1986, ISBN: 9780416421309

[PU: London : Methuen Publishing Ltd], XIV, 370 p., ill. Original softcover. From the estate of Kurt Scheel, German publicist. - Occasional markings in text, otherwise very good and clean… Mehr…

[PU: London : Methuen Publishing Ltd], XIV, 370 p., ill. Original softcover. From the estate of Kurt Scheel, German publicist. - Occasional markings in text, otherwise very good and clean. - Contents: Preface -- Introduction -- PART ONE: Some Theories of Narration -- 1. Mimetic Theories of Narration -- Perspective as Narration -- Perspective and Point of View in Literature -- The Invisible Observer -- Eisenstein: Narration as Scenography -- 2. Diegetic Theories of Narration -- Film Narration as Metalanguage -- Film Narration as Enunciation -- PART TWO: Narration and Film Form -- 3. The Viewer's Activity -- A Sketch for a Psychology of Filmic Perception and Cognition -- Narrative Comprehension -- Believing and Seeing -- 4. Principles of Narration -- Fabula, Syuzhet, and Style -- Tactics of Syuzhet Construction -- Knowledge, Self-Consciousness, and Communicativeness -- Narrator, Author -- 5. Sin, Murder, and Narration -- The Detective Film -- The Melodrama -- 6. Narration and Time -- Features of Temporal Construction -- Temporal Stratagems and Spoils -- 7. Narration and Space -- Constructing Space -- Perspective and the Spectator -- Ideal Positionality: Shot/reverse Shot -- Cues, Features, and Functions -- Space in The Confrontation -- PART THREE: Historical Modes of Narration -- 8. Modes and Norms -- 9. Classical Narration: The Hollywood Example -- Canonic Narration -- Classical Style -- The Classical Spectator -- Seven Films, Eight Segments -- 10. Art-Cinema Narration -- Objectivity, Subjectivity, Authority -- The Game of Form -- The Art Cinema in History -- 11. Historical-Materialist Narration: The Soviet Example -- Narration as Rhetoric -- Predictable Fabula, Unpredictable Narration -- The New Babylon -- Toward an Interrogative Cinema -- 12. Parametric Narration -- A New Role for Style -- Shapes and Strategies -- The Parameters of Pickpocket -- The Problem of Modernism -- 13. Godard and Narration -- Schemata in Conflict -- Spatializing Narration -- Narrator and Palimpsest -- 1968 and After -- Conclusion -- Notes -- Photo Credits -- Selected Bibliography -- Index. ISBN 9780416421309, DE, [SC: 4.50], gebraucht; gut, gewerbliches Angebot, [GW: 550g], Banküberweisung, Offene Rechnung, PayPal, Internationaler Versand<

1986, ISBN: 041642130X

[EAN: 9780416421309], Gebraucht, sehr guter Zustand, [SC: 4.0], [PU: London : Methuen Publishing Ltd], XIV, 370 p., ill. From the estate of Kurt Scheel, German publicist. - Occasional mar… Mehr…

