This is an illustrated history of the performance and reception of Shakespeare''s plays on the German stage from the English Comedians in the late sixteenth century to the First World War… Mehr…
This is an illustrated history of the performance and reception of Shakespeare''s plays on the German stage from the English Comedians in the late sixteenth century to the First World War. Simon Williams argues that the vision of Shakespeare first articulated by critics of Sturm und Drang and romanticism was only realised in practice with the productions of Max Reinhardt in the early twentieth century. The book focuses on the classical period of German literature and theatre, when Shakespeare''s plays were first staged in Germany in a relatively complete form, and when they had a potent influence on the writings of German drama and dramatic criticism. Important contributions to the critical reception of Shakespeare in the late eighteenth century are discussed. Professor Williams describes the steady increase in productions of Shakespeare''s plays during the nineteenth century, paying attention to textual adaptation, actors'' interpretations of leading roles and, in the latter part of the book, to the influence of the rise of the director on Shakespearean performance. A subsequent volume by Wilhelm Hortmann discusses Shakespeare production in Germany from the early twentieth century to the present day. | Shakespeare on the German Stage: Volume 1 1586â??1914 by Simon Williams Paperback | Indigo Chapters Books > Drama > Plays P10106, Simon Williams<
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This is an illustrated history of the performance and reception of Shakespeare''s plays on the German stage from the English Comedians in the late sixteenth century to the First World War… Mehr…
This is an illustrated history of the performance and reception of Shakespeare''s plays on the German stage from the English Comedians in the late sixteenth century to the First World War. Simon Williams argues that the vision of Shakespeare first articulated by critics of Sturm und Drang and romanticism was only realised in practice with the productions of Max Reinhardt in the early twentieth century. The book focuses on the classical period of German literature and theatre, when Shakespeare''s plays were first staged in Germany in a relatively complete form, and when they had a potent influence on the writings of German drama and dramatic criticism. Important contributions to the critical reception of Shakespeare in the late eighteenth century are discussed. Professor Williams describes the steady increase in productions of Shakespeare''s plays during the nineteenth century, paying attention to textual adaptation, actors'' interpretations of leading roles and, in the latter part of the book, to the influence of the rise of the director on Shakespearean performance. A subsequent volume by Wilhelm Hortmann discusses Shakespeare production in Germany from the early twentieth century to the present day. | Shakespeare on the German Stage: Volume 1 1586–1914 by Simon Williams Paperback | Indigo Chapters Books > Drama > Plays P10106, Simon Williams<
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(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
This is an illustrated history of the performance and reception of Shakespeare's plays on the German stage from the English Comedians in the late sixteenth century to the First World War.… Mehr…
This is an illustrated history of the performance and reception of Shakespeare's plays on the German stage from the English Comedians in the late sixteenth century to the First World War. Simon Williams argues that the vision of Shakespeare first articulated by critics of Sturm und Drang and romanticism was only realised in practice with the productions of Max Reinhardt in the early twentieth century. The book focuses on the classical period of German literature and theatre, when Shakespeare's plays were first staged in Germany in a relatively complete form, and when they had a potent influence on the writings of German drama and dramatic criticism. Important contributions to the critical reception of Shakespeare in the late eighteenth century are discussed. Professor Williams describes the steady increase in productions of Shakespeare's plays during the nineteenth century, paying attention to textual adaptation, actors' interpretations of leading roles and, in the latter part of the book, to the influence of the rise of the director on Shakespearean performance. A subsequent volume by Wilhelm Hortmann discusses Shakespeare production in Germany from the early twentieth century to the present day. New Textbooks>Trade Paperback>Theatre & Drama>Shakespeare>Crit,Shakespear, Cambridge University Press Core >1 >T<
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(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
This is an illustrated history of the performance and reception of Shakespeare's plays on the German stage from the English Comedians in the late sixteenth century to the First World War.… Mehr…
This is an illustrated history of the performance and reception of Shakespeare's plays on the German stage from the English Comedians in the late sixteenth century to the First World War. Simon Williams argues that the vision of Shakespeare first articulated by critics of Sturm und Drang and romanticism was only realised in practice with the productions of Max Reinhardt in the early twentieth century. The book focuses on the classical period of German literature and theatre, when Shakespeare's plays were first staged in Germany in a relatively complete form, and when they had a potent influence on the writings of German drama and dramatic criticism. Important contributions to the critical reception of Shakespeare in the late eighteenth century are discussed. Professor Williams describes the steady increase in productions of Shakespeare's plays during the nineteenth century, paying attention to textual adaptation, actors' interpretations of leading roles and, in the latter part of the book, to the influence of the rise of the director on Shakespearean performance. A subsequent volume by Wilhelm Hortmann discusses Shakespeare production in Germany from the early twentieth century to the present day. Books, [PU: Cambridge University Press]<
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(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
This is an illustrated history of the performance and reception of Shakespeare''s plays on the German stage from the English Comedians in the late sixteenth century to the First World War… Mehr…
