehr…
1985
ISBN: 0674090608
[EAN: 9780674090606], Gebraucht, guter Zustand, [SC: 8.97], [PU: Harvard University Press], Former library book; may include library markings. Used book that is in clean, average conditio… Mehr…
1985, ISBN: 0674090608
Gebundene Ausgabe
[EAN: 9780674090606], Gebraucht, wie neu, [PU: Harvard University Press], NEO REALISM, Jacket, Selection of articles on Neo-Realism, Hollywood in the1950s, Frenchc New Wave and Neo-Realis… Mehr…
Cahiers du Cinéma, The 1950s: Neo-Realism, Hollywood, New Wave (Harvard Film Studies) (v. 1) - gebunden oder broschiert
1985, ISBN: 9780674090606
Harvard University Press, 1985-06-01. Hardcover. Good., Harvard University Press, 1985-06-01, 2.5
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Cahiers du Cinema is the most prestigious and influential film journal ever published. An anthology devoted entirely to its writings, in English translation, is long overdue.
The selections in this volume are drawn from the colorful first decade of Cahiers, 1951-1959, when a group of young iconoclasts racked the world of film criticism with their provocative views an international cinema--American, Italian, and French in particular. They challenged long-established Anglo-Saxon attitudes by championing American popular movies, addressing genres such as the Western and the thriller and the aesthetics of technological developments like CinemaScope, emphasizing mise en scéne as much as thematic content, and assessing the work of individual filmmakers such as Hawks, Hitchcock, and Nicholas Ray in terms of a new theory of the director as author, auteur, a revolutionary concept at the time. Italian film, especially the work of Rossellini, prompted sharp debates about realism that helped shift the focus of critical discussion from content toward style. The critiques of French cinema have special interest because many of the journal's major contributors and theorists Godard, Truffaut, Rohmer, Rivette, Chabrol were to become same of France's most important film directors and leaders of the New Wave.
Translated under the supervision of the British Film Institute, the selections have far the most part never appeared in English until now. Hillier has organized them into topical groupings and has provided introductions to the parts as well as the whale. Together these essays, reviews, discussions, and polemics reveal the central ideas of the Cahiers of the 1950s not as fixed doctrines but as provocative, productive, often contradictory contributions to crucial debates that were to overturn critical thinking about film.
Detailangaben zum Buch - Cahiers Du Cinema: The 1950S, Neo-Realism, Hollywood, New Wave (Harvard Film Studies)
EAN (ISBN-13): 9780674090606
ISBN (ISBN-10): 0674090608
Gebundene Ausgabe
Taschenbuch
Erscheinungsjahr: 1985
Herausgeber: Hillier, Jim, Harvard University Press
Buch in der Datenbank seit 2007-05-29T14:06:24+02:00 (Berlin)
Detailseite zuletzt geändert am 2024-04-09T19:58:05+02:00 (Berlin)
ISBN/EAN: 0674090608
ISBN - alternative Schreibweisen:
0-674-09060-8, 978-0-674-09060-6
Alternative Schreibweisen und verwandte Suchbegriffe:
Autor des Buches: cahiers, hillier
Titel des Buches: cahiers cinema, 1950s, hollywood cinema, cahiers cinma, wave cinema, cahier cinema, new realism, new realisms, cina study, the new wave, cin cin, cahiers cinéma, neo
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