[EAN: 9780416421309], Gebraucht, sehr guter Zustand, [SC: 4.0], [PU: London : Methuen Publishing Ltd], XIV, 370 p., ill. From the estate of Kurt Scheel, German publicist. - Occasional markings in text, otherwise very good and clean. - Contents: Preface -- Introduction -- PART ONE: Some Theories of Narration -- 1. Mimetic Theories of Narration -- Perspective as Narration -- Perspective and Point of View in Literature -- The Invisible Observer -- Eisenstein: Narration as Scenography -- 2. Diegetic Theories of Narration -- Film Narration as Metalanguage -- Film Narration as Enunciation -- PART TWO: Narration and Film Form -- 3. The Viewer's Activity -- A Sketch for a Psychology of Filmic Perception and Cognition -- Narrative Comprehension -- Believing and Seeing -- 4. Principles of Narration -- Fabula, Syuzhet, and Style -- Tactics of Syuzhet Construction -- Knowledge, Self-Consciousness, and Communicativeness -- Narrator, Author -- 5. Sin, Murder, and Narration -- The Detective Film -- The Melodrama -- 6. Narration and Time -- Features of Temporal Construction -- Temporal Stratagems and Spoils -- 7. Narration and Space -- Constructing Space -- Perspective and the Spectator -- Ideal Positionality: Shot/reverse Shot -- Cues, Features, and Functions -- Space in The Confrontation -- PART THREE: Historical Modes of Narration -- 8. Modes and Norms -- 9. Classical Narration: The Hollywood Example -- Canonic Narration -- Classical Style -- The Classical Spectator -- Seven Films, Eight Segments -- 10. Art-Cinema Narration -- Objectivity, Subjectivity, Authority -- The Game of Form -- The Art Cinema in History -- 11. Historical-Materialist Narration: The Soviet Example -- Narration as Rhetoric -- Predictable Fabula, Unpredictable Narration -- The New Babylon -- Toward an Interrogative Cinema -- 12. Parametric Narration -- A New Role for Style -- Shapes and Strategies -- The Parameters of Pickpocket -- The Problem of Modernism -- 13. Godard and Narration -- Schemata in Conflict -- Spatializing Narration -- Narrator and Palimpsest -- 1968 and After -- Conclusion -- Notes -- Photo Credits -- Selected Bibliography -- Index. ISBN 9780416421309 Sprache: Deutsch Gewicht in Gramm: 550, Books<

1986, ISBN: 9780416421309

XIV, 370 p., ill. Original softcover. From the estate of Kurt Scheel, German publicist. - Occasional markings in text, otherwise very good and clean. - Contents: Preface -- Introduction -… Mehr…

XIV, 370 p., ill. Original softcover. From the estate of Kurt Scheel, German publicist. - Occasional markings in text, otherwise very good and clean. - Contents: Preface -- Introduction -- PART ONE: Some Theories of Narration -- 1. Mimetic Theories of Narration -- Perspective as Narration -- Perspective and Point of View in Literature -- The Invisible Observer -- Eisenstein: Narration as Scenography -- 2. Diegetic Theories of Narration -- Film Narration as Metalanguage -- Film Narration as Enunciation -- PART TWO: Narration and Film Form -- 3. The Viewer's Activity -- A Sketch for a Psychology of Filmic Perception and Cognition -- Narrative Comprehension -- Believing and Seeing -- 4. Principles of Narration -- Fabula, Syuzhet, and Style -- Tactics of Syuzhet Construction -- Knowledge, Self-Consciousness, and Communicativeness -- Narrator, Author -- 5. Sin, Murder, and Narration -- The Detective Film -- The Melodrama -- 6. Narration and Time -- Features of Temporal Construction -- Temporal Stratagems and Spoils -- 7. Narration and Space -- Constructing Space -- Perspective and the Spectator -- Ideal Positionality: Shot/reverse Shot -- Cues, Features, and Functions -- Space in The Confrontation -- PART THREE: Historical Modes of Narration -- 8. Modes and Norms -- 9. Classical Narration: The Hollywood Example -- Canonic Narration -- Classical Style -- The Classical Spectator -- Seven Films, Eight Segments -- 10. Art-Cinema Narration -- Objectivity, Subjectivity, Authority -- The Game of Form -- The Art Cinema in History -- 11. Historical-Materialist Narration: The Soviet Example -- Narration as Rhetoric -- Predictable Fabula, Unpredictable Narration -- The New Babylon -- Toward an Interrogative Cinema -- 12. Parametric Narration -- A New Role for Style -- Shapes and Strategies -- The Parameters of Pickpocket -- The Problem of Modernism -- 13. Godard and Narration -- Schemata in Conflict -- Spatializing Narration -- Narrator and Palimpsest -- 1968 and After -- Conclusion -- Notes -- Photo Credits -- Selected Bibliography -- Index. ISBN 9780416421309 Versand D: 4,50 EUR, [PU:London : Methuen Publishing Ltd,]<

ISBN: 041642130X

[EAN: 9780416421309], Gebraucht, guter Zustand, [SC: 4.66], [PU: Methuen Publishing Ltd], Most items will be dispatched the same or the next working day., Books

ISBN: 041642130X

[EAN: 9780416421309], Gebraucht, guter Zustand, [SC: 4.62], [PU: Methuen Publishing Ltd], Most items will be dispatched the same or the next working day., Books