This is an illustrated history of the performance and reception of Shakespeare''s plays on the German stage from the English Comedians in the late sixteenth century to the First World War. Simon Williams argues that the vision of Shakespeare first articulated by critics of Sturm und Drang and romanticism was only realised in practice with the productions of Max Reinhardt in the early twentieth century. The book focuses on the classical period of German literature and theatre, when Shakespeare''s plays were first staged in Germany in a relatively complete form, and when they had a potent influence on the writings of German drama and dramatic criticism. Important contributions to the critical reception of Shakespeare in the late eighteenth century are discussed. Professor Williams describes the steady increase in productions of Shakespeare''s plays during the nineteenth century, paying attention to textual adaptation, actors'' interpretations of leading roles and, in the latter part of the book, to the influence of the rise of the director on Shakespearean performance. A subsequent volume by Wilhelm Hortmann discusses Shakespeare production in Germany from the early twentieth century to the present day. | Shakespeare on the German Stage: Volume 1 1586â??1914 by Simon Williams Paperback | Indigo Chapters Books > Drama > Plays P10106, Simon Williams<
This is an illustrated history of the performance and reception of Shakespeare''s plays on the German stage from the English Comedians in the late sixteenth century to the First World War… Mehr…
This is an illustrated history of the performance and reception of Shakespeare''s plays on the German stage from the English Comedians in the late sixteenth century to the First World War. Simon Williams argues that the vision of Shakespeare first articulated by critics of Sturm und Drang and romanticism was only realised in practice with the productions of Max Reinhardt in the early twentieth century. The book focuses on the classical period of German literature and theatre, when Shakespeare''s plays were first staged in Germany in a relatively complete form, and when they had a potent influence on the writings of German drama and dramatic criticism. Important contributions to the critical reception of Shakespeare in the late eighteenth century are discussed. Professor Williams describes the steady increase in productions of Shakespeare''s plays during the nineteenth century, paying attention to textual adaptation, actors'' interpretations of leading roles and, in the latter part of the book, to the influence of the rise of the director on Shakespearean performance. A subsequent volume by Wilhelm Hortmann discusses Shakespeare production in Germany from the early twentieth century to the present day. | Shakespeare on the German Stage: Volume 1 1586–1914 by Simon Williams Paperback | Indigo Chapters Books > Drama > Plays P10106, Simon Williams<
This is an illustrated history of the performance and reception of Shakespeare's plays on the German stage from the English Comedians in the late sixteenth century to the First World War.… Mehr…
This is an illustrated history of the performance and reception of Shakespeare's plays on the German stage from the English Comedians in the late sixteenth century to the First World War. Simon Williams argues that the vision of Shakespeare first articulated by critics of Sturm und Drang and romanticism was only realised in practice with the productions of Max Reinhardt in the early twentieth century. The book focuses on the classical period of German literature and theatre, when Shakespeare's plays were first staged in Germany in a relatively complete form, and when they had a potent influence on the writings of German drama and dramatic criticism. Important contributions to the critical reception of Shakespeare in the late eighteenth century are discussed. Professor Williams describes the steady increase in productions of Shakespeare's plays during the nineteenth century, paying attention to textual adaptation, actors' interpretations of leading roles and, in the latter part of the book, to the influence of the rise of the director on Shakespearean performance. A subsequent volume by Wilhelm Hortmann discusses Shakespeare production in Germany from the early twentieth century to the present day. New Textbooks>Trade Paperback>Theatre & Drama>Shakespeare>Crit,Shakespear, Cambridge University Press Core >1 >T<
This is an illustrated history of the performance and reception of Shakespeare's plays on the German stage from the English Comedians in the late sixteenth century to the First World War.… Mehr…
This is an illustrated history of the performance and reception of Shakespeare's plays on the German stage from the English Comedians in the late sixteenth century to the First World War. Simon Williams argues that the vision of Shakespeare first articulated by critics of Sturm und Drang and romanticism was only realised in practice with the productions of Max Reinhardt in the early twentieth century. The book focuses on the classical period of German literature and theatre, when Shakespeare's plays were first staged in Germany in a relatively complete form, and when they had a potent influence on the writings of German drama and dramatic criticism. Important contributions to the critical reception of Shakespeare in the late eighteenth century are discussed. Professor Williams describes the steady increase in productions of Shakespeare's plays during the nineteenth century, paying attention to textual adaptation, actors' interpretations of leading roles and, in the latter part of the book, to the influence of the rise of the director on Shakespearean performance. A subsequent volume by Wilhelm Hortmann discusses Shakespeare production in Germany from the early twentieth century to the present day. Books, [PU: Cambridge University Press]<
Nr. 9780521611930. Versandkosten:, , zzgl. Versandkosten.
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This is an illustrated history of the performance and reception of Shakespeare's plays on the German stage from the English Comedians in the late sixteenth century to the First World War.
Detailangaben zum Buch - Shakespeare on the German Stage: Volume 1, 1586-1914 Simon Williams Author
EAN (ISBN-13): 9780521611930 ISBN (ISBN-10): 0521611938 Taschenbuch Erscheinungsjahr: 2004 Herausgeber: Cambridge University Press Core >1 >T 260 Seiten Gewicht: 0,411 kg Sprache: eng/Englisch
Buch in der Datenbank seit 2007-11-06T18:59:00+01:00 (Berlin) Detailseite zuletzt geändert am 2024-04-20T17:31:58+02:00 (Berlin) ISBN/EAN: 0521611938
ISBN - alternative Schreibweisen: 0-521-61193-8, 978-0-521-61193-0 Alternative Schreibweisen und verwandte Suchbegriffe: Autor des Buches: simon williams, willi simon, max reinhardt Titel des Buches: the german, german course vol, 1914, shakespeare stage